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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47183F it is the complementary color #B8E7C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47183F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47183F shade: #4C183A, #5D2A4D, #6E3C60, #7F4E73 and #906086

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47183F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47183F shade: #47183F, #36062C, #250019, #140006 and #030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47183F shade: #481940, #481933, #481927, #48191A and #481919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47183F shade: #481940, #431948, #371948, #2A1948 and #1D1948

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47183F shade matches the following richer shades: #481940, #501145, #58094A and #600150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47183F shade: #481940, #40213B, #392836, #313031 and #29382B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47183F shade: #371948, #431948, #481940, #481934 and #481927

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47183F shade: #0B040A, #290E25, #481940, #67235B and #862E77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47183F shade: #47183F, #482A19 and #19483D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47183F shade: #47183F, #404819 and #194048

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47183F shade: #47183F, #482A19, #194821 and #193748

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47183F shade: #47183F, #483819, #194821 and #192948

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 11 / 72

HEX #47183F

RGB 71 24 63

HSL 310.21, 0.49%, 0.19%

LAB 17.23, 28.05, -14.1

 

Complementary color

CMYK 20 / 0 / 17 / 9

HEX #B8E7C0

RGB 184 231 192

HSL 130.21, 0.49%, 0.81%

LAB 87.56, -22.61, 14.08

 

CMYK 0 / 68 / 24 / 70

HEX #4C183A

RGB 76 24 58

HSL 320.77, 0.52%, 0.2%

LAB 17.9, 28.83, -9.51

 

CMYK 0 / 55 / 17 / 64

HEX #5D2A4D

RGB 93 42 77

HSL 318.82, 0.38%, 0.26%

LAB 25.32, 28.26, -10.9

 

CMYK 0 / 45 / 13 / 57

HEX #6E3C60

RGB 110 60 96

HSL 316.8, 0.29%, 0.33%

LAB 32.68, 27.44, -11.84

 

CMYK 0 / 39 / 9 / 50

HEX #7F4E73

RGB 127 78 115

HSL 314.69, 0.24%, 0.4%

LAB 39.91, 26.6, -12.57

 

CMYK 0 / 33 / 7 / 44

HEX #906086

RGB 144 96 134

HSL 312.5, 0.2%, 0.47%

LAB 47, 25.8, -13.19

 

CMYK 0 / 66 / 11 / 72

HEX #47183F

RGB 71 24 63

HSL 310.21, 0.49%, 0.19%

LAB 17.23, 28.05, -14.1

 

CMYK 0 / 89 / 19 / 79

HEX #36062C

RGB 54 6 44

HSL 312.5, 0.8%, 0.12%

LAB 9.77, 27.9, -12.31

 

CMYK 0 / 100 / 32 / 85

HEX #250019

RGB 37 0 25

HSL 319.46, 1%, 0.07%

LAB 4.19, 20.25, -6.51

 

CMYK 0 / 100 / 70 / 92

HEX #140006

RGB 20 0 6

HSL 342, 1%, 0.04%

LAB 1.46, 6.86, -0.15

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 65 / 11 / 72

HEX #481940

RGB 72 25 64

HSL 310.21, 0.48%, 0.19%

LAB 17.66, 28.04, -14.13

 

CMYK 0 / 65 / 29 / 72

HEX #481933

RGB 72 25 51

HSL 326.81, 0.48%, 0.19%

LAB 17.05, 25.75, -5.93

 

CMYK 0 / 65 / 46 / 72

HEX #481927

RGB 72 25 39

HSL 342.13, 0.48%, 0.19%

LAB 16.6, 24.01, 1.99

 

CMYK 0 / 65 / 64 / 72

HEX #48191A

RGB 72 25 26

HSL 358.72, 0.48%, 0.19%

LAB 16.24, 22.58, 10.8

 

CMYK 0 / 65 / 65 / 72

HEX #481919

RGB 72 25 25

HSL 0, 0.48%, 0.19%

LAB 16.22, 22.49, 11.48

 

CMYK 0 / 65 / 11 / 72

HEX #481940

RGB 72 25 64

HSL 310.21, 0.48%, 0.19%

LAB 17.66, 28.04, -14.13

 

CMYK 7 / 65 / 0 / 72

HEX #431948

RGB 67 25 72

HSL 293.62, 0.48%, 0.19%

LAB 17.26, 28.1, -20.36

 

CMYK 24 / 65 / 0 / 72

HEX #371948

RGB 55 25 72

HSL 278.3, 0.48%, 0.19%

LAB 15.36, 24.47, -23.49

 

CMYK 42 / 65 / 0 / 72

HEX #2A1948

RGB 42 25 72

HSL 261.7, 0.48%, 0.19%

LAB 13.56, 20.71, -26.47

 

CMYK 60 / 65 / 0 / 72

HEX #1D1948

RGB 29 25 72

HSL 245.11, 0.48%, 0.19%

LAB 12.12, 17.39, -28.87

 

CMYK 0 / 65 / 11 / 72

HEX #481940

RGB 72 25 64

HSL 310.21, 0.48%, 0.19%

LAB 17.66, 28.04, -14.13

 

CMYK 0 / 79 / 14 / 69

HEX #501145

RGB 80 17 69

HSL 310.48, 0.65%, 0.19%

LAB 18.08, 35.09, -16.83

 

CMYK 0 / 90 / 16 / 65

HEX #58094A

RGB 88 9 74

HSL 310.63, 0.81%, 0.19%

LAB 19.07, 40.53, -18.6

 

CMYK 0 / 99 / 17 / 62

HEX #600150

RGB 96 1 80

HSL 310.11, 0.98%, 0.19%

LAB 20.39, 45.3, -20.51

 

CMYK 0 / 65 / 11 / 72

HEX #481940

RGB 72 25 64

HSL 310.21, 0.48%, 0.19%

LAB 17.66, 28.04, -14.13

 

CMYK 0 / 48 / 8 / 75

HEX #40213B

RGB 64 33 59

HSL 309.68, 0.32%, 0.19%

LAB 17.89, 19.44, -10.4

 

CMYK 0 / 30 / 5 / 78

HEX #392836

RGB 57 40 54

HSL 310.59, 0.18%, 0.19%

LAB 18.6, 10.82, -5.92

 

CMYK 0 / 2 / 0 / 81

HEX #313031

RGB 49 48 49

HSL 300, 0.01%, 0.19%

LAB 20, 0.68, -0.48

HEX #313031

CMYK 27 / 0 / 23 / 78

HEX #29382B

RGB 41 56 43

HSL 128, 0.15%, 0.19%

LAB 21.85, -9.38, 6.15

HEX #29382B

CMYK 24 / 65 / 0 / 72

HEX #371948

RGB 55 25 72

HSL 278.3, 0.48%, 0.19%

LAB 15.36, 24.47, -23.49

 

CMYK 7 / 65 / 0 / 72

HEX #431948

RGB 67 25 72

HSL 293.62, 0.48%, 0.19%

LAB 17.26, 28.1, -20.36

 

CMYK 0 / 65 / 11 / 72

HEX #481940

RGB 72 25 64

HSL 310.21, 0.48%, 0.19%

LAB 17.66, 28.04, -14.13

 

CMYK 0 / 65 / 28 / 72

HEX #481934

RGB 72 25 52

HSL 325.53, 0.48%, 0.19%

LAB 17.09, 25.91, -6.57

 

CMYK 0 / 65 / 46 / 72

HEX #481927

RGB 72 25 39

HSL 342.13, 0.48%, 0.19%

LAB 16.6, 24.01, 1.99

 

CMYK 0 / 64 / 9 / 96

HEX #0B040A

RGB 11 4 10

HSL 308.57, 0.47%, 0.03%

LAB 1.62, 2.67, -1.62

 

CMYK 0 / 66 / 10 / 84

HEX #290E25

RGB 41 14 37

HSL 308.89, 0.49%, 0.11%

LAB 8.3, 17.99, -9.56

 

CMYK 0 / 65 / 11 / 72

HEX #481940

RGB 72 25 64

HSL 310.21, 0.48%, 0.19%

LAB 17.66, 28.04, -14.13

 

CMYK 0 / 66 / 12 / 60

HEX #67235B

RGB 103 35 91

HSL 310.59, 0.49%, 0.27%

LAB 26.28, 37.65, -18.55

 

CMYK 0 / 66 / 11 / 47

HEX #862E77

RGB 134 46 119

HSL 310.23, 0.49%, 0.35%

LAB 34.71, 46.35, -22.98

 

CMYK 0 / 66 / 11 / 72

HEX #47183F

RGB 71 24 63

HSL 310.21, 0.49%, 0.19%

LAB 17.23, 28.05, -14.1

 

CMYK 0 / 42 / 65 / 72

HEX #482A19

RGB 72 42 25

HSL 21.7, 0.48%, 0.19%

LAB 20.46, 11.95, 16.85

 

CMYK 65 / 0 / 15 / 72

HEX #19483D

RGB 25 72 61

HSL 165.96, 0.48%, 0.19%

LAB 27.24, -19.07, 1.86

 

CMYK 0 / 66 / 11 / 72

HEX #47183F

RGB 71 24 63

HSL 310.21, 0.49%, 0.19%

LAB 17.23, 28.05, -14.1

 

CMYK 11 / 0 / 65 / 72

HEX #404819

RGB 64 72 25

HSL 70.21, 0.48%, 0.19%

LAB 28.89, -11.18, 26.49

 

CMYK 65 / 11 / 0 / 72

HEX #194048

RGB 25 64 72

HSL 190.21, 0.48%, 0.19%

LAB 24.77, -10.92, -9.02

 

CMYK 0 / 66 / 11 / 72

HEX #47183F

RGB 71 24 63

HSL 310.21, 0.49%, 0.19%

LAB 17.23, 28.05, -14.1

 

CMYK 0 / 42 / 65 / 72

HEX #482A19

RGB 72 42 25

HSL 21.7, 0.48%, 0.19%

LAB 20.46, 11.95, 16.85

 

CMYK 65 / 0 / 54 / 72

HEX #194821

RGB 25 72 33

HSL 130.21, 0.48%, 0.19%

LAB 26.6, -25.71, 18.66

 

CMYK 65 / 24 / 0 / 72

HEX #193748

RGB 25 55 72

HSL 201.7, 0.48%, 0.19%

LAB 21.61, -5.19, -13.86

 

CMYK 0 / 66 / 11 / 72

HEX #47183F

RGB 71 24 63

HSL 310.21, 0.49%, 0.19%

LAB 17.23, 28.05, -14.1

 

CMYK 0 / 22 / 65 / 72

HEX #483819

RGB 72 56 25

HSL 39.57, 0.48%, 0.19%

LAB 24.56, 2.79, 21.78

 

CMYK 65 / 0 / 54 / 72

HEX #194821

RGB 25 72 33

HSL 130.21, 0.48%, 0.19%

LAB 26.6, -25.71, 18.66

 

CMYK 65 / 43 / 0 / 72

HEX #192948

RGB 25 41 72

HSL 219.57, 0.48%, 0.19%

LAB 16.8, 4.57, -21.39

 

Description

Color code: HEX #47183F | qconv.com Color code: HEX #47183F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 24 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 24 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 11 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 11% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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