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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4716E7 it is the complementary color #B8E918. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4716E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4716E7 shade: #4C16E2, #5D28F5, #6E3AFF, #7F4CFF and #905EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4716E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4716E7 shade: #4716E7, #3604D4, #2500C1, #1400AE and #03009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4716E7 shade: #4716E9, #8016E9, #B916E9, #E916E0 and #E916A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4716E7 shade: #4716E9 and #1616E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4716E7 shade matches the following richer shades: #4716E9 and #3C01FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4716E7 shade: #4716E9, #522AD5, #5D3FC0, #6854AB and #736897

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4716E7 shade: #1655E9, #161DE9, #4716E9, #8016E9 and #B816E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4716E7 shade: #300F9E, #3C12C4, #4716E9, #653BED and #8361F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4716E7 shade: #4716E7, #E9168E and #39E916

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4716E7 shade: #4716E7, #E94716 and #16E947

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4716E7 shade: #4716E7, #E9168E, #B8E916 and #16E971

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4716E7 shade: #4716E7, #E9164E, #B8E916 and #16E9B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 90 / 0 / 9

HEX #4716E7

RGB 71 22 231

HSL 254.07, 0.83%, 0.5%

LAB 33.31, 70.85, -92.52

 

Complementary color

CMYK 21 / 0 / 90 / 9

HEX #B8E918

RGB 184 233 24

HSL 74.07, 0.83%, 0.5%

LAB 86.27, -39.72, 81.78

 

CMYK 66 / 90 / 0 / 11

HEX #4C16E2

RGB 76 22 226

HSL 255.88, 0.82%, 0.49%

LAB 33.14, 69.88, -89.94

 

CMYK 62 / 84 / 0 / 4

HEX #5D28F5

RGB 93 40 245

HSL 255.51, 0.91%, 0.56%

LAB 38.62, 70.43, -91.6

 

CMYK 57 / 77 / 0 / 0

HEX #6E3AFF

RGB 110 58 255

HSL 255.84, 1%, 0.61%

LAB 43.6, 67.66, -88.93

 

CMYK 50 / 70 / 0 / 0

HEX #7F4CFF

RGB 127 76 255

HSL 257.09, 1%, 0.65%

LAB 48.13, 61.65, -81.41

 

CMYK 44 / 63 / 0 / 0

HEX #905EFF

RGB 144 94 255

HSL 258.63, 1%, 0.68%

LAB 53.12, 55.45, -73.22

 

CMYK 69 / 90 / 0 / 9

HEX #4716E7

RGB 71 22 231

HSL 254.07, 0.83%, 0.5%

LAB 33.31, 70.85, -92.52

 

CMYK 75 / 98 / 0 / 17

HEX #3604D4

RGB 54 4 212

HSL 254.42, 0.96%, 0.42%

LAB 28.44, 68.97, -89.73

 

CMYK 81 / 100 / 0 / 24

HEX #2500C1

RGB 37 0 193

HSL 251.5, 1%, 0.38%

LAB 24.46, 64.66, -85.28

 

CMYK 89 / 100 / 0 / 32

HEX #1400AE

RGB 20 0 174

HSL 246.9, 1%, 0.34%

LAB 20.85, 59.65, -80

 

CMYK 98 / 100 / 0 / 39

HEX #03009B

RGB 3 0 155

HSL 241.16, 1%, 0.3%

LAB 17.39, 54.63, -74.22

 

CMYK 70 / 91 / 0 / 9

HEX #4716E9

RGB 71 22 233

HSL 253.93, 0.83%, 0.5%

LAB 33.56, 71.35, -93.26

 

CMYK 45 / 91 / 0 / 9

HEX #8016E9

RGB 128 22 233

HSL 270.14, 0.83%, 0.5%

LAB 39.66, 75.67, -82.96

 

CMYK 21 / 91 / 0 / 9

HEX #B916E9

RGB 185 22 233

HSL 286.35, 0.83%, 0.5%

LAB 47.97, 82.66, -69.03

 

CMYK 0 / 91 / 4 / 9

HEX #E916E0

RGB 233 22 224

HSL 302.56, 0.83%, 0.5%

LAB 55.36, 88.77, -51.63

 

CMYK 0 / 91 / 28 / 9

HEX #E916A7

RGB 233 22 167

HSL 318.77, 0.83%, 0.5%

LAB 52.61, 81.67, -23.02

 

CMYK 70 / 91 / 0 / 9

HEX #4716E9

RGB 71 22 233

HSL 253.93, 0.83%, 0.5%

LAB 33.56, 71.35, -93.26

 

CMYK 91 / 91 / 0 / 9

HEX #1616E9

RGB 22 22 233

HSL 240, 0.83%, 0.5%

LAB 30.94, 69.8, -97.68

 

CMYK 70 / 91 / 0 / 9

HEX #4716E9

RGB 71 22 233

HSL 253.93, 0.83%, 0.5%

LAB 33.56, 71.35, -93.26

 

CMYK 76 / 100 / 0 / 0

HEX #3C01FE

RGB 60 1 254

HSL 253.99, 0.99%, 0.5%

LAB 34.27, 79.54, -103.97

 

CMYK 70 / 91 / 0 / 9

HEX #4716E9

RGB 71 22 233

HSL 253.93, 0.83%, 0.5%

LAB 33.56, 71.35, -93.26

 

CMYK 62 / 80 / 0 / 16

HEX #522AD5

RGB 82 42 213

HSL 254.04, 0.67%, 0.5%

LAB 34.51, 60.19, -80.18

 

CMYK 52 / 67 / 0 / 25

HEX #5D3FC0

RGB 93 63 192

HSL 253.95, 0.51%, 0.5%

LAB 37.28, 45.32, -63.37

 

CMYK 39 / 51 / 0 / 33

HEX #6854AB

RGB 104 84 171

HSL 253.79, 0.34%, 0.5%

LAB 41.57, 29.25, -44.02

 

CMYK 24 / 31 / 0 / 41

HEX #736897

RGB 115 104 151

HSL 254.04, 0.18%, 0.5%

LAB 46.68, 14.83, -24.05

HEX #736897

CMYK 91 / 64 / 0 / 9

HEX #1655E9

RGB 22 85 233

HSL 222.09, 0.83%, 0.5%

LAB 42.08, 38.31, -79.24

 

CMYK 91 / 88 / 0 / 9

HEX #161DE9

RGB 22 29 233

HSL 238.01, 0.83%, 0.5%

LAB 31.65, 67.64, -96.5

 

CMYK 70 / 91 / 0 / 9

HEX #4716E9

RGB 71 22 233

HSL 253.93, 0.83%, 0.5%

LAB 33.56, 71.35, -93.26

 

CMYK 45 / 91 / 0 / 9

HEX #8016E9

RGB 128 22 233

HSL 270.14, 0.83%, 0.5%

LAB 39.66, 75.67, -82.96

 

CMYK 21 / 91 / 0 / 9

HEX #B816E9

RGB 184 22 233

HSL 286.07, 0.83%, 0.5%

LAB 47.81, 82.51, -69.29

 

CMYK 70 / 91 / 0 / 38

HEX #300F9E

RGB 48 15 158

HSL 253.85, 0.83%, 0.34%

LAB 21.72, 52.45, -68.78

 

CMYK 69 / 91 / 0 / 23

HEX #3C12C4

RGB 60 18 196

HSL 254.16, 0.83%, 0.42%

LAB 27.79, 62.4, -81.46

 

CMYK 70 / 91 / 0 / 9

HEX #4716E9

RGB 71 22 233

HSL 253.93, 0.83%, 0.5%

LAB 33.56, 71.35, -93.26

 

CMYK 57 / 75 / 0 / 7

HEX #653BED

RGB 101 59 237

HSL 254.16, 0.83%, 0.58%

LAB 41.23, 61.32, -82.75

 

CMYK 45 / 60 / 0 / 6

HEX #8361F0

RGB 131 97 240

HSL 254.27, 0.83%, 0.66%

LAB 51.46, 47.24, -67.62

 

CMYK 69 / 90 / 0 / 9

HEX #4716E7

RGB 71 22 231

HSL 254.07, 0.83%, 0.5%

LAB 33.31, 70.85, -92.52

 

CMYK 0 / 91 / 39 / 9

HEX #E9168E

RGB 233 22 142

HSL 325.88, 0.83%, 0.5%

LAB 51.67, 79.15, -9.57

 

CMYK 76 / 0 / 91 / 9

HEX #39E916

RGB 57 233 22

HSL 110.05, 0.83%, 0.5%

LAB 81.4, -75.78, 76.07

 

CMYK 69 / 90 / 0 / 9

HEX #4716E7

RGB 71 22 231

HSL 254.07, 0.83%, 0.5%

LAB 33.31, 70.85, -92.52

 

CMYK 0 / 70 / 91 / 9

HEX #E94716

RGB 233 71 22

HSL 13.93, 0.83%, 0.5%

LAB 53.91, 60.44, 59.55

 

CMYK 91 / 0 / 70 / 9

HEX #16E947

RGB 22 233 71

HSL 133.93, 0.83%, 0.5%

LAB 81.24, -76.42, 62.74

 

CMYK 69 / 90 / 0 / 9

HEX #4716E7

RGB 71 22 231

HSL 254.07, 0.83%, 0.5%

LAB 33.31, 70.85, -92.52

 

CMYK 0 / 91 / 39 / 9

HEX #E9168E

RGB 233 22 142

HSL 325.88, 0.83%, 0.5%

LAB 51.67, 79.15, -9.57

 

CMYK 21 / 0 / 91 / 9

HEX #B8E916

RGB 184 233 22

HSL 73.93, 0.83%, 0.5%

LAB 86.27, -39.76, 82.06

 

CMYK 91 / 0 / 52 / 9

HEX #16E971

RGB 22 233 113

HSL 145.88, 0.83%, 0.5%

LAB 81.64, -71.41, 45.19

 

CMYK 69 / 90 / 0 / 9

HEX #4716E7

RGB 71 22 231

HSL 254.07, 0.83%, 0.5%

LAB 33.31, 70.85, -92.52

 

CMYK 0 / 91 / 67 / 9

HEX #E9164E

RGB 233 22 78

HSL 344.08, 0.83%, 0.5%

LAB 50.03, 74.66, 27.02

 

CMYK 21 / 0 / 91 / 9

HEX #B8E916

RGB 184 233 22

HSL 73.93, 0.83%, 0.5%

LAB 86.27, -39.76, 82.06

 

CMYK 91 / 0 / 24 / 9

HEX #16E9B1

RGB 22 233 177

HSL 164.08, 0.83%, 0.5%

LAB 82.71, -59.07, 14.35

 

Description

Color code: HEX #4716E7 | qconv.com Color code: HEX #4716E7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 22 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 22 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 90 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 90% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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