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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47167ACE it is the complementary color #B8E985CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47167ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47167ACE shade: #4C1675CE, #5D2888CE, #6E3A9BCE, #7F4CAECE and #905EC1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47167ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47167ACE shade: #47167ACE, #360467CE, #250054CE, #140041CE and #03002ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47167ACE shade: #461679, #611679, #791676, #79165B and #791641

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47167ACE shade: #461679, #2C1679 and #161679

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47167ACE shade matches the following richer shades: #461679 and #460B84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47167ACE shade: #461679, #47226D, #472D62, #473956 and #47444A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47167ACE shade: #161B79, #2B1679, #461679, #601679 and #791677

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47167ACE shade: #1E0933, #321056, #461679, #5B1D9C and #6F23BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47167ACE shade: #47167A, #791635 and #16791E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47167ACE shade: #47167A, #794616 and #167946

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47167ACE shade: #47167A, #791635, #497916 and #167959

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47167ACE shade: #47167A, #791618, #497916 and #167977

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 66 / 0 / 42

HEX #47167ACE

RGBA 71 22 122 0.81

HSLA 269.4, 0.69%, 0.28%, 0.81

LABA 21.28, 42.72, -46.93, 0.81

 

Complementary color

CMYK 17 / 0 / 35 / 7

HEX #B8E985CE

RGBA 184 233 133 0.81

HSLA 89.4, 0.69%, 0.72%, 0.81

LABA 87.08, -32.39, 43.47, 0.81

 

CMYK 28 / 66 / 0 / 44

HEX #4C1675CE

RGBA 76 22 117 0.81

HSLA 274.11, 0.68%, 0.27%, 0.81

LABA 21.56, 42.35, -43.24, 0.81

 

CMYK 26 / 57 / 0 / 38

HEX #5D2888CE

RGBA 93 40 136 0.81

HSLA 273.13, 0.55%, 0.35%, 0.81

LABA 28.44, 42.25, -43.97, 0.81

 

CMYK 24 / 51 / 0 / 32

HEX #6E3A9BCE

RGBA 110 58 155 0.81

HSLA 272.16, 0.46%, 0.42%, 0.81

LABA 35.42, 41.56, -44.27, 0.81

 

CMYK 22 / 46 / 0 / 26

HEX #7F4CAECE

RGBA 127 76 174 0.81

HSLA 271.22, 0.39%, 0.49%, 0.81

LABA 42.36, 40.67, -44.38, 0.81

 

CMYK 21 / 42 / 0 / 20

HEX #905EC1CE

RGBA 144 94 193 0.81

HSLA 270.3, 0.44%, 0.56%, 0.81

LABA 49.23, 39.73, -44.42, 0.81

 

CMYK 34 / 66 / 0 / 42

HEX #47167ACE

RGBA 71 22 122 0.81

HSLA 269.4, 0.69%, 0.28%, 0.81

LABA 21.28, 42.72, -46.93, 0.81

 

CMYK 39 / 78 / 0 / 48

HEX #360467CE

RGBA 54 4 103 0.81

HSLA 270.3, 0.93%, 0.21%, 0.81

LABA 14.68, 41.86, -45.53, 0.81

 

CMYK 45 / 81 / 0 / 54

HEX #250054CE

RGBA 37 0 84 0.81

HSLA 266.43, 1%, 0.16%, 0.81

LABA 9.27, 37.03, -41.79, 0.81

 

CMYK 56 / 81 / 0 / 60

HEX #140041CE

RGBA 20 0 65 0.81

HSLA 258.46, 1%, 0.13%, 0.81

LABA 4.79, 28.17, -35.95, 0.81

 

CMYK 76 / 81 / 0 / 66

HEX #03002ECE

RGBA 3 0 46 0.81

HSLA 243.91, 1%, 0.09%, 0.81

LABA 1.96, 13.31, -26.62, 0.81

 

CMYK 42 / 82 / 0 / 53

HEX #461679

RGB 70 22 121

HSL 269.09, 0.69%, 0.28%

LAB 21.04, 42.3, -46.68

 

CMYK 20 / 82 / 0 / 53

HEX #611679

RGB 97 22 121

HSL 285.45, 0.69%, 0.28%

LAB 25.25, 47.27, -39.66

 

CMYK 0 / 82 / 2 / 53

HEX #791676

RGB 121 22 118

HSL 301.82, 0.69%, 0.28%

LAB 29.28, 51.72, -31.06

 

CMYK 0 / 82 / 25 / 53

HEX #79165B

RGB 121 22 91

HSL 318.18, 0.69%, 0.28%

LAB 27.83, 47.6, -15.88

 

CMYK 0 / 82 / 46 / 53

HEX #791641

RGB 121 22 65

HSL 333.94, 0.69%, 0.28%

LAB 26.79, 44.5, -0.1

 

CMYK 42 / 82 / 0 / 53

HEX #461679

RGB 70 22 121

HSL 269.09, 0.69%, 0.28%

LAB 21.04, 42.3, -46.68

 

CMYK 64 / 82 / 0 / 53

HEX #2C1679

RGB 44 22 121

HSL 253.33, 0.69%, 0.28%

LAB 17.87, 38.52, -52.01

 

CMYK 82 / 82 / 0 / 53

HEX #161679

RGB 22 22 121

HSL 240, 0.69%, 0.28%

LAB 16.13, 36.42, -54.95

 

CMYK 42 / 82 / 0 / 53

HEX #461679

RGB 70 22 121

HSL 269.09, 0.69%, 0.28%

LAB 21.04, 42.3, -46.68

 

CMYK 47 / 92 / 0 / 48

HEX #460B84

RGB 70 11 132

HSL 269.26, 0.85%, 0.28%

LAB 20.86, 48.81, -53.97

 

CMYK 42 / 82 / 0 / 53

HEX #461679

RGB 70 22 121

HSL 269.09, 0.69%, 0.28%

LAB 21.04, 42.3, -46.68

 

CMYK 35 / 69 / 0 / 57

HEX #47226D

RGB 71 34 109

HSL 269.6, 0.52%, 0.28%

LAB 22.26, 33.41, -36.98

 

CMYK 28 / 54 / 0 / 62

HEX #472D62

RGB 71 45 98

HSL 269.43, 0.37%, 0.28%

LAB 23.99, 23.8, -27.05

 

CMYK 17 / 34 / 0 / 66

HEX #473956

RGB 71 57 86

HSL 268.97, 0.2%, 0.28%

LAB 26.56, 12.75, -15.19

 

CMYK 4 / 8 / 0 / 71

HEX #47444A

RGB 71 68 74

HSL 270, 0.04%, 0.28%

LAB 29.33, 2.6, -3.16

 

CMYK 82 / 78 / 0 / 53

HEX #161B79

RGB 22 27 121

HSL 236.97, 0.69%, 0.28%

LAB 17.15, 33.49, -53.25

 

CMYK 64 / 82 / 0 / 53

HEX #2B1679

RGB 43 22 121

HSL 252.73, 0.69%, 0.28%

LAB 17.77, 38.4, -52.18

 

CMYK 42 / 82 / 0 / 53

HEX #461679

RGB 70 22 121

HSL 269.09, 0.69%, 0.28%

LAB 21.04, 42.3, -46.68

 

CMYK 21 / 82 / 0 / 53

HEX #601679

RGB 96 22 121

HSL 284.85, 0.69%, 0.28%

LAB 25.08, 47.07, -39.94

 

CMYK 0 / 82 / 2 / 53

HEX #791677

RGB 121 22 119

HSL 301.21, 0.69%, 0.28%

LAB 29.34, 51.89, -31.59

 

CMYK 41 / 82 / 0 / 80

HEX #1E0933

RGB 30 9 51

HSL 270, 0.7%, 0.12%

LAB 6.42, 20.78, -23.1

 

CMYK 42 / 81 / 0 / 66

HEX #321056

RGB 50 16 86

HSL 269.14, 0.69%, 0.2%

LAB 13.95, 32.04, -35.39

 

CMYK 42 / 82 / 0 / 53

HEX #461679

RGB 70 22 121

HSL 269.09, 0.69%, 0.28%

LAB 21.04, 42.3, -46.68

 

CMYK 42 / 81 / 0 / 39

HEX #5B1D9C

RGB 91 29 156

HSL 269.29, 0.69%, 0.36%

LAB 28.12, 51.65, -56.83

 

CMYK 42 / 82 / 0 / 25

HEX #6F23BE

RGB 111 35 190

HSL 269.42, 0.69%, 0.44%

LAB 34.6, 60.55, -66.49

 

CMYK 42 / 82 / 0 / 52

HEX #47167A

RGB 71 22 122

HSL 269.4, 0.69%, 0.28%

LAB 21.28, 42.72, -46.93

 

CMYK 0 / 82 / 56 / 53

HEX #791635

RGB 121 22 53

HSL 341.21, 0.69%, 0.28%

LAB 26.44, 43.41, 7.53

 

CMYK 82 / 0 / 75 / 53

HEX #16791E

RGB 22 121 30

HSL 124.85, 0.69%, 0.28%

LAB 44.15, -45.72, 39.93

 

CMYK 42 / 82 / 0 / 52

HEX #47167A

RGB 71 22 122

HSL 269.4, 0.69%, 0.28%

LAB 21.28, 42.72, -46.93

 

CMYK 0 / 42 / 82 / 53

HEX #794616

RGB 121 70 22

HSL 29.09, 0.69%, 0.28%

LAB 35.01, 17.89, 36.42

 

CMYK 82 / 0 / 42 / 53

HEX #167946

RGB 22 121 70

HSL 149.09, 0.69%, 0.28%

LAB 44.64, -39.8, 20.39

 

CMYK 42 / 82 / 0 / 52

HEX #47167A

RGB 71 22 122

HSL 269.4, 0.69%, 0.28%

LAB 21.28, 42.72, -46.93

 

CMYK 0 / 82 / 56 / 53

HEX #791635

RGB 121 22 53

HSL 341.21, 0.69%, 0.28%

LAB 26.44, 43.41, 7.53

 

CMYK 40 / 0 / 82 / 53

HEX #497916

RGB 73 121 22

HSL 89.09, 0.69%, 0.28%

LAB 45.84, -32.64, 45.09

 

CMYK 82 / 0 / 26 / 53

HEX #167959

RGB 22 121 89

HSL 160.61, 0.69%, 0.28%

LAB 45.03, -35.43, 9.91

 

CMYK 42 / 82 / 0 / 52

HEX #47167A

RGB 71 22 122

HSL 269.4, 0.69%, 0.28%

LAB 21.28, 42.72, -46.93

 

CMYK 0 / 82 / 80 / 53

HEX #791618

RGB 121 22 24

HSL 358.79, 0.69%, 0.28%

LAB 25.88, 41.66, 26.11

 

CMYK 40 / 0 / 82 / 53

HEX #497916

RGB 73 121 22

HSL 89.09, 0.69%, 0.28%

LAB 45.84, -32.64, 45.09

 

CMYK 82 / 0 / 2 / 53

HEX #167977

RGB 22 121 119

HSL 178.79, 0.69%, 0.28%

LAB 45.88, -26.81, -6.68

 

Description

Color code: HEX #47167ACE | qconv.com Color code: HEX #47167ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 22 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 22 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 66 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 66% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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