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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4712B5 it is the complementary color #B8ED4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4712B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4712B5 shade: #4C12B0, #5D24C3, #6E36D6, #7F48E9 and #905AFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4712B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4712B5 shade: #4712B5, #3600A2, #25008F, #14007C and #030069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4712B5 shade: #4712B5, #7312B5, #9F12B5, #B5129F and #B51273

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4712B5 shade: #4712B5, #1B12B5 and #1212B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4712B5 shade matches the following richer shades: #4712B5 and #4102C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4712B5 shade: #4712B5, #4D22A5, #523295, #584285 and #5D5275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4712B5 shade: #1235B5, #1A12B5, #4612B5, #7112B5 and #9D12B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4712B5 shade: #2A0A6A, #380E8F, #4712B5, #5616DB and #6C2FEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4712B5 shade: #4712B5, #B51261 and #1FB512

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4712B5 shade: #4712B5, #B54612 and #12B546

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4712B5 shade: #4712B5, #B51261, #81B512 and #12B566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4712B5 shade: #4712B5, #B51230, #81B512 and #12B597

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 90 / 0 / 29

HEX #4712B5

RGB 71 18 181

HSL 259.51, 0.82%, 0.39%

LAB 27.04, 59.28, -73.78

 

Complementary color

CMYK 22 / 0 / 69 / 7

HEX #B8ED4A

RGB 184 237 74

HSL 79.51, 0.82%, 0.61%

LAB 87.61, -39.52, 69.83

 

CMYK 57 / 90 / 0 / 31

HEX #4C12B0

RGB 76 18 176

HSL 262.03, 0.81%, 0.38%

LAB 27.03, 58.44, -70.8

 

CMYK 52 / 82 / 0 / 24

HEX #5D24C3

RGB 93 36 195

HSL 261.51, 0.69%, 0.45%

LAB 32.98, 59.04, -72.17

 

CMYK 49 / 75 / 0 / 16

HEX #6E36D6

RGB 110 54 214

HSL 261, 0.66%, 0.53%

LAB 39.26, 58.66, -72.84

 

CMYK 45 / 69 / 0 / 9

HEX #7F48E9

RGB 127 72 233

HSL 260.5, 0.79%, 0.6%

LAB 45.68, 57.81, -73.1

 

CMYK 43 / 64 / 0 / 1

HEX #905AFC

RGB 144 90 252

HSL 260, 0.96%, 0.67%

LAB 52.14, 56.74, -73.14

 

CMYK 61 / 90 / 0 / 29

HEX #4712B5

RGB 71 18 181

HSL 259.51, 0.82%, 0.39%

LAB 27.04, 59.28, -73.78

 

CMYK 67 / 100 / 0 / 36

HEX #3600A2

RGB 54 0 162

HSL 260, 1%, 0.32%

LAB 21.55, 57.65, -71.49

 

CMYK 74 / 100 / 0 / 44

HEX #25008F

RGB 37 0 143

HSL 255.52, 1%, 0.28%

LAB 17.35, 52.2, -66.81

 

CMYK 84 / 100 / 0 / 51

HEX #14007C

RGB 20 0 124

HSL 249.68, 1%, 0.24%

LAB 13.25, 46.75, -61.66

 

CMYK 97 / 100 / 0 / 59

HEX #030069

RGB 3 0 105

HSL 241.71, 1%, 0.21%

LAB 9.31, 41.3, -55.91

 

CMYK 61 / 90 / 0 / 29

HEX #4712B5

RGB 71 18 181

HSL 259.51, 0.82%, 0.39%

LAB 27.04, 59.28, -73.78

 

CMYK 36 / 90 / 0 / 29

HEX #7312B5

RGB 115 18 181

HSL 275.71, 0.82%, 0.39%

LAB 32.73, 63.87, -64.21

 

CMYK 12 / 90 / 0 / 29

HEX #9F12B5

RGB 159 18 181

HSL 291.9, 0.82%, 0.39%

LAB 39.81, 70.34, -52.37

 

CMYK 0 / 90 / 12 / 29

HEX #B5129F

RGB 181 18 159

HSL 308.1, 0.82%, 0.39%

LAB 42.4, 70.89, -34.89

 

CMYK 0 / 90 / 36 / 29

HEX #B51273

RGB 181 18 115

HSL 324.29, 0.82%, 0.39%

LAB 40.4, 65.59, -11

 

CMYK 61 / 90 / 0 / 29

HEX #4712B5

RGB 71 18 181

HSL 259.51, 0.82%, 0.39%

LAB 27.04, 59.28, -73.78

 

CMYK 85 / 90 / 0 / 29

HEX #1B12B5

RGB 27 18 181

HSL 243.31, 0.82%, 0.39%

LAB 23.68, 56.95, -79.47

 

CMYK 90 / 90 / 0 / 29

HEX #1212B5

RGB 18 18 181

HSL 240, 0.82%, 0.39%

LAB 23.33, 56.73, -80.06

 

CMYK 61 / 90 / 0 / 29

HEX #4712B5

RGB 71 18 181

HSL 259.51, 0.82%, 0.39%

LAB 27.04, 59.28, -73.78

 

CMYK 67 / 99 / 0 / 23

HEX #4102C5

RGB 65 2 197

HSL 259.38, 0.98%, 0.39%

LAB 27.29, 66.16, -82.86

 

CMYK 61 / 90 / 0 / 29

HEX #4712B5

RGB 71 18 181

HSL 259.51, 0.82%, 0.39%

LAB 27.04, 59.28, -73.78

 

CMYK 53 / 79 / 0 / 35

HEX #4D22A5

RGB 77 34 165

HSL 259.69, 0.66%, 0.39%

LAB 27.95, 49.9, -62.65

 

CMYK 45 / 66 / 0 / 42

HEX #523295

RGB 82 50 149

HSL 259.39, 0.5%, 0.39%

LAB 30.02, 38.03, -49.49

 

CMYK 34 / 50 / 0 / 48

HEX #584285

RGB 88 66 133

HSL 259.7, 0.34%, 0.39%

LAB 33.27, 25.27, -34.38

 

CMYK 21 / 30 / 0 / 54

HEX #5D5275

RGB 93 82 117

HSL 258.86, 0.18%, 0.39%

LAB 37.2, 12.44, -18.3

 

CMYK 90 / 71 / 0 / 29

HEX #1235B5

RGB 18 53 181

HSL 227.12, 0.82%, 0.39%

LAB 29.44, 39.1, -69.92

 

CMYK 86 / 90 / 0 / 29

HEX #1A12B5

RGB 26 18 181

HSL 242.94, 0.82%, 0.39%

LAB 23.63, 56.92, -79.54

 

CMYK 61 / 90 / 0 / 29

HEX #4612B5

RGB 70 18 181

HSL 259.14, 0.82%, 0.39%

LAB 26.94, 59.2, -73.96

 

CMYK 38 / 90 / 0 / 29

HEX #7112B5

RGB 113 18 181

HSL 274.97, 0.82%, 0.39%

LAB 32.43, 63.62, -64.7

 

CMYK 13 / 90 / 0 / 29

HEX #9D12B5

RGB 157 18 181

HSL 291.17, 0.82%, 0.39%

LAB 39.47, 70.01, -52.94

 

CMYK 60 / 91 / 0 / 58

HEX #2A0A6A

RGB 42 10 106

HSL 260, 0.83%, 0.23%

LAB 14.12, 39.11, -48.49

 

CMYK 61 / 90 / 0 / 44

HEX #380E8F

RGB 56 14 143

HSL 259.53, 0.82%, 0.31%

LAB 20.59, 49.31, -61.37

 

CMYK 61 / 90 / 0 / 29

HEX #4712B5

RGB 71 18 181

HSL 259.51, 0.82%, 0.39%

LAB 27.04, 59.28, -73.78

 

CMYK 61 / 90 / 0 / 14

HEX #5616DB

RGB 86 22 219

HSL 259.49, 0.82%, 0.47%

LAB 33.28, 68.81, -85.66

 

CMYK 54 / 80 / 0 / 8

HEX #6C2FEA

RGB 108 47 234

HSL 259.57, 0.82%, 0.55%

LAB 39.85, 66.5, -83.29

 

CMYK 61 / 90 / 0 / 29

HEX #4712B5

RGB 71 18 181

HSL 259.51, 0.82%, 0.39%

LAB 27.04, 59.28, -73.78

 

CMYK 0 / 90 / 46 / 29

HEX #B51261

RGB 181 18 97

HSL 330.92, 0.82%, 0.39%

LAB 39.78, 63.89, -0.58

 

CMYK 83 / 0 / 90 / 29

HEX #1FB512

RGB 31 181 18

HSL 115.21, 0.82%, 0.39%

LAB 64.47, -64.05, 62.17

 

CMYK 61 / 90 / 0 / 29

HEX #4712B5

RGB 71 18 181

HSL 259.51, 0.82%, 0.39%

LAB 27.04, 59.28, -73.78

 

CMYK 0 / 61 / 90 / 29

HEX #B54612

RGB 181 70 18

HSL 19.14, 0.82%, 0.39%

LAB 44.59, 42.82, 50.01

 

CMYK 90 / 0 / 61 / 29

HEX #12B546

RGB 18 181 70

HSL 139.14, 0.82%, 0.39%

LAB 64.66, -61.18, 44.97

 

CMYK 61 / 90 / 0 / 29

HEX #4712B5

RGB 71 18 181

HSL 259.51, 0.82%, 0.39%

LAB 27.04, 59.28, -73.78

 

CMYK 0 / 90 / 46 / 29

HEX #B51261

RGB 181 18 97

HSL 330.92, 0.82%, 0.39%

LAB 39.78, 63.89, -0.58

 

CMYK 29 / 0 / 90 / 29

HEX #81B512

RGB 129 181 18

HSL 79.14, 0.82%, 0.39%

LAB 67.84, -38.12, 66.36

 

CMYK 90 / 0 / 44 / 29

HEX #12B566

RGB 18 181 102

HSL 150.92, 0.82%, 0.39%

LAB 65.07, -56.21, 29.71

 

CMYK 61 / 90 / 0 / 29

HEX #4712B5

RGB 71 18 181

HSL 259.51, 0.82%, 0.39%

LAB 27.04, 59.28, -73.78

 

CMYK 0 / 90 / 73 / 29

HEX #B51230

RGB 181 18 48

HSL 348.96, 0.82%, 0.39%

LAB 38.67, 60.77, 29.06

 

CMYK 29 / 0 / 90 / 29

HEX #81B512

RGB 129 181 18

HSL 79.14, 0.82%, 0.39%

LAB 67.84, -38.12, 66.36

 

CMYK 90 / 0 / 17 / 29

HEX #12B597

RGB 18 181 151

HSL 168.96, 0.82%, 0.39%

LAB 66.07, -45.08, 4.58

 

Description

Color code: HEX #4712B5 | qconv.com Color code: HEX #4712B5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 18 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 18 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 90 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 90% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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