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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #470E9B it is the complementary color #B8F164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #470E9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #470E9B shade: #4C0E96, #5D20A9, #6E32BC, #7F44CF and #9056E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #470E9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #470E9B shade: #470E9B, #360088, #250075, #140062 and #03004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #470E9B shade: #470E9A, #6C0E9A, #920E9A, #9A0E7C and #9A0E57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #470E9B shade: #470E9A, #210E9A and #0E0E9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #470E9B shade matches the following richer shades: #470E9A and #4401A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #470E9B shade: #470E9A, #491C8C, #4C2A7F, #4F3771 and #514564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #470E9B shade: #0E219A, #210E9A, #460E9A, #6B0E9A and #910E9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #470E9B shade: #24074E, #350B74, #470E9A, #5812C0 and #6915E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #470E9B shade: #470E9B, #9A0E46 and #0E9A0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #470E9B shade: #470E9B, #9A460E and #0E9A46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #470E9B shade: #470E9B, #9A0E46, #629A0E and #0E9A62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #470E9B shade: #470E9B, #9A0E1C, #629A0E and #0E9A8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 91 / 0 / 39

HEX #470E9B

RGB 71 14 155

HSL 264.26, 0.83%, 0.33%

LAB 23.74, 53.81, -63.52

 

Complementary color

CMYK 24 / 0 / 59 / 5

HEX #B8F164

RGB 184 241 100

HSL 84.26, 0.83%, 0.67%

LAB 88.93, -39.4, 60.91

 

CMYK 49 / 91 / 0 / 41

HEX #4C0E96

RGB 76 14 150

HSL 267.35, 0.83%, 0.32%

LAB 23.84, 53.1, -60.25

 

CMYK 45 / 81 / 0 / 34

HEX #5D20A9

RGB 93 32 169

HSL 266.72, 0.68%, 0.39%

LAB 29.97, 54.01, -61.67

 

CMYK 41 / 73 / 0 / 26

HEX #6E32BC

RGB 110 50 188

HSL 266.09, 0.58%, 0.47%

LAB 36.42, 53.82, -62.35

 

CMYK 39 / 67 / 0 / 19

HEX #7F44CF

RGB 127 68 207

HSL 265.47, 0.59%, 0.54%

LAB 42.99, 53.11, -62.63

 

CMYK 36 / 62 / 0 / 11

HEX #9056E2

RGB 144 86 226

HSL 264.86, 0.71%, 0.61%

LAB 49.59, 52.18, -62.71

 

CMYK 54 / 91 / 0 / 39

HEX #470E9B

RGB 71 14 155

HSL 264.26, 0.83%, 0.33%

LAB 23.74, 53.81, -63.52

 

CMYK 60 / 100 / 0 / 47

HEX #360088

RGB 54 0 136

HSL 263.82, 1%, 0.27%

LAB 18.2, 51.3, -60.96

 

CMYK 68 / 100 / 0 / 54

HEX #250075

RGB 37 0 117

HSL 258.97, 1%, 0.23%

LAB 13.7, 45.54, -56.38

 

CMYK 80 / 100 / 0 / 62

HEX #140062

RGB 20 0 98

HSL 252.24, 1%, 0.19%

LAB 9.24, 39.75, -51.35

 

CMYK 96 / 100 / 0 / 69

HEX #03004F

RGB 3 0 79

HSL 242.28, 1%, 0.15%

LAB 5.27, 32.28, -45.06

 

CMYK 54 / 91 / 0 / 40

HEX #470E9A

RGB 71 14 154

HSL 264.43, 0.83%, 0.33%

LAB 23.63, 53.56, -63.09

 

CMYK 30 / 91 / 0 / 40

HEX #6C0E9A

RGB 108 14 154

HSL 280.29, 0.83%, 0.33%

LAB 28.99, 58.1, -54.08

 

CMYK 5 / 91 / 0 / 40

HEX #920E9A

RGB 146 14 154

HSL 296.57, 0.83%, 0.33%

LAB 35.51, 64.25, -43.21

 

CMYK 0 / 91 / 19 / 40

HEX #9A0E7C

RGB 154 14 124

HSL 312.86, 0.83%, 0.33%

LAB 35.28, 61.35, -24.96

 

CMYK 0 / 91 / 44 / 40

HEX #9A0E57

RGB 154 14 87

HSL 328.71, 0.83%, 0.33%

LAB 33.72, 57.13, -3.71

 

CMYK 54 / 91 / 0 / 40

HEX #470E9A

RGB 71 14 154

HSL 264.43, 0.83%, 0.33%

LAB 23.63, 53.56, -63.09

 

CMYK 79 / 91 / 0 / 40

HEX #210E9A

RGB 33 14 154

HSL 248.14, 0.83%, 0.33%

LAB 19.93, 50.84, -69.34

 

CMYK 91 / 91 / 0 / 40

HEX #0E0E9A

RGB 14 14 154

HSL 240, 0.83%, 0.33%

LAB 18.97, 50.21, -70.96

 

CMYK 54 / 91 / 0 / 40

HEX #470E9A

RGB 71 14 154

HSL 264.43, 0.83%, 0.33%

LAB 23.63, 53.56, -63.09

 

CMYK 60 / 99 / 0 / 34

HEX #4401A8

RGB 68 1 168

HSL 264.07, 0.99%, 0.33%

LAB 23.93, 59.64, -71.14

 

CMYK 54 / 91 / 0 / 40

HEX #470E9A

RGB 71 14 154

HSL 264.43, 0.83%, 0.33%

LAB 23.63, 53.56, -63.09

 

CMYK 48 / 80 / 0 / 45

HEX #491C8C

RGB 73 28 140

HSL 264.11, 0.67%, 0.33%

LAB 24.13, 45.2, -53.59

 

CMYK 40 / 67 / 0 / 50

HEX #4C2A7F

RGB 76 42 127

HSL 264, 0.5%, 0.33%

LAB 25.94, 35.02, -42.49

 

CMYK 30 / 51 / 0 / 56

HEX #4F3771

RGB 79 55 113

HSL 264.83, 0.35%, 0.33%

LAB 28.35, 23.99, -29.74

 

CMYK 19 / 31 / 0 / 61

HEX #514564

RGB 81 69 100

HSL 263.23, 0.18%, 0.33%

LAB 31.64, 12.15, -16.3

 

CMYK 91 / 79 / 0 / 40

HEX #0E219A

RGB 14 33 154

HSL 231.86, 0.83%, 0.33%

LAB 22, 41.3, -65.93

 

CMYK 79 / 91 / 0 / 40

HEX #210E9A

RGB 33 14 154

HSL 248.14, 0.83%, 0.33%

LAB 19.93, 50.84, -69.34

 

CMYK 55 / 91 / 0 / 40

HEX #460E9A

RGB 70 14 154

HSL 264, 0.83%, 0.33%

LAB 23.5, 53.46, -63.3

 

CMYK 31 / 91 / 0 / 40

HEX #6B0E9A

RGB 107 14 154

HSL 279.86, 0.83%, 0.33%

LAB 28.83, 57.96, -54.35

 

CMYK 6 / 91 / 0 / 40

HEX #910E9A

RGB 145 14 154

HSL 296.14, 0.83%, 0.33%

LAB 35.33, 64.08, -43.51

 

CMYK 54 / 91 / 0 / 69

HEX #24074E

RGB 36 7 78

HSL 264.51, 0.84%, 0.17%

LAB 9.62, 31.61, -37.08

 

CMYK 54 / 91 / 0 / 55

HEX #350B74

RGB 53 11 116

HSL 264, 0.83%, 0.25%

LAB 16.78, 42.74, -50.55

 

CMYK 54 / 91 / 0 / 40

HEX #470E9A

RGB 71 14 154

HSL 264.43, 0.83%, 0.33%

LAB 23.63, 53.56, -63.09

 

CMYK 54 / 91 / 0 / 25

HEX #5812C0

RGB 88 18 192

HSL 264.14, 0.83%, 0.41%

LAB 30.19, 63.42, -75.04

 

CMYK 54 / 91 / 0 / 10

HEX #6915E5

RGB 105 21 229

HSL 264.23, 0.83%, 0.49%

LAB 36.36, 72.87, -86.23

 

CMYK 54 / 91 / 0 / 39

HEX #470E9B

RGB 71 14 155

HSL 264.26, 0.83%, 0.33%

LAB 23.74, 53.81, -63.52

 

CMYK 0 / 91 / 55 / 40

HEX #9A0E46

RGB 154 14 70

HSL 336, 0.83%, 0.33%

LAB 33.19, 55.68, 6.66

 

CMYK 91 / 0 / 91 / 40

HEX #0E9A0E

RGB 14 154 14

HSL 120, 0.83%, 0.33%

LAB 55.31, -57.85, 54.97

 

CMYK 54 / 91 / 0 / 39

HEX #470E9B

RGB 71 14 155

HSL 264.26, 0.83%, 0.33%

LAB 23.74, 53.81, -63.52

 

CMYK 0 / 55 / 91 / 40

HEX #9A460E

RGB 154 70 14

HSL 24, 0.83%, 0.33%

LAB 40.05, 32.13, 45.97

 

CMYK 91 / 0 / 55 / 40

HEX #0E9A46

RGB 14 154 70

HSL 144, 0.83%, 0.33%

LAB 55.73, -52.62, 34.41

 

CMYK 54 / 91 / 0 / 39

HEX #470E9B

RGB 71 14 155

HSL 264.26, 0.83%, 0.33%

LAB 23.74, 53.81, -63.52

 

CMYK 0 / 91 / 55 / 40

HEX #9A0E46

RGB 154 14 70

HSL 336, 0.83%, 0.33%

LAB 33.19, 55.68, 6.66

 

CMYK 36 / 0 / 91 / 40

HEX #629A0E

RGB 98 154 14

HSL 84, 0.83%, 0.33%

LAB 57.79, -38.17, 58.05

 

CMYK 91 / 0 / 36 / 40

HEX #0E9A62

RGB 14 154 98

HSL 156, 0.83%, 0.33%

LAB 56.17, -47.41, 20.08

 

CMYK 54 / 91 / 0 / 39

HEX #470E9B

RGB 71 14 155

HSL 264.26, 0.83%, 0.33%

LAB 23.74, 53.81, -63.52

 

CMYK 0 / 91 / 82 / 40

HEX #9A0E1C

RGB 154 14 28

HSL 354, 0.83%, 0.33%

LAB 32.41, 53.45, 32.71

 

CMYK 36 / 0 / 91 / 40

HEX #629A0E

RGB 98 154 14

HSL 84, 0.83%, 0.33%

LAB 57.79, -38.17, 58.05

 

CMYK 91 / 0 / 9 / 40

HEX #0E9A8C

RGB 14 154 140

HSL 174, 0.83%, 0.33%

LAB 57.17, -36.64, -2.21

 

Description

Color code: HEX #470E9B | qconv.com Color code: HEX #470E9B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 14 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 14 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 91 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 91% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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