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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46FA5E it is the complementary color #B905A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46FA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46FA5E shade: #4BFA59, #5CFF6C, #6DFF7F, #7EFF92 and #8FFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46FA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46FA5E shade: #46FA5E, #35E84B, #24D638, #13C425 and #02B212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46FA5E shade: #47FA5E, #5FFA47, #8FFA47, #C0FA47 and #F0FA47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46FA5E shade: #47FA5E, #47FA8F, #47FABF, #47FAEF and #47D4FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46FA5E shade matches the following richer shades: #47FA5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46FA5E shade: #47FA5E, #56EB6A, #65DB75, #74CC80 and #84BD8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46FA5E shade: #8EFA47, #5EFA47, #47FA5E, #47FA8E and #47FABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46FA5E shade: #05E824, #1EF93B, #47FA5E, #6FFB81 and #97FCA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46FA5E shade: #46FA5E, #47BEFA and #FA4776

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46FA5E shade: #46FA5E, #5E47FA and #FA5E47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46FA5E shade: #46FA5E, #47BEFA, #FA47E2 and #FA8247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46FA5E shade: #46FA5E, #4788FA, #FA47E2 and #FAB847

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 62 / 2

HEX #46FA5E

RGB 70 250 94

HSL 128, 0.95%, 0.63%

LAB 87.23, -74.28, 60.36

 

Complementary color

CMYK 0 / 97 / 13 / 27

HEX #B905A1

RGB 185 5 161

HSL 308, 0.95%, 0.37%

LAB 42.76, 73.36, -35.48

 

CMYK 70 / 0 / 64 / 2

HEX #4BFA59

RGB 75 250 89

HSL 124.8, 0.95%, 0.64%

LAB 87.28, -74, 62.48

 

CMYK 64 / 0 / 58 / 0

HEX #5CFF6C

RGB 92 255 108

HSL 125.89, 1%, 0.68%

LAB 89.34, -70.55, 56.93

 

CMYK 57 / 0 / 50 / 0

HEX #6DFF7F

RGB 109 255 127

HSL 127.4, 1%, 0.71%

LAB 90, -64.63, 49.25

 

CMYK 51 / 0 / 43 / 0

HEX #7EFF92

RGB 126 255 146

HSL 129.3, 1%, 0.75%

LAB 90.79, -57.9, 41.31

 

CMYK 44 / 0 / 35 / 0

HEX #8FFFA5

RGB 143 255 165

HSL 131.79, 1%, 0.78%

LAB 91.72, -50.5, 33.28

 

CMYK 72 / 0 / 62 / 2

HEX #46FA5E

RGB 70 250 94

HSL 128, 0.95%, 0.63%

LAB 87.23, -74.28, 60.36

 

CMYK 77 / 0 / 68 / 9

HEX #35E84B

RGB 53 232 75

HSL 127.37, 0.8%, 0.56%

LAB 81.28, -72.95, 61.36

 

CMYK 83 / 0 / 74 / 16

HEX #24D638

RGB 36 214 56

HSL 126.74, 0.71%, 0.49%

LAB 75.3, -71.1, 62.03

 

CMYK 90 / 0 / 81 / 23

HEX #13C425

RGB 19 196 37

HSL 126.1, 0.82%, 0.42%

LAB 69.29, -68.56, 62.08

 

CMYK 99 / 0 / 90 / 30

HEX #02B212

RGB 2 178 18

HSL 125.45, 0.98%, 0.35%

LAB 63.26, -65.24, 61.04

 

CMYK 72 / 0 / 62 / 2

HEX #47FA5E

RGB 71 250 94

HSL 127.71, 0.95%, 0.63%

LAB 87.25, -74.12, 60.38

 

CMYK 62 / 0 / 72 / 2

HEX #5FFA47

RGB 95 250 71

HSL 111.96, 0.95%, 0.63%

LAB 87.61, -71.77, 69.68

 

CMYK 43 / 0 / 72 / 2

HEX #8FFA47

RGB 143 250 71

HSL 95.87, 0.95%, 0.63%

LAB 89.24, -59.2, 71.85

 

CMYK 23 / 0 / 72 / 2

HEX #C0FA47

RGB 192 250 71

HSL 79.44, 0.95%, 0.63%

LAB 91.7, -42.42, 75.11

 

CMYK 4 / 0 / 72 / 2

HEX #F0FA47

RGB 240 250 71

HSL 63.35, 0.95%, 0.63%

LAB 94.89, -23.74, 79.29

 

CMYK 72 / 0 / 62 / 2

HEX #47FA5E

RGB 71 250 94

HSL 127.71, 0.95%, 0.63%

LAB 87.25, -74.12, 60.38

 

CMYK 72 / 0 / 43 / 2

HEX #47FA8F

RGB 71 250 143

HSL 144.13, 0.95%, 0.63%

LAB 87.82, -67.45, 38.66

 

CMYK 72 / 0 / 24 / 2

HEX #47FABF

RGB 71 250 191

HSL 160.22, 0.95%, 0.63%

LAB 88.67, -58.08, 15.56

 

CMYK 72 / 0 / 4 / 2

HEX #47FAEF

RGB 71 250 239

HSL 176.31, 0.95%, 0.63%

LAB 89.83, -46.28, -7.67

 

CMYK 72 / 15 / 0 / 2

HEX #47D4FA

RGB 71 212 250

HSL 192.74, 0.95%, 0.63%

LAB 79.23, -25.46, -29.46

 

CMYK 72 / 0 / 62 / 2

HEX #47FA5E

RGB 71 250 94

HSL 127.71, 0.95%, 0.63%

LAB 87.25, -74.12, 60.38

 

CMYK 72 / 0 / 62 / 2

HEX #47FA5E

RGB 71 250 94

HSL 127.71, 0.95%, 0.63%

LAB 87.25, -74.12, 60.38

 

CMYK 63 / 0 / 55 / 8

HEX #56EB6A

RGB 86 235 106

HSL 128.05, 0.79%, 0.63%

LAB 83.14, -65.09, 50.49

 

CMYK 54 / 0 / 47 / 14

HEX #65DB75

RGB 101 219 117

HSL 128.14, 0.62%, 0.63%

LAB 78.88, -54.33, 40.13

 

CMYK 43 / 0 / 37 / 20

HEX #74CC80

RGB 116 204 128

HSL 128.18, 0.46%, 0.63%

LAB 75.11, -42.4, 29.83

 

CMYK 30 / 0 / 26 / 26

HEX #84BD8B

RGB 132 189 139

HSL 127.37, 0.3%, 0.63%

LAB 71.67, -28.69, 19.5

 

CMYK 43 / 0 / 72 / 2

HEX #8EFA47

RGB 142 250 71

HSL 96.2, 0.95%, 0.63%

LAB 89.19, -59.51, 71.79

 

CMYK 62 / 0 / 72 / 2

HEX #5EFA47

RGB 94 250 71

HSL 112.29, 0.95%, 0.63%

LAB 87.58, -71.98, 69.65

 

CMYK 72 / 0 / 62 / 2

HEX #47FA5E

RGB 71 250 94

HSL 127.71, 0.95%, 0.63%

LAB 87.25, -74.12, 60.38

 

CMYK 72 / 0 / 43 / 2

HEX #47FA8E

RGB 71 250 142

HSL 143.8, 0.95%, 0.63%

LAB 87.81, -67.61, 39.13

 

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

CMYK 98 / 0 / 84 / 9

HEX #05E824

RGB 5 232 36

HSL 128.19, 0.96%, 0.46%

LAB 80.67, -79.15, 72.69

 

CMYK 88 / 0 / 76 / 2

HEX #1EF93B

RGB 30 249 59

HSL 127.95, 0.95%, 0.55%

LAB 86.18, -81.36, 71.8

 

CMYK 72 / 0 / 62 / 2

HEX #47FA5E

RGB 71 250 94

HSL 127.71, 0.95%, 0.63%

LAB 87.25, -74.12, 60.38

 

CMYK 56 / 0 / 49 / 2

HEX #6FFB81

RGB 111 251 129

HSL 127.71, 0.95%, 0.71%

LAB 88.9, -62.43, 46.97

 

CMYK 40 / 0 / 35 / 1

HEX #97FCA4

RGB 151 252 164

HSL 127.72, 0.94%, 0.79%

LAB 91.18, -47.17, 33.12

 

CMYK 72 / 0 / 62 / 2

HEX #46FA5E

RGB 70 250 94

HSL 128, 0.95%, 0.63%

LAB 87.23, -74.28, 60.36

 

CMYK 72 / 24 / 0 / 2

HEX #47BEFA

RGB 71 190 250

HSL 200.11, 0.95%, 0.63%

LAB 72.94, -14.15, -39.18

 

CMYK 0 / 72 / 53 / 2

HEX #FA4776

RGB 250 71 118

HSL 344.25, 0.95%, 0.63%

LAB 58.17, 69.86, 14.54

 

CMYK 72 / 0 / 62 / 2

HEX #46FA5E

RGB 70 250 94

HSL 128, 0.95%, 0.63%

LAB 87.23, -74.28, 60.36

 

CMYK 62 / 72 / 0 / 2

HEX #5E47FA

RGB 94 71 250

HSL 247.71, 0.95%, 0.63%

LAB 43.93, 58.27, -85.64

 

CMYK 0 / 62 / 72 / 2

HEX #FA5E47

RGB 250 94 71

HSL 7.71, 0.95%, 0.63%

LAB 60.59, 58.3, 44.39

 

CMYK 72 / 0 / 62 / 2

HEX #46FA5E

RGB 70 250 94

HSL 128, 0.95%, 0.63%

LAB 87.23, -74.28, 60.36

 

CMYK 72 / 24 / 0 / 2

HEX #47BEFA

RGB 71 190 250

HSL 200.11, 0.95%, 0.63%

LAB 72.94, -14.15, -39.18

 

CMYK 0 / 72 / 10 / 2

HEX #FA47E2

RGB 250 71 226

HSL 308.04, 0.95%, 0.63%

LAB 61.93, 81.77, -42.18

 

CMYK 0 / 48 / 72 / 2

HEX #FA8247

RGB 250 130 71

HSL 19.78, 0.95%, 0.63%

LAB 67.08, 41.55, 51.55

 

CMYK 72 / 0 / 62 / 2

HEX #46FA5E

RGB 70 250 94

HSL 128, 0.95%, 0.63%

LAB 87.23, -74.28, 60.36

 

CMYK 72 / 46 / 0 / 2

HEX #4788FA

RGB 71 136 250

HSL 218.21, 0.95%, 0.63%

LAB 57.89, 16.77, -62.98

 

CMYK 0 / 72 / 10 / 2

HEX #FA47E2

RGB 250 71 226

HSL 308.04, 0.95%, 0.63%

LAB 61.93, 81.77, -42.18

 

CMYK 0 / 26 / 72 / 2

HEX #FAB847

RGB 250 184 71

HSL 37.88, 0.95%, 0.63%

LAB 79.08, 13.56, 64.08

 

Description

Color code: HEX #46FA5E | qconv.com Color code: HEX #46FA5E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 250 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 250 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 62 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 62% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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