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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46F839 it is the complementary color #B907C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46F839. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46F839 shade: #4BF834, #5CFF47, #6DFF5A, #7EFF6D and #8FFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46F839. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46F839 shade: #46F839, #35E626, #24D413, #13C200 and #02B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46F839 shade: #47F83A, #7AF83A, #ADF83A, #E1F83A and #F8DC3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46F839 shade: #47F83A, #3AF860, #3AF894, #3AF8C7 and #3AF6F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46F839 shade matches the following richer shades: #47F83A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46F839 shade: #47F83A, #55E74B, #64D75B, #72C66C and #80B67C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46F839 shade: #AFF83A, #7DF83A, #4AF83A, #3AF85D and #3AF890

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46F839 shade: #16D808, #22F612, #47F83A, #6CF962 and #91FB8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46F839 shade: #46F839, #3AE2F8 and #F83A96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46F839 shade: #46F839, #3A4AF8 and #F83A4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46F839 shade: #46F839, #3AE2F8, #E83AF8 and #F8503A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46F839 shade: #46F839, #3AA9F8, #E83AF8 and #F8893A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 77 / 3

HEX #46F839

RGB 70 248 57

HSL 115.92, 0.93%, 0.6%

LAB 86.37, -76.73, 72.76

 

Complementary color

CMYK 7 / 96 / 0 / 22

HEX #B907C6

RGB 185 7 198

HSL 295.92, 0.93%, 0.4%

LAB 45, 78.53, -53.75

 

CMYK 70 / 0 / 79 / 3

HEX #4BF834

RGB 75 248 52

HSL 112.96, 0.93%, 0.59%

LAB 86.44, -76.19, 74.29

 

CMYK 64 / 0 / 72 / 0

HEX #5CFF47

RGB 92 255 71

HSL 113.15, 1%, 0.64%

LAB 89.04, -74.02, 71.1

 

CMYK 57 / 0 / 65 / 0

HEX #6DFF5A

RGB 109 255 90

HSL 113.09, 1%, 0.68%

LAB 89.63, -68.77, 64.88

 

CMYK 51 / 0 / 57 / 0

HEX #7EFF6D

RGB 126 255 109

HSL 113.01, 1%, 0.71%

LAB 90.35, -62.66, 57.93

 

CMYK 44 / 0 / 50 / 0

HEX #8FFF80

RGB 143 255 128

HSL 112.91, 1%, 0.75%

LAB 91.2, -55.8, 50.52

 

CMYK 72 / 0 / 77 / 3

HEX #46F839

RGB 70 248 57

HSL 115.92, 0.93%, 0.6%

LAB 86.37, -76.73, 72.76

 

CMYK 77 / 0 / 83 / 10

HEX #35E626

RGB 53 230 38

HSL 115.31, 0.79%, 0.53%

LAB 80.45, -74.89, 72.19

 

CMYK 83 / 0 / 91 / 17

HEX #24D413

RGB 36 212 19

HSL 114.72, 0.84%, 0.45%

LAB 74.51, -72.42, 70.58

 

CMYK 90 / 0 / 100 / 24

HEX #13C200

RGB 19 194 0

HSL 114.12, 1%, 0.38%

LAB 68.55, -69.24, 67.84

 

CMYK 99 / 0 / 100 / 31

HEX #02B000

RGB 2 176 0

HSL 119.32, 1%, 0.35%

LAB 62.56, -65.16, 63

 

CMYK 71 / 0 / 77 / 3

HEX #47F83A

RGB 71 248 58

HSL 115.89, 0.93%, 0.6%

LAB 86.39, -76.51, 72.49

 

CMYK 51 / 0 / 77 / 3

HEX #7AF83A

RGB 122 248 58

HSL 99.79, 0.93%, 0.6%

LAB 87.77, -65.35, 74.28

 

CMYK 30 / 0 / 77 / 3

HEX #ADF83A

RGB 173 248 58

HSL 83.68, 0.93%, 0.6%

LAB 90.01, -49.14, 77.2

 

CMYK 9 / 0 / 77 / 3

HEX #E1F83A

RGB 225 248 58

HSL 67.26, 0.93%, 0.6%

LAB 93.21, -29.36, 81.31

 

CMYK 0 / 11 / 77 / 3

HEX #F8DC3A

RGB 248 220 58

HSL 51.16, 0.93%, 0.6%

LAB 87.7, -6.32, 76.98

 

CMYK 71 / 0 / 77 / 3

HEX #47F83A

RGB 71 248 58

HSL 115.89, 0.93%, 0.6%

LAB 86.39, -76.51, 72.49

 

CMYK 77 / 0 / 61 / 3

HEX #3AF860

RGB 58 248 96

HSL 132, 0.93%, 0.6%

LAB 86.44, -75.1, 58.58

 

CMYK 77 / 0 / 40 / 3

HEX #3AF894

RGB 58 248 148

HSL 148.42, 0.93%, 0.6%

LAB 87.08, -67.58, 35.18

 

CMYK 77 / 0 / 20 / 3

HEX #3AF8C7

RGB 58 248 199

HSL 164.53, 0.93%, 0.6%

LAB 88.04, -56.99, 10.51

 

CMYK 77 / 1 / 0 / 3

HEX #3AF6F8

RGB 58 246 248

HSL 180.63, 0.93%, 0.6%

LAB 88.73, -43.41, -14.03

 

CMYK 71 / 0 / 77 / 3

HEX #47F83A

RGB 71 248 58

HSL 115.89, 0.93%, 0.6%

LAB 86.39, -76.51, 72.49

 

CMYK 71 / 0 / 77 / 3

HEX #47F83A

RGB 71 248 58

HSL 115.89, 0.93%, 0.6%

LAB 86.39, -76.51, 72.49

 

CMYK 63 / 0 / 68 / 9

HEX #55E74B

RGB 85 231 75

HSL 116.15, 0.76%, 0.6%

LAB 81.62, -67.24, 61.92

 

CMYK 53 / 0 / 58 / 16

HEX #64D75B

RGB 100 215 91

HSL 115.65, 0.61%, 0.6%

LAB 77.32, -56.43, 50.54

 

CMYK 42 / 0 / 45 / 22

HEX #72C66C

RGB 114 198 108

HSL 116, 0.44%, 0.6%

LAB 72.92, -43.46, 37.2

 

CMYK 30 / 0 / 32 / 29

HEX #80B67C

RGB 128 182 124

HSL 115.86, 0.28%, 0.6%

LAB 69.11, -29.22, 24.03

 

CMYK 29 / 0 / 77 / 3

HEX #AFF83A

RGB 175 248 58

HSL 83.05, 0.93%, 0.6%

LAB 90.12, -48.43, 77.33

 

CMYK 50 / 0 / 77 / 3

HEX #7DF83A

RGB 125 248 58

HSL 98.84, 0.93%, 0.6%

LAB 87.87, -64.52, 74.42

 

CMYK 70 / 0 / 77 / 3

HEX #4AF83A

RGB 74 248 58

HSL 114.95, 0.93%, 0.6%

LAB 86.45, -76.01, 72.57

 

CMYK 77 / 0 / 63 / 3

HEX #3AF85D

RGB 58 248 93

HSL 131.05, 0.93%, 0.6%

LAB 86.42, -75.43, 59.8

 

CMYK 77 / 0 / 42 / 3

HEX #3AF890

RGB 58 248 144

HSL 147.16, 0.93%, 0.6%

LAB 87.02, -68.28, 37.08

 

CMYK 90 / 0 / 96 / 15

HEX #16D808

RGB 22 216 8

HSL 115.96, 0.93%, 0.44%

LAB 75.64, -74.93, 72.75

 

CMYK 86 / 0 / 93 / 4

HEX #22F612

RGB 34 246 18

HSL 115.79, 0.93%, 0.52%

LAB 85.15, -82, 79.6

 

CMYK 71 / 0 / 77 / 3

HEX #47F83A

RGB 71 248 58

HSL 115.89, 0.93%, 0.6%

LAB 86.39, -76.51, 72.49

 

CMYK 57 / 0 / 61 / 2

HEX #6CF962

RGB 108 249 98

HSL 116.03, 0.93%, 0.68%

LAB 87.88, -66.13, 59.67

 

CMYK 42 / 0 / 45 / 2

HEX #91FB8A

RGB 145 251 138

HSL 116.28, 0.93%, 0.76%

LAB 90.25, -52.32, 44.64

 

CMYK 72 / 0 / 77 / 3

HEX #46F839

RGB 70 248 57

HSL 115.92, 0.93%, 0.6%

LAB 86.37, -76.73, 72.76

 

CMYK 77 / 9 / 0 / 3

HEX #3AE2F8

RGB 58 226 248

HSL 186.95, 0.93%, 0.6%

LAB 82.95, -34.28, -22.74

 

CMYK 0 / 77 / 40 / 3

HEX #F83A96

RGB 248 58 150

HSL 330.95, 0.93%, 0.6%

LAB 57.25, 76.04, -5.7

 

CMYK 72 / 0 / 77 / 3

HEX #46F839

RGB 70 248 57

HSL 115.92, 0.93%, 0.6%

LAB 86.37, -76.73, 72.76

 

CMYK 77 / 70 / 0 / 3

HEX #3A4AF8

RGB 58 74 248

HSL 234.95, 0.93%, 0.6%

LAB 42.11, 52.43, -87.58

 

CMYK 0 / 77 / 70 / 3

HEX #F83A4A

RGB 248 58 74

HSL 354.95, 0.93%, 0.6%

LAB 55.56, 70.75, 36.83

 

CMYK 72 / 0 / 77 / 3

HEX #46F839

RGB 70 248 57

HSL 115.92, 0.93%, 0.6%

LAB 86.37, -76.73, 72.76

 

CMYK 77 / 9 / 0 / 3

HEX #3AE2F8

RGB 58 226 248

HSL 186.95, 0.93%, 0.6%

LAB 82.95, -34.28, -22.74

 

CMYK 6 / 77 / 0 / 3

HEX #E83AF8

RGB 232 58 248

HSL 294.95, 0.93%, 0.6%

LAB 58.94, 85.24, -59.38

 

CMYK 0 / 68 / 77 / 3

HEX #F8503A

RGB 248 80 58

HSL 6.95, 0.93%, 0.6%

LAB 58.04, 62.75, 48.34

 

CMYK 72 / 0 / 77 / 3

HEX #46F839

RGB 70 248 57

HSL 115.92, 0.93%, 0.6%

LAB 86.37, -76.73, 72.76

 

CMYK 77 / 32 / 0 / 3

HEX #3AA9F8

RGB 58 169 248

HSL 204.95, 0.93%, 0.6%

LAB 66.56, -4.88, -48.11

 

CMYK 6 / 77 / 0 / 3

HEX #E83AF8

RGB 232 58 248

HSL 294.95, 0.93%, 0.6%

LAB 58.94, 85.24, -59.38

 

CMYK 0 / 45 / 77 / 3

HEX #F8893A

RGB 248 137 58

HSL 24.95, 0.93%, 0.6%

LAB 68.13, 36.69, 58.54

 

Description

Color code: HEX #46F839 | qconv.com Color code: HEX #46F839 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 248 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 248 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 77 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 77% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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