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Color name
HEX #46F454

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46F454 it is the complementary color #B90BAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46F454. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46F454 shade: #4BF44F, #5CFF62, #6DFF75, #7EFF88 and #8FFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46F454. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46F454 shade: #46F454, #35E241, #24D02E, #13BE1B and #02AC08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46F454 shade: #48F456, #68F448, #97F448, #C6F448 and #F4F448

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46F454 shade: #48F456, #48F484, #48F4B3, #48F4E1 and #48D9F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46F454 shade matches the following richer shades: #48F456

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46F454 shade: #48F456, #58E563, #67D570, #77C57D and #87B68A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46F454 shade: #98F448, #6AF448, #48F453, #48F481 and #48F4AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46F454 shade: #0DDD1E, #21F232, #48F456, #6FF77A and #96F99E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46F454 shade: #46F454, #48C6F4 and #F44881

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46F454 shade: #46F454, #5348F4 and #F45348

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46F454 shade: #46F454, #48C6F4, #F448E9 and #F47648

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46F454 shade: #46F454, #4893F4, #F448E9 and #F4AA48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 66 / 4

HEX #46F454

RGB 70 244 84

HSL 124.83, 0.89%, 0.62%

LAB 85.32, -73.39, 62.29

 

Complementary color

CMYK 0 / 94 / 8 / 27

HEX #B90BAB

RGB 185 11 171

HSL 304.83, 0.89%, 0.38%

LAB 43.5, 74.15, -40.28

 

CMYK 69 / 0 / 68 / 4

HEX #4BF44F

RGB 75 244 79

HSL 121.42, 0.88%, 0.63%

LAB 85.38, -73.02, 64.32

 

CMYK 64 / 0 / 62 / 0

HEX #5CFF62

RGB 92 255 98

HSL 122.21, 1%, 0.68%

LAB 89.24, -71.65, 61.08

 

CMYK 57 / 0 / 54 / 0

HEX #6DFF75

RGB 109 255 117

HSL 123.29, 1%, 0.71%

LAB 89.89, -65.9, 53.7

 

CMYK 51 / 0 / 47 / 0

HEX #7EFF88

RGB 126 255 136

HSL 124.65, 1%, 0.75%

LAB 90.66, -59.34, 45.95

 

CMYK 44 / 0 / 39 / 0

HEX #8FFF9B

RGB 143 255 155

HSL 126.43, 1%, 0.78%

LAB 91.56, -52.07, 38.03

 

CMYK 71 / 0 / 66 / 4

HEX #46F454

RGB 70 244 84

HSL 124.83, 0.89%, 0.62%

LAB 85.32, -73.39, 62.29

 

CMYK 77 / 0 / 71 / 11

HEX #35E241

RGB 53 226 65

HSL 124.16, 0.75%, 0.55%

LAB 79.35, -71.99, 63.07

 

CMYK 83 / 0 / 78 / 18

HEX #24D02E

RGB 36 208 46

HSL 123.49, 0.7%, 0.48%

LAB 73.34, -70.04, 63.35

 

CMYK 90 / 0 / 86 / 25

HEX #13BE1B

RGB 19 190 27

HSL 122.81, 0.82%, 0.41%

LAB 67.31, -67.36, 62.79

 

CMYK 99 / 0 / 95 / 33

HEX #02AC08

RGB 2 172 8

HSL 122.12, 0.98%, 0.34%

LAB 61.25, -63.86, 60.87

 

CMYK 70 / 0 / 65 / 4

HEX #48F456

RGB 72 244 86

HSL 124.88, 0.89%, 0.62%

LAB 85.38, -72.87, 61.57

 

CMYK 57 / 0 / 70 / 4

HEX #68F448

RGB 104 244 72

HSL 108.84, 0.89%, 0.62%

LAB 86.06, -67.65, 67.83

 

CMYK 38 / 0 / 70 / 4

HEX #97F448

RGB 151 244 72

HSL 92.44, 0.89%, 0.62%

LAB 87.85, -54.25, 70.22

 

CMYK 19 / 0 / 70 / 4

HEX #C6F448

RGB 198 244 72

HSL 76.05, 0.89%, 0.62%

LAB 90.4, -37.45, 73.62

 

CMYK 0 / 0 / 70 / 4

HEX #F4F448

RGB 244 244 72

HSL 60, 0.89%, 0.62%

LAB 93.62, -19.21, 77.86

 

CMYK 70 / 0 / 65 / 4

HEX #48F456

RGB 72 244 86

HSL 124.88, 0.89%, 0.62%

LAB 85.38, -72.87, 61.57

 

CMYK 70 / 0 / 46 / 4

HEX #48F484

RGB 72 244 132

HSL 140.93, 0.89%, 0.62%

LAB 85.88, -66.99, 41.53

 

CMYK 70 / 0 / 27 / 4

HEX #48F4B3

RGB 72 244 179

HSL 157.33, 0.89%, 0.62%

LAB 86.67, -58.23, 18.94

 

CMYK 70 / 0 / 8 / 4

HEX #48F4E1

RGB 72 244 225

HSL 173.37, 0.89%, 0.62%

LAB 87.73, -47.27, -3.46

 

CMYK 70 / 11 / 0 / 4

HEX #48D9F4

RGB 72 217 244

HSL 189.42, 0.89%, 0.62%

LAB 80.48, -29.62, -24.35

 

CMYK 70 / 0 / 65 / 4

HEX #48F456

RGB 72 244 86

HSL 124.88, 0.89%, 0.62%

LAB 85.38, -72.87, 61.57

 

CMYK 70 / 0 / 65 / 4

HEX #48F456

RGB 72 244 86

HSL 124.88, 0.89%, 0.62%

LAB 85.38, -72.87, 61.57

 

CMYK 62 / 0 / 57 / 10

HEX #58E563

RGB 88 229 99

HSL 124.68, 0.73%, 0.62%

LAB 81.3, -63.43, 51.5

 

CMYK 52 / 0 / 47 / 16

HEX #67D570

RGB 103 213 112

HSL 124.91, 0.57%, 0.62%

LAB 77.07, -52.18, 40.33

 

CMYK 40 / 0 / 37 / 23

HEX #77C57D

RGB 119 197 125

HSL 124.62, 0.4%, 0.62%

LAB 73.11, -38.91, 28.76

 

CMYK 26 / 0 / 24 / 29

HEX #87B68A

RGB 135 182 138

HSL 123.83, 0.24%, 0.62%

LAB 69.78, -24.45, 17.47

 

CMYK 38 / 0 / 70 / 4

HEX #98F448

RGB 152 244 72

HSL 92.09, 0.89%, 0.62%

LAB 87.89, -53.92, 70.29

 

CMYK 57 / 0 / 70 / 4

HEX #6AF448

RGB 106 244 72

HSL 108.14, 0.89%, 0.62%

LAB 86.12, -67.17, 67.91

 

CMYK 70 / 0 / 66 / 4

HEX #48F453

RGB 72 244 83

HSL 123.84, 0.89%, 0.62%

LAB 85.35, -73.16, 62.73

 

CMYK 70 / 0 / 47 / 4

HEX #48F481

RGB 72 244 129

HSL 139.88, 0.89%, 0.62%

LAB 85.84, -67.46, 42.92

 

CMYK 70 / 0 / 28 / 4

HEX #48F4AF

RGB 72 244 175

HSL 155.93, 0.89%, 0.62%

LAB 86.59, -59.07, 20.89

 

CMYK 94 / 0 / 86 / 13

HEX #0DDD1E

RGB 13 221 30

HSL 124.9, 0.89%, 0.46%

LAB 77.22, -76.15, 70.9

 

CMYK 86 / 0 / 79 / 5

HEX #21F232

RGB 33 242 50

HSL 124.88, 0.89%, 0.54%

LAB 84, -79.75, 72.32

 

CMYK 70 / 0 / 65 / 4

HEX #48F456

RGB 72 244 86

HSL 124.88, 0.89%, 0.62%

LAB 85.38, -72.87, 61.57

 

CMYK 55 / 0 / 51 / 3

HEX #6FF77A

RGB 111 247 122

HSL 124.85, 0.89%, 0.7%

LAB 87.63, -61.88, 48.69

 

CMYK 40 / 0 / 37 / 2

HEX #96F99E

RGB 150 249 158

HSL 124.85, 0.89%, 0.78%

LAB 90.19, -47.12, 34.79

 

CMYK 71 / 0 / 66 / 4

HEX #46F454

RGB 70 244 84

HSL 124.83, 0.89%, 0.62%

LAB 85.32, -73.39, 62.29

 

CMYK 70 / 19 / 0 / 4

HEX #48C6F4

RGB 72 198 244

HSL 196.05, 0.89%, 0.62%

LAB 75.01, -20.13, -32.74

 

CMYK 0 / 70 / 47 / 4

HEX #F44881

RGB 244 72 129

HSL 340.12, 0.89%, 0.62%

LAB 57.51, 68.71, 6.98

 

CMYK 71 / 0 / 66 / 4

HEX #46F454

RGB 70 244 84

HSL 124.83, 0.89%, 0.62%

LAB 85.32, -73.39, 62.29

 

CMYK 66 / 70 / 0 / 4

HEX #5348F4

RGB 83 72 244

HSL 243.84, 0.89%, 0.62%

LAB 42.77, 54.66, -84.21

 

CMYK 0 / 66 / 70 / 4

HEX #F45348

RGB 244 83 72

HSL 3.84, 0.89%, 0.62%

LAB 57.93, 60.87, 40.55

 

CMYK 71 / 0 / 66 / 4

HEX #46F454

RGB 70 244 84

HSL 124.83, 0.89%, 0.62%

LAB 85.32, -73.39, 62.29

 

CMYK 70 / 19 / 0 / 4

HEX #48C6F4

RGB 72 198 244

HSL 196.05, 0.89%, 0.62%

LAB 75.01, -20.13, -32.74

 

CMYK 0 / 70 / 5 / 4

HEX #F448E9

RGB 244 72 233

HSL 303.84, 0.89%, 0.62%

LAB 61.44, 81.18, -46.93

 

CMYK 0 / 52 / 70 / 4

HEX #F47648

RGB 244 118 72

HSL 16.05, 0.89%, 0.62%

LAB 63.88, 45.25, 47.3

 

CMYK 71 / 0 / 66 / 4

HEX #46F454

RGB 70 244 84

HSL 124.83, 0.89%, 0.62%

LAB 85.32, -73.39, 62.29

 

CMYK 70 / 40 / 0 / 4

HEX #4893F4

RGB 72 147 244

HSL 213.84, 0.89%, 0.62%

LAB 60.58, 8.18, -55.37

 

CMYK 0 / 70 / 5 / 4

HEX #F448E9

RGB 244 72 233

HSL 303.84, 0.89%, 0.62%

LAB 61.44, 81.18, -46.93

 

CMYK 0 / 30 / 70 / 4

HEX #F4AA48

RGB 244 170 72

HSL 34.19, 0.89%, 0.62%

LAB 75.11, 18.45, 59.37

 

Description

Color code: HEX #46F454 | qconv.com Color code: HEX #46F454 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 244 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 244 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 66 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 66% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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