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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46F072 it is the complementary color #B90F8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46F072. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46F072 shade: #4BF06D, #5CFF80, #6DFF93, #7EFFA6 and #8FFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46F072. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46F072 shade: #46F072, #35DE5F, #24CC4C, #13BA39 and #02A826

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46F072 shade: #47F073, #49F047, #76F047, #A4F047 and #D2F047

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46F072 shade: #47F073, #47F0A0, #47F0CE, #47E5F0 and #47B7F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46F072 shade matches the following richer shades: #47F073

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46F072 shade: #47F073, #57E07B, #67D082, #77C08A and #87B092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46F072 shade: #77F047, #4AF047, #47F071, #47F09E and #47F0CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46F072 shade: #11D343, #21ED56, #47F073, #6DF390 and #93F6AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46F072 shade: #46F072, #47A4F0 and #F04760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46F072 shade: #46F072, #7147F0 and #F07147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46F072 shade: #46F072, #47A4F0, #F047C6 and #F09347

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46F072 shade: #46F072, #4771F0, #F047C6 and #F0C647

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 53 / 6

HEX #46F072

RGB 70 240 114

HSL 135.53, 0.85%, 0.61%

LAB 84.4, -68.59, 48.23

 

Complementary color

CMYK 0 / 92 / 24 / 27

HEX #B90F8D

RGB 185 15 141

HSL 315.53, 0.85%, 0.39%

LAB 42.12, 69.77, -24.36

 

CMYK 69 / 0 / 55 / 6

HEX #4BF06D

RGB 75 240 109

HSL 132.36, 0.85%, 0.62%

LAB 84.44, -68.45, 50.61

 

CMYK 64 / 0 / 50 / 0

HEX #5CFF80

RGB 92 255 128

HSL 133.25, 1%, 0.68%

LAB 89.56, -68, 48.14

 

CMYK 57 / 0 / 42 / 0

HEX #6DFF93

RGB 109 255 147

HSL 135.62, 1%, 0.71%

LAB 90.27, -61.72, 40.04

 

CMYK 51 / 0 / 35 / 0

HEX #7EFFA6

RGB 126 255 166

HSL 138.6, 1%, 0.75%

LAB 91.1, -54.69, 31.85

 

CMYK 44 / 0 / 27 / 0

HEX #8FFFB9

RGB 143 255 185

HSL 142.5, 1%, 0.78%

LAB 92.07, -47.04, 23.68

 

CMYK 71 / 0 / 53 / 6

HEX #46F072

RGB 70 240 114

HSL 135.53, 0.85%, 0.61%

LAB 84.4, -68.59, 48.23

 

CMYK 76 / 0 / 57 / 13

HEX #35DE5F

RGB 53 222 95

HSL 134.91, 0.72%, 0.54%

LAB 78.36, -67.6, 49.66

 

CMYK 82 / 0 / 63 / 20

HEX #24CC4C

RGB 36 204 76

HSL 134.29, 0.7%, 0.47%

LAB 72.28, -66.16, 51.03

 

CMYK 90 / 0 / 69 / 27

HEX #13BA39

RGB 19 186 57

HSL 133.65, 0.81%, 0.4%

LAB 66.18, -64.1, 52.19

 

CMYK 99 / 0 / 77 / 34

HEX #02A826

RGB 2 168 38

HSL 133.01, 0.98%, 0.33%

LAB 60.03, -61.31, 52.88

 

CMYK 70 / 0 / 52 / 6

HEX #47F073

RGB 71 240 115

HSL 135.62, 0.85%, 0.61%

LAB 84.43, -68.29, 47.81

 

CMYK 70 / 0 / 70 / 6

HEX #49F047

RGB 73 240 71

HSL 119.29, 0.85%, 0.61%

LAB 84.07, -72.78, 65.89

 

CMYK 51 / 0 / 70 / 6

HEX #76F047

RGB 118 240 71

HSL 103.31, 0.85%, 0.61%

LAB 85.32, -62.73, 67.57

 

CMYK 32 / 0 / 70 / 6

HEX #A4F047

RGB 164 240 71

HSL 86.98, 0.85%, 0.61%

LAB 87.32, -48.28, 70.25

 

CMYK 13 / 0 / 70 / 6

HEX #D2F047

RGB 210 240 71

HSL 70.65, 0.85%, 0.61%

LAB 90.08, -31.02, 73.91

 

CMYK 70 / 0 / 52 / 6

HEX #47F073

RGB 71 240 115

HSL 135.62, 0.85%, 0.61%

LAB 84.43, -68.29, 47.81

 

CMYK 70 / 0 / 33 / 6

HEX #47F0A0

RGB 71 240 160

HSL 151.6, 0.85%, 0.61%

LAB 85.1, -60.75, 26.53

 

CMYK 70 / 0 / 14 / 6

HEX #47F0CE

RGB 71 240 206

HSL 167.93, 0.85%, 0.61%

LAB 86.06, -50.53, 4.04

 

CMYK 70 / 5 / 0 / 6

HEX #47E5F0

RGB 71 229 240

HSL 183.91, 0.85%, 0.61%

LAB 83.79, -36.6, -17.21

 

CMYK 70 / 24 / 0 / 6

HEX #47B7F0

RGB 71 183 240

HSL 200.24, 0.85%, 0.61%

LAB 70.52, -13.68, -37.53

 

CMYK 70 / 0 / 52 / 6

HEX #47F073

RGB 71 240 115

HSL 135.62, 0.85%, 0.61%

LAB 84.43, -68.29, 47.81

 

CMYK 70 / 0 / 52 / 6

HEX #47F073

RGB 71 240 115

HSL 135.62, 0.85%, 0.61%

LAB 84.43, -68.29, 47.81

 

CMYK 61 / 0 / 45 / 12

HEX #57E07B

RGB 87 224 123

HSL 135.77, 0.69%, 0.61%

LAB 80.05, -58.51, 38.58

 

CMYK 50 / 0 / 38 / 18

HEX #67D082

RGB 103 208 130

HSL 135.43, 0.53%, 0.61%

LAB 75.83, -47.33, 29.65

 

CMYK 38 / 0 / 28 / 25

HEX #77C08A

RGB 119 192 138

HSL 135.62, 0.37%, 0.61%

LAB 71.86, -34.38, 20.21

 

CMYK 23 / 0 / 17 / 31

HEX #87B092

RGB 135 176 146

HSL 136.1, 0.21%, 0.61%

LAB 68.22, -19.96, 10.92

 

CMYK 50 / 0 / 70 / 6

HEX #77F047

RGB 119 240 71

HSL 102.96, 0.85%, 0.61%

LAB 85.35, -62.46, 67.62

 

CMYK 69 / 0 / 70 / 6

HEX #4AF047

RGB 74 240 71

HSL 118.93, 0.85%, 0.61%

LAB 84.09, -72.61, 65.92

 

CMYK 70 / 0 / 53 / 6

HEX #47F071

RGB 71 240 113

HSL 134.91, 0.85%, 0.61%

LAB 84.41, -68.57, 48.71

 

CMYK 70 / 0 / 34 / 6

HEX #47F09E

RGB 71 240 158

HSL 150.89, 0.85%, 0.61%

LAB 85.06, -61.14, 27.5

 

CMYK 70 / 0 / 15 / 6

HEX #47F0CB

RGB 71 240 203

HSL 166.86, 0.85%, 0.61%

LAB 85.99, -51.26, 5.51

 

CMYK 92 / 0 / 68 / 17

HEX #11D343

RGB 17 211 67

HSL 135.46, 0.85%, 0.45%

LAB 74.26, -70.68, 56.86

 

CMYK 86 / 0 / 64 / 7

HEX #21ED56

RGB 33 237 86

HSL 135.59, 0.85%, 0.53%

LAB 82.68, -75.38, 58.44

 

CMYK 70 / 0 / 52 / 6

HEX #47F073

RGB 71 240 115

HSL 135.62, 0.85%, 0.61%

LAB 84.43, -68.29, 47.81

 

CMYK 55 / 0 / 41 / 5

HEX #6DF390

RGB 109 243 144

HSL 135.67, 0.85%, 0.69%

LAB 86.68, -57.61, 36.87

 

CMYK 40 / 0 / 30 / 4

HEX #93F6AD

RGB 147 246 173

HSL 135.76, 0.85%, 0.77%

LAB 89.45, -44.22, 26.22

 

CMYK 71 / 0 / 53 / 6

HEX #46F072

RGB 70 240 114

HSL 135.53, 0.85%, 0.61%

LAB 84.4, -68.59, 48.23

 

CMYK 70 / 32 / 0 / 6

HEX #47A4F0

RGB 71 164 240

HSL 206.98, 0.85%, 0.61%

LAB 65.11, -3.21, -46.01

 

CMYK 0 / 70 / 60 / 6

HEX #F04760

RGB 240 71 96

HSL 351.12, 0.85%, 0.61%

LAB 55.96, 65.44, 24.22

 

CMYK 71 / 0 / 53 / 6

HEX #46F072

RGB 70 240 114

HSL 135.53, 0.85%, 0.61%

LAB 84.4, -68.59, 48.23

 

CMYK 53 / 70 / 0 / 6

HEX #7147F0

RGB 113 71 240

HSL 254.91, 0.85%, 0.61%

LAB 44.67, 57.95, -78.74

 

CMYK 0 / 53 / 70 / 6

HEX #F07147

RGB 240 113 71

HSL 14.91, 0.85%, 0.61%

LAB 62.33, 46.14, 45.92

 

CMYK 71 / 0 / 53 / 6

HEX #46F072

RGB 70 240 114

HSL 135.53, 0.85%, 0.61%

LAB 84.4, -68.59, 48.23

 

CMYK 70 / 32 / 0 / 6

HEX #47A4F0

RGB 71 164 240

HSL 206.98, 0.85%, 0.61%

LAB 65.11, -3.21, -46.01

 

CMYK 0 / 70 / 18 / 6

HEX #F047C6

RGB 240 71 198

HSL 314.91, 0.85%, 0.61%

LAB 59.08, 75.62, -30.9

 

CMYK 0 / 39 / 70 / 6

HEX #F09347

RGB 240 147 71

HSL 26.98, 0.85%, 0.61%

LAB 69.36, 28.87, 53.61

 

CMYK 71 / 0 / 53 / 6

HEX #46F072

RGB 70 240 114

HSL 135.53, 0.85%, 0.61%

LAB 84.4, -68.59, 48.23

 

CMYK 70 / 53 / 0 / 6

HEX #4771F0

RGB 71 113 240

HSL 225.09, 0.85%, 0.61%

LAB 51.2, 27.39, -68.23

 

CMYK 0 / 70 / 18 / 6

HEX #F047C6

RGB 240 71 198

HSL 314.91, 0.85%, 0.61%

LAB 59.08, 75.62, -30.9

 

CMYK 0 / 18 / 70 / 6

HEX #F0C647

RGB 240 198 71

HSL 45.09, 0.85%, 0.61%

LAB 81.49, 2.07, 66.19

 

Description

Color code: HEX #46F072 | qconv.com Color code: HEX #46F072 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 240 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 240 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 53 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 53% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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