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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46EE4D it is the complementary color #B911B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46EE4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46EE4D shade: #4BEE48, #5CFF5B, #6DFF6E, #7EFF81 and #8FFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46EE4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46EE4D shade: #46EE4D, #35DC3A, #24CA27, #13B814 and #02A601

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46EE4D shade: #44EE4B, #6BEE44, #99EE44, #C6EE44 and #EEE744

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46EE4D shade: #44EE4B, #44EE79, #44EEA7, #44EED4 and #44D9EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46EE4D shade matches the following richer shades: #44EE4B and #34FE3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46EE4D shade: #44EE4B, #55DD5B, #65CD6A, #76BC79 and #86AC88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46EE4D shade: #99EE44, #6CEE44, #44EE4A, #44EE77 and #44EEA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46EE4D shade: #13CC1B, #1FEA27, #44EE4B, #6AF170 and #90F594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46EE4D shade: #46EE4D, #44C6EE and #EE4482

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46EE4D shade: #46EE4D, #4A44EE and #EE4A44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46EE4D shade: #46EE4D, #44C6EE, #EE44E8 and #EE6C44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46EE4D shade: #46EE4D, #4493EE, #EE44E8 and #EE9F44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 68 / 7

HEX #46EE4D

RGB 70 238 77

HSL 122.5, 0.83%, 0.6%

LAB 83.44, -72.14, 62.98

 

Complementary color

CMYK 0 / 91 / 4 / 27

HEX #B911B2

RGB 185 17 178

HSL 302.5, 0.83%, 0.4%

LAB 44.13, 74.47, -43.42

 

CMYK 68 / 0 / 70 / 7

HEX #4BEE48

RGB 75 238 72

HSL 118.92, 0.83%, 0.61%

LAB 83.5, -71.72, 64.95

 

CMYK 64 / 0 / 64 / 0

HEX #5CFF5B

RGB 92 255 91

HSL 119.63, 1%, 0.68%

LAB 89.18, -72.35, 63.86

 

CMYK 57 / 0 / 57 / 0

HEX #6DFF6E

RGB 109 255 110

HSL 120.41, 1%, 0.71%

LAB 89.81, -66.73, 56.73

 

CMYK 51 / 0 / 49 / 0

HEX #7EFF81

RGB 126 255 129

HSL 121.4, 1%, 0.75%

LAB 90.57, -60.28, 49.14

 

CMYK 44 / 0 / 42 / 0

HEX #8FFF94

RGB 143 255 148

HSL 122.68, 1%, 0.78%

LAB 91.46, -53.11, 41.32

 

CMYK 71 / 0 / 68 / 7

HEX #46EE4D

RGB 70 238 77

HSL 122.5, 0.83%, 0.6%

LAB 83.44, -72.14, 62.98

 

CMYK 76 / 0 / 74 / 14

HEX #35DC3A

RGB 53 220 58

HSL 121.8, 0.7%, 0.54%

LAB 77.43, -70.71, 63.57

 

CMYK 82 / 0 / 81 / 21

HEX #24CA27

RGB 36 202 39

HSL 121.08, 0.7%, 0.47%

LAB 71.39, -68.71, 63.55

 

CMYK 90 / 0 / 89 / 28

HEX #13B814

RGB 19 184 20

HSL 120.36, 0.81%, 0.4%

LAB 65.33, -65.94, 62.5

 

CMYK 99 / 0 / 99 / 35

HEX #02A601

RGB 2 166 1

HSL 119.64, 0.99%, 0.33%

LAB 59.24, -62.36, 60.19

 

CMYK 71 / 0 / 68 / 7

HEX #44EE4B

RGB 68 238 75

HSL 122.47, 0.83%, 0.6%

LAB 83.38, -72.64, 63.67

 

CMYK 55 / 0 / 71 / 7

HEX #6BEE44

RGB 107 238 68

HSL 106.24, 0.83%, 0.6%

LAB 84.32, -65.12, 67.5

 

CMYK 36 / 0 / 71 / 7

HEX #99EE44

RGB 153 238 68

HSL 90, 0.83%, 0.6%

LAB 86.18, -51.42, 69.97

 

CMYK 17 / 0 / 71 / 7

HEX #C6EE44

RGB 198 238 68

HSL 74.12, 0.83%, 0.6%

LAB 88.72, -34.96, 73.33

 

CMYK 0 / 3 / 71 / 7

HEX #EEE744

RGB 238 231 68

HSL 57.53, 0.83%, 0.6%

LAB 89.74, -15.54, 75.32

 

CMYK 71 / 0 / 68 / 7

HEX #44EE4B

RGB 68 238 75

HSL 122.47, 0.83%, 0.6%

LAB 83.38, -72.64, 63.67

 

CMYK 71 / 0 / 49 / 7

HEX #44EE79

RGB 68 238 121

HSL 138.71, 0.83%, 0.6%

LAB 83.84, -67.21, 44.24

 

CMYK 71 / 0 / 30 / 7

HEX #44EEA7

RGB 68 238 167

HSL 154.94, 0.83%, 0.6%

LAB 84.57, -59.01, 22.21

 

CMYK 71 / 0 / 11 / 7

HEX #44EED4

RGB 68 238 212

HSL 170.82, 0.83%, 0.6%

LAB 85.57, -48.56, 0.17

 

CMYK 71 / 9 / 0 / 7

HEX #44D9EE

RGB 68 217 238

HSL 187.41, 0.83%, 0.6%

LAB 80.2, -31.9, -21.6

 

CMYK 71 / 0 / 68 / 7

HEX #44EE4B

RGB 68 238 75

HSL 122.47, 0.83%, 0.6%

LAB 83.38, -72.64, 63.67

 

CMYK 80 / 0 / 76 / 0

HEX #34FE3C

RGB 52 254 60

HSL 122.38, 0.99%, 0.6%

LAB 87.94, -80.73, 73.28

 

CMYK 71 / 0 / 68 / 7

HEX #44EE4B

RGB 68 238 75

HSL 122.47, 0.83%, 0.6%

LAB 83.38, -72.64, 63.67

 

CMYK 62 / 0 / 59 / 13

HEX #55DD5B

RGB 85 221 91

HSL 122.65, 0.67%, 0.6%

LAB 78.69, -62.18, 52.02

 

CMYK 51 / 0 / 48 / 20

HEX #65CD6A

RGB 101 205 106

HSL 122.88, 0.51%, 0.6%

LAB 74.49, -50.37, 40.05

 

CMYK 37 / 0 / 36 / 26

HEX #76BC79

RGB 118 188 121

HSL 122.57, 0.34%, 0.6%

LAB 70.31, -35.8, 27.14

 

CMYK 22 / 0 / 21 / 33

HEX #86AC88

RGB 134 172 136

HSL 123.16, 0.19%, 0.6%

LAB 66.79, -20.13, 14.38

 

CMYK 36 / 0 / 71 / 7

HEX #99EE44

RGB 153 238 68

HSL 90, 0.83%, 0.6%

LAB 86.18, -51.42, 69.97

 

CMYK 55 / 0 / 71 / 7

HEX #6CEE44

RGB 108 238 68

HSL 105.88, 0.83%, 0.6%

LAB 84.36, -64.87, 67.54

 

CMYK 71 / 0 / 69 / 7

HEX #44EE4A

RGB 68 238 74

HSL 122.12, 0.83%, 0.6%

LAB 83.38, -72.73, 64.04

 

CMYK 71 / 0 / 50 / 7

HEX #44EE77

RGB 68 238 119

HSL 138, 0.83%, 0.6%

LAB 83.81, -67.51, 45.16

 

CMYK 71 / 0 / 31 / 7

HEX #44EEA4

RGB 68 238 164

HSL 153.88, 0.83%, 0.6%

LAB 84.51, -59.62, 23.68

 

CMYK 91 / 0 / 87 / 20

HEX #13CC1B

RGB 19 204 27

HSL 122.59, 0.83%, 0.44%

LAB 71.83, -71.3, 66.79

 

CMYK 87 / 0 / 83 / 8

HEX #1FEA27

RGB 31 234 39

HSL 122.36, 0.83%, 0.52%

LAB 81.45, -78.26, 72.76

 

CMYK 71 / 0 / 68 / 7

HEX #44EE4B

RGB 68 238 75

HSL 122.47, 0.83%, 0.6%

LAB 83.38, -72.64, 63.67

 

CMYK 56 / 0 / 54 / 5

HEX #6AF170

RGB 106 241 112

HSL 122.67, 0.83%, 0.68%

LAB 85.58, -62.13, 50.79

 

CMYK 41 / 0 / 40 / 4

HEX #90F594

RGB 144 245 148

HSL 122.38, 0.83%, 0.76%

LAB 88.62, -48.69, 37.66

 

CMYK 71 / 0 / 68 / 7

HEX #46EE4D

RGB 70 238 77

HSL 122.5, 0.83%, 0.6%

LAB 83.44, -72.14, 62.98

 

CMYK 71 / 17 / 0 / 7

HEX #44C6EE

RGB 68 198 238

HSL 194.12, 0.83%, 0.6%

LAB 74.69, -22.54, -30.01

 

CMYK 0 / 71 / 45 / 7

HEX #EE4482

RGB 238 68 130

HSL 338.12, 0.83%, 0.6%

LAB 56.01, 68.49, 4.09

 

CMYK 71 / 0 / 68 / 7

HEX #46EE4D

RGB 70 238 77

HSL 122.5, 0.83%, 0.6%

LAB 83.44, -72.14, 62.98

 

CMYK 69 / 71 / 0 / 7

HEX #4A44EE

RGB 74 68 238

HSL 242.12, 0.83%, 0.6%

LAB 40.84, 54, -84.03

 

CMYK 0 / 69 / 71 / 7

HEX #EE4A44

RGB 238 74 68

HSL 2.12, 0.83%, 0.6%

LAB 55.58, 62.24, 39.78

 

CMYK 71 / 0 / 68 / 7

HEX #46EE4D

RGB 70 238 77

HSL 122.5, 0.83%, 0.6%

LAB 83.44, -72.14, 62.98

 

CMYK 71 / 17 / 0 / 7

HEX #44C6EE

RGB 68 198 238

HSL 194.12, 0.83%, 0.6%

LAB 74.69, -22.54, -30.01

 

CMYK 0 / 71 / 3 / 7

HEX #EE44E8

RGB 238 68 232

HSL 302.12, 0.83%, 0.6%

LAB 60.01, 81.02, -48.69

 

CMYK 0 / 55 / 71 / 7

HEX #EE6C44

RGB 238 108 68

HSL 14.12, 0.83%, 0.6%

LAB 61.06, 47.66, 45.97

 

CMYK 71 / 0 / 68 / 7

HEX #46EE4D

RGB 70 238 77

HSL 122.5, 0.83%, 0.6%

LAB 83.44, -72.14, 62.98

 

CMYK 71 / 38 / 0 / 7

HEX #4493EE

RGB 68 147 238

HSL 212.12, 0.83%, 0.6%

LAB 60.13, 5.53, -52.79

 

CMYK 0 / 71 / 3 / 7

HEX #EE44E8

RGB 238 68 232

HSL 302.12, 0.83%, 0.6%

LAB 60.01, 81.02, -48.69

 

CMYK 0 / 33 / 71 / 7

HEX #EE9F44

RGB 238 159 68

HSL 32.12, 0.83%, 0.6%

LAB 71.82, 21.57, 57.49

 

Description

Color code: HEX #46EE4D | qconv.com Color code: HEX #46EE4D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 238 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 238 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 68 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 68% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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