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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46EC5B it is the complementary color #B913A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46EC5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46EC5B shade: #4BEC56, #5CFE69, #6DFF7C, #7EFF8F and #8FFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46EC5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46EC5B shade: #46EC5B, #35DA48, #24C835, #13B622 and #02A40F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46EC5B shade: #46EC5B, #5EEC46, #8BEC46, #B7EC46 and #E4EC46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46EC5B shade: #46EC5B, #46EC88, #46ECB4, #46ECE1 and #46CAEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46EC5B shade matches the following richer shades: #46EC5B and #36FC4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46EC5B shade: #46EC5B, #57DB68, #67CB74, #78BA80 and #88AA8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46EC5B shade: #8BEC46, #5FEC46, #46EC5A, #46EC86 and #46ECB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46EC5B shade: #15CA2C, #21E83A, #46EC5B, #6CF07C and #91F39E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46EC5B shade: #46EC5B, #46B7EC and #EC4675

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46EC5B shade: #46EC5B, #5A46EC and #EC5A46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46EC5B shade: #46EC5B, #46B7EC, #EC46D8 and #EC7B46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46EC5B shade: #46EC5B, #4686EC, #EC46D8 and #ECAC46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 61 / 7

HEX #46EC5B

RGB 70 236 91

HSL 127.59, 0.81%, 0.6%

LAB 82.94, -70.11, 56.78

 

Complementary color

CMYK 0 / 90 / 11 / 27

HEX #B913A4

RGB 185 19 164

HSL 307.59, 0.81%, 0.4%

LAB 43.45, 72.2, -36.18

 

CMYK 68 / 0 / 64 / 7

HEX #4BEC56

RGB 75 236 86

HSL 124.1, 0.81%, 0.61%

LAB 83, -69.78, 58.96

 

CMYK 64 / 0 / 59 / 0

HEX #5CFE69

RGB 92 254 105

HSL 124.81, 0.99%, 0.68%

LAB 89.01, -70.56, 57.85

 

CMYK 57 / 0 / 51 / 0

HEX #6DFF7C

RGB 109 255 124

HSL 126.16, 1%, 0.71%

LAB 89.96, -65.02, 50.6

 

CMYK 51 / 0 / 44 / 0

HEX #7EFF8F

RGB 126 255 143

HSL 127.91, 1%, 0.75%

LAB 90.75, -58.34, 42.71

 

CMYK 44 / 0 / 36 / 0

HEX #8FFFA2

RGB 143 255 162

HSL 130.18, 1%, 0.78%

LAB 91.67, -50.98, 34.71

 

CMYK 70 / 0 / 61 / 7

HEX #46EC5B

RGB 70 236 91

HSL 127.59, 0.81%, 0.6%

LAB 82.94, -70.11, 56.78

 

CMYK 76 / 0 / 67 / 15

HEX #35DA48

RGB 53 218 72

HSL 126.91, 0.69%, 0.53%

LAB 76.9, -68.9, 57.84

 

CMYK 82 / 0 / 74 / 22

HEX #24C835

RGB 36 200 53

HSL 126.22, 0.69%, 0.46%

LAB 70.83, -67.16, 58.57

 

CMYK 90 / 0 / 81 / 29

HEX #13B622

RGB 19 182 34

HSL 125.52, 0.81%, 0.39%

LAB 64.73, -64.7, 58.66

 

CMYK 99 / 0 / 91 / 36

HEX #02A40F

RGB 2 164 15

HSL 124.81, 0.98%, 0.33%

LAB 58.6, -61.41, 57.58

 

CMYK 70 / 0 / 61 / 7

HEX #46EC5B

RGB 70 236 91

HSL 127.59, 0.81%, 0.6%

LAB 82.94, -70.11, 56.78

 

CMYK 60 / 0 / 70 / 7

HEX #5EEC46

RGB 94 236 70

HSL 111.33, 0.81%, 0.6%

LAB 83.34, -67.39, 65.66

 

CMYK 41 / 0 / 70 / 7

HEX #8BEC46

RGB 139 236 70

HSL 95.06, 0.81%, 0.6%

LAB 84.96, -55.08, 67.83

 

CMYK 22 / 0 / 70 / 7

HEX #B7EC46

RGB 183 236 70

HSL 79.16, 0.81%, 0.6%

LAB 87.24, -39.69, 70.87

 

CMYK 3 / 0 / 70 / 7

HEX #E4EC46

RGB 228 236 70

HSL 62.89, 0.81%, 0.6%

LAB 90.29, -21.97, 74.9

 

CMYK 70 / 0 / 61 / 7

HEX #46EC5B

RGB 70 236 91

HSL 127.59, 0.81%, 0.6%

LAB 82.94, -70.11, 56.78

 

CMYK 70 / 0 / 42 / 7

HEX #46EC88

RGB 70 236 136

HSL 143.86, 0.81%, 0.6%

LAB 83.48, -63.82, 36.47

 

CMYK 70 / 0 / 24 / 7

HEX #46ECB4

RGB 70 236 180

HSL 159.76, 0.81%, 0.6%

LAB 84.27, -55.15, 15.06

 

CMYK 70 / 0 / 5 / 7

HEX #46ECE1

RGB 70 236 225

HSL 176.02, 0.81%, 0.6%

LAB 85.37, -44.05, -6.96

 

CMYK 70 / 14 / 0 / 7

HEX #46CAEC

RGB 70 202 236

HSL 192.29, 0.81%, 0.6%

LAB 75.82, -24.92, -27.19

 

CMYK 70 / 0 / 61 / 7

HEX #46EC5B

RGB 70 236 91

HSL 127.59, 0.81%, 0.6%

LAB 82.94, -70.11, 56.78

 

CMYK 79 / 0 / 69 / 1

HEX #36FC4F

RGB 54 252 79

HSL 127.58, 0.97%, 0.6%

LAB 87.47, -78.48, 66.43

 

CMYK 70 / 0 / 61 / 7

HEX #46EC5B

RGB 70 236 91

HSL 127.59, 0.81%, 0.6%

LAB 82.94, -70.11, 56.78

 

CMYK 60 / 0 / 53 / 14

HEX #57DB68

RGB 87 219 104

HSL 127.73, 0.65%, 0.6%

LAB 78.28, -59.41, 45.57

 

CMYK 49 / 0 / 43 / 20

HEX #67CB74

RGB 103 203 116

HSL 127.8, 0.49%, 0.6%

LAB 74.1, -47.54, 34.56

 

CMYK 35 / 0 / 31 / 27

HEX #78BA80

RGB 120 186 128

HSL 127.27, 0.32%, 0.6%

LAB 69.94, -33.06, 22.94

 

CMYK 20 / 0 / 17 / 33

HEX #88AA8D

RGB 136 170 141

HSL 128.82, 0.17%, 0.6%

LAB 66.45, -17.48, 11.17

 

CMYK 41 / 0 / 70 / 7

HEX #8BEC46

RGB 139 236 70

HSL 95.06, 0.81%, 0.6%

LAB 84.96, -55.08, 67.83

 

CMYK 60 / 0 / 70 / 7

HEX #5FEC46

RGB 95 236 70

HSL 110.96, 0.81%, 0.6%

LAB 83.37, -67.17, 65.7

 

CMYK 70 / 0 / 62 / 7

HEX #46EC5A

RGB 70 236 90

HSL 127.23, 0.81%, 0.6%

LAB 82.93, -70.21, 57.19

 

CMYK 70 / 0 / 43 / 7

HEX #46EC86

RGB 70 236 134

HSL 143.13, 0.81%, 0.6%

LAB 83.45, -64.16, 37.43

 

CMYK 70 / 0 / 25 / 7

HEX #46ECB2

RGB 70 236 178

HSL 159.04, 0.81%, 0.6%

LAB 84.23, -55.6, 16.05

 

CMYK 90 / 0 / 78 / 21

HEX #15CA2C

RGB 21 202 44

HSL 127.62, 0.81%, 0.44%

LAB 71.27, -69.71, 61.92

 

CMYK 86 / 0 / 75 / 9

HEX #21E83A

RGB 33 232 58

HSL 127.54, 0.81%, 0.52%

LAB 80.93, -76.43, 66.97

 

CMYK 70 / 0 / 61 / 7

HEX #46EC5B

RGB 70 236 91

HSL 127.59, 0.81%, 0.6%

LAB 82.94, -70.11, 56.78

 

CMYK 55 / 0 / 48 / 6

HEX #6CF07C

RGB 108 240 124

HSL 127.27, 0.81%, 0.68%

LAB 85.49, -59.7, 45.07

 

CMYK 40 / 0 / 35 / 5

HEX #91F39E

RGB 145 243 158

HSL 127.96, 0.8%, 0.76%

LAB 88.25, -46, 32.18

 

CMYK 70 / 0 / 61 / 7

HEX #46EC5B

RGB 70 236 91

HSL 127.59, 0.81%, 0.6%

LAB 82.94, -70.11, 56.78

 

CMYK 70 / 22 / 0 / 7

HEX #46B7EC

RGB 70 183 236

HSL 199.16, 0.81%, 0.6%

LAB 70.33, -15.12, -35.66

 

CMYK 0 / 70 / 50 / 7

HEX #EC4675

RGB 236 70 117

HSL 343.01, 0.81%, 0.6%

LAB 55.58, 66.13, 11.15

 

CMYK 70 / 0 / 61 / 7

HEX #46EC5B

RGB 70 236 91

HSL 127.59, 0.81%, 0.6%

LAB 82.94, -70.11, 56.78

 

CMYK 62 / 70 / 0 / 7

HEX #5A46EC

RGB 90 70 236

HSL 247.23, 0.81%, 0.6%

LAB 42.17, 54.14, -80.67

 

CMYK 0 / 62 / 70 / 7

HEX #EC5A46

RGB 236 90 70

HSL 7.23, 0.81%, 0.6%

LAB 57.64, 55.24, 40.96

 

CMYK 70 / 0 / 61 / 7

HEX #46EC5B

RGB 70 236 91

HSL 127.59, 0.81%, 0.6%

LAB 82.94, -70.11, 56.78

 

CMYK 70 / 22 / 0 / 7

HEX #46B7EC

RGB 70 183 236

HSL 199.16, 0.81%, 0.6%

LAB 70.33, -15.12, -35.66

 

CMYK 0 / 70 / 8 / 7

HEX #EC46D8

RGB 236 70 216

HSL 307.23, 0.81%, 0.6%

LAB 59.13, 77.55, -41.1

 

CMYK 0 / 48 / 70 / 7

HEX #EC7B46

RGB 236 123 70

HSL 19.16, 0.81%, 0.6%

LAB 63.71, 39.62, 47.79

 

CMYK 70 / 0 / 61 / 7

HEX #46EC5B

RGB 70 236 91

HSL 127.59, 0.81%, 0.6%

LAB 82.94, -70.11, 56.78

 

CMYK 70 / 43 / 0 / 7

HEX #4686EC

RGB 70 134 236

HSL 216.87, 0.81%, 0.6%

LAB 56.49, 12.89, -57.48

 

CMYK 0 / 70 / 8 / 7

HEX #EC46D8

RGB 236 70 216

HSL 307.23, 0.81%, 0.6%

LAB 59.13, 77.55, -41.1

 

CMYK 0 / 27 / 70 / 7

HEX #ECAC46

RGB 236 172 70

HSL 36.87, 0.81%, 0.6%

LAB 74.69, 13.95, 59.52

 

Description

Color code: HEX #46EC5B | qconv.com Color code: HEX #46EC5B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 236 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 236 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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