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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46E4AC it is the complementary color #B91B53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46E4AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46E4AC shade: #4BE4A7, #5CF6BA, #6DFFCD, #7EFFE0 and #8FFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46E4AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46E4AC shade: #46E4AC, #35D299, #24C086, #13AE73 and #029C60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46E4AC shade: #44E4AB, #44E480, #44E455, #5EE444 and #89E444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46E4AC shade: #44E4AB, #44E4D7, #44C7E4, #449BE4 and #4470E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46E4AC shade matches the following richer shades: #44E4AB and #32F6B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46E4AC shade: #44E4AB, #55D3A6, #66C2A1, #78B09C and #899F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46E4AC shade: #44E454, #44E47E, #44E4A9, #44E4D4 and #44C9E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46E4AC shade: #1BBB82, #20DF9B, #44E4AB, #68E9BB and #8CEFCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46E4AC shade: #46E4AC, #445EE4 and #E46944

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46E4AC shade: #46E4AC, #A944E4 and #E4A944

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46E4AC shade: #46E4AC, #445EE4, #E4447E and #E4C944

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46E4AC shade: #46E4AC, #5944E4, #E4447E and #CFE444

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 25 / 11

HEX #46E4AC

RGB 70 228 172

HSL 158.73, 0.75%, 0.58%

LAB 81.71, -53.75, 15.64

 

Complementary color

CMYK 0 / 85 / 55 / 27

HEX #B91B53

RGB 185 27 83

HSL 338.73, 0.75%, 0.42%

LAB 40.77, 62.11, 9.84

 

CMYK 67 / 0 / 27 / 11

HEX #4BE4A7

RGB 75 228 167

HSL 156.08, 0.74%, 0.59%

LAB 81.71, -54.07, 18.28

 

CMYK 63 / 0 / 24 / 4

HEX #5CF6BA

RGB 92 246 186

HSL 156.62, 0.9%, 0.66%

LAB 87.84, -54.36, 17.03

 

CMYK 57 / 0 / 20 / 0

HEX #6DFFCD

RGB 109 255 205

HSL 159.45, 1%, 0.71%

LAB 91.32, -50.8, 12.21

 

CMYK 51 / 0 / 12 / 0

HEX #7EFFE0

RGB 126 255 224

HSL 165.58, 1%, 0.75%

LAB 92.28, -43.08, 3.87

 

CMYK 44 / 0 / 5 / 0

HEX #8FFFF3

RGB 143 255 243

HSL 173.57, 1%, 0.78%

LAB 93.38, -34.89, -4.28

 

CMYK 69 / 0 / 25 / 11

HEX #46E4AC

RGB 70 228 172

HSL 158.73, 0.75%, 0.58%

LAB 81.71, -53.75, 15.64

 

CMYK 75 / 0 / 27 / 18

HEX #35D299

RGB 53 210 153

HSL 158.22, 0.64%, 0.52%

LAB 75.54, -53.16, 16.99

 

CMYK 81 / 0 / 30 / 25

HEX #24C086

RGB 36 192 134

HSL 157.69, 0.68%, 0.45%

LAB 69.32, -52.27, 18.46

 

CMYK 89 / 0 / 34 / 32

HEX #13AE73

RGB 19 174 115

HSL 157.16, 0.8%, 0.38%

LAB 63.05, -50.98, 20.1

 

CMYK 99 / 0 / 38 / 39

HEX #029C60

RGB 2 156 96

HSL 156.62, 0.97%, 0.31%

LAB 56.72, -49.22, 21.89

 

CMYK 70 / 0 / 25 / 11

HEX #44E4AB

RGB 68 228 171

HSL 158.63, 0.75%, 0.58%

LAB 81.65, -54.26, 16.08

 

CMYK 70 / 0 / 44 / 11

HEX #44E480

RGB 68 228 128

HSL 142.5, 0.75%, 0.58%

LAB 80.89, -62.62, 37.09

 

CMYK 70 / 0 / 63 / 11

HEX #44E455

RGB 68 228 85

HSL 126.38, 0.75%, 0.58%

LAB 80.39, -68.48, 56.43

 

CMYK 59 / 0 / 70 / 11

HEX #5EE444

RGB 94 228 68

HSL 110.25, 0.75%, 0.58%

LAB 80.9, -64.81, 63.86

 

CMYK 40 / 0 / 70 / 11

HEX #89E444

RGB 137 228 68

HSL 94.13, 0.75%, 0.58%

LAB 82.5, -52.69, 66.02

 

CMYK 70 / 0 / 25 / 11

HEX #44E4AB

RGB 68 228 171

HSL 158.63, 0.75%, 0.58%

LAB 81.65, -54.26, 16.08

 

CMYK 70 / 0 / 6 / 11

HEX #44E4D7

RGB 68 228 215

HSL 175.13, 0.75%, 0.58%

LAB 82.71, -43.46, -5.61

 

CMYK 70 / 13 / 0 / 11

HEX #44C7E4

RGB 68 199 228

HSL 190.88, 0.75%, 0.58%

LAB 74.62, -26.15, -24.72

 

CMYK 70 / 32 / 0 / 11

HEX #449BE4

RGB 68 155 228

HSL 207.38, 0.75%, 0.58%

LAB 61.89, -2.61, -44.48

 

CMYK 70 / 51 / 0 / 11

HEX #4470E4

RGB 68 112 228

HSL 223.5, 0.75%, 0.58%

LAB 50, 23.35, -63.45

 

CMYK 70 / 0 / 25 / 11

HEX #44E4AB

RGB 68 228 171

HSL 158.63, 0.75%, 0.58%

LAB 81.65, -54.26, 16.08

 

CMYK 80 / 0 / 28 / 4

HEX #32F6B0

RGB 50 246 176

HSL 158.57, 0.92%, 0.58%

LAB 86.86, -62.21, 20.7

 

CMYK 70 / 0 / 25 / 11

HEX #44E4AB

RGB 68 228 171

HSL 158.63, 0.75%, 0.58%

LAB 81.65, -54.26, 16.08

 

CMYK 60 / 0 / 21 / 17

HEX #55D3A6

RGB 85 211 166

HSL 158.57, 0.59%, 0.58%

LAB 76.84, -45.52, 12.01

 

CMYK 47 / 0 / 17 / 24

HEX #66C2A1

RGB 102 194 161

HSL 158.48, 0.43%, 0.58%

LAB 72.22, -35.31, 8.19

 

CMYK 32 / 0 / 11 / 31

HEX #78B09C

RGB 120 176 156

HSL 158.57, 0.26%, 0.58%

LAB 67.61, -22.73, 4.42

 

CMYK 14 / 0 / 5 / 38

HEX #899F97

RGB 137 159 151

HSL 158.18, 0.1%, 0.58%

LAB 63.63, -9.36, 1.57

 

CMYK 70 / 0 / 63 / 11

HEX #44E454

RGB 68 228 84

HSL 126, 0.75%, 0.58%

LAB 80.38, -68.58, 56.84

 

CMYK 70 / 0 / 45 / 11

HEX #44E47E

RGB 68 228 126

HSL 141.75, 0.75%, 0.58%

LAB 80.86, -62.95, 38.04

 

CMYK 70 / 0 / 26 / 11

HEX #44E4A9

RGB 68 228 169

HSL 157.88, 0.75%, 0.58%

LAB 81.61, -54.7, 17.07

 

CMYK 70 / 0 / 7 / 11

HEX #44E4D4

RGB 68 228 212

HSL 174, 0.75%, 0.58%

LAB 82.63, -44.26, -4.14

 

CMYK 70 / 12 / 0 / 11

HEX #44C9E4

RGB 68 201 228

HSL 190.13, 0.75%, 0.58%

LAB 75.2, -27.14, -23.83

 

CMYK 86 / 0 / 30 / 27

HEX #1BBB82

RGB 27 187 130

HSL 158.63, 0.75%, 0.42%

LAB 67.57, -52.03, 18.18

 

CMYK 86 / 0 / 30 / 13

HEX #20DF9B

RGB 32 223 155

HSL 158.64, 0.75%, 0.5%

LAB 79.3, -59.71, 21.09

 

CMYK 70 / 0 / 25 / 11

HEX #44E4AB

RGB 68 228 171

HSL 158.63, 0.75%, 0.58%

LAB 81.65, -54.26, 16.08

 

CMYK 55 / 0 / 20 / 9

HEX #68E9BB

RGB 104 233 187

HSL 158.6, 0.75%, 0.66%

LAB 84.39, -46.44, 11.69

 

CMYK 41 / 0 / 15 / 6

HEX #8CEFCC

RGB 140 239 204

HSL 158.79, 0.76%, 0.74%

LAB 87.81, -37, 7.87

 

CMYK 69 / 0 / 25 / 11

HEX #46E4AC

RGB 70 228 172

HSL 158.73, 0.75%, 0.58%

LAB 81.71, -53.75, 15.64

 

CMYK 70 / 59 / 0 / 11

HEX #445EE4

RGB 68 94 228

HSL 230.25, 0.75%, 0.58%

LAB 45.41, 34.63, -70.9

 

CMYK 0 / 54 / 70 / 11

HEX #E46944

RGB 228 105 68

HSL 13.88, 0.75%, 0.58%

LAB 58.99, 45.41, 43.23

 

CMYK 69 / 0 / 25 / 11

HEX #46E4AC

RGB 70 228 172

HSL 158.73, 0.75%, 0.58%

LAB 81.71, -53.75, 15.64

 

CMYK 26 / 70 / 0 / 11

HEX #A944E4

RGB 169 68 228

HSL 277.88, 0.75%, 0.58%

LAB 49.7, 66.2, -63.5

 

CMYK 0 / 26 / 70 / 11

HEX #E4A944

RGB 228 169 68

HSL 37.88, 0.75%, 0.58%

LAB 73.08, 12.05, 58.45

 

CMYK 69 / 0 / 25 / 11

HEX #46E4AC

RGB 70 228 172

HSL 158.73, 0.75%, 0.58%

LAB 81.71, -53.75, 15.64

 

CMYK 70 / 59 / 0 / 11

HEX #445EE4

RGB 68 94 228

HSL 230.25, 0.75%, 0.58%

LAB 45.41, 34.63, -70.9

 

CMYK 0 / 70 / 45 / 11

HEX #E4447E

RGB 228 68 126

HSL 338.25, 0.75%, 0.58%

LAB 54.17, 65.33, 3.59

 

CMYK 0 / 12 / 70 / 11

HEX #E4C944

RGB 228 201 68

HSL 49.88, 0.75%, 0.58%

LAB 81.12, -4.69, 66.61

 

CMYK 69 / 0 / 25 / 11

HEX #46E4AC

RGB 70 228 172

HSL 158.73, 0.75%, 0.58%

LAB 81.71, -53.75, 15.64

 

CMYK 61 / 70 / 0 / 11

HEX #5944E4

RGB 89 68 228

HSL 247.88, 0.75%, 0.58%

LAB 40.99, 52.68, -78.07

 

CMYK 0 / 70 / 45 / 11

HEX #E4447E

RGB 228 68 126

HSL 338.25, 0.75%, 0.58%

LAB 54.17, 65.33, 3.59

 

CMYK 9 / 0 / 70 / 11

HEX #CFE444

RGB 207 228 68

HSL 67.88, 0.75%, 0.58%

LAB 86.59, -26.75, 71.45

 

Description

Color code: HEX #46E4AC | qconv.com Color code: HEX #46E4AC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 228 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 228 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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