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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46E340 it is the complementary color #B91CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46E340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46E340 shade: #4BE33B, #5CF54E, #6DFF61, #7EFF74 and #8FFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46E340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46E340 shade: #46E340, #35D12D, #24BF1A, #13AD07 and #029B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46E340 shade: #46E240, #72E240, #9EE240, #C9E240 and #E2D040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46E340 shade: #46E240, #40E266, #40E292, #40E2BE and #40DCE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46E340 shade matches the following richer shades: #46E240 and #36F42E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46E340 shade: #46E240, #57D152, #67BF64, #77AD75 and #889C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46E340 shade: #9FE240, #74E240, #48E240, #40E263 and #40E28F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46E340 shade: #21B51B, #27D920, #46E240, #69E864 and #8CED88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46E340 shade: #46E340, #40CAE2 and #E24089

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46E340 shade: #46E340, #4048E2 and #E24048

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46E340 shade: #46E340, #40CAE2, #DA40E2 and #E25940

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46E340 shade: #46E340, #4099E2, #DA40E2 and #E28940

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 72 / 11

HEX #46E340

RGB 70 227 64

HSL 117.79, 0.74%, 0.57%

LAB 79.96, -69.74, 64.15

 

Complementary color

CMYK 3 / 85 / 0 / 25

HEX #B91CBF

RGB 185 28 191

HSL 297.79, 0.74%, 0.43%

LAB 45.51, 74.67, -48.87

 

CMYK 67 / 0 / 74 / 11

HEX #4BE33B

RGB 75 227 59

HSL 114.29, 0.75%, 0.56%

LAB 80.04, -69.19, 65.98

 

CMYK 62 / 0 / 68 / 4

HEX #5CF54E

RGB 92 245 78

HSL 114.97, 0.89%, 0.63%

LAB 86.07, -70.2, 65.55

 

CMYK 57 / 0 / 62 / 0

HEX #6DFF61

RGB 109 255 97

HSL 115.44, 1%, 0.69%

LAB 89.69, -68.11, 62.12

 

CMYK 51 / 0 / 55 / 0

HEX #7EFF74

RGB 126 255 116

HSL 115.68, 1%, 0.73%

LAB 90.42, -61.88, 54.92

 

CMYK 44 / 0 / 47 / 0

HEX #8FFF87

RGB 143 255 135

HSL 116, 1%, 0.76%

LAB 91.28, -54.91, 47.35

 

CMYK 69 / 0 / 72 / 11

HEX #46E340

RGB 70 227 64

HSL 117.79, 0.74%, 0.57%

LAB 79.96, -69.74, 64.15

 

CMYK 75 / 0 / 78 / 18

HEX #35D12D

RGB 53 209 45

HSL 117.07, 0.65%, 0.5%

LAB 73.9, -68.24, 64.28

 

CMYK 81 / 0 / 86 / 25

HEX #24BF1A

RGB 36 191 26

HSL 116.36, 0.76%, 0.43%

LAB 67.81, -66.12, 63.52

 

CMYK 89 / 0 / 96 / 32

HEX #13AD07

RGB 19 173 7

HSL 115.66, 0.92%, 0.35%

LAB 61.69, -63.17, 61.41

 

CMYK 99 / 0 / 100 / 39

HEX #029B00

RGB 2 155 0

HSL 119.23, 1%, 0.3%

LAB 55.54, -59.3, 57.37

 

CMYK 69 / 0 / 72 / 11

HEX #46E240

RGB 70 226 64

HSL 117.78, 0.74%, 0.57%

LAB 79.65, -69.42, 63.83

 

CMYK 50 / 0 / 72 / 11

HEX #72E240

RGB 114 226 64

HSL 101.48, 0.74%, 0.57%

LAB 80.93, -59.2, 65.54

 

CMYK 30 / 0 / 72 / 11

HEX #9EE240

RGB 158 226 64

HSL 85.19, 0.74%, 0.57%

LAB 82.93, -44.92, 68.21

 

CMYK 11 / 0 / 72 / 11

HEX #C9E240

RGB 201 226 64

HSL 69.26, 0.74%, 0.57%

LAB 85.59, -28.42, 71.72

 

CMYK 0 / 8 / 72 / 11

HEX #E2D040

RGB 226 208 64

HSL 53.33, 0.74%, 0.57%

LAB 82.73, -9.28, 69.61

 

CMYK 69 / 0 / 72 / 11

HEX #46E240

RGB 70 226 64

HSL 117.78, 0.74%, 0.57%

LAB 79.65, -69.42, 63.83

 

CMYK 72 / 0 / 55 / 11

HEX #40E266

RGB 64 226 102

HSL 134.07, 0.74%, 0.57%

LAB 79.86, -66.43, 48.29

 

CMYK 72 / 0 / 35 / 11

HEX #40E292

RGB 64 226 146

HSL 150.37, 0.74%, 0.57%

LAB 80.49, -59.25, 27.45

 

CMYK 72 / 0 / 16 / 11

HEX #40E2BE

RGB 64 226 190

HSL 166.67, 0.74%, 0.57%

LAB 81.4, -49.55, 5.71

 

CMYK 72 / 3 / 0 / 11

HEX #40DCE2

RGB 64 220 226

HSL 182.22, 0.74%, 0.57%

LAB 80.61, -37.3, -14.59

 

CMYK 69 / 0 / 72 / 11

HEX #46E240

RGB 70 226 64

HSL 117.78, 0.74%, 0.57%

LAB 79.65, -69.42, 63.83

 

CMYK 78 / 0 / 81 / 4

HEX #36F42E

RGB 54 244 46

HSL 117.58, 0.9%, 0.57%

LAB 84.83, -78.43, 74.24

 

CMYK 69 / 0 / 72 / 11

HEX #46E240

RGB 70 226 64

HSL 117.78, 0.74%, 0.57%

LAB 79.65, -69.42, 63.83

 

CMYK 58 / 0 / 61 / 18

HEX #57D152

RGB 87 209 82

HSL 117.64, 0.58%, 0.57%

LAB 74.97, -58.43, 51.74

 

CMYK 46 / 0 / 48 / 25

HEX #67BF64

RGB 103 191 100

HSL 118.02, 0.42%, 0.57%

LAB 70.22, -44.9, 37.72

 

CMYK 31 / 0 / 32 / 32

HEX #77AD75

RGB 119 173 117

HSL 117.86, 0.25%, 0.57%

LAB 65.82, -29.1, 23.28

 

CMYK 13 / 0 / 13 / 39

HEX #889C87

RGB 136 156 135

HSL 117.14, 0.1%, 0.57%

LAB 62.3, -11.23, 8.64

 

CMYK 30 / 0 / 72 / 11

HEX #9FE240

RGB 159 226 64

HSL 84.81, 0.74%, 0.57%

LAB 82.98, -44.55, 68.28

 

CMYK 49 / 0 / 72 / 11

HEX #74E240

RGB 116 226 64

HSL 100.74, 0.74%, 0.57%

LAB 81, -58.63, 65.64

 

CMYK 68 / 0 / 72 / 11

HEX #48E240

RGB 72 226 64

HSL 117.04, 0.74%, 0.57%

LAB 79.69, -69.06, 63.89

 

CMYK 72 / 0 / 56 / 11

HEX #40E263

RGB 64 226 99

HSL 132.96, 0.74%, 0.57%

LAB 79.83, -66.82, 49.63

 

CMYK 72 / 0 / 37 / 11

HEX #40E28F

RGB 64 226 143

HSL 149.26, 0.74%, 0.57%

LAB 80.44, -59.83, 28.92

 

CMYK 82 / 0 / 85 / 29

HEX #21B51B

RGB 33 181 27

HSL 117.66, 0.74%, 0.41%

LAB 64.52, -63.46, 60.35

 

CMYK 82 / 0 / 85 / 15

HEX #27D920

RGB 39 217 32

HSL 117.73, 0.74%, 0.49%

LAB 76.17, -73.08, 69.64

 

CMYK 69 / 0 / 72 / 11

HEX #46E240

RGB 70 226 64

HSL 117.78, 0.74%, 0.57%

LAB 79.65, -69.42, 63.83

 

CMYK 55 / 0 / 57 / 9

HEX #69E864

RGB 105 232 100

HSL 117.73, 0.74%, 0.65%

LAB 82.72, -60.49, 52.84

 

CMYK 41 / 0 / 43 / 7

HEX #8CED88

RGB 140 237 136

HSL 117.62, 0.74%, 0.73%

LAB 85.97, -48.25, 40.12

 

CMYK 69 / 0 / 72 / 11

HEX #46E340

RGB 70 227 64

HSL 117.79, 0.74%, 0.57%

LAB 79.96, -69.74, 64.15

 

CMYK 72 / 11 / 0 / 11

HEX #40CAE2

RGB 64 202 226

HSL 188.89, 0.74%, 0.57%

LAB 75.34, -28.75, -22.56

 

CMYK 0 / 72 / 39 / 11

HEX #E24089

RGB 226 64 137

HSL 332.96, 0.74%, 0.57%

LAB 53.64, 67.22, -3.77

 

CMYK 69 / 0 / 72 / 11

HEX #46E340

RGB 70 227 64

HSL 117.79, 0.74%, 0.57%

LAB 79.96, -69.74, 64.15

 

CMYK 72 / 68 / 0 / 11

HEX #4048E2

RGB 64 72 226

HSL 237.04, 0.74%, 0.57%

LAB 39.94, 46.85, -78.72

 

CMYK 0 / 72 / 68 / 11

HEX #E24048

RGB 226 64 72

HSL 357.04, 0.74%, 0.57%

LAB 52.18, 62.34, 32.96

 

CMYK 69 / 0 / 72 / 11

HEX #46E340

RGB 70 227 64

HSL 117.79, 0.74%, 0.57%

LAB 79.96, -69.74, 64.15

 

CMYK 72 / 11 / 0 / 11

HEX #40CAE2

RGB 64 202 226

HSL 188.89, 0.74%, 0.57%

LAB 75.34, -28.75, -22.56

 

CMYK 4 / 72 / 0 / 11

HEX #DA40E2

RGB 218 64 226

HSL 297.04, 0.74%, 0.57%

LAB 56.15, 77.18, -51.64

 

CMYK 0 / 61 / 72 / 11

HEX #E25940

RGB 226 89 64

HSL 9.26, 0.74%, 0.57%

LAB 55.77, 51.95, 41.64

 

CMYK 69 / 0 / 72 / 11

HEX #46E340

RGB 70 227 64

HSL 117.79, 0.74%, 0.57%

LAB 79.96, -69.74, 64.15

 

CMYK 72 / 32 / 0 / 11

HEX #4099E2

RGB 64 153 226

HSL 207.04, 0.74%, 0.57%

LAB 61.1, -2.71, -44.62

 

CMYK 4 / 72 / 0 / 11

HEX #DA40E2

RGB 218 64 226

HSL 297.04, 0.74%, 0.57%

LAB 56.15, 77.18, -51.64

 

CMYK 0 / 39 / 72 / 11

HEX #E28940

RGB 226 137 64

HSL 27.04, 0.74%, 0.57%

LAB 65.3, 28.07, 52.03

 

Description

Color code: HEX #46E340 | qconv.com Color code: HEX #46E340 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 227 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 227 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 72 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 72% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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