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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46DF4D it is the complementary color #B920B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46DF4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46DF4D shade: #4BDF48, #5CF15B, #6DFF6E, #7EFF81 and #8FFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46DF4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46DF4D shade: #46DF4D, #35CD3A, #24BB27, #13A914 and #029701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46DF4D shade: #43DF4B, #66DF43, #90DF43, #BADF43 and #DFDA43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46DF4D shade: #43DF4B, #43DF75, #43DF9F, #43DFC9 and #43CCDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46DF4D shade matches the following richer shades: #43DF4B and #32F13B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46DF4D shade: #43DF4B, #55CD5B, #67BC6B, #79AA7B and #8A988B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46DF4D shade: #91DF43, #68DF43, #43DF49, #43DF72 and #43DF9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46DF4D shade: #1EB225, #24D52C, #43DF4B, #67E56D and #8AEB8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46DF4D shade: #46DF4D, #43BBDF and #DF437D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46DF4D shade: #46DF4D, #4943DF and #DF4943

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46DF4D shade: #46DF4D, #43BBDF, #DF43DA and #DF6843

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46DF4D shade: #46DF4D, #438CDF, #DF43DA and #DF9743

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 65 / 13

HEX #46DF4D

RGB 70 223 77

HSL 122.75, 0.71%, 0.57%

LAB 78.82, -67.31, 58.01

 

Complementary color

CMYK 0 / 83 / 4 / 27

HEX #B920B2

RGB 185 32 178

HSL 302.75, 0.71%, 0.43%

LAB 45.03, 71.84, -42

 

CMYK 66 / 0 / 68 / 13

HEX #4BDF48

RGB 75 223 72

HSL 118.81, 0.7%, 0.58%

LAB 78.89, -66.85, 60.1

 

CMYK 62 / 0 / 62 / 5

HEX #5CF15B

RGB 92 241 91

HSL 119.6, 0.84%, 0.65%

LAB 84.97, -67.64, 59.2

 

CMYK 57 / 0 / 57 / 0

HEX #6DFF6E

RGB 109 255 110

HSL 120.41, 1%, 0.71%

LAB 89.81, -66.73, 56.73

 

CMYK 51 / 0 / 49 / 0

HEX #7EFF81

RGB 126 255 129

HSL 121.4, 1%, 0.75%

LAB 90.57, -60.28, 49.14

 

CMYK 44 / 0 / 42 / 0

HEX #8FFF94

RGB 143 255 148

HSL 122.68, 1%, 0.78%

LAB 91.46, -53.11, 41.32

 

CMYK 69 / 0 / 65 / 13

HEX #46DF4D

RGB 70 223 77

HSL 122.75, 0.71%, 0.57%

LAB 78.82, -67.31, 58.01

 

CMYK 74 / 0 / 72 / 20

HEX #35CD3A

RGB 53 205 58

HSL 121.97, 0.6%, 0.51%

LAB 72.71, -66.07, 58.77

 

CMYK 81 / 0 / 79 / 27

HEX #24BB27

RGB 36 187 39

HSL 121.19, 0.68%, 0.44%

LAB 66.57, -64.24, 58.99

 

CMYK 89 / 0 / 88 / 34

HEX #13A914

RGB 19 169 20

HSL 120.4, 0.8%, 0.37%

LAB 60.4, -61.62, 58.2

 

CMYK 99 / 0 / 99 / 41

HEX #029701

RGB 2 151 1

HSL 119.6, 0.99%, 0.3%

LAB 54.18, -58.14, 56.12

 

CMYK 70 / 0 / 66 / 13

HEX #43DF4B

RGB 67 223 75

HSL 123.08, 0.71%, 0.57%

LAB 78.74, -68.03, 58.71

 

CMYK 54 / 0 / 70 / 13

HEX #66DF43

RGB 102 223 67

HSL 106.54, 0.71%, 0.57%

LAB 79.62, -61.15, 62.99

 

CMYK 35 / 0 / 70 / 13

HEX #90DF43

RGB 144 223 67

HSL 90.38, 0.71%, 0.57%

LAB 81.35, -48.39, 65.32

 

CMYK 17 / 0 / 70 / 13

HEX #BADF43

RGB 186 223 67

HSL 74.23, 0.71%, 0.57%

LAB 83.77, -32.83, 68.54

 

CMYK 0 / 2 / 70 / 13

HEX #DFDA43

RGB 223 218 67

HSL 58.08, 0.71%, 0.57%

LAB 85.12, -15.4, 70.78

 

CMYK 70 / 0 / 66 / 13

HEX #43DF4B

RGB 67 223 75

HSL 123.08, 0.71%, 0.57%

LAB 78.74, -68.03, 58.71

 

CMYK 70 / 0 / 48 / 13

HEX #43DF75

RGB 67 223 117

HSL 139.23, 0.71%, 0.57%

LAB 79.19, -62.77, 40.33

 

CMYK 70 / 0 / 29 / 13

HEX #43DF9F

RGB 67 223 159

HSL 155.38, 0.71%, 0.57%

LAB 79.88, -55.04, 19.89

 

CMYK 70 / 0 / 10 / 13

HEX #43DFC9

RGB 67 223 201

HSL 171.54, 0.71%, 0.57%

LAB 80.84, -45.1, -0.93

 

CMYK 70 / 9 / 0 / 13

HEX #43CCDF

RGB 67 204 223

HSL 187.31, 0.71%, 0.57%

LAB 75.89, -30.25, -20.1

 

CMYK 70 / 0 / 66 / 13

HEX #43DF4B

RGB 67 223 75

HSL 123.08, 0.71%, 0.57%

LAB 78.74, -68.03, 58.71

 

CMYK 79 / 0 / 76 / 5

HEX #32F13B

RGB 50 241 59

HSL 122.83, 0.87%, 0.57%

LAB 83.92, -77.27, 69.66

 

CMYK 70 / 0 / 66 / 13

HEX #43DF4B

RGB 67 223 75

HSL 123.08, 0.71%, 0.57%

LAB 78.74, -68.03, 58.71

 

CMYK 59 / 0 / 56 / 20

HEX #55CD5B

RGB 85 205 91

HSL 123, 0.55%, 0.57%

LAB 73.77, -56.38, 46.25

 

CMYK 45 / 0 / 43 / 26

HEX #67BC6B

RGB 103 188 107

HSL 122.82, 0.39%, 0.57%

LAB 69.41, -42.6, 33.13

 

CMYK 29 / 0 / 28 / 33

HEX #79AA7B

RGB 121 170 123

HSL 122.45, 0.22%, 0.57%

LAB 65.16, -25.92, 19.13

 

CMYK 9 / 0 / 9 / 40

HEX #8A988B

RGB 138 152 139

HSL 124.29, 0.06%, 0.57%

LAB 61.42, -7.58, 5.13

 

CMYK 35 / 0 / 70 / 13

HEX #91DF43

RGB 145 223 67

HSL 90, 0.71%, 0.57%

LAB 81.4, -48.04, 65.39

 

CMYK 53 / 0 / 70 / 13

HEX #68DF43

RGB 104 223 67

HSL 105.77, 0.71%, 0.57%

LAB 79.68, -60.62, 63.08

 

CMYK 70 / 0 / 67 / 13

HEX #43DF49

RGB 67 223 73

HSL 122.31, 0.71%, 0.57%

LAB 78.72, -68.22, 59.48

 

CMYK 70 / 0 / 49 / 13

HEX #43DF72

RGB 67 223 114

HSL 138.08, 0.71%, 0.57%

LAB 79.15, -63.23, 41.74

 

CMYK 70 / 0 / 30 / 13

HEX #43DF9C

RGB 67 223 156

HSL 154.23, 0.71%, 0.57%

LAB 79.82, -55.67, 21.37

 

CMYK 83 / 0 / 79 / 30

HEX #1EB225

RGB 30 178 37

HSL 122.84, 0.71%, 0.41%

LAB 63.55, -62.34, 56.69

 

CMYK 83 / 0 / 79 / 16

HEX #24D52C

RGB 36 213 44

HSL 122.71, 0.71%, 0.49%

LAB 74.92, -71.62, 65.45

 

CMYK 70 / 0 / 66 / 13

HEX #43DF4B

RGB 67 223 75

HSL 123.08, 0.71%, 0.57%

LAB 78.74, -68.03, 58.71

 

CMYK 55 / 0 / 52 / 10

HEX #67E56D

RGB 103 229 109

HSL 122.86, 0.71%, 0.65%

LAB 81.85, -58.77, 47.67

 

CMYK 41 / 0 / 39 / 8

HEX #8AEB8F

RGB 138 235 143

HSL 123.09, 0.71%, 0.73%

LAB 85.4, -46.96, 35.9

 

CMYK 69 / 0 / 65 / 13

HEX #46DF4D

RGB 70 223 77

HSL 122.75, 0.71%, 0.57%

LAB 78.82, -67.31, 58.01

 

CMYK 70 / 16 / 0 / 13

HEX #43BBDF

RGB 67 187 223

HSL 193.85, 0.71%, 0.57%

LAB 70.91, -21.78, -27.69

 

CMYK 0 / 70 / 44 / 13

HEX #DF437D

RGB 223 67 125

HSL 337.69, 0.71%, 0.57%

LAB 53.15, 64.18, 2.6

 

CMYK 69 / 0 / 65 / 13

HEX #46DF4D

RGB 70 223 77

HSL 122.75, 0.71%, 0.57%

LAB 78.82, -67.31, 58.01

 

CMYK 67 / 70 / 0 / 13

HEX #4943DF

RGB 73 67 223

HSL 242.31, 0.71%, 0.57%

LAB 39.17, 49.72, -78.26

 

CMYK 0 / 67 / 70 / 13

HEX #DF4943

RGB 223 73 67

HSL 2.31, 0.71%, 0.57%

LAB 52.79, 57.81, 36.43

 

CMYK 69 / 0 / 65 / 13

HEX #46DF4D

RGB 70 223 77

HSL 122.75, 0.71%, 0.57%

LAB 78.82, -67.31, 58.01

 

CMYK 70 / 16 / 0 / 13

HEX #43BBDF

RGB 67 187 223

HSL 193.85, 0.71%, 0.57%

LAB 70.91, -21.78, -27.69

 

CMYK 0 / 70 / 2 / 13

HEX #DF43DA

RGB 223 67 218

HSL 301.92, 0.71%, 0.57%

LAB 56.84, 75.98, -45.97

 

CMYK 0 / 53 / 70 / 13

HEX #DF6843

RGB 223 104 67

HSL 14.23, 0.71%, 0.57%

LAB 58.03, 43.98, 42.47

 

CMYK 69 / 0 / 65 / 13

HEX #46DF4D

RGB 70 223 77

HSL 122.75, 0.71%, 0.57%

LAB 78.82, -67.31, 58.01

 

CMYK 70 / 37 / 0 / 13

HEX #438CDF

RGB 67 140 223

HSL 211.92, 0.71%, 0.57%

LAB 57.34, 4.27, -48.89

 

CMYK 0 / 70 / 2 / 13

HEX #DF43DA

RGB 223 67 218

HSL 301.92, 0.71%, 0.57%

LAB 56.84, 75.98, -45.97

 

CMYK 0 / 32 / 70 / 13

HEX #DF9743

RGB 223 151 67

HSL 32.31, 0.71%, 0.57%

LAB 68.19, 19.5, 53.59

 

Description

Color code: HEX #46DF4D | qconv.com Color code: HEX #46DF4D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 223 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 223 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 65 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 65% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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