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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46DC40 it is the complementary color #B923BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46DC40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46DC40 shade: #4BDC3B, #5CEE4E, #6DFF61, #7EFF74 and #8FFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46DC40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46DC40 shade: #46DC40, #35CA2D, #24B81A, #13A607 and #029400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46DC40 shade: #47DC41, #71DC41, #9BDC41, #C5DC41 and #DCCA41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46DC40 shade: #47DC41, #41DC65, #41DC8F, #41DCB9 and #41D6DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46DC40 shade matches the following richer shades: #47DC41 and #37EE2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46DC40 shade: #47DC41, #58CA54, #69B866, #7AA678 and #8A948A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46DC40 shade: #9CDC41, #72DC41, #49DC41, #41DC63 and #41DC8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46DC40 shade: #25AC1F, #2CCE26, #47DC41, #69E364 and #8BE987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46DC40 shade: #46DC40, #41C5DC and #DC4187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46DC40 shade: #46DC40, #4149DC and #DC4149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46DC40 shade: #46DC40, #41C5DC, #D441DC and #DC5941

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46DC40 shade: #46DC40, #4197DC, #D441DC and #DC8741

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 71 / 14

HEX #46DC40

RGB 70 220 64

HSL 117.69, 0.69%, 0.56%

LAB 77.79, -67.49, 61.93

 

Complementary color

CMYK 3 / 82 / 0 / 25

HEX #B923BF

RGB 185 35 191

HSL 297.69, 0.69%, 0.44%

LAB 46.01, 73.18, -48.06

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 61 / 0 / 67 / 7

HEX #5CEE4E

RGB 92 238 78

HSL 114.75, 0.82%, 0.62%

LAB 83.95, -67.85, 63.3

 

CMYK 57 / 0 / 62 / 0

HEX #6DFF61

RGB 109 255 97

HSL 115.44, 1%, 0.69%

LAB 89.69, -68.11, 62.12

 

CMYK 51 / 0 / 55 / 0

HEX #7EFF74

RGB 126 255 116

HSL 115.68, 1%, 0.73%

LAB 90.42, -61.88, 54.92

 

CMYK 44 / 0 / 47 / 0

HEX #8FFF87

RGB 143 255 135

HSL 116, 1%, 0.76%

LAB 91.28, -54.91, 47.35

 

CMYK 68 / 0 / 71 / 14

HEX #46DC40

RGB 70 220 64

HSL 117.69, 0.69%, 0.56%

LAB 77.79, -67.49, 61.93

 

CMYK 74 / 0 / 78 / 21

HEX #35CA2D

RGB 53 202 45

HSL 116.94, 0.64%, 0.48%

LAB 71.68, -66.08, 62.15

 

CMYK 80 / 0 / 86 / 28

HEX #24B81A

RGB 36 184 26

HSL 116.2, 0.75%, 0.41%

LAB 65.54, -64.04, 61.51

 

CMYK 89 / 0 / 96 / 35

HEX #13A607

RGB 19 166 7

HSL 115.47, 0.92%, 0.34%

LAB 59.37, -61.16, 59.49

 

CMYK 99 / 0 / 100 / 42

HEX #029400

RGB 2 148 0

HSL 119.19, 1%, 0.29%

LAB 53.16, -57.32, 55.46

 

CMYK 68 / 0 / 70 / 14

HEX #47DC41

RGB 71 220 65

HSL 117.68, 0.69%, 0.56%

LAB 77.82, -67.23, 61.6

 

CMYK 49 / 0 / 70 / 14

HEX #71DC41

RGB 113 220 65

HSL 101.42, 0.69%, 0.56%

LAB 79.09, -57.17, 63.3

 

CMYK 30 / 0 / 70 / 14

HEX #9BDC41

RGB 155 220 65

HSL 85.16, 0.69%, 0.56%

LAB 81.04, -43.36, 65.91

 

CMYK 10 / 0 / 70 / 14

HEX #C5DC41

RGB 197 220 65

HSL 68.9, 0.69%, 0.56%

LAB 83.67, -27.15, 69.4

 

CMYK 0 / 8 / 70 / 14

HEX #DCCA41

RGB 220 202 65

HSL 53.03, 0.69%, 0.56%

LAB 80.65, -8.73, 67.04

 

CMYK 68 / 0 / 70 / 14

HEX #47DC41

RGB 71 220 65

HSL 117.68, 0.69%, 0.56%

LAB 77.82, -67.23, 61.6

 

CMYK 70 / 0 / 54 / 14

HEX #41DC65

RGB 65 220 101

HSL 133.94, 0.69%, 0.56%

LAB 78.02, -64.37, 46.55

 

CMYK 70 / 0 / 35 / 14

HEX #41DC8F

RGB 65 220 143

HSL 150.19, 0.69%, 0.56%

LAB 78.63, -57.43, 26.49

 

CMYK 70 / 0 / 16 / 14

HEX #41DCB9

RGB 65 220 185

HSL 166.45, 0.69%, 0.56%

LAB 79.51, -48.14, 5.63

 

CMYK 70 / 3 / 0 / 14

HEX #41D6DC

RGB 65 214 220

HSL 182.32, 0.69%, 0.56%

LAB 78.69, -36.12, -14.27

 

CMYK 68 / 0 / 70 / 14

HEX #47DC41

RGB 71 220 65

HSL 117.68, 0.69%, 0.56%

LAB 77.82, -67.23, 61.6

 

CMYK 77 / 0 / 80 / 7

HEX #37EE2F

RGB 55 238 47

HSL 117.49, 0.85%, 0.56%

LAB 83, -76.51, 72.29

 

CMYK 68 / 0 / 70 / 14

HEX #47DC41

RGB 71 220 65

HSL 117.68, 0.69%, 0.56%

LAB 77.82, -67.23, 61.6

 

CMYK 56 / 0 / 58 / 21

HEX #58CA54

RGB 88 202 84

HSL 117.97, 0.53%, 0.56%

LAB 72.86, -55.38, 48.44

 

CMYK 43 / 0 / 45 / 28

HEX #69B866

RGB 105 184 102

HSL 117.8, 0.37%, 0.56%

LAB 68.2, -41.02, 34.17

 

CMYK 27 / 0 / 28 / 35

HEX #7AA678

RGB 122 166 120

HSL 117.39, 0.21%, 0.56%

LAB 63.97, -24.12, 19.16

 

CMYK 7 / 0 / 7 / 42

HEX #8A948A

RGB 138 148 138

HSL 120, 0.04%, 0.56%

LAB 60.26, -5.58, 4.04

 

CMYK 29 / 0 / 70 / 14

HEX #9CDC41

RGB 156 220 65

HSL 84.77, 0.69%, 0.56%

LAB 81.09, -43, 65.98

 

CMYK 48 / 0 / 70 / 14

HEX #72DC41

RGB 114 220 65

HSL 101.03, 0.69%, 0.56%

LAB 79.12, -56.88, 63.35

 

CMYK 67 / 0 / 70 / 14

HEX #49DC41

RGB 73 220 65

HSL 116.9, 0.69%, 0.56%

LAB 77.87, -66.85, 61.66

 

CMYK 70 / 0 / 55 / 14

HEX #41DC63

RGB 65 220 99

HSL 133.16, 0.69%, 0.56%

LAB 78, -64.64, 47.45

 

CMYK 70 / 0 / 36 / 14

HEX #41DC8C

RGB 65 220 140

HSL 149.03, 0.69%, 0.56%

LAB 78.58, -58.01, 27.97

 

CMYK 78 / 0 / 82 / 33

HEX #25AC1F

RGB 37 172 31

HSL 117.45, 0.69%, 0.4%

LAB 61.65, -60, 56.71

 

CMYK 79 / 0 / 82 / 19

HEX #2CCE26

RGB 44 206 38

HSL 117.86, 0.69%, 0.48%

LAB 72.77, -69, 65.14

 

CMYK 68 / 0 / 70 / 14

HEX #47DC41

RGB 71 220 65

HSL 117.68, 0.69%, 0.56%

LAB 77.82, -67.23, 61.6

 

CMYK 54 / 0 / 56 / 11

HEX #69E364

RGB 105 227 100

HSL 117.64, 0.69%, 0.64%

LAB 81.22, -58.63, 51.07

 

CMYK 40 / 0 / 42 / 9

HEX #8BE987

RGB 139 233 135

HSL 117.55, 0.69%, 0.72%

LAB 84.75, -47.01, 39.04

 

CMYK 68 / 0 / 71 / 14

HEX #46DC40

RGB 70 220 64

HSL 117.69, 0.69%, 0.56%

LAB 77.79, -67.49, 61.93

 

CMYK 70 / 10 / 0 / 14

HEX #41C5DC

RGB 65 197 220

HSL 188.9, 0.69%, 0.56%

LAB 73.69, -27.99, -21.82

 

CMYK 0 / 70 / 39 / 14

HEX #DC4187

RGB 220 65 135

HSL 332.9, 0.69%, 0.56%

LAB 52.67, 65.03, -4.14

 

CMYK 68 / 0 / 71 / 14

HEX #46DC40

RGB 70 220 64

HSL 117.69, 0.69%, 0.56%

LAB 77.79, -67.49, 61.93

 

CMYK 70 / 67 / 0 / 14

HEX #4149DC

RGB 65 73 220

HSL 236.9, 0.69%, 0.56%

LAB 39.67, 44.37, -75.73

 

CMYK 0 / 70 / 67 / 14

HEX #DC4149

RGB 220 65 73

HSL 356.9, 0.69%, 0.56%

LAB 51.24, 60.19, 30.98

 

CMYK 68 / 0 / 71 / 14

HEX #46DC40

RGB 70 220 64

HSL 117.69, 0.69%, 0.56%

LAB 77.79, -67.49, 61.93

 

CMYK 70 / 10 / 0 / 14

HEX #41C5DC

RGB 65 197 220

HSL 188.9, 0.69%, 0.56%

LAB 73.69, -27.99, -21.82

 

CMYK 4 / 70 / 0 / 14

HEX #D441DC

RGB 212 65 220

HSL 296.9, 0.69%, 0.56%

LAB 55.02, 74.62, -50.11

 

CMYK 0 / 60 / 70 / 14

HEX #DC5941

RGB 220 89 65

HSL 9.29, 0.69%, 0.56%

LAB 54.81, 49.88, 39.74

 

CMYK 68 / 0 / 71 / 14

HEX #46DC40

RGB 70 220 64

HSL 117.69, 0.69%, 0.56%

LAB 77.79, -67.49, 61.93

 

CMYK 70 / 31 / 0 / 14

HEX #4197DC

RGB 65 151 220

HSL 206.71, 0.69%, 0.56%

LAB 60.27, -3.49, -42.59

 

CMYK 4 / 70 / 0 / 14

HEX #D441DC

RGB 212 65 220

HSL 296.9, 0.69%, 0.56%

LAB 55.02, 74.62, -50.11

 

CMYK 0 / 39 / 70 / 14

HEX #DC8741

RGB 220 135 65

HSL 27.1, 0.69%, 0.56%

LAB 64.1, 26.71, 50.05

 

Description

Color code: HEX #46DC40 | qconv.com Color code: HEX #46DC40 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 220 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 220 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 71 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 71% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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