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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46D5D2 it is the complementary color #B92A2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46D5D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46D5D2 shade: #4BD5CD, #5CE7E0, #6DF9F3, #7EFFFF and #8FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46D5D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46D5D2 shade: #46D5D2, #35C3BF, #24B1AC, #139F99 and #028D86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46D5D2 shade: #44D5D2, #44D5AB, #44D584, #44D55D and #52D544

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46D5D2 shade: #44D5D2, #44B1D5, #448AD5, #4463D5 and #4444D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46D5D2 shade matches the following richer shades: #44D5D2, #31E7E3 and #1FFAF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46D5D2 shade: #44D5D2, #57C2C0, #69AFAE, #7C9D9C and #8E8A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46D5D2 shade: #44D583, #44D5A9, #44D5D0, #44B3D5 and #448CD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46D5D2 shade: #25A19F, #2CC3C0, #44D5D2, #66DCDA and #87E4E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46D5D2 shade: #46D5D2, #5C44D5 and #D59644

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46D5D2 shade: #46D5D2, #D044D5 and #D5D044

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46D5D2 shade: #46D5D2, #5C44D5, #D54449 and #BCD544

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46D5D2 shade: #46D5D2, #8744D5, #D54449 and #91D544

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 1 / 16

HEX #46D5D2

RGB 70 213 210

HSL 178.74, 0.63%, 0.55%

LAB 78.19, -37.82, -9.64

 

Complementary color

CMYK 0 / 77 / 76 / 27

HEX #B92A2D

RGB 185 42 45

HSL 358.74, 0.63%, 0.45%

LAB 41.47, 56.04, 34.27

 

CMYK 65 / 0 / 4 / 16

HEX #4BD5CD

RGB 75 213 205

HSL 176.52, 0.62%, 0.56%

LAB 78.16, -38.46, -6.99

 

CMYK 60 / 0 / 3 / 9

HEX #5CE7E0

RGB 92 231 224

HSL 176.98, 0.74%, 0.63%

LAB 84.39, -38.87, -7.83

 

CMYK 56 / 0 / 2 / 2

HEX #6DF9F3

RGB 109 249 243

HSL 177.43, 0.92%, 0.7%

LAB 90.54, -39.16, -8.61

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 67 / 0 / 1 / 16

HEX #46D5D2

RGB 70 213 210

HSL 178.74, 0.63%, 0.55%

LAB 78.19, -37.82, -9.64

 

CMYK 73 / 0 / 2 / 24

HEX #35C3BF

RGB 53 195 191

HSL 178.31, 0.57%, 0.49%

LAB 71.93, -37.1, -8.73

 

CMYK 80 / 0 / 3 / 31

HEX #24B1AC

RGB 36 177 172

HSL 177.87, 0.66%, 0.42%

LAB 65.59, -36.11, -7.73

 

CMYK 88 / 0 / 4 / 38

HEX #139F99

RGB 19 159 153

HSL 177.43, 0.79%, 0.35%

LAB 59.19, -34.77, -6.61

 

CMYK 99 / 0 / 5 / 45

HEX #028D86

RGB 2 141 134

HSL 176.98, 0.97%, 0.28%

LAB 52.71, -33.04, -5.35

 

CMYK 68 / 0 / 1 / 16

HEX #44D5D2

RGB 68 213 210

HSL 178.76, 0.63%, 0.55%

LAB 78.15, -38.1, -9.71

 

CMYK 68 / 0 / 20 / 16

HEX #44D5AB

RGB 68 213 171

HSL 162.62, 0.63%, 0.55%

LAB 77.14, -48.16, 9.7

 

CMYK 68 / 0 / 38 / 16

HEX #44D584

RGB 68 213 132

HSL 146.48, 0.63%, 0.55%

LAB 76.37, -56.4, 29.14

 

CMYK 68 / 0 / 56 / 16

HEX #44D55D

RGB 68 213 93

HSL 130.34, 0.63%, 0.55%

LAB 75.83, -62.51, 47.66

 

CMYK 62 / 0 / 68 / 16

HEX #52D544

RGB 82 213 68

HSL 114.21, 0.63%, 0.55%

LAB 75.95, -62.37, 58.58

 

CMYK 68 / 0 / 1 / 16

HEX #44D5D2

RGB 68 213 210

HSL 178.76, 0.63%, 0.55%

LAB 78.15, -38.1, -9.71

 

CMYK 68 / 17 / 0 / 16

HEX #44B1D5

RGB 68 177 213

HSL 194.9, 0.63%, 0.55%

LAB 67.63, -19.62, -27.26

 

CMYK 68 / 35 / 0 / 16

HEX #448AD5

RGB 68 138 213

HSL 211.03, 0.63%, 0.55%

LAB 56.3, 2.12, -44.94

 

CMYK 68 / 54 / 0 / 16

HEX #4463D5

RGB 68 99 213

HSL 227.17, 0.63%, 0.55%

LAB 45.57, 26.2, -62.1

 

CMYK 68 / 68 / 0 / 16

HEX #4444D5

RGB 68 68 213

HSL 240, 0.63%, 0.55%

LAB 38.14, 45.34, -74.23

 

CMYK 68 / 0 / 1 / 16

HEX #44D5D2

RGB 68 213 210

HSL 178.76, 0.63%, 0.55%

LAB 78.15, -38.1, -9.71

 

CMYK 79 / 0 / 2 / 9

HEX #31E7E3

RGB 49 231 227

HSL 178.68, 0.79%, 0.55%

LAB 83.63, -43.49, -10.63

 

CMYK 88 / 0 / 2 / 2

HEX #1FFAF5

RGB 31 250 245

HSL 178.63, 0.96%, 0.55%

LAB 89.51, -47.88, -11.32

 

CMYK 68 / 0 / 1 / 16

HEX #44D5D2

RGB 68 213 210

HSL 178.76, 0.63%, 0.55%

LAB 78.15, -38.1, -9.71

 

CMYK 55 / 0 / 1 / 24

HEX #57C2C0

RGB 87 194 192

HSL 178.88, 0.47%, 0.55%

LAB 72.51, -31, -8.33

 

CMYK 40 / 0 / 1 / 31

HEX #69AFAE

RGB 105 175 174

HSL 179.14, 0.3%, 0.55%

LAB 67.07, -22.23, -6.43

 

CMYK 21 / 0 / 1 / 38

HEX #7C9D9C

RGB 124 157 156

HSL 178.18, 0.14%, 0.55%

LAB 62.34, -11.56, -3.24

 

CMYK 0 / 3 / 3 / 44

HEX #8E8A8A

RGB 142 138 138

HSL 0, 0.02%, 0.55%

LAB 57.81, 1.49, 0.52

 

CMYK 68 / 0 / 38 / 16

HEX #44D583

RGB 68 213 131

HSL 146.07, 0.63%, 0.55%

LAB 76.35, -56.58, 29.64

 

CMYK 68 / 0 / 21 / 16

HEX #44D5A9

RGB 68 213 169

HSL 161.79, 0.63%, 0.55%

LAB 77.09, -48.63, 10.7

 

CMYK 68 / 0 / 2 / 16

HEX #44D5D0

RGB 68 213 208

HSL 177.93, 0.63%, 0.55%

LAB 78.09, -38.65, -8.72

 

CMYK 68 / 16 / 0 / 16

HEX #44B3D5

RGB 68 179 213

HSL 194.07, 0.63%, 0.55%

LAB 68.22, -20.66, -26.35

 

CMYK 68 / 34 / 0 / 16

HEX #448CD5

RGB 68 140 213

HSL 210.21, 0.63%, 0.55%

LAB 56.87, 0.93, -44.04

 

CMYK 77 / 0 / 1 / 37

HEX #25A19F

RGB 37 161 159

HSL 179.03, 0.63%, 0.39%

LAB 60.24, -32.37, -8.42

 

CMYK 77 / 0 / 2 / 24

HEX #2CC3C0

RGB 44 195 192

HSL 178.81, 0.63%, 0.47%

LAB 71.81, -37.79, -9.47

 

CMYK 68 / 0 / 1 / 16

HEX #44D5D2

RGB 68 213 210

HSL 178.76, 0.63%, 0.55%

LAB 78.15, -38.1, -9.71

 

CMYK 54 / 0 / 1 / 14

HEX #66DCDA

RGB 102 220 218

HSL 178.98, 0.63%, 0.63%

LAB 81.33, -33.54, -9.15

 

CMYK 41 / 0 / 1 / 11

HEX #87E4E2

RGB 135 228 226

HSL 178.71, 0.63%, 0.71%

LAB 85.06, -28.09, -7.72

 

CMYK 67 / 0 / 1 / 16

HEX #46D5D2

RGB 70 213 210

HSL 178.74, 0.63%, 0.55%

LAB 78.19, -37.82, -9.64

 

CMYK 57 / 68 / 0 / 16

HEX #5C44D5

RGB 92 68 213

HSL 249.93, 0.63%, 0.55%

LAB 39.94, 48.61, -71.21

 

CMYK 0 / 30 / 68 / 16

HEX #D59644

RGB 213 150 68

HSL 33.93, 0.63%, 0.55%

LAB 66.81, 15.86, 51.31

 

CMYK 67 / 0 / 1 / 16

HEX #46D5D2

RGB 70 213 210

HSL 178.74, 0.63%, 0.55%

LAB 78.19, -37.82, -9.64

 

CMYK 2 / 68 / 0 / 16

HEX #D044D5

RGB 208 68 213

HSL 297.93, 0.63%, 0.55%

LAB 54.39, 71.55, -47.16

 

CMYK 0 / 2 / 68 / 16

HEX #D5D044

RGB 213 208 68

HSL 57.93, 0.63%, 0.55%

LAB 81.66, -14.55, 66.73

 

CMYK 67 / 0 / 1 / 16

HEX #46D5D2

RGB 70 213 210

HSL 178.74, 0.63%, 0.55%

LAB 78.19, -37.82, -9.64

 

CMYK 57 / 68 / 0 / 16

HEX #5C44D5

RGB 92 68 213

HSL 249.93, 0.63%, 0.55%

LAB 39.94, 48.61, -71.21

 

CMYK 0 / 68 / 66 / 16

HEX #D54449

RGB 213 68 73

HSL 357.93, 0.63%, 0.55%

LAB 50.41, 56.86, 29.67

 

CMYK 12 / 0 / 68 / 16

HEX #BCD544

RGB 188 213 68

HSL 70.34, 0.63%, 0.55%

LAB 81.12, -27.29, 65.57

 

CMYK 67 / 0 / 1 / 16

HEX #46D5D2

RGB 70 213 210

HSL 178.74, 0.63%, 0.55%

LAB 78.19, -37.82, -9.64

 

CMYK 37 / 68 / 0 / 16

HEX #8744D5

RGB 135 68 213

HSL 267.72, 0.63%, 0.55%

LAB 44.36, 56.16, -63.81

 

CMYK 0 / 68 / 66 / 16

HEX #D54449

RGB 213 68 73

HSL 357.93, 0.63%, 0.55%

LAB 50.41, 56.86, 29.67

 

CMYK 32 / 0 / 68 / 16

HEX #91D544

RGB 145 213 68

HSL 88.14, 0.63%, 0.55%

LAB 78.48, -43.75, 62.01

 

Description

Color code: HEX #46D5D2 | qconv.com Color code: HEX #46D5D2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 213 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 213 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 1 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 1% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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