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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46CEC8 it is the complementary color #B93137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46CEC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46CEC8 shade: #4BCEC3, #5CE0D6, #6DF2E9, #7EFFFC and #8FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46CEC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46CEC8 shade: #46CEC8, #35BCB5, #24AAA2, #13988F and #02867C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46CEC8 shade: #46CEC8, #46CEA3, #46CE7E, #46CE5A and #56CE46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46CEC8 shade: #46CEC8, #46AFCE, #468ACE, #4666CE and #4646CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46CEC8 shade matches the following richer shades: #46CEC8, #33E1D9 and #20F4EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46CEC8 shade: #46CEC8, #59BBB6, #6CA8A5, #7F9594 and #928283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46CEC8 shade: #46CE7E, #46CEA3, #46CEC7, #46B0CE and #468CCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46CEC8 shade: #299893, #31B9B3, #46CEC8, #66D6D1 and #87DFDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46CEC8 shade: #46CEC8, #5A46CE and #CE9146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46CEC8 shade: #46CEC8, #C746CE and #CEC746

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46CEC8 shade: #46CEC8, #5A46CE, #CE464C and #B9CE46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46CEC8 shade: #46CEC8, #8346CE, #CE464C and #91CE46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 3 / 19

HEX #46CEC8

RGB 70 206 200

HSL 177.35, 0.58%, 0.54%

LAB 75.83, -37.37, -7.77

 

Complementary color

CMYK 0 / 74 / 70 / 27

HEX #B93137

RGB 185 49 55

HSL 357.35, 0.58%, 0.46%

LAB 42.44, 54.14, 29.46

 

CMYK 64 / 0 / 5 / 19

HEX #4BCEC3

RGB 75 206 195

HSL 174.96, 0.57%, 0.55%

LAB 75.81, -37.95, -5.09

 

CMYK 59 / 0 / 4 / 12

HEX #5CE0D6

RGB 92 224 214

HSL 175.45, 0.68%, 0.62%

LAB 82.08, -38.3, -5.95

 

CMYK 55 / 0 / 4 / 5

HEX #6DF2E9

RGB 109 242 233

HSL 175.94, 0.84%, 0.69%

LAB 88.28, -38.52, -6.74

 

CMYK 51 / 0 / 1 / 0

HEX #7EFFFC

RGB 126 255 252

HSL 178.6, 1%, 0.75%

LAB 93.01, -36.38, -9.55

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 66 / 0 / 3 / 19

HEX #46CEC8

RGB 70 206 200

HSL 177.35, 0.58%, 0.54%

LAB 75.83, -37.37, -7.77

 

CMYK 72 / 0 / 4 / 26

HEX #35BCB5

RGB 53 188 181

HSL 176.89, 0.56%, 0.47%

LAB 69.51, -36.72, -6.85

 

CMYK 79 / 0 / 5 / 33

HEX #24AAA2

RGB 36 170 162

HSL 176.42, 0.65%, 0.4%

LAB 63.12, -35.81, -5.82

 

CMYK 88 / 0 / 6 / 40

HEX #13988F

RGB 19 152 143

HSL 175.94, 0.78%, 0.34%

LAB 56.66, -34.53, -4.66

 

CMYK 99 / 0 / 7 / 47

HEX #02867C

RGB 2 134 124

HSL 175.45, 0.97%, 0.27%

LAB 50.12, -32.86, -3.36

 

CMYK 66 / 0 / 3 / 19

HEX #46CEC8

RGB 70 206 200

HSL 177.35, 0.58%, 0.54%

LAB 75.83, -37.37, -7.77

 

CMYK 66 / 0 / 21 / 19

HEX #46CEA3

RGB 70 206 163

HSL 161.03, 0.58%, 0.54%

LAB 74.88, -46.79, 10.77

 

CMYK 66 / 0 / 39 / 19

HEX #46CE7E

RGB 70 206 126

HSL 144.71, 0.58%, 0.54%

LAB 74.16, -54.49, 29.32

 

CMYK 66 / 0 / 56 / 19

HEX #46CE5A

RGB 70 206 90

HSL 128.82, 0.58%, 0.54%

LAB 73.66, -60.08, 46.49

 

CMYK 58 / 0 / 66 / 19

HEX #56CE46

RGB 86 206 70

HSL 112.94, 0.58%, 0.54%

LAB 73.91, -58.8, 55.64

 

CMYK 66 / 0 / 3 / 19

HEX #46CEC8

RGB 70 206 200

HSL 177.35, 0.58%, 0.54%

LAB 75.83, -37.37, -7.77

 

CMYK 66 / 15 / 0 / 19

HEX #46AFCE

RGB 70 175 206

HSL 193.68, 0.58%, 0.54%

LAB 66.84, -20.47, -24.62

 

CMYK 66 / 33 / 0 / 19

HEX #468ACE

RGB 70 138 206

HSL 210, 0.58%, 0.54%

LAB 56.02, 0.02, -41.43

 

CMYK 66 / 50 / 0 / 19

HEX #4666CE

RGB 70 102 206

HSL 225.88, 0.58%, 0.54%

LAB 45.99, 22.14, -57.42

 

CMYK 66 / 66 / 0 / 19

HEX #4646CE

RGB 70 70 206

HSL 240, 0.58%, 0.54%

LAB 38.09, 42.1, -70.27

 

CMYK 66 / 0 / 3 / 19

HEX #46CEC8

RGB 70 206 200

HSL 177.35, 0.58%, 0.54%

LAB 75.83, -37.37, -7.77

 

CMYK 77 / 0 / 4 / 12

HEX #33E1D9

RGB 51 225 217

HSL 177.24, 0.74%, 0.54%

LAB 81.6, -43.47, -8.35

 

CMYK 87 / 0 / 4 / 4

HEX #20F4EA

RGB 32 244 234

HSL 177.17, 0.91%, 0.54%

LAB 87.46, -48.34, -8.63

 

CMYK 66 / 0 / 3 / 19

HEX #46CEC8

RGB 70 206 200

HSL 177.35, 0.58%, 0.54%

LAB 75.83, -37.37, -7.77

 

CMYK 52 / 0 / 3 / 27

HEX #59BBB6

RGB 89 187 182

HSL 176.94, 0.42%, 0.54%

LAB 70.21, -29.88, -6.26

 

CMYK 36 / 0 / 2 / 34

HEX #6CA8A5

RGB 108 168 165

HSL 177, 0.26%, 0.54%

LAB 64.89, -20.07, -4.63

 

CMYK 15 / 0 / 1 / 42

HEX #7F9594

RGB 127 149 148

HSL 177.27, 0.09%, 0.54%

LAB 60.02, -7.97, -2.1

 

CMYK 0 / 11 / 10 / 43

HEX #928283

RGB 146 130 131

HSL 356.25, 0.07%, 0.54%

LAB 55.8, 6.25, 1.67

 

CMYK 66 / 0 / 39 / 19

HEX #46CE7E

RGB 70 206 126

HSL 144.71, 0.58%, 0.54%

LAB 74.16, -54.49, 29.32

 

CMYK 66 / 0 / 21 / 19

HEX #46CEA3

RGB 70 206 163

HSL 161.03, 0.58%, 0.54%

LAB 74.88, -46.79, 10.77

 

CMYK 66 / 0 / 3 / 19

HEX #46CEC7

RGB 70 206 199

HSL 176.91, 0.58%, 0.54%

LAB 75.8, -37.64, -7.28

 

CMYK 66 / 15 / 0 / 19

HEX #46B0CE

RGB 70 176 206

HSL 193.24, 0.58%, 0.54%

LAB 67.13, -20.99, -24.16

 

CMYK 66 / 32 / 0 / 19

HEX #468CCE

RGB 70 140 206

HSL 209.12, 0.58%, 0.54%

LAB 56.6, -1.15, -40.52

 

CMYK 73 / 0 / 3 / 40

HEX #299893

RGB 41 152 147

HSL 177.3, 0.58%, 0.38%

LAB 57.11, -31.17, -6.25

 

CMYK 74 / 0 / 3 / 27

HEX #31B9B3

RGB 49 185 179

HSL 177.35, 0.58%, 0.46%

LAB 68.46, -36.4, -7.31

 

CMYK 66 / 0 / 3 / 19

HEX #46CEC8

RGB 70 206 200

HSL 177.35, 0.58%, 0.54%

LAB 75.83, -37.37, -7.77

 

CMYK 52 / 0 / 2 / 16

HEX #66D6D1

RGB 102 214 209

HSL 177.32, 0.58%, 0.62%

LAB 79.34, -33.05, -7.3

 

CMYK 39 / 0 / 2 / 13

HEX #87DFDB

RGB 135 223 219

HSL 177.27, 0.58%, 0.7%

LAB 83.46, -27.35, -6.38

 

CMYK 66 / 0 / 3 / 19

HEX #46CEC8

RGB 70 206 200

HSL 177.35, 0.58%, 0.54%

LAB 75.83, -37.37, -7.77

 

CMYK 56 / 66 / 0 / 19

HEX #5A46CE

RGB 90 70 206

HSL 248.82, 0.58%, 0.54%

LAB 39.6, 45.06, -67.74

 

CMYK 0 / 30 / 66 / 19

HEX #CE9146

RGB 206 145 70

HSL 33.09, 0.58%, 0.54%

LAB 64.82, 15.7, 47.95

 

CMYK 66 / 0 / 3 / 19

HEX #46CEC8

RGB 70 206 200

HSL 177.35, 0.58%, 0.54%

LAB 75.83, -37.37, -7.77

 

CMYK 3 / 66 / 0 / 19

HEX #C746CE

RGB 199 70 206

HSL 296.91, 0.58%, 0.54%

LAB 52.93, 67.6, -45.58

 

CMYK 0 / 3 / 66 / 19

HEX #CEC746

RGB 206 199 70

HSL 56.91, 0.58%, 0.54%

LAB 78.7, -12.85, 62.77

 

CMYK 66 / 0 / 3 / 19

HEX #46CEC8

RGB 70 206 200

HSL 177.35, 0.58%, 0.54%

LAB 75.83, -37.37, -7.77

 

CMYK 56 / 66 / 0 / 19

HEX #5A46CE

RGB 90 70 206

HSL 248.82, 0.58%, 0.54%

LAB 39.6, 45.06, -67.74

 

CMYK 0 / 66 / 63 / 19

HEX #CE464C

RGB 206 70 76

HSL 357.35, 0.58%, 0.54%

LAB 49.53, 53.97, 26.53

 

CMYK 10 / 0 / 66 / 19

HEX #B9CE46

RGB 185 206 70

HSL 69.26, 0.58%, 0.54%

LAB 78.98, -25.03, 62.54

 

CMYK 66 / 0 / 3 / 19

HEX #46CEC8

RGB 70 206 200

HSL 177.35, 0.58%, 0.54%

LAB 75.83, -37.37, -7.77

 

CMYK 36 / 66 / 0 / 19

HEX #8346CE

RGB 131 70 206

HSL 266.91, 0.58%, 0.54%

LAB 43.74, 52.66, -60.81

 

CMYK 0 / 66 / 63 / 19

HEX #CE464C

RGB 206 70 76

HSL 357.35, 0.58%, 0.54%

LAB 49.53, 53.97, 26.53

 

CMYK 30 / 0 / 66 / 19

HEX #91CE46

RGB 145 206 70

HSL 86.91, 0.58%, 0.54%

LAB 76.44, -40.56, 59.1

 

Description

Color code: HEX #46CEC8 | qconv.com Color code: HEX #46CEC8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 206 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 206 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 3 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 3% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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