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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46CC96 it is the complementary color #B93369. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46CC96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46CC96 shade: #4BCC91, #5CDEA4, #6DF0B7, #7EFFCA and #8FFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46CC96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46CC96 shade: #46CC96, #35BA83, #24A870, #13965D and #02844A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46CC96 shade: #47CD97, #47CD73, #47CD4F, #63CD47 and #87CD47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46CC96 shade: #47CD97, #47CDBB, #47BACD, #4796CD and #4772CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46CC96 shade matches the following richer shades: #47CD97, #34E09A and #21F39E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46CC96 shade: #47CD97, #5ABA93, #6DA78F, #80948C and #938188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46CC96 shade: #47CD4E, #47CD71, #47CD95, #47CDB9 and #47BDCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46CC96 shade: #29976B, #32B882, #47CD97, #67D5A9 and #88DEBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46CC96 shade: #46CC96, #4764CD and #CD5F47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46CC96 shade: #46CC96, #9547CD and #CD9547

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46CC96 shade: #46CC96, #4764CD, #CD477F and #CDB047

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46CC96 shade: #46CC96, #5247CD, #CD477F and #C1CD47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 26 / 20

HEX #46CC96

RGB 70 204 150

HSL 155.82, 0.57%, 0.54%

LAB 73.99, -48.89, 16.47

 

Complementary color

CMYK 0 / 72 / 43 / 27

HEX #B93369

RGB 185 51 105

HSL 335.82, 0.57%, 0.46%

LAB 43.8, 57.12, 0.37

 

CMYK 63 / 0 / 29 / 20

HEX #4BCC91

RGB 75 204 145

HSL 152.56, 0.56%, 0.55%

LAB 74.01, -49.06, 19.18

 

CMYK 59 / 0 / 26 / 13

HEX #5CDEA4

RGB 92 222 164

HSL 153.23, 0.66%, 0.62%

LAB 80.29, -49.19, 17.93

 

CMYK 55 / 0 / 24 / 6

HEX #6DF0B7

RGB 109 240 183

HSL 153.89, 0.81%, 0.68%

LAB 86.5, -49.2, 16.78

 

CMYK 51 / 0 / 21 / 0

HEX #7EFFCA

RGB 126 255 202

HSL 155.35, 1%, 0.75%

LAB 91.78, -47.86, 14.49

 

CMYK 44 / 0 / 13 / 0

HEX #8FFFDD

RGB 143 255 221

HSL 161.79, 1%, 0.78%

LAB 92.83, -39.85, 6.29

 

CMYK 66 / 0 / 26 / 20

HEX #46CC96

RGB 70 204 150

HSL 155.82, 0.57%, 0.54%

LAB 73.99, -48.89, 16.47

 

CMYK 72 / 0 / 30 / 27

HEX #35BA83

RGB 53 186 131

HSL 155.19, 0.56%, 0.47%

LAB 67.66, -48.47, 17.83

 

CMYK 79 / 0 / 33 / 34

HEX #24A870

RGB 36 168 112

HSL 154.55, 0.65%, 0.4%

LAB 61.26, -47.75, 19.33

 

CMYK 87 / 0 / 38 / 41

HEX #13965D

RGB 19 150 93

HSL 153.89, 0.78%, 0.33%

LAB 54.81, -46.59, 21.01

 

CMYK 98 / 0 / 44 / 48

HEX #02844A

RGB 2 132 74

HSL 153.23, 0.97%, 0.26%

LAB 48.27, -44.89, 22.86

 

CMYK 65 / 0 / 26 / 20

HEX #47CD97

RGB 71 205 151

HSL 155.82, 0.57%, 0.54%

LAB 74.34, -48.91, 16.43

 

CMYK 65 / 0 / 44 / 20

HEX #47CD73

RGB 71 205 115

HSL 139.7, 0.57%, 0.54%

LAB 73.7, -55.84, 34.36

 

CMYK 65 / 0 / 61 / 20

HEX #47CD4F

RGB 71 205 79

HSL 123.58, 0.57%, 0.54%

LAB 73.26, -60.84, 51

 

CMYK 52 / 0 / 65 / 20

HEX #63CD47

RGB 99 205 71

HSL 107.46, 0.57%, 0.54%

LAB 74.04, -54.97, 55.5

 

CMYK 34 / 0 / 65 / 20

HEX #87CD47

RGB 135 205 71

HSL 91.34, 0.57%, 0.54%

LAB 75.62, -43.62, 57.66

 

CMYK 65 / 0 / 26 / 20

HEX #47CD97

RGB 71 205 151

HSL 155.82, 0.57%, 0.54%

LAB 74.34, -48.91, 16.43

 

CMYK 65 / 0 / 9 / 20

HEX #47CDBB

RGB 71 205 187

HSL 171.94, 0.57%, 0.54%

LAB 75.2, -40.25, -1.69

 

CMYK 65 / 9 / 0 / 20

HEX #47BACD

RGB 71 186 205

HSL 188.51, 0.57%, 0.54%

LAB 70.08, -26.21, -19.12

 

CMYK 65 / 27 / 0 / 20

HEX #4796CD

RGB 71 150 205

HSL 204.63, 0.57%, 0.54%

LAB 59.49, -7.07, -35.42

 

CMYK 65 / 44 / 0 / 20

HEX #4772CD

RGB 71 114 205

HSL 220.75, 0.57%, 0.54%

LAB 49.23, 14.41, -51.64

 

CMYK 65 / 0 / 26 / 20

HEX #47CD97

RGB 71 205 151

HSL 155.82, 0.57%, 0.54%

LAB 74.34, -48.91, 16.43

 

CMYK 77 / 0 / 31 / 12

HEX #34E09A

RGB 52 224 154

HSL 155.58, 0.74%, 0.54%

LAB 79.83, -58.44, 22.38

 

CMYK 86 / 0 / 35 / 5

HEX #21F39E

RGB 33 243 158

HSL 155.71, 0.9%, 0.54%

LAB 85.45, -66.22, 27.94

 

CMYK 65 / 0 / 26 / 20

HEX #47CD97

RGB 71 205 151

HSL 155.82, 0.57%, 0.54%

LAB 74.34, -48.91, 16.43

 

CMYK 52 / 0 / 21 / 27

HEX #5ABA93

RGB 90 186 147

HSL 155.63, 0.41%, 0.54%

LAB 69.04, -37.69, 11.22

 

CMYK 35 / 0 / 14 / 35

HEX #6DA78F

RGB 109 167 143

HSL 155.17, 0.25%, 0.54%

LAB 64.06, -24.36, 6.44

 

CMYK 14 / 0 / 5 / 42

HEX #80948C

RGB 128 148 140

HSL 156, 0.09%, 0.54%

LAB 59.58, -8.77, 1.82

 

CMYK 0 / 12 / 7 / 42

HEX #938188

RGB 147 129 136

HSL 336.67, 0.08%, 0.54%

LAB 55.77, 8.12, -1.26

 

CMYK 65 / 0 / 62 / 20

HEX #47CD4E

RGB 71 205 78

HSL 123.13, 0.57%, 0.54%

LAB 73.25, -60.95, 51.43

 

CMYK 65 / 0 / 45 / 20

HEX #47CD71

RGB 71 205 113

HSL 138.81, 0.57%, 0.54%

LAB 73.67, -56.17, 35.33

 

CMYK 65 / 0 / 27 / 20

HEX #47CD95

RGB 71 205 149

HSL 154.93, 0.57%, 0.54%

LAB 74.3, -49.34, 17.44

 

CMYK 65 / 0 / 10 / 20

HEX #47CDB9

RGB 71 205 185

HSL 171.04, 0.57%, 0.54%

LAB 75.14, -40.77, -0.69

 

CMYK 65 / 8 / 0 / 20

HEX #47BDCD

RGB 71 189 205

HSL 187.16, 0.57%, 0.54%

LAB 70.97, -27.7, -17.77

 

CMYK 73 / 0 / 29 / 41

HEX #29976B

RGB 41 151 107

HSL 156, 0.57%, 0.38%

LAB 55.75, -41.28, 14.54

 

CMYK 73 / 0 / 29 / 28

HEX #32B882

RGB 50 184 130

HSL 155.82, 0.57%, 0.46%

LAB 66.95, -48.32, 17.38

 

CMYK 65 / 0 / 26 / 20

HEX #47CD97

RGB 71 205 151

HSL 155.82, 0.57%, 0.54%

LAB 74.34, -48.91, 16.43

 

CMYK 52 / 0 / 21 / 16

HEX #67D5A9

RGB 103 213 169

HSL 156, 0.57%, 0.62%

LAB 78.07, -41.89, 12.23

 

CMYK 39 / 0 / 16 / 13

HEX #88DEBB

RGB 136 222 187

HSL 155.58, 0.57%, 0.7%

LAB 82.41, -33.79, 9.04

 

CMYK 66 / 0 / 26 / 20

HEX #46CC96

RGB 70 204 150

HSL 155.82, 0.57%, 0.54%

LAB 73.99, -48.89, 16.47

 

CMYK 65 / 51 / 0 / 20

HEX #4764CD

RGB 71 100 205

HSL 227.01, 0.57%, 0.54%

LAB 45.44, 23.21, -57.73

 

CMYK 0 / 54 / 65 / 20

HEX #CD5F47

RGB 205 95 71

HSL 10.75, 0.57%, 0.54%

LAB 53.62, 41.88, 34.45

 

CMYK 66 / 0 / 26 / 20

HEX #46CC96

RGB 70 204 150

HSL 155.82, 0.57%, 0.54%

LAB 73.99, -48.89, 16.47

 

CMYK 27 / 65 / 0 / 20

HEX #9547CD

RGB 149 71 205

HSL 274.93, 0.57%, 0.54%

LAB 46.05, 55.74, -56.4

 

CMYK 0 / 27 / 65 / 20

HEX #CD9547

RGB 205 149 71

HSL 34.93, 0.57%, 0.54%

LAB 65.69, 13.16, 48.41

 

CMYK 66 / 0 / 26 / 20

HEX #46CC96

RGB 70 204 150

HSL 155.82, 0.57%, 0.54%

LAB 73.99, -48.89, 16.47

 

CMYK 65 / 51 / 0 / 20

HEX #4764CD

RGB 71 100 205

HSL 227.01, 0.57%, 0.54%

LAB 45.44, 23.21, -57.73

 

CMYK 0 / 65 / 38 / 20

HEX #CD477F

RGB 205 71 127

HSL 334.93, 0.57%, 0.54%

LAB 50.71, 57.6, -2.53

 

CMYK 0 / 14 / 65 / 20

HEX #CDB047

RGB 205 176 71

HSL 47.01, 0.57%, 0.54%

LAB 72.55, -1.33, 55.88

 

CMYK 66 / 0 / 26 / 20

HEX #46CC96

RGB 70 204 150

HSL 155.82, 0.57%, 0.54%

LAB 73.99, -48.89, 16.47

 

CMYK 60 / 65 / 0 / 20

HEX #5247CD

RGB 82 71 205

HSL 244.93, 0.57%, 0.54%

LAB 39.08, 42.91, -68.03

 

CMYK 0 / 65 / 38 / 20

HEX #CD477F

RGB 205 71 127

HSL 334.93, 0.57%, 0.54%

LAB 50.71, 57.6, -2.53

 

CMYK 6 / 0 / 65 / 20

HEX #C1CD47

RGB 193 205 71

HSL 65.37, 0.57%, 0.54%

LAB 79.3, -21.2, 62.66

 

Description

Color code: HEX #46CC96 | qconv.com Color code: HEX #46CC96 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 204 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 204 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 26 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 26% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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