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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46C73B it is the complementary color #B938C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46C73B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46C73B shade: #4BC736, #5CD949, #6DEB5C, #7EFD6F and #8FFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46C73B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46C73B shade: #46C73B, #35B528, #24A315, #139102 and #027F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46C73B shade: #47C83C, #6DC83C, #93C83C, #B8C83C and #C8B23C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46C73B shade: #47C83C, #3CC857, #3CC87D, #3CC8A2 and #3CC8C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46C73B shade matches the following richer shades: #47C83C, #36DC28 and #25F014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46C73B shade: #47C83C, #58B450, #69A065, #7A8B79 and #8B778D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46C73B shade: #92C83C, #6DC83C, #48C83C, #3CC856 and #3CC87B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46C73B shade: #2F8B27, #3AAB30, #47C83C, #65D15C and #84DA7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46C73B shade: #46C73B, #3CB8C8 and #C83C80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46C73B shade: #46C73B, #3C48C8 and #C83C48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46C73B shade: #46C73B, #3CB8C8, #BC3CC8 and #C84C3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46C73B shade: #46C73B, #3C8EC8, #BC3CC8 and #C8763C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 70 / 22

HEX #46C73B

RGB 70 199 59

HSL 115.29, 0.56%, 0.51%

LAB 71.19, -60.94, 56.95

 

Complementary color

CMYK 6 / 71 / 0 / 23

HEX #B938C4

RGB 185 56 196

HSL 295.29, 0.56%, 0.49%

LAB 48.42, 67.92, -47.12

 

CMYK 62 / 0 / 73 / 22

HEX #4BC736

RGB 75 199 54

HSL 111.31, 0.57%, 0.5%

LAB 71.29, -60.26, 58.93

 

CMYK 58 / 0 / 66 / 15

HEX #5CD949

RGB 92 217 73

HSL 112.08, 0.65%, 0.57%

LAB 77.51, -61.01, 58.37

 

CMYK 54 / 0 / 61 / 8

HEX #6DEB5C

RGB 109 235 92

HSL 112.87, 0.78%, 0.64%

LAB 83.67, -61.46, 57.46

 

CMYK 50 / 0 / 56 / 1

HEX #7EFD6F

RGB 126 253 111

HSL 113.66, 0.97%, 0.71%

LAB 89.78, -61.7, 56.39

 

CMYK 44 / 0 / 49 / 0

HEX #8FFF82

RGB 143 255 130

HSL 113.76, 1%, 0.75%

LAB 91.22, -55.55, 49.62

 

CMYK 65 / 0 / 70 / 22

HEX #46C73B

RGB 70 199 59

HSL 115.29, 0.56%, 0.51%

LAB 71.19, -60.94, 56.95

 

CMYK 71 / 0 / 78 / 29

HEX #35B528

RGB 53 181 40

HSL 114.47, 0.64%, 0.43%

LAB 64.93, -59.72, 57.21

 

CMYK 78 / 0 / 87 / 36

HEX #24A315

RGB 36 163 21

HSL 113.66, 0.77%, 0.36%

LAB 58.62, -57.85, 56.51

 

CMYK 87 / 0 / 99 / 43

HEX #139102

RGB 19 145 2

HSL 112.87, 0.97%, 0.29%

LAB 52.28, -55.12, 54.46

 

CMYK 98 / 0 / 100 / 50

HEX #027F00

RGB 2 127 0

HSL 119.06, 1%, 0.25%

LAB 45.9, -51.25, 49.64

 

CMYK 65 / 0 / 70 / 22

HEX #47C83C

RGB 71 200 60

HSL 115.29, 0.56%, 0.51%

LAB 71.54, -60.99, 56.94

 

CMYK 46 / 0 / 70 / 22

HEX #6DC83C

RGB 109 200 60

HSL 99, 0.56%, 0.51%

LAB 72.82, -51.03, 58.66

 

CMYK 27 / 0 / 70 / 22

HEX #93C83C

RGB 147 200 60

HSL 82.71, 0.56%, 0.51%

LAB 74.72, -37.85, 61.22

 

CMYK 8 / 0 / 70 / 22

HEX #B8C83C

RGB 184 200 60

HSL 66.86, 0.56%, 0.51%

LAB 77.18, -23.1, 64.48

 

CMYK 0 / 11 / 70 / 22

HEX #C8B23C

RGB 200 178 60

HSL 50.57, 0.56%, 0.51%

LAB 72.53, -5.16, 60.29

 

CMYK 65 / 0 / 70 / 22

HEX #47C83C

RGB 71 200 60

HSL 115.29, 0.56%, 0.51%

LAB 71.54, -60.99, 56.94

 

CMYK 70 / 0 / 57 / 22

HEX #3CC857

RGB 60 200 87

HSL 131.57, 0.56%, 0.51%

LAB 71.53, -60.2, 45.3

 

CMYK 70 / 0 / 38 / 22

HEX #3CC87D

RGB 60 200 125

HSL 147.86, 0.56%, 0.51%

LAB 72.06, -54.09, 27.01

 

CMYK 70 / 0 / 19 / 22

HEX #3CC8A2

RGB 60 200 162

HSL 163.71, 0.56%, 0.51%

LAB 72.81, -46.05, 8.33

 

CMYK 70 / 0 / 0 / 22

HEX #3CC8C8

RGB 60 200 200

HSL 180, 0.56%, 0.51%

LAB 73.83, -35.98, -10.78

 

CMYK 65 / 0 / 70 / 22

HEX #47C83C

RGB 71 200 60

HSL 115.29, 0.56%, 0.51%

LAB 71.54, -60.99, 56.94

 

CMYK 75 / 0 / 82 / 14

HEX #36DC28

RGB 54 220 40

HSL 115.33, 0.72%, 0.51%

LAB 77.35, -71.7, 68.9

 

CMYK 85 / 0 / 92 / 6

HEX #25F014

RGB 37 240 20

HSL 115.36, 0.88%, 0.51%

LAB 83.32, -80.08, 77.84

 

CMYK 65 / 0 / 70 / 22

HEX #47C83C

RGB 71 200 60

HSL 115.29, 0.56%, 0.51%

LAB 71.54, -60.99, 56.94

 

CMYK 51 / 0 / 56 / 29

HEX #58B450

RGB 88 180 80

HSL 115.2, 0.4%, 0.51%

LAB 65.98, -47.32, 42.22

 

CMYK 34 / 0 / 37 / 37

HEX #69A065

RGB 105 160 101

HSL 115.93, 0.24%, 0.51%

LAB 60.86, -30.23, 25.17

 

CMYK 12 / 0 / 13 / 45

HEX #7A8B79

RGB 122 139 121

HSL 116.67, 0.07%, 0.51%

LAB 56.07, -9.78, 7.57

 

CMYK 1 / 16 / 0 / 45

HEX #8B778D

RGB 139 119 141

HSL 294.55, 0.09%, 0.51%

LAB 52.52, 11.91, -9.08

 

CMYK 27 / 0 / 70 / 22

HEX #92C83C

RGB 146 200 60

HSL 83.14, 0.56%, 0.51%

LAB 74.66, -38.23, 61.14

 

CMYK 46 / 0 / 70 / 22

HEX #6DC83C

RGB 109 200 60

HSL 99, 0.56%, 0.51%

LAB 72.82, -51.03, 58.66

 

CMYK 64 / 0 / 70 / 22

HEX #48C83C

RGB 72 200 60

HSL 114.86, 0.56%, 0.51%

LAB 71.56, -60.78, 56.97

 

CMYK 70 / 0 / 57 / 22

HEX #3CC856

RGB 60 200 86

HSL 131.14, 0.56%, 0.51%

LAB 71.51, -60.33, 45.75

 

CMYK 70 / 0 / 39 / 22

HEX #3CC87B

RGB 60 200 123

HSL 147, 0.56%, 0.51%

LAB 72.03, -54.47, 28.01

 

CMYK 66 / 0 / 72 / 45

HEX #2F8B27

RGB 47 139 39

HSL 115.2, 0.56%, 0.35%

LAB 50.94, -46.57, 43.5

 

CMYK 66 / 0 / 72 / 33

HEX #3AAB30

RGB 58 171 48

HSL 115.12, 0.56%, 0.43%

LAB 61.86, -54.77, 51.37

 

CMYK 65 / 0 / 70 / 22

HEX #47C83C

RGB 71 200 60

HSL 115.29, 0.56%, 0.51%

LAB 71.54, -60.99, 56.94

 

CMYK 52 / 0 / 56 / 18

HEX #65D15C

RGB 101 209 92

HSL 115.38, 0.56%, 0.59%

LAB 75.54, -53.76, 48.01

 

CMYK 39 / 0 / 43 / 15

HEX #84DA7C

RGB 132 218 124

HSL 114.89, 0.56%, 0.67%

LAB 79.9, -44.29, 38.22

 

CMYK 65 / 0 / 70 / 22

HEX #46C73B

RGB 70 199 59

HSL 115.29, 0.56%, 0.51%

LAB 71.19, -60.94, 56.95

 

CMYK 70 / 8 / 0 / 22

HEX #3CB8C8

RGB 60 184 200

HSL 186.86, 0.56%, 0.51%

LAB 69.05, -28.33, -17.97

 

CMYK 0 / 70 / 36 / 22

HEX #C83C80

RGB 200 60 128

HSL 330.86, 0.56%, 0.51%

LAB 48.35, 60.52, -6.72

 

CMYK 65 / 0 / 70 / 22

HEX #46C73B

RGB 70 199 59

HSL 115.29, 0.56%, 0.51%

LAB 71.19, -60.94, 56.95

 

CMYK 70 / 64 / 0 / 22

HEX #3C48C8

RGB 60 72 200

HSL 234.86, 0.56%, 0.51%

LAB 37.42, 37.56, -67.91

 

CMYK 0 / 70 / 64 / 22

HEX #C83C48

RGB 200 60 72

HSL 354.86, 0.56%, 0.51%

LAB 46.95, 55.75, 25.42

 

CMYK 65 / 0 / 70 / 22

HEX #46C73B

RGB 70 199 59

HSL 115.29, 0.56%, 0.51%

LAB 71.19, -60.94, 56.95

 

CMYK 70 / 8 / 0 / 22

HEX #3CB8C8

RGB 60 184 200

HSL 186.86, 0.56%, 0.51%

LAB 69.05, -28.33, -17.97

 

CMYK 6 / 70 / 0 / 22

HEX #BC3CC8

RGB 188 60 200

HSL 294.86, 0.56%, 0.51%

LAB 49.61, 67.84, -47.51

 

CMYK 0 / 62 / 70 / 22

HEX #C84C3C

RGB 200 76 60

HSL 6.86, 0.56%, 0.51%

LAB 49.22, 48.45, 35.21

 

CMYK 65 / 0 / 70 / 22

HEX #46C73B

RGB 70 199 59

HSL 115.29, 0.56%, 0.51%

LAB 71.19, -60.94, 56.95

 

CMYK 70 / 29 / 0 / 22

HEX #3C8EC8

RGB 60 142 200

HSL 204.86, 0.56%, 0.51%

LAB 56.56, -5.95, -37.21

 

CMYK 6 / 70 / 0 / 22

HEX #BC3CC8

RGB 188 60 200

HSL 294.86, 0.56%, 0.51%

LAB 49.61, 67.84, -47.51

 

CMYK 0 / 41 / 70 / 22

HEX #C8763C

RGB 200 118 60

HSL 24.86, 0.56%, 0.51%

LAB 57.62, 27.27, 44.69

 

Description

Color code: HEX #46C73B | qconv.com Color code: HEX #46C73B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 199 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 199 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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