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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46C556 it is the complementary color #B93AA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46C556. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46C556 shade: #4BC551, #5CD764, #6DE977, #7EFB8A and #8FFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46C556. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46C556 shade: #46C556, #35B343, #24A130, #138F1D and #027D0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46C556 shade: #45C455, #57C445, #7AC445, #9CC445 and #BEC445

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46C556 shade: #45C455, #45C477, #45C49A, #45C4BC and #45AAC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46C556 shade matches the following richer shades: #45C455, #31D846 and #1DEC37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46C556 shade: #45C455, #59B064, #6D9D73, #808981 and #947590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46C556 shade: #7AC445, #58C445, #45C454, #45C476 and #45C498

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46C556 shade: #2C8B38, #36AA44, #45C455, #64CE72 and #84D88E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46C556 shade: #46C556, #459CC4 and #C44569

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46C556 shade: #46C556, #5445C4 and #C45445

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46C556 shade: #46C556, #459CC4, #C445B5 and #C46D45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46C556 shade: #46C556, #4576C4, #C445B5 and #C49345

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 56 / 23

HEX #46C556

RGB 70 197 86

HSL 127.56, 0.52%, 0.52%

LAB 70.81, -57.38, 44.97

 

Complementary color

CMYK 0 / 69 / 9 / 27

HEX #B93AA9

RGB 185 58 169

HSL 307.56, 0.52%, 0.48%

LAB 47.24, 62.78, -33.18

 

CMYK 62 / 0 / 59 / 23

HEX #4BC551

RGB 75 197 81

HSL 122.95, 0.51%, 0.53%

LAB 70.89, -56.94, 47.41

 

CMYK 57 / 0 / 53 / 16

HEX #5CD764

RGB 92 215 100

HSL 123.9, 0.61%, 0.6%

LAB 77.16, -57.32, 46.14

 

CMYK 53 / 0 / 49 / 9

HEX #6DE977

RGB 109 233 119

HSL 124.84, 0.74%, 0.67%

LAB 83.37, -57.48, 44.84

 

CMYK 50 / 0 / 45 / 2

HEX #7EFB8A

RGB 126 251 138

HSL 125.76, 0.94%, 0.74%

LAB 89.52, -57.5, 43.55

 

CMYK 44 / 0 / 38 / 0

HEX #8FFF9D

RGB 143 255 157

HSL 127.5, 1%, 0.78%

LAB 91.59, -51.77, 37.09

 

CMYK 64 / 0 / 56 / 23

HEX #46C556

RGB 70 197 86

HSL 127.56, 0.52%, 0.52%

LAB 70.81, -57.38, 44.97

 

CMYK 70 / 0 / 63 / 30

HEX #35B343

RGB 53 179 67

HSL 126.67, 0.54%, 0.45%

LAB 64.49, -56.62, 46.25

 

CMYK 78 / 0 / 70 / 37

HEX #24A130

RGB 36 161 48

HSL 125.76, 0.63%, 0.39%

LAB 58.11, -55.35, 47.31

 

CMYK 87 / 0 / 80 / 44

HEX #138F1D

RGB 19 143 29

HSL 124.84, 0.77%, 0.32%

LAB 51.69, -53.3, 47.8

 

CMYK 98 / 0 / 92 / 51

HEX #027D0A

RGB 2 125 10

HSL 123.9, 0.97%, 0.25%

LAB 45.22, -50.26, 46.99

 

CMYK 65 / 0 / 57 / 23

HEX #45C455

RGB 69 196 85

HSL 127.56, 0.52%, 0.52%

LAB 70.46, -57.36, 45.02

 

CMYK 56 / 0 / 65 / 23

HEX #57C445

RGB 87 196 69

HSL 111.5, 0.52%, 0.52%

LAB 70.83, -54.99, 52.7

 

CMYK 38 / 0 / 65 / 23

HEX #7AC445

RGB 122 196 69

HSL 94.96, 0.52%, 0.52%

LAB 72.26, -44.44, 54.68

 

CMYK 20 / 0 / 65 / 23

HEX #9CC445

RGB 156 196 69

HSL 78.9, 0.52%, 0.52%

LAB 74.18, -31.94, 57.3

 

CMYK 3 / 0 / 65 / 23

HEX #BEC445

RGB 190 196 69

HSL 62.83, 0.52%, 0.52%

LAB 76.59, -18.12, 60.58

 

CMYK 65 / 0 / 57 / 23

HEX #45C455

RGB 69 196 85

HSL 127.56, 0.52%, 0.52%

LAB 70.46, -57.36, 45.02

 

CMYK 65 / 0 / 39 / 23

HEX #45C477

RGB 69 196 119

HSL 143.62, 0.52%, 0.52%

LAB 70.92, -52.09, 28.67

 

CMYK 65 / 0 / 21 / 23

HEX #45C49A

RGB 69 196 154

HSL 160.16, 0.52%, 0.52%

LAB 71.61, -44.82, 10.97

 

CMYK 65 / 0 / 4 / 23

HEX #45C4BC

RGB 69 196 188

HSL 176.22, 0.52%, 0.52%

LAB 72.48, -36.2, -6.24

 

CMYK 65 / 13 / 0 / 23

HEX #45AAC4

RGB 69 170 196

HSL 192.28, 0.52%, 0.52%

LAB 64.96, -21.14, -21.95

 

CMYK 65 / 0 / 57 / 23

HEX #45C455

RGB 69 196 85

HSL 127.56, 0.52%, 0.52%

LAB 70.46, -57.36, 45.02

 

CMYK 77 / 0 / 68 / 15

HEX #31D846

RGB 49 216 70

HSL 127.54, 0.68%, 0.52%

LAB 76.2, -69.01, 57.86

 

CMYK 88 / 0 / 77 / 7

HEX #1DEC37

RGB 29 236 55

HSL 127.54, 0.84%, 0.52%

LAB 82.12, -78.07, 69.07

 

CMYK 65 / 0 / 57 / 23

HEX #45C455

RGB 69 196 85

HSL 127.56, 0.52%, 0.52%

LAB 70.46, -57.36, 45.02

 

CMYK 49 / 0 / 43 / 31

HEX #59B064

RGB 89 176 100

HSL 127.59, 0.36%, 0.52%

LAB 65.04, -42.56, 31.02

 

CMYK 31 / 0 / 27 / 38

HEX #6D9D73

RGB 109 157 115

HSL 127.5, 0.2%, 0.52%

LAB 60.43, -24.98, 16.94

 

CMYK 7 / 0 / 6 / 46

HEX #808981

RGB 128 137 129

HSL 126.67, 0.04%, 0.52%

LAB 56.15, -4.9, 3.15

 

CMYK 0 / 21 / 3 / 42

HEX #947590

RGB 148 117 144

HSL 307.74, 0.13%, 0.52%

LAB 52.98, 16.95, -10.04

 

CMYK 38 / 0 / 65 / 23

HEX #7AC445

RGB 122 196 69

HSL 94.96, 0.52%, 0.52%

LAB 72.26, -44.44, 54.68

 

CMYK 55 / 0 / 65 / 23

HEX #58C445

RGB 88 196 69

HSL 111.02, 0.52%, 0.52%

LAB 70.86, -54.73, 52.75

 

CMYK 65 / 0 / 57 / 23

HEX #45C454

RGB 69 196 84

HSL 127.09, 0.52%, 0.52%

LAB 70.44, -57.48, 45.47

 

CMYK 65 / 0 / 40 / 23

HEX #45C476

RGB 69 196 118

HSL 143.15, 0.52%, 0.52%

LAB 70.91, -52.27, 29.17

 

CMYK 65 / 0 / 22 / 23

HEX #45C498

RGB 69 196 152

HSL 159.21, 0.52%, 0.52%

LAB 71.56, -45.28, 11.99

 

CMYK 68 / 0 / 60 / 45

HEX #2C8B38

RGB 44 139 56

HSL 127.58, 0.52%, 0.36%

LAB 51.02, -45.33, 35.87

 

CMYK 68 / 0 / 60 / 33

HEX #36AA44

RGB 54 170 68

HSL 127.24, 0.52%, 0.44%

LAB 61.61, -53.16, 42.52

 

CMYK 65 / 0 / 57 / 23

HEX #45C455

RGB 69 196 85

HSL 127.56, 0.52%, 0.52%

LAB 70.46, -57.36, 45.02

 

CMYK 51 / 0 / 45 / 19

HEX #64CE72

RGB 100 206 114

HSL 127.92, 0.52%, 0.6%

LAB 74.87, -49.86, 36.53

 

CMYK 39 / 0 / 34 / 15

HEX #84D88E

RGB 132 216 142

HSL 127.14, 0.52%, 0.68%

LAB 79.6, -40.66, 28.68

 

CMYK 64 / 0 / 56 / 23

HEX #46C556

RGB 70 197 86

HSL 127.56, 0.52%, 0.52%

LAB 70.81, -57.38, 44.97

 

CMYK 65 / 20 / 0 / 23

HEX #459CC4

RGB 69 156 196

HSL 198.9, 0.52%, 0.52%

LAB 60.81, -13.69, -28.34

 

CMYK 0 / 65 / 46 / 23

HEX #C44569

RGB 196 69 105

HSL 342.99, 0.52%, 0.52%

LAB 48.28, 53.42, 7.06

 

CMYK 64 / 0 / 56 / 23

HEX #46C556

RGB 70 197 86

HSL 127.56, 0.52%, 0.52%

LAB 70.81, -57.38, 44.97

 

CMYK 57 / 65 / 0 / 23

HEX #5445C4

RGB 84 69 196

HSL 247.09, 0.52%, 0.52%

LAB 38.07, 41.57, -64.45

 

CMYK 0 / 57 / 65 / 23

HEX #C45445

RGB 196 84 69

HSL 7.09, 0.52%, 0.52%

LAB 50.1, 43.79, 30.99

 

CMYK 64 / 0 / 56 / 23

HEX #46C556

RGB 70 197 86

HSL 127.56, 0.52%, 0.52%

LAB 70.81, -57.38, 44.97

 

CMYK 65 / 20 / 0 / 23

HEX #459CC4

RGB 69 156 196

HSL 198.9, 0.52%, 0.52%

LAB 60.81, -13.69, -28.34

 

CMYK 0 / 65 / 8 / 23

HEX #C445B5

RGB 196 69 181

HSL 307.09, 0.52%, 0.52%

LAB 51.07, 63.16, -34.1

 

CMYK 0 / 44 / 65 / 23

HEX #C46D45

RGB 196 109 69

HSL 18.9, 0.52%, 0.52%

LAB 55.18, 30.99, 37.09

 

CMYK 64 / 0 / 56 / 23

HEX #46C556

RGB 70 197 86

HSL 127.56, 0.52%, 0.52%

LAB 70.81, -57.38, 44.97

 

CMYK 65 / 40 / 0 / 23

HEX #4576C4

RGB 69 118 196

HSL 216.85, 0.52%, 0.52%

LAB 49.75, 8.43, -45.68

 

CMYK 0 / 65 / 8 / 23

HEX #C445B5

RGB 196 69 181

HSL 307.09, 0.52%, 0.52%

LAB 51.07, 63.16, -34.1

 

CMYK 0 / 25 / 65 / 23

HEX #C49345

RGB 196 147 69

HSL 36.85, 0.52%, 0.52%

LAB 64.19, 10.25, 47.42

 

Description

Color code: HEX #46C556 | qconv.com Color code: HEX #46C556 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 197 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 197 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 56 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 56% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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