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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46C277 it is the complementary color #B93D88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46C277. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46C277 shade: #4BC272, #5CD485, #6DE698, #7EF8AB and #8FFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46C277. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46C277 shade: #46C277, #35B064, #249E51, #138C3E and #027A2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46C277 shade: #47C278, #47C257, #59C247, #7AC247 and #9BC247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46C277 shade: #47C278, #47C299, #47C2BA, #47A9C2 and #4788C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46C277 shade matches the following richer shades: #47C278, #34D674, #20E96F and #0CFD6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46C277 shade: #47C278, #5BAE7C, #6F9A80, #838684 and #977388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46C277 shade: #5AC247, #47C256, #47C276, #47C297 and #47C2B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46C277 shade: #2E8952, #38A864, #47C278, #66CC8F and #85D6A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46C277 shade: #46C277, #477AC2 and #C24749

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46C277 shade: #46C277, #7647C2 and #C27647

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46C277 shade: #46C277, #477AC2, #C24793 and #C28F47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46C277 shade: #46C277, #4756C2, #C24793 and #C2B447

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 39 / 24

HEX #46C277

RGB 70 194 119

HSL 143.71, 0.5%, 0.52%

LAB 70.33, -51.12, 27.89

 

Complementary color

CMYK 0 / 67 / 26 / 27

HEX #B93D88

RGB 185 61 136

HSL 323.71, 0.5%, 0.48%

LAB 46.22, 56.9, -15.02

 

CMYK 61 / 0 / 41 / 24

HEX #4BC272

RGB 75 194 114

HSL 139.66, 0.49%, 0.53%

LAB 70.38, -50.99, 30.59

 

CMYK 57 / 0 / 37 / 17

HEX #5CD485

RGB 92 212 133

HSL 140.5, 0.58%, 0.6%

LAB 76.71, -51.1, 29.21

 

CMYK 53 / 0 / 34 / 10

HEX #6DE698

RGB 109 230 152

HSL 141.32, 0.71%, 0.66%

LAB 82.97, -51.07, 27.92

 

CMYK 49 / 0 / 31 / 3

HEX #7EF8AB

RGB 126 248 171

HSL 142.13, 0.9%, 0.73%

LAB 89.16, -50.95, 26.71

 

CMYK 44 / 0 / 25 / 0

HEX #8FFFBE

RGB 143 255 190

HSL 145.18, 1%, 0.78%

LAB 92.17, -46.12, 21.27

 

CMYK 64 / 0 / 39 / 24

HEX #46C277

RGB 70 194 119

HSL 143.71, 0.5%, 0.52%

LAB 70.33, -51.12, 27.89

 

CMYK 70 / 0 / 43 / 31

HEX #35B064

RGB 53 176 100

HSL 142.93, 0.54%, 0.45%

LAB 63.94, -50.72, 29.38

 

CMYK 77 / 0 / 49 / 38

HEX #249E51

RGB 36 158 81

HSL 142.13, 0.63%, 0.38%

LAB 57.49, -49.95, 30.99

 

CMYK 86 / 0 / 56 / 45

HEX #138C3E

RGB 19 140 62

HSL 141.32, 0.76%, 0.31%

LAB 50.97, -48.63, 32.7

 

CMYK 98 / 0 / 65 / 52

HEX #027A2B

RGB 2 122 43

HSL 140.5, 0.97%, 0.24%

LAB 44.39, -46.58, 34.37

 

CMYK 63 / 0 / 38 / 24

HEX #47C278

RGB 71 194 120

HSL 143.9, 0.5%, 0.52%

LAB 70.37, -50.74, 27.43

 

CMYK 63 / 0 / 55 / 24

HEX #47C257

RGB 71 194 87

HSL 127.8, 0.5%, 0.52%

LAB 69.9, -55.96, 43.43

 

CMYK 54 / 0 / 63 / 24

HEX #59C247

RGB 89 194 71

HSL 111.22, 0.5%, 0.52%

LAB 70.29, -53.52, 51.28

 

CMYK 37 / 0 / 63 / 24

HEX #7AC247

RGB 122 194 71

HSL 95.12, 0.5%, 0.52%

LAB 71.67, -43.42, 53.2

 

CMYK 20 / 0 / 63 / 24

HEX #9BC247

RGB 155 194 71

HSL 79.02, 0.5%, 0.52%

LAB 73.55, -31.24, 55.78

 

CMYK 63 / 0 / 38 / 24

HEX #47C278

RGB 71 194 120

HSL 143.9, 0.5%, 0.52%

LAB 70.37, -50.74, 27.43

 

CMYK 63 / 0 / 21 / 24

HEX #47C299

RGB 71 194 153

HSL 160, 0.5%, 0.52%

LAB 71.02, -43.84, 10.69

 

CMYK 63 / 0 / 4 / 24

HEX #47C2BA

RGB 71 194 186

HSL 176.1, 0.5%, 0.52%

LAB 71.87, -35.5, -6.04

 

CMYK 63 / 13 / 0 / 24

HEX #47A9C2

RGB 71 169 194

HSL 192.2, 0.5%, 0.52%

LAB 64.65, -20.9, -21.31

 

CMYK 63 / 30 / 0 / 24

HEX #4788C2

RGB 71 136 194

HSL 208.29, 0.5%, 0.52%

LAB 54.91, -2.7, -36.38

 

CMYK 63 / 0 / 38 / 24

HEX #47C278

RGB 71 194 120

HSL 143.9, 0.5%, 0.52%

LAB 70.37, -50.74, 27.43

 

CMYK 76 / 0 / 46 / 16

HEX #34D674

RGB 52 214 116

HSL 143.7, 0.66%, 0.52%

LAB 76.12, -61.96, 36.88

 

CMYK 86 / 0 / 52 / 9

HEX #20E96F

RGB 32 233 111

HSL 143.58, 0.82%, 0.52%

LAB 81.69, -71.08, 46.21

 

CMYK 95 / 0 / 58 / 1

HEX #0CFD6B

RGB 12 253 107

HSL 143.65, 0.98%, 0.52%

LAB 87.67, -78.75, 55.16

 

CMYK 63 / 0 / 38 / 24

HEX #47C278

RGB 71 194 120

HSL 143.9, 0.5%, 0.52%

LAB 70.37, -50.74, 27.43

 

CMYK 48 / 0 / 29 / 32

HEX #5BAE7C

RGB 91 174 124

HSL 143.86, 0.34%, 0.52%

LAB 64.92, -36.83, 18.04

 

CMYK 28 / 0 / 17 / 40

HEX #6F9A80

RGB 111 154 128

HSL 143.72, 0.18%, 0.52%

LAB 59.93, -20.27, 8.98

 

CMYK 2 / 0 / 1 / 47

HEX #838684

RGB 131 134 132

HSL 140, 0.01%, 0.52%

LAB 55.63, -1.5, 0.68

 

CMYK 0 / 24 / 10 / 41

HEX #977388

RGB 151 115 136

HSL 325, 0.15%, 0.52%

LAB 52.53, 17.71, -5.99

 

CMYK 54 / 0 / 63 / 24

HEX #5AC247

RGB 90 194 71

HSL 110.73, 0.5%, 0.52%

LAB 70.32, -53.25, 51.33

 

CMYK 63 / 0 / 56 / 24

HEX #47C256

RGB 71 194 86

HSL 127.32, 0.5%, 0.52%

LAB 69.89, -56.09, 43.89

 

CMYK 63 / 0 / 39 / 24

HEX #47C276

RGB 71 194 118

HSL 142.93, 0.5%, 0.52%

LAB 70.34, -51.1, 28.43

 

CMYK 63 / 0 / 22 / 24

HEX #47C297

RGB 71 194 151

HSL 159.02, 0.5%, 0.52%

LAB 70.98, -44.31, 11.71

 

CMYK 63 / 0 / 5 / 24

HEX #47C2B8

RGB 71 194 184

HSL 175.12, 0.5%, 0.52%

LAB 71.81, -36.04, -5.04

 

CMYK 66 / 0 / 40 / 46

HEX #2E8952

RGB 46 137 82

HSL 143.74, 0.5%, 0.36%

LAB 50.78, -39.87, 21.84

 

CMYK 67 / 0 / 40 / 34

HEX #38A864

RGB 56 168 100

HSL 143.57, 0.5%, 0.44%

LAB 61.45, -47.07, 26.15

 

CMYK 63 / 0 / 38 / 24

HEX #47C278

RGB 71 194 120

HSL 143.9, 0.5%, 0.52%

LAB 70.37, -50.74, 27.43

 

CMYK 50 / 0 / 30 / 20

HEX #66CC8F

RGB 102 204 143

HSL 144.12, 0.5%, 0.6%

LAB 74.82, -43.52, 21.49

 

CMYK 38 / 0 / 23 / 16

HEX #85D6A5

RGB 133 214 165

HSL 143.7, 0.5%, 0.68%

LAB 79.5, -35.35, 16.53

 

CMYK 64 / 0 / 39 / 24

HEX #46C277

RGB 70 194 119

HSL 143.71, 0.5%, 0.52%

LAB 70.33, -51.12, 27.89

 

CMYK 63 / 37 / 0 / 24

HEX #477AC2

RGB 71 122 194

HSL 215.12, 0.5%, 0.52%

LAB 50.87, 5.64, -42.75

 

CMYK 0 / 63 / 62 / 24

HEX #C24749

RGB 194 71 73

HSL 359.02, 0.5%, 0.52%

LAB 47.57, 49.34, 25.4

 

CMYK 64 / 0 / 39 / 24

HEX #46C277

RGB 70 194 119

HSL 143.71, 0.5%, 0.52%

LAB 70.33, -51.12, 27.89

 

CMYK 39 / 63 / 0 / 24

HEX #7647C2

RGB 118 71 194

HSL 262.93, 0.5%, 0.52%

LAB 41.62, 46.36, -57.37

 

CMYK 0 / 39 / 63 / 24

HEX #C27647

RGB 194 118 71

HSL 22.93, 0.5%, 0.52%

LAB 56.96, 25.44, 38.06

 

CMYK 64 / 0 / 39 / 24

HEX #46C277

RGB 70 194 119

HSL 143.71, 0.5%, 0.52%

LAB 70.33, -51.12, 27.89

 

CMYK 63 / 37 / 0 / 24

HEX #477AC2

RGB 71 122 194

HSL 215.12, 0.5%, 0.52%

LAB 50.87, 5.64, -42.75

 

CMYK 0 / 63 / 24 / 24

HEX #C24793

RGB 194 71 147

HSL 322.93, 0.5%, 0.52%

LAB 49.6, 56.81, -16.36

 

CMYK 0 / 26 / 63 / 24

HEX #C28F47

RGB 194 143 71

HSL 35.12, 0.5%, 0.52%

LAB 62.99, 11.7, 45.04

 

CMYK 64 / 0 / 39 / 24

HEX #46C277

RGB 70 194 119

HSL 143.71, 0.5%, 0.52%

LAB 70.33, -51.12, 27.89

 

CMYK 63 / 56 / 0 / 24

HEX #4756C2

RGB 71 86 194

HSL 232.68, 0.5%, 0.52%

LAB 41.04, 28.26, -58.49

 

CMYK 0 / 63 / 24 / 24

HEX #C24793

RGB 194 71 147

HSL 322.93, 0.5%, 0.52%

LAB 49.6, 56.81, -16.36

 

CMYK 0 / 7 / 63 / 24

HEX #C2B447

RGB 194 180 71

HSL 53.17, 0.5%, 0.52%

LAB 72.61, -8.14, 55.64

 

Description

Color code: HEX #46C277 | qconv.com Color code: HEX #46C277 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 194 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 194 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 39 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 39% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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