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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46C16B it is the complementary color #B93E94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46C16B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46C16B shade: #4BC166, #5CD379, #6DE58C, #7EF79F and #8FFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46C16B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46C16B shade: #46C16B, #35AF58, #249D45, #138B32 and #02791F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46C16B shade: #47C26C, #47C24B, #65C247, #86C247 and #A7C247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46C16B shade: #47C26C, #47C28D, #47C2AE, #47B4C2 and #4793C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46C16B shade matches the following richer shades: #47C26C, #34D664, #20E95C and #0CFD55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46C16B shade: #47C26C, #5BAE74, #6F9A7C, #838684 and #97738C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46C16B shade: #64C247, #47C24B, #47C26C, #47C28D and #47C2AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46C16B shade: #2E8949, #38A85A, #47C26C, #66CC85 and #85D69E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46C16B shade: #46C16B, #4785C2 and #C24754

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46C16B shade: #46C16B, #6C47C2 and #C26C47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46C16B shade: #46C16B, #4785C2, #C2479D and #C28547

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46C16B shade: #46C16B, #4760C2, #C2479D and #C2A947

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 45 / 24

HEX #46C16B

RGB 70 193 107

HSL 138.05, 0.5%, 0.52%

LAB 69.83, -52.82, 33.44

 

Complementary color

CMYK 0 / 66 / 20 / 27

HEX #B93E94

RGB 185 62 148

HSL 318.05, 0.5%, 0.48%

LAB 46.84, 58.13, -21.3

 

CMYK 61 / 0 / 47 / 24

HEX #4BC166

RGB 75 193 102

HSL 133.73, 0.49%, 0.53%

LAB 69.89, -52.58, 36.09

 

CMYK 56 / 0 / 43 / 17

HEX #5CD379

RGB 92 211 121

HSL 134.62, 0.57%, 0.59%

LAB 76.22, -52.73, 34.69

 

CMYK 52 / 0 / 39 / 10

HEX #6DE58C

RGB 109 229 140

HSL 135.5, 0.7%, 0.66%

LAB 82.48, -52.74, 33.36

 

CMYK 49 / 0 / 36 / 3

HEX #7EF79F

RGB 126 247 159

HSL 136.36, 0.88%, 0.73%

LAB 88.67, -52.64, 32.1

 

CMYK 44 / 0 / 30 / 0

HEX #8FFFB2

RGB 143 255 178

HSL 138.75, 1%, 0.78%

LAB 91.94, -48.3, 27.05

 

CMYK 64 / 0 / 45 / 24

HEX #46C16B

RGB 70 193 107

HSL 138.05, 0.5%, 0.52%

LAB 69.83, -52.82, 33.44

 

CMYK 70 / 0 / 50 / 31

HEX #35AF58

RGB 53 175 88

HSL 137.21, 0.54%, 0.45%

LAB 63.44, -52.35, 34.95

 

CMYK 77 / 0 / 56 / 38

HEX #249D45

RGB 36 157 69

HSL 136.36, 0.63%, 0.38%

LAB 57, -51.47, 36.5

 

CMYK 86 / 0 / 64 / 45

HEX #138B32

RGB 19 139 50

HSL 135.5, 0.76%, 0.31%

LAB 50.49, -49.96, 38.02

 

CMYK 98 / 0 / 74 / 53

HEX #02791F

RGB 2 121 31

HSL 134.62, 0.97%, 0.24%

LAB 43.93, -47.63, 39.23

 

CMYK 63 / 0 / 44 / 24

HEX #47C26C

RGB 71 194 108

HSL 138.05, 0.5%, 0.52%

LAB 70.18, -52.84, 33.39

 

CMYK 63 / 0 / 61 / 24

HEX #47C24B

RGB 71 194 75

HSL 121.95, 0.5%, 0.52%

LAB 69.78, -57.42, 48.8

 

CMYK 48 / 0 / 63 / 24

HEX #65C247

RGB 101 194 71

HSL 105.37, 0.5%, 0.52%

LAB 70.74, -50.14, 51.9

 

CMYK 31 / 0 / 63 / 24

HEX #86C247

RGB 134 194 71

HSL 89.27, 0.5%, 0.52%

LAB 72.3, -39.19, 54.06

 

CMYK 14 / 0 / 63 / 24

HEX #A7C247

RGB 167 194 71

HSL 73.17, 0.5%, 0.52%

LAB 74.35, -26.46, 56.88

 

CMYK 63 / 0 / 44 / 24

HEX #47C26C

RGB 71 194 108

HSL 138.05, 0.5%, 0.52%

LAB 70.18, -52.84, 33.39

 

CMYK 63 / 0 / 27 / 24

HEX #47C28D

RGB 71 194 141

HSL 154.15, 0.5%, 0.52%

LAB 70.76, -46.53, 16.8

 

CMYK 63 / 0 / 10 / 24

HEX #47C2AE

RGB 71 194 174

HSL 170.24, 0.5%, 0.52%

LAB 71.54, -38.68, 0.01

 

CMYK 63 / 7 / 0 / 24

HEX #47B4C2

RGB 71 180 194

HSL 186.83, 0.5%, 0.52%

LAB 67.93, -26.49, -16.33

 

CMYK 63 / 24 / 0 / 24

HEX #4793C2

RGB 71 147 194

HSL 202.93, 0.5%, 0.52%

LAB 58.13, -9.01, -31.35

 

CMYK 63 / 0 / 44 / 24

HEX #47C26C

RGB 71 194 108

HSL 138.05, 0.5%, 0.52%

LAB 70.18, -52.84, 33.39

 

CMYK 76 / 0 / 53 / 16

HEX #34D664

RGB 52 214 100

HSL 137.78, 0.66%, 0.52%

LAB 75.91, -64.42, 44.41

 

CMYK 86 / 0 / 61 / 9

HEX #20E95C

RGB 32 233 92

HSL 137.91, 0.82%, 0.52%

LAB 81.49, -73.58, 54.56

 

CMYK 95 / 0 / 66 / 1

HEX #0CFD55

RGB 12 253 85

HSL 138.17, 0.98%, 0.52%

LAB 87.48, -81.22, 64.06

 

CMYK 63 / 0 / 44 / 24

HEX #47C26C

RGB 71 194 108

HSL 138.05, 0.5%, 0.52%

LAB 70.18, -52.84, 33.39

 

CMYK 48 / 0 / 33 / 32

HEX #5BAE74

RGB 91 174 116

HSL 138.07, 0.34%, 0.52%

LAB 64.77, -38.37, 22.17

 

CMYK 28 / 0 / 19 / 40

HEX #6F9A7C

RGB 111 154 124

HSL 138.14, 0.18%, 0.52%

LAB 59.84, -21.07, 11.1

 

CMYK 2 / 0 / 1 / 47

HEX #838684

RGB 131 134 132

HSL 140, 0.01%, 0.52%

LAB 55.63, -1.5, 0.68

 

CMYK 0 / 24 / 7 / 41

HEX #97738C

RGB 151 115 140

HSL 318.33, 0.15%, 0.52%

LAB 52.66, 18.45, -8.15

 

CMYK 48 / 0 / 63 / 24

HEX #64C247

RGB 100 194 71

HSL 105.85, 0.5%, 0.52%

LAB 70.7, -50.44, 51.85

 

CMYK 63 / 0 / 61 / 24

HEX #47C24B

RGB 71 194 75

HSL 121.95, 0.5%, 0.52%

LAB 69.78, -57.42, 48.8

 

CMYK 63 / 0 / 44 / 24

HEX #47C26C

RGB 71 194 108

HSL 138.05, 0.5%, 0.52%

LAB 70.18, -52.84, 33.39

 

CMYK 63 / 0 / 27 / 24

HEX #47C28D

RGB 71 194 141

HSL 154.15, 0.5%, 0.52%

LAB 70.76, -46.53, 16.8

 

CMYK 63 / 0 / 11 / 24

HEX #47C2AD

RGB 71 194 173

HSL 169.76, 0.5%, 0.52%

LAB 71.51, -38.94, 0.52

 

CMYK 66 / 0 / 47 / 46

HEX #2E8949

RGB 46 137 73

HSL 137.8, 0.5%, 0.36%

LAB 50.63, -41.53, 26.59

 

CMYK 67 / 0 / 46 / 34

HEX #38A85A

RGB 56 168 90

HSL 138.21, 0.5%, 0.44%

LAB 61.29, -48.83, 31.22

 

CMYK 63 / 0 / 44 / 24

HEX #47C26C

RGB 71 194 108

HSL 138.05, 0.5%, 0.52%

LAB 70.18, -52.84, 33.39

 

CMYK 50 / 0 / 35 / 20

HEX #66CC85

RGB 102 204 133

HSL 138.24, 0.5%, 0.6%

LAB 74.64, -45.38, 26.5

 

CMYK 38 / 0 / 26 / 16

HEX #85D69E

RGB 133 214 158

HSL 138.52, 0.5%, 0.68%

LAB 79.36, -36.66, 20.02

 

CMYK 64 / 0 / 45 / 24

HEX #46C16B

RGB 70 193 107

HSL 138.05, 0.5%, 0.52%

LAB 69.83, -52.82, 33.44

 

CMYK 63 / 31 / 0 / 24

HEX #4785C2

RGB 71 133 194

HSL 209.76, 0.5%, 0.52%

LAB 54.04, -0.95, -37.75

 

CMYK 0 / 63 / 57 / 24

HEX #C24754

RGB 194 71 84

HSL 353.66, 0.5%, 0.52%

LAB 47.77, 50.12, 19.06

 

CMYK 64 / 0 / 45 / 24

HEX #46C16B

RGB 70 193 107

HSL 138.05, 0.5%, 0.52%

LAB 69.83, -52.82, 33.44

 

CMYK 44 / 63 / 0 / 24

HEX #6C47C2

RGB 108 71 194

HSL 258.05, 0.5%, 0.52%

LAB 40.56, 44.28, -59.14

 

CMYK 0 / 44 / 63 / 24

HEX #C26C47

RGB 194 108 71

HSL 18.05, 0.5%, 0.52%

LAB 54.71, 30.85, 35.38

 

CMYK 64 / 0 / 45 / 24

HEX #46C16B

RGB 70 193 107

HSL 138.05, 0.5%, 0.52%

LAB 69.83, -52.82, 33.44

 

CMYK 63 / 31 / 0 / 24

HEX #4785C2

RGB 71 133 194

HSL 209.76, 0.5%, 0.52%

LAB 54.04, -0.95, -37.75

 

CMYK 0 / 63 / 19 / 24

HEX #C2479D

RGB 194 71 157

HSL 318.05, 0.5%, 0.52%

LAB 49.99, 58.2, -21.7

 

CMYK 0 / 31 / 63 / 24

HEX #C28547

RGB 194 133 71

HSL 30.24, 0.5%, 0.52%

LAB 60.52, 17.2, 42.21

 

CMYK 64 / 0 / 45 / 24

HEX #46C16B

RGB 70 193 107

HSL 138.05, 0.5%, 0.52%

LAB 69.83, -52.82, 33.44

 

CMYK 63 / 51 / 0 / 24

HEX #4760C2

RGB 71 96 194

HSL 227.8, 0.5%, 0.52%

LAB 43.65, 21.9, -54.27

 

CMYK 0 / 63 / 19 / 24

HEX #C2479D

RGB 194 71 157

HSL 318.05, 0.5%, 0.52%

LAB 49.99, 58.2, -21.7

 

CMYK 0 / 13 / 63 / 24

HEX #C2A947

RGB 194 169 71

HSL 47.8, 0.5%, 0.52%

LAB 69.68, -2.36, 52.48

 

Description

Color code: HEX #46C16B | qconv.com Color code: HEX #46C16B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 193 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 193 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 45 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 45% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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