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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46B88D it is the complementary color #B94772. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46B88D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46B88D shade: #4BB888, #5CCA9B, #6DDCAE, #7EEEC1 and #8FFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46B88D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46B88D shade: #46B88D, #35A67A, #249467, #138254 and #027041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46B88D shade: #46B98E, #46B96F, #46B950, #5BB946 and #7AB946

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46B88D shade: #46B98E, #46B9AD, #46A6B9, #4687B9 and #4668B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46B88D shade matches the following richer shades: #46B98E, #31CE93, #1DE298 and #08F79D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46B88D shade: #46B98E, #5BA489, #6F9083, #847B7E and #996679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46B88D shade: #46B950, #46B96E, #46B98D, #46B9AB and #46A8B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46B88D shade: #2F7D60, #3B9B77, #46B98E, #64C4A0 and #82D0B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46B88D shade: #46B88D, #465BB9 and #B95F46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46B88D shade: #46B88D, #8D46B9 and #B98D46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46B88D shade: #46B88D, #465BB9, #B94672 and #B9A446

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46B88D shade: #46B88D, #5446B9, #B94672 and #ABB946

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 23 / 28

HEX #46B88D

RGB 70 184 141

HSL 157.37, 0.45%, 0.5%

LAB 67.66, -42.49, 12.45

 

Complementary color

CMYK 0 / 62 / 38 / 27

HEX #B94772

RGB 185 71 114

HSL 337.37, 0.45%, 0.5%

LAB 47.02, 49.98, -0.46

 

CMYK 59 / 0 / 26 / 28

HEX #4BB888

RGB 75 184 136

HSL 153.58, 0.43%, 0.51%

LAB 67.69, -42.59, 15.25

 

CMYK 54 / 0 / 23 / 21

HEX #5CCA9B

RGB 92 202 155

HSL 154.36, 0.51%, 0.58%

LAB 74.11, -42.59, 14.06

 

CMYK 50 / 0 / 21 / 14

HEX #6DDCAE

RGB 109 220 174

HSL 155.14, 0.61%, 0.65%

LAB 80.46, -42.51, 12.98

 

CMYK 47 / 0 / 19 / 7

HEX #7EEEC1

RGB 126 238 193

HSL 155.89, 0.77%, 0.71%

LAB 86.72, -42.37, 11.97

 

CMYK 44 / 0 / 17 / 0

HEX #8FFFD4

RGB 143 255 212

HSL 156.96, 1%, 0.78%

LAB 92.62, -41.76, 10.63

 

CMYK 62 / 0 / 23 / 28

HEX #46B88D

RGB 70 184 141

HSL 157.37, 0.45%, 0.5%

LAB 67.66, -42.49, 12.45

 

CMYK 68 / 0 / 27 / 35

HEX #35A67A

RGB 53 166 122

HSL 156.64, 0.52%, 0.43%

LAB 61.16, -42.22, 13.73

 

CMYK 76 / 0 / 30 / 42

HEX #249467

RGB 36 148 103

HSL 155.89, 0.61%, 0.36%

LAB 54.59, -41.69, 15.17

 

CMYK 85 / 0 / 35 / 49

HEX #138254

RGB 19 130 84

HSL 155.14, 0.74%, 0.29%

LAB 47.94, -40.72, 16.8

 

CMYK 98 / 0 / 42 / 56

HEX #027041

RGB 2 112 65

HSL 154.36, 0.96%, 0.22%

LAB 41.19, -39.21, 18.65

 

CMYK 62 / 0 / 23 / 27

HEX #46B98E

RGB 70 185 142

HSL 157.57, 0.45%, 0.5%

LAB 67.99, -42.69, 12.37

 

CMYK 62 / 0 / 40 / 27

HEX #46B96F

RGB 70 185 111

HSL 141.39, 0.45%, 0.5%

LAB 67.39, -49.01, 28.2

 

CMYK 62 / 0 / 57 / 27

HEX #46B950

RGB 70 185 80

HSL 125.22, 0.45%, 0.5%

LAB 66.96, -53.77, 43.24

 

CMYK 51 / 0 / 62 / 27

HEX #5BB946

RGB 91 185 70

HSL 109.04, 0.45%, 0.5%

LAB 67.55, -49.6, 48.68

 

CMYK 34 / 0 / 62 / 27

HEX #7AB946

RGB 122 185 70

HSL 92.87, 0.45%, 0.5%

LAB 68.95, -39.61, 50.63

 

CMYK 62 / 0 / 23 / 27

HEX #46B98E

RGB 70 185 142

HSL 157.57, 0.45%, 0.5%

LAB 67.99, -42.69, 12.37

 

CMYK 62 / 0 / 6 / 27

HEX #46B9AD

RGB 70 185 173

HSL 173.74, 0.45%, 0.5%

LAB 68.76, -34.99, -3.51

 

CMYK 62 / 10 / 0 / 27

HEX #46A6B9

RGB 70 166 185

HSL 189.91, 0.45%, 0.5%

LAB 63.41, -22.26, -18.19

 

CMYK 62 / 27 / 0 / 27

HEX #4687B9

RGB 70 135 185

HSL 206.09, 0.45%, 0.5%

LAB 54.17, -5.32, -32.41

 

CMYK 62 / 44 / 0 / 27

HEX #4668B9

RGB 70 104 185

HSL 222.26, 0.45%, 0.5%

LAB 45.23, 13.5, -46.52

 

CMYK 62 / 0 / 23 / 27

HEX #46B98E

RGB 70 185 142

HSL 157.57, 0.45%, 0.5%

LAB 67.99, -42.69, 12.37

 

CMYK 76 / 0 / 29 / 19

HEX #31CE93

RGB 49 206 147

HSL 157.45, 0.62%, 0.5%

LAB 74.13, -53.41, 18.19

 

CMYK 87 / 0 / 33 / 11

HEX #1DE298

RGB 29 226 152

HSL 157.46, 0.77%, 0.5%

LAB 80.14, -61.64, 23.79

 

CMYK 97 / 0 / 36 / 3

HEX #08F79D

RGB 8 247 157

HSL 157.41, 0.94%, 0.5%

LAB 86.51, -68.89, 29.84

 

CMYK 62 / 0 / 23 / 27

HEX #46B98E

RGB 70 185 142

HSL 157.57, 0.45%, 0.5%

LAB 67.99, -42.69, 12.37

 

CMYK 45 / 0 / 16 / 36

HEX #5BA489

RGB 91 164 137

HSL 157.81, 0.29%, 0.5%

LAB 62.15, -29.38, 6.95

 

CMYK 23 / 0 / 9 / 44

HEX #6F9083

RGB 111 144 131

HSL 156.36, 0.13%, 0.5%

LAB 57.04, -14.37, 3.13

 

CMYK 0 / 7 / 5 / 48

HEX #847B7E

RGB 132 123 126

HSL 340, 0.04%, 0.5%

LAB 52.48, 4, -0.41

 

CMYK 0 / 33 / 21 / 40

HEX #996679

RGB 153 102 121

HSL 337.65, 0.2%, 0.5%

LAB 49.08, 23.39, -2.19

 

CMYK 62 / 0 / 57 / 27

HEX #46B950

RGB 70 185 80

HSL 125.22, 0.45%, 0.5%

LAB 66.96, -53.77, 43.24

 

CMYK 62 / 0 / 41 / 27

HEX #46B96E

RGB 70 185 110

HSL 140.87, 0.45%, 0.5%

LAB 67.37, -49.19, 28.7

 

CMYK 62 / 0 / 24 / 27

HEX #46B98D

RGB 70 185 141

HSL 157.04, 0.45%, 0.5%

LAB 67.96, -42.92, 12.89

 

CMYK 62 / 0 / 8 / 27

HEX #46B9AB

RGB 70 185 171

HSL 172.7, 0.45%, 0.5%

LAB 68.71, -35.52, -2.49

 

CMYK 62 / 9 / 0 / 27

HEX #46A8B9

RGB 70 168 185

HSL 188.87, 0.45%, 0.5%

LAB 64.01, -23.28, -17.28

 

CMYK 62 / 0 / 23 / 51

HEX #2F7D60

RGB 47 125 96

HSL 157.69, 0.45%, 0.34%

LAB 47.13, -31.29, 8.82

 

CMYK 62 / 0 / 23 / 39

HEX #3B9B77

RGB 59 155 119

HSL 157.5, 0.45%, 0.42%

LAB 57.76, -37, 10.65

 

CMYK 62 / 0 / 23 / 27

HEX #46B98E

RGB 70 185 142

HSL 157.57, 0.45%, 0.5%

LAB 67.99, -42.69, 12.37

 

CMYK 49 / 0 / 18 / 23

HEX #64C4A0

RGB 100 196 160

HSL 157.5, 0.45%, 0.58%

LAB 72.71, -36.95, 9.43

 

CMYK 38 / 0 / 14 / 18

HEX #82D0B2

RGB 130 208 178

HSL 156.92, 0.45%, 0.66%

LAB 77.92, -30.75, 7.35

 

CMYK 62 / 0 / 23 / 28

HEX #46B88D

RGB 70 184 141

HSL 157.37, 0.45%, 0.5%

LAB 67.66, -42.49, 12.45

 

CMYK 62 / 51 / 0 / 27

HEX #465BB9

RGB 70 91 185

HSL 229.04, 0.45%, 0.5%

LAB 41.67, 21.77, -52.23

 

CMYK 0 / 49 / 62 / 27

HEX #B95F46

RGB 185 95 70

HSL 13.04, 0.45%, 0.5%

LAB 50.62, 34.09, 30.67

 

CMYK 62 / 0 / 23 / 28

HEX #46B88D

RGB 70 184 141

HSL 157.37, 0.45%, 0.5%

LAB 67.66, -42.49, 12.45

 

CMYK 24 / 62 / 0 / 27

HEX #8D46B9

RGB 141 70 185

HSL 277.04, 0.45%, 0.5%

LAB 43.57, 49.89, -48.82

 

CMYK 0 / 24 / 62 / 27

HEX #B98D46

RGB 185 141 70

HSL 37.04, 0.45%, 0.5%

LAB 61.49, 8.83, 43.57

 

CMYK 62 / 0 / 23 / 28

HEX #46B88D

RGB 70 184 141

HSL 157.37, 0.45%, 0.5%

LAB 67.66, -42.49, 12.45

 

CMYK 62 / 51 / 0 / 27

HEX #465BB9

RGB 70 91 185

HSL 229.04, 0.45%, 0.5%

LAB 41.67, 21.77, -52.23

 

CMYK 0 / 62 / 38 / 27

HEX #B94672

RGB 185 70 114

HSL 337.04, 0.45%, 0.5%

LAB 46.86, 50.43, -0.7

 

CMYK 0 / 11 / 62 / 27

HEX #B9A446

RGB 185 164 70

HSL 49.04, 0.45%, 0.5%

LAB 67.51, -3.66, 50.32

 

CMYK 62 / 0 / 23 / 28

HEX #46B88D

RGB 70 184 141

HSL 157.37, 0.45%, 0.5%

LAB 67.66, -42.49, 12.45

 

CMYK 55 / 62 / 0 / 27

HEX #5446B9

RGB 84 70 185

HSL 247.3, 0.45%, 0.5%

LAB 37.42, 37.53, -59.06

 

CMYK 0 / 62 / 38 / 27

HEX #B94672

RGB 185 70 114

HSL 337.04, 0.45%, 0.5%

LAB 46.86, 50.43, -0.7

 

CMYK 8 / 0 / 62 / 27

HEX #ABB946

RGB 171 185 70

HSL 67.3, 0.45%, 0.5%

LAB 72.09, -20.48, 54.97

 

Description

Color code: HEX #46B88D | qconv.com Color code: HEX #46B88D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 184 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 184 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 23 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 23% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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