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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46B0CF it is the complementary color #B94F30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46B0CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46B0CF shade: #4BB0CA, #5CC2DD, #6DD4F0, #7EE6FF and #8FF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46B0CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46B0CF shade: #46B0CF, #359EBC, #248CA9, #137A96 and #026883

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46B0CF shade: #44B0CF, #448ACF, #4465CF, #4944CF and #6F44CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46B0CF shade: #44B0CF, #448ACF, #4465CF and #4444CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46B0CF shade matches the following richer shades: #44B0CF, #32BAE2 and #1FC4F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46B0CF shade: #44B0CF, #57A5BC, #6A9BA9, #7D9096 and #908683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46B0CF shade: #44CFA3, #44CFC8, #44B1CF, #448CCF and #4467CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46B0CF shade: #288099, #309BBA, #44B0CF, #65BED7 and #86CCE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46B0CF shade: #46B0CF, #7E44CF and #CFB644

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46B0CF shade: #46B0CF, #CF44B1 and #B1CF44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46B0CF shade: #46B0CF, #7E44CF, #CF6244 and #95CF44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46B0CF shade: #46B0CF, #A844CF, #CF6244 and #6CCF44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 15 / 0 / 19

HEX #46B0CF

RGB 70 176 207

HSL 193.58, 0.59%, 0.54%

LAB 67.17, -20.68, -24.66

 

Complementary color

CMYK 0 / 57 / 74 / 27

HEX #B94F30

RGB 185 79 48

HSL 13.58, 0.59%, 0.46%

LAB 47.13, 40.98, 38.8

 

CMYK 63 / 13 / 0 / 21

HEX #4BB0CA

RGB 75 176 202

HSL 192.28, 0.55%, 0.54%

LAB 67.13, -21.39, -21.94

 

CMYK 58 / 12 / 0 / 13

HEX #5CC2DD

RGB 92 194 221

HSL 192.56, 0.65%, 0.61%

LAB 73.6, -21.91, -22.44

 

CMYK 55 / 12 / 0 / 6

HEX #6DD4F0

RGB 109 212 240

HSL 192.82, 0.81%, 0.68%

LAB 79.97, -22.31, -22.9

 

CMYK 51 / 10 / 0 / 0

HEX #7EE6FF

RGB 126 230 255

HSL 191.63, 1%, 0.75%

LAB 86.13, -23.69, -21.43

 

CMYK 44 / 3 / 0 / 0

HEX #8FF8FF

RGB 143 248 255

HSL 183.75, 1%, 0.78%

LAB 91.77, -28.71, -12.88

 

CMYK 66 / 15 / 0 / 19

HEX #46B0CF

RGB 70 176 207

HSL 193.58, 0.59%, 0.54%

LAB 67.17, -20.68, -24.66

 

CMYK 72 / 16 / 0 / 26

HEX #359EBC

RGB 53 158 188

HSL 193.33, 0.56%, 0.47%

LAB 60.64, -19.81, -24.13

 

CMYK 79 / 17 / 0 / 34

HEX #248CA9

RGB 36 140 169

HSL 193.08, 0.65%, 0.4%

LAB 54.02, -18.64, -23.54

 

CMYK 87 / 19 / 0 / 41

HEX #137A96

RGB 19 122 150

HSL 192.82, 0.78%, 0.33%

LAB 47.31, -17.06, -22.86

 

CMYK 98 / 21 / 0 / 49

HEX #026883

RGB 2 104 131

HSL 192.56, 0.97%, 0.26%

LAB 40.5, -15.01, -22.09

 

CMYK 67 / 15 / 0 / 19

HEX #44B0CF

RGB 68 176 207

HSL 193.38, 0.59%, 0.54%

LAB 67.12, -20.98, -24.75

 

CMYK 67 / 33 / 0 / 19

HEX #448ACF

RGB 68 138 207

HSL 209.78, 0.59%, 0.54%

LAB 56, 0.04, -42.03

 

CMYK 67 / 51 / 0 / 19

HEX #4465CF

RGB 68 101 207

HSL 225.76, 0.59%, 0.54%

LAB 45.69, 22.81, -58.48

 

CMYK 65 / 67 / 0 / 19

HEX #4944CF

RGB 73 68 207

HSL 242.16, 0.59%, 0.54%

LAB 37.94, 44.01, -71.08

 

CMYK 46 / 67 / 0 / 19

HEX #6F44CF

RGB 111 68 207

HSL 258.56, 0.59%, 0.54%

LAB 41.25, 50.08, -65.54

 

CMYK 67 / 15 / 0 / 19

HEX #44B0CF

RGB 68 176 207

HSL 193.38, 0.59%, 0.54%

LAB 67.12, -20.98, -24.75

 

CMYK 67 / 33 / 0 / 19

HEX #448ACF

RGB 68 138 207

HSL 209.78, 0.59%, 0.54%

LAB 56, 0.04, -42.03

 

CMYK 67 / 51 / 0 / 19

HEX #4465CF

RGB 68 101 207

HSL 225.76, 0.59%, 0.54%

LAB 45.69, 22.81, -58.48

 

CMYK 67 / 67 / 0 / 19

HEX #4444CF

RGB 68 68 207

HSL 240, 0.59%, 0.54%

LAB 37.6, 43.36, -71.64

 

CMYK 67 / 15 / 0 / 19

HEX #44B0CF

RGB 68 176 207

HSL 193.38, 0.59%, 0.54%

LAB 67.12, -20.98, -24.75

 

CMYK 78 / 18 / 0 / 11

HEX #32BAE2

RGB 50 186 226

HSL 193.64, 0.75%, 0.54%

LAB 70.38, -22.31, -30.18

 

CMYK 87 / 20 / 0 / 4

HEX #1FC4F5

RGB 31 196 245

HSL 193.74, 0.91%, 0.54%

LAB 73.78, -22.61, -35.23

 

CMYK 67 / 15 / 0 / 19

HEX #44B0CF

RGB 68 176 207

HSL 193.38, 0.59%, 0.54%

LAB 67.12, -20.98, -24.75

 

CMYK 54 / 12 / 0 / 26

HEX #57A5BC

RGB 87 165 188

HSL 193.66, 0.43%, 0.54%

LAB 63.81, -17.52, -19.2

 

CMYK 37 / 8 / 0 / 34

HEX #6A9BA9

RGB 106 155 169

HSL 193.33, 0.27%, 0.54%

LAB 61.11, -12.75, -12.52

 

CMYK 17 / 4 / 0 / 41

HEX #7D9096

RGB 125 144 150

HSL 194.4, 0.11%, 0.54%

LAB 58.52, -5.45, -5.47

 

CMYK 0 / 7 / 9 / 44

HEX #908683

RGB 144 134 131

HSL 13.85, 0.06%, 0.54%

LAB 56.7, 3.2, 2.96

 

CMYK 67 / 0 / 21 / 19

HEX #44CFA3

RGB 68 207 163

HSL 161.01, 0.59%, 0.54%

LAB 75.14, -47.53, 11.13

 

CMYK 67 / 0 / 3 / 19

HEX #44CFC8

RGB 68 207 200

HSL 176.98, 0.59%, 0.54%

LAB 76.08, -38.12, -7.4

 

CMYK 67 / 14 / 0 / 19

HEX #44B1CF

RGB 68 177 207

HSL 192.95, 0.59%, 0.54%

LAB 67.41, -21.5, -24.3

 

CMYK 67 / 32 / 0 / 19

HEX #448CCF

RGB 68 140 207

HSL 208.92, 0.59%, 0.54%

LAB 56.58, -1.14, -41.13

 

CMYK 67 / 50 / 0 / 19

HEX #4467CF

RGB 68 103 207

HSL 224.89, 0.59%, 0.54%

LAB 46.22, 21.54, -57.62

 

CMYK 74 / 16 / 0 / 40

HEX #288099

RGB 40 128 153

HSL 193.27, 0.59%, 0.38%

LAB 49.72, -17.09, -20.88

 

CMYK 74 / 17 / 0 / 27

HEX #309BBA

RGB 48 155 186

HSL 193.48, 0.59%, 0.46%

LAB 59.54, -19.53, -24.71

 

CMYK 67 / 15 / 0 / 19

HEX #44B0CF

RGB 68 176 207

HSL 193.38, 0.59%, 0.54%

LAB 67.12, -20.98, -24.75

 

CMYK 53 / 12 / 0 / 16

HEX #65BED7

RGB 101 190 215

HSL 193.16, 0.59%, 0.62%

LAB 72.56, -19.81, -20.72

 

CMYK 40 / 9 / 0 / 12

HEX #86CCE0

RGB 134 204 224

HSL 193.33, 0.59%, 0.7%

LAB 78.25, -16.9, -16.84

 

CMYK 66 / 15 / 0 / 19

HEX #46B0CF

RGB 70 176 207

HSL 193.58, 0.59%, 0.54%

LAB 67.17, -20.68, -24.66

 

CMYK 39 / 67 / 0 / 19

HEX #7E44CF

RGB 126 68 207

HSL 265.04, 0.59%, 0.54%

LAB 42.88, 52.91, -62.82

 

CMYK 0 / 12 / 67 / 19

HEX #CFB644

RGB 207 182 68

HSL 49.21, 0.59%, 0.54%

LAB 74.28, -3.8, 59.04

 

CMYK 66 / 15 / 0 / 19

HEX #46B0CF

RGB 70 176 207

HSL 193.58, 0.59%, 0.54%

LAB 67.17, -20.68, -24.66

 

CMYK 0 / 67 / 14 / 19

HEX #CF44B1

RGB 207 68 177

HSL 312.95, 0.59%, 0.54%

LAB 52.48, 65.7, -29.44

 

CMYK 14 / 0 / 67 / 19

HEX #B1CF44

RGB 177 207 68

HSL 72.95, 0.59%, 0.54%

LAB 78.69, -28.86, 62.84

 

CMYK 66 / 15 / 0 / 19

HEX #46B0CF

RGB 70 176 207

HSL 193.58, 0.59%, 0.54%

LAB 67.17, -20.68, -24.66

 

CMYK 39 / 67 / 0 / 19

HEX #7E44CF

RGB 126 68 207

HSL 265.04, 0.59%, 0.54%

LAB 42.88, 52.91, -62.82

 

CMYK 0 / 53 / 67 / 19

HEX #CF6244

RGB 207 98 68

HSL 12.95, 0.59%, 0.54%

LAB 54.47, 40.96, 37.19

 

CMYK 28 / 0 / 67 / 19

HEX #95CF44

RGB 149 207 68

HSL 85.04, 0.59%, 0.54%

LAB 76.94, -39.68, 60.48

 

CMYK 66 / 15 / 0 / 19

HEX #46B0CF

RGB 70 176 207

HSL 193.58, 0.59%, 0.54%

LAB 67.17, -20.68, -24.66

 

CMYK 19 / 67 / 0 / 19

HEX #A844CF

RGB 168 68 207

HSL 283.17, 0.59%, 0.54%

LAB 48.21, 61.66, -53.94

 

CMYK 0 / 53 / 67 / 19

HEX #CF6244

RGB 207 98 68

HSL 12.95, 0.59%, 0.54%

LAB 54.47, 40.96, 37.19

 

CMYK 48 / 0 / 67 / 19

HEX #6CCF44

RGB 108 207 68

HSL 102.73, 0.59%, 0.54%

LAB 74.97, -53.43, 57.81

 

Description

Color code: HEX #46B0CF | qconv.com Color code: HEX #46B0CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 176 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 176 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 15 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 15% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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