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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46AF7E it is the complementary color #B95081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46AF7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46AF7E shade: #4BAF79, #5CC18C, #6DD39F, #7EE5B2 and #8FF7C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46AF7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46AF7E shade: #46AF7E, #359D6B, #248B58, #137945 and #026732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46AF7E shade: #46AF7E, #46AF62, #46AF46, #63AF46 and #7FAF46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46AF7E shade: #46AF7E, #46AF9A, #46A7AF, #468BAF and #466FAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46AF7E shade matches the following richer shades: #46AF7E, #32C37F, #1ED781 and #0AEA82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46AF7E shade: #46AF7E, #5A9B7D, #6D877B, #81747A and #956079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46AF7E shade: #46AF46, #46AF62, #46AF7E, #46AF9A and #46A8AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46AF7E shade: #2E7453, #3A9269, #46AF7E, #5FBF92 and #7CCBA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46AF7E shade: #46AF7E, #4662AF and #AF5446

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46AF7E shade: #46AF7E, #7E46AF and #AF7E46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46AF7E shade: #46AF7E, #4662AF, #AF4677 and #AF9346

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46AF7E shade: #46AF7E, #4946AF, #AF4677 and #ACAF46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

Complementary color

CMYK 0 / 57 / 30 / 27

HEX #B95081

RGB 185 80 129

HSL 332, 0.43%, 0.52%

LAB 49.05, 47.63, -6.53

 

CMYK 57 / 0 / 31 / 31

HEX #4BAF79

RGB 75 175 121

HSL 147.6, 0.4%, 0.49%

LAB 64.59, -41.87, 19.12

 

CMYK 52 / 0 / 27 / 24

HEX #5CC18C

RGB 92 193 140

HSL 148.51, 0.45%, 0.56%

LAB 71.08, -41.81, 17.88

 

CMYK 48 / 0 / 25 / 17

HEX #6DD39F

RGB 109 211 159

HSL 149.41, 0.54%, 0.63%

LAB 77.49, -41.66, 16.74

 

CMYK 45 / 0 / 22 / 10

HEX #7EE5B2

RGB 126 229 178

HSL 150.29, 0.66%, 0.7%

LAB 83.8, -41.47, 15.69

 

CMYK 42 / 0 / 20 / 3

HEX #8FF7C5

RGB 143 247 197

HSL 151.15, 0.87%, 0.76%

LAB 90.04, -41.26, 14.7

 

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

CMYK 66 / 0 / 32 / 38

HEX #359D6B

RGB 53 157 107

HSL 151.15, 0.5%, 0.41%

LAB 57.97, -41.75, 17.65

 

CMYK 74 / 0 / 37 / 45

HEX #248B58

RGB 36 139 88

HSL 150.29, 0.59%, 0.34%

LAB 51.32, -41.29, 19.16

 

CMYK 84 / 0 / 43 / 53

HEX #137945

RGB 19 121 69

HSL 149.41, 0.73%, 0.27%

LAB 44.58, -40.36, 20.86

 

CMYK 98 / 0 / 51 / 60

HEX #026732

RGB 2 103 50

HSL 148.51, 0.96%, 0.21%

LAB 37.74, -38.82, 22.75

 

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

CMYK 60 / 0 / 44 / 31

HEX #46AF62

RGB 70 175 98

HSL 136, 0.43%, 0.48%

LAB 64.03, -47.28, 30.64

 

CMYK 60 / 0 / 60 / 31

HEX #46AF46

RGB 70 175 70

HSL 120, 0.43%, 0.48%

LAB 63.68, -51.27, 44.08

 

CMYK 43 / 0 / 60 / 31

HEX #63AF46

RGB 99 175 70

HSL 103.43, 0.43%, 0.48%

LAB 64.77, -43.1, 45.62

 

CMYK 27 / 0 / 60 / 31

HEX #7FAF46

RGB 127 175 70

HSL 87.43, 0.43%, 0.48%

LAB 66.22, -33.25, 47.66

 

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

CMYK 60 / 0 / 12 / 31

HEX #46AF9A

RGB 70 175 154

HSL 168, 0.43%, 0.48%

LAB 65.2, -35.33, 1.77

 

CMYK 60 / 5 / 0 / 31

HEX #46A7AF

RGB 70 167 175

HSL 184.57, 0.43%, 0.48%

LAB 63.37, -25.73, -12.65

 

CMYK 60 / 21 / 0 / 31

HEX #468BAF

RGB 70 139 175

HSL 200.57, 0.43%, 0.48%

LAB 54.93, -10.86, -25.51

 

CMYK 60 / 37 / 0 / 31

HEX #466FAF

RGB 70 111 175

HSL 216.57, 0.43%, 0.48%

LAB 46.67, 5.67, -38.42

 

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

CMYK 74 / 0 / 35 / 24

HEX #32C37F

RGB 50 195 127

HSL 151.86, 0.59%, 0.48%

LAB 70.34, -53.27, 23.62

 

CMYK 86 / 0 / 40 / 16

HEX #1ED781

RGB 30 215 129

HSL 152.11, 0.76%, 0.48%

LAB 76.35, -62.24, 30.56

 

CMYK 96 / 0 / 44 / 8

HEX #0AEA82

RGB 10 234 130

HSL 152.14, 0.92%, 0.48%

LAB 82.12, -69.48, 37.56

 

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

CMYK 42 / 0 / 19 / 39

HEX #5A9B7D

RGB 90 155 125

HSL 152.31, 0.27%, 0.48%

LAB 59.06, -27.95, 9.29

 

CMYK 19 / 0 / 9 / 47

HEX #6D877B

RGB 109 135 123

HSL 152.31, 0.11%, 0.48%

LAB 54.04, -11.88, 3.38

 

CMYK 0 / 10 / 5 / 49

HEX #81747A

RGB 129 116 122

HSL 332.31, 0.05%, 0.48%

LAB 50.17, 6.16, -1.47

 

CMYK 0 / 36 / 19 / 42

HEX #956079

RGB 149 96 121

HSL 331.7, 0.22%, 0.48%

LAB 47.15, 25.33, -5.09

 

CMYK 60 / 0 / 60 / 31

HEX #46AF46

RGB 70 175 70

HSL 120, 0.43%, 0.48%

LAB 63.68, -51.27, 44.08

 

CMYK 60 / 0 / 44 / 31

HEX #46AF62

RGB 70 175 98

HSL 136, 0.43%, 0.48%

LAB 64.03, -47.28, 30.64

 

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

CMYK 60 / 0 / 12 / 31

HEX #46AF9A

RGB 70 175 154

HSL 168, 0.43%, 0.48%

LAB 65.2, -35.33, 1.77

 

CMYK 60 / 4 / 0 / 31

HEX #46A8AF

RGB 70 168 175

HSL 184, 0.43%, 0.48%

LAB 63.67, -26.23, -12.19

 

CMYK 60 / 0 / 28 / 55

HEX #2E7453

RGB 46 116 83

HSL 151.71, 0.43%, 0.32%

LAB 43.79, -30.4, 11.8

 

CMYK 60 / 0 / 28 / 43

HEX #3A9269

RGB 58 146 105

HSL 152.05, 0.43%, 0.4%

LAB 54.53, -36.39, 14.05

 

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

CMYK 50 / 0 / 24 / 25

HEX #5FBF92

RGB 95 191 146

HSL 151.88, 0.43%, 0.56%

LAB 70.71, -38.95, 14.15

 

CMYK 39 / 0 / 18 / 20

HEX #7CCBA6

RGB 124 203 166

HSL 151.9, 0.43%, 0.64%

LAB 75.92, -32.59, 10.89

 

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

CMYK 60 / 44 / 0 / 31

HEX #4662AF

RGB 70 98 175

HSL 224, 0.43%, 0.48%

LAB 42.96, 13.82, -44.3

 

CMYK 0 / 52 / 60 / 31

HEX #AF5446

RGB 175 84 70

HSL 8, 0.43%, 0.48%

LAB 46.84, 35.93, 25.62

 

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

CMYK 28 / 60 / 0 / 31

HEX #7E46AF

RGB 126 70 175

HSL 272, 0.43%, 0.48%

LAB 41.07, 43.92, -47.04

 

CMYK 0 / 28 / 60 / 31

HEX #AF7E46

RGB 175 126 70

HSL 32, 0.43%, 0.48%

LAB 56.56, 12.82, 37.55

 

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

CMYK 60 / 44 / 0 / 31

HEX #4662AF

RGB 70 98 175

HSL 224, 0.43%, 0.48%

LAB 42.96, 13.82, -44.3

 

CMYK 0 / 60 / 32 / 31

HEX #AF4677

RGB 175 70 119

HSL 332, 0.43%, 0.48%

LAB 45.4, 47.84, -6.09

 

CMYK 0 / 16 / 60 / 31

HEX #AF9346

RGB 175 147 70

HSL 44, 0.43%, 0.48%

LAB 62.02, 1.17, 43.9

 

CMYK 60 / 0 / 28 / 31

HEX #46AF7E

RGB 70 175 126

HSL 152, 0.43%, 0.48%

LAB 64.54, -41.92, 16.29

 

CMYK 58 / 60 / 0 / 31

HEX #4946AF

RGB 73 70 175

HSL 241.71, 0.43%, 0.48%

LAB 35.78, 32.29, -55.86

 

CMYK 0 / 60 / 32 / 31

HEX #AF4677

RGB 175 70 119

HSL 332, 0.43%, 0.48%

LAB 45.4, 47.84, -6.09

 

CMYK 2 / 0 / 60 / 31

HEX #ACAF46

RGB 172 175 70

HSL 61.71, 0.43%, 0.48%

LAB 69.38, -15, 52.05

 

Description

Color code: HEX #46AF7E | qconv.com Color code: HEX #46AF7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 175 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 175 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 28 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 28% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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