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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46AC23 it is the complementary color #B953DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46AC23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46AC23 shade: #4BAC1E, #5CBE31, #6DD044, #7EE257 and #8FF46A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46AC23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46AC23 shade: #46AC23, #359A10, #248800, #137600 and #026400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46AC23 shade: #47AE24, #6CAE24, #91AE24, #AEA524 and #AE7F24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46AC23 shade: #47AE24, #24AE26, #24AE4B, #24AE70 and #24AE95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46AC23 shade matches the following richer shades: #47AE24, #3FBE13 and #36CF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46AC23 shade: #47AE24, #4F9D34, #578C45, #607B56 and #686A67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46AC23 shade: #92AE24, #6DAE24, #48AE24, #24AE24 and #24AE48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46AC23 shade: #2B6916, #398B1D, #47AE24, #55D02B and #6FDA4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46AC23 shade: #46AC23, #24AEA4 and #AE2480

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46AC23 shade: #46AC23, #2448AE and #AE2448

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46AC23 shade: #46AC23, #24AEA4, #8924AE and #AE242D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46AC23 shade: #46AC23, #248DAE, #8924AE and #AE4424

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 80 / 33

HEX #46AC23

RGB 70 172 35

HSL 104.67, 0.66%, 0.41%

LAB 62.45, -53.24, 56.56

 

Complementary color

CMYK 16 / 62 / 0 / 14

HEX #B953DC

RGB 185 83 220

HSL 284.67, 0.66%, 0.59%

LAB 53.67, 61.51, -52.48

 

CMYK 56 / 0 / 83 / 33

HEX #4BAC1E

RGB 75 172 30

HSL 100.99, 0.7%, 0.4%

LAB 62.59, -52.2, 58.19

 

CMYK 52 / 0 / 74 / 25

HEX #5CBE31

RGB 92 190 49

HSL 101.7, 0.59%, 0.47%

LAB 68.99, -53.03, 58.56

 

CMYK 48 / 0 / 67 / 18

HEX #6DD044

RGB 109 208 68

HSL 102.43, 0.6%, 0.54%

LAB 75.31, -53.52, 58.18

 

CMYK 44 / 0 / 62 / 11

HEX #7EE257

RGB 126 226 87

HSL 103.17, 0.71%, 0.61%

LAB 81.57, -53.79, 57.41

 

CMYK 41 / 0 / 57 / 4

HEX #8FF46A

RGB 143 244 106

HSL 103.91, 0.86%, 0.69%

LAB 87.77, -53.91, 56.42

 

CMYK 59 / 0 / 80 / 33

HEX #46AC23

RGB 70 172 35

HSL 104.67, 0.66%, 0.41%

LAB 62.45, -53.24, 56.56

 

CMYK 66 / 0 / 90 / 40

HEX #359A10

RGB 53 154 16

HSL 103.91, 0.81%, 0.33%

LAB 55.99, -51.93, 55.43

 

CMYK 74 / 0 / 100 / 47

HEX #248800

RGB 36 136 0

HSL 104.12, 1%, 0.27%

LAB 49.48, -49.92, 52.69

 

CMYK 84 / 0 / 100 / 54

HEX #137600

RGB 19 118 0

HSL 110.34, 1%, 0.23%

LAB 42.91, -46.88, 47.32

 

CMYK 98 / 0 / 100 / 61

HEX #026400

RGB 2 100 0

HSL 118.8, 1%, 0.2%

LAB 36.23, -43.14, 41.89

 

CMYK 59 / 0 / 79 / 32

HEX #47AE24

RGB 71 174 36

HSL 104.78, 0.66%, 0.41%

LAB 63.13, -53.65, 56.91

 

CMYK 38 / 0 / 79 / 32

HEX #6CAE24

RGB 108 174 36

HSL 88.7, 0.66%, 0.41%

LAB 64.63, -42.25, 58.86

 

CMYK 17 / 0 / 79 / 32

HEX #91AE24

RGB 145 174 36

HSL 72.61, 0.66%, 0.41%

LAB 66.84, -27.85, 61.69

 

CMYK 0 / 5 / 79 / 32

HEX #AEA524

RGB 174 165 36

HSL 56.09, 0.66%, 0.41%

LAB 66.55, -10.79, 62.28

 

CMYK 0 / 27 / 79 / 32

HEX #AE7F24

RGB 174 127 36

HSL 39.57, 0.66%, 0.41%

LAB 56.39, 9.87, 53.08

 

CMYK 59 / 0 / 79 / 32

HEX #47AE24

RGB 71 174 36

HSL 104.78, 0.66%, 0.41%

LAB 63.13, -53.65, 56.91

 

CMYK 79 / 0 / 78 / 32

HEX #24AE26

RGB 36 174 38

HSL 120.87, 0.66%, 0.41%

LAB 62.33, -60.32, 55.23

 

CMYK 79 / 0 / 57 / 32

HEX #24AE4B

RGB 36 174 75

HSL 136.96, 0.66%, 0.41%

LAB 62.64, -56.51, 40.32

 

CMYK 79 / 0 / 36 / 32

HEX #24AE70

RGB 36 174 112

HSL 153.04, 0.66%, 0.41%

LAB 63.19, -50.08, 21.94

 

CMYK 79 / 0 / 14 / 32

HEX #24AE95

RGB 36 174 149

HSL 169.13, 0.66%, 0.41%

LAB 64.01, -41.23, 2.74

 

CMYK 59 / 0 / 79 / 32

HEX #47AE24

RGB 71 174 36

HSL 104.78, 0.66%, 0.41%

LAB 63.13, -53.65, 56.91

 

CMYK 67 / 0 / 90 / 25

HEX #3FBE13

RGB 63 190 19

HSL 104.56, 0.82%, 0.41%

LAB 67.97, -61.69, 65.22

 

CMYK 74 / 0 / 99 / 19

HEX #36CF02

RGB 54 207 2

HSL 104.78, 0.98%, 0.41%

LAB 73.16, -68.98, 71.5

 

CMYK 59 / 0 / 79 / 32

HEX #47AE24

RGB 71 174 36

HSL 104.78, 0.66%, 0.41%

LAB 63.13, -53.65, 56.91

 

CMYK 50 / 0 / 67 / 38

HEX #4F9D34

RGB 79 157 52

HSL 104.57, 0.5%, 0.41%

LAB 58.06, -43.72, 45.95

 

CMYK 38 / 0 / 51 / 45

HEX #578C45

RGB 87 140 69

HSL 104.79, 0.34%, 0.41%

LAB 53.18, -31.75, 32.26

 

CMYK 22 / 0 / 30 / 52

HEX #607B56

RGB 96 123 86

HSL 103.78, 0.18%, 0.41%

LAB 48.67, -17.3, 17.14

 

CMYK 2 / 0 / 3 / 58

HEX #686A67

RGB 104 106 103

HSL 100, 0.01%, 0.41%

LAB 44.56, -1.39, 1.41

 

CMYK 16 / 0 / 79 / 32

HEX #92AE24

RGB 146 174 36

HSL 72.17, 0.66%, 0.41%

LAB 66.91, -27.43, 61.78

 

CMYK 37 / 0 / 79 / 32

HEX #6DAE24

RGB 109 174 36

HSL 88.26, 0.66%, 0.41%

LAB 64.68, -41.9, 58.92

 

CMYK 59 / 0 / 79 / 32

HEX #48AE24

RGB 72 174 36

HSL 104.35, 0.66%, 0.41%

LAB 63.16, -53.39, 56.95

 

CMYK 79 / 0 / 79 / 32

HEX #24AE24

RGB 36 174 36

HSL 120, 0.66%, 0.41%

LAB 62.32, -60.45, 55.85

 

CMYK 79 / 0 / 59 / 32

HEX #24AE48

RGB 36 174 72

HSL 135.65, 0.66%, 0.41%

LAB 62.6, -56.92, 41.71

 

CMYK 59 / 0 / 79 / 59

HEX #2B6916

RGB 43 105 22

HSL 104.82, 0.65%, 0.25%

LAB 39.03, -35.99, 38.08

 

CMYK 59 / 0 / 79 / 45

HEX #398B1D

RGB 57 139 29

HSL 104.73, 0.65%, 0.33%

LAB 51.18, -44.86, 47.59

 

CMYK 59 / 0 / 79 / 32

HEX #47AE24

RGB 71 174 36

HSL 104.78, 0.66%, 0.41%

LAB 63.13, -53.65, 56.91

 

CMYK 59 / 0 / 79 / 18

HEX #55D02B

RGB 85 208 43

HSL 104.73, 0.66%, 0.49%

LAB 74.33, -61.73, 65.53

 

CMYK 49 / 0 / 66 / 15

HEX #6FDA4A

RGB 111 218 74

HSL 104.58, 0.66%, 0.57%

LAB 78.47, -56.27, 59.19

 

CMYK 59 / 0 / 80 / 33

HEX #46AC23

RGB 70 172 35

HSL 104.67, 0.66%, 0.41%

LAB 62.45, -53.24, 56.56

 

CMYK 79 / 0 / 6 / 32

HEX #24AEA4

RGB 36 174 164

HSL 175.65, 0.66%, 0.41%

LAB 64.43, -37.06, -5.01

 

CMYK 0 / 79 / 26 / 32

HEX #AE2480

RGB 174 36 128

HSL 320, 0.66%, 0.41%

LAB 40.93, 61.54, -18.39

 

CMYK 59 / 0 / 80 / 33

HEX #46AC23

RGB 70 172 35

HSL 104.67, 0.66%, 0.41%

LAB 62.45, -53.24, 56.56

 

CMYK 79 / 59 / 0 / 32

HEX #2448AE

RGB 36 72 174

HSL 224.35, 0.66%, 0.41%

LAB 34.12, 25.28, -58.06

 

CMYK 0 / 79 / 59 / 32

HEX #AE2448

RGB 174 36 72

HSL 344.35, 0.66%, 0.41%

LAB 39.12, 56.08, 14.21

 

CMYK 59 / 0 / 80 / 33

HEX #46AC23

RGB 70 172 35

HSL 104.67, 0.66%, 0.41%

LAB 62.45, -53.24, 56.56

 

CMYK 79 / 0 / 6 / 32

HEX #24AEA4

RGB 36 174 164

HSL 175.65, 0.66%, 0.41%

LAB 64.43, -37.06, -5.01

 

CMYK 21 / 79 / 0 / 32

HEX #8924AE

RGB 137 36 174

HSL 283.91, 0.66%, 0.41%

LAB 37.18, 60.99, -52.64

 

CMYK 0 / 79 / 74 / 32

HEX #AE242D

RGB 174 36 45

HSL 356.09, 0.66%, 0.41%

LAB 38.64, 54.57, 30.48

 

CMYK 59 / 0 / 80 / 33

HEX #46AC23

RGB 70 172 35

HSL 104.67, 0.66%, 0.41%

LAB 62.45, -53.24, 56.56

 

CMYK 79 / 19 / 0 / 32

HEX #248DAE

RGB 36 141 174

HSL 194.35, 0.66%, 0.41%

LAB 54.53, -17.46, -25.62

 

CMYK 21 / 79 / 0 / 32

HEX #8924AE

RGB 137 36 174

HSL 283.91, 0.66%, 0.41%

LAB 37.18, 60.99, -52.64

 

CMYK 0 / 61 / 79 / 32

HEX #AE4424

RGB 174 68 36

HSL 13.91, 0.66%, 0.41%

LAB 43.15, 41.64, 40.38

 

Description

Color code: HEX #46AC23 | qconv.com Color code: HEX #46AC23 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 172 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 172 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 80 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 80% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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