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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46ABC4 it is the complementary color #B9543B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46ABC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46ABC4 shade: #4BABBF, #5CBDD2, #6DCFE5, #7EE1F8 and #8FF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46ABC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46ABC4 shade: #46ABC4, #3599B1, #24879E, #13758B and #026378

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46ABC4 shade: #45ABC4, #4589C4, #4566C4, #4645C4 and #6845C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46ABC4 shade: #45ABC4, #4589C4, #4566C4 and #4545C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46ABC4 shade matches the following richer shades: #45ABC4, #31B7D8 and #1DC3EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46ABC4 shade: #45ABC4, #599FB0, #6D939D, #808789 and #947B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46ABC4 shade: #45C498, #45C4BA, #45ADC4, #458BC4 and #4569C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46ABC4 shade: #2C788B, #3693AA, #45ABC4, #64B9CE and #84C7D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46ABC4 shade: #46ABC4, #7645C4 and #C4A945

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46ABC4 shade: #46ABC4, #C445AD and #ADC445

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46ABC4 shade: #46ABC4, #7645C4, #C45C45 and #93C445

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46ABC4 shade: #46ABC4, #9C45C4, #C45C45 and #6DC445

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 13 / 0 / 23

HEX #46ABC4

RGB 70 171 196

HSL 191.9, 0.52%, 0.52%

LAB 65.29, -21.49, -21.45

 

Complementary color

CMYK 0 / 55 / 68 / 27

HEX #B9543B

RGB 185 84 59

HSL 11.9, 0.52%, 0.48%

LAB 48.22, 39.06, 33.99

 

CMYK 61 / 10 / 0 / 25

HEX #4BABBF

RGB 75 171 191

HSL 190.34, 0.48%, 0.52%

LAB 65.27, -22.13, -18.69

 

CMYK 56 / 10 / 0 / 18

HEX #5CBDD2

RGB 92 189 210

HSL 190.68, 0.57%, 0.59%

LAB 71.77, -22.55, -19.22

 

CMYK 52 / 10 / 0 / 10

HEX #6DCFE5

RGB 109 207 229

HSL 191, 0.7%, 0.66%

LAB 78.19, -22.86, -19.72

 

CMYK 49 / 9 / 0 / 3

HEX #7EE1F8

RGB 126 225 248

HSL 191.31, 0.9%, 0.73%

LAB 84.52, -23.09, -20.19

 

CMYK 44 / 5 / 0 / 0

HEX #8FF3FF

RGB 143 243 255

HSL 186.43, 1%, 0.78%

LAB 90.4, -26.31, -14.94

 

CMYK 64 / 13 / 0 / 23

HEX #46ABC4

RGB 70 171 196

HSL 191.9, 0.52%, 0.52%

LAB 65.29, -21.49, -21.45

 

CMYK 70 / 14 / 0 / 31

HEX #3599B1

RGB 53 153 177

HSL 191.61, 0.54%, 0.45%

LAB 58.71, -20.73, -20.89

 

CMYK 77 / 15 / 0 / 38

HEX #24879E

RGB 36 135 158

HSL 191.31, 0.63%, 0.38%

LAB 52.03, -19.69, -20.26

 

CMYK 86 / 16 / 0 / 45

HEX #13758B

RGB 19 117 139

HSL 191, 0.76%, 0.31%

LAB 45.26, -18.25, -19.53

 

CMYK 98 / 18 / 0 / 53

HEX #026378

RGB 2 99 120

HSL 190.68, 0.97%, 0.24%

LAB 38.36, -16.33, -18.7

 

CMYK 65 / 13 / 0 / 23

HEX #45ABC4

RGB 69 171 196

HSL 191.81, 0.52%, 0.52%

LAB 65.26, -21.65, -21.5

 

CMYK 65 / 30 / 0 / 23

HEX #4589C4

RGB 69 137 196

HSL 207.87, 0.52%, 0.52%

LAB 55.22, -2.97, -37.03

 

CMYK 65 / 48 / 0 / 23

HEX #4566C4

RGB 69 102 196

HSL 224.41, 0.52%, 0.52%

LAB 45.29, 18.44, -52.79

 

CMYK 64 / 65 / 0 / 23

HEX #4645C4

RGB 70 69 196

HSL 240.47, 0.52%, 0.52%

LAB 37.01, 39.39, -66.22

 

CMYK 47 / 65 / 0 / 23

HEX #6845C4

RGB 104 69 196

HSL 256.54, 0.52%, 0.52%

LAB 39.89, 45.16, -61.4

 

CMYK 65 / 13 / 0 / 23

HEX #45ABC4

RGB 69 171 196

HSL 191.81, 0.52%, 0.52%

LAB 65.26, -21.65, -21.5

 

CMYK 65 / 30 / 0 / 23

HEX #4589C4

RGB 69 137 196

HSL 207.87, 0.52%, 0.52%

LAB 55.22, -2.97, -37.03

 

CMYK 65 / 48 / 0 / 23

HEX #4566C4

RGB 69 102 196

HSL 224.41, 0.52%, 0.52%

LAB 45.29, 18.44, -52.79

 

CMYK 65 / 65 / 0 / 23

HEX #4545C4

RGB 69 69 196

HSL 240, 0.52%, 0.52%

LAB 36.94, 39.25, -66.34

 

CMYK 65 / 13 / 0 / 23

HEX #45ABC4

RGB 69 171 196

HSL 191.81, 0.52%, 0.52%

LAB 65.26, -21.65, -21.5

 

CMYK 77 / 15 / 0 / 15

HEX #31B7D8

RGB 49 183 216

HSL 191.86, 0.68%, 0.52%

LAB 69.1, -24.13, -26.69

 

CMYK 88 / 17 / 0 / 7

HEX #1DC3EC

RGB 29 195 236

HSL 191.88, 0.84%, 0.52%

LAB 73.12, -25.2, -31.4

 

CMYK 65 / 13 / 0 / 23

HEX #45ABC4

RGB 69 171 196

HSL 191.81, 0.52%, 0.52%

LAB 65.26, -21.65, -21.5

 

CMYK 49 / 10 / 0 / 31

HEX #599FB0

RGB 89 159 176

HSL 191.72, 0.36%, 0.52%

LAB 61.7, -17.34, -15.66

 

CMYK 31 / 6 / 0 / 38

HEX #6D939D

RGB 109 147 157

HSL 192.5, 0.2%, 0.52%

LAB 58.56, -10.58, -9.52

 

CMYK 7 / 1 / 0 / 46

HEX #808789

RGB 128 135 137

HSL 193.33, 0.04%, 0.52%

LAB 55.81, -2.15, -1.97

 

CMYK 0 / 17 / 21 / 42

HEX #947B75

RGB 148 123 117

HSL 11.61, 0.13%, 0.52%

LAB 53.76, 8.66, 6.88

 

CMYK 65 / 0 / 22 / 23

HEX #45C498

RGB 69 196 152

HSL 159.21, 0.52%, 0.52%

LAB 71.56, -45.28, 11.99

 

CMYK 65 / 0 / 5 / 23

HEX #45C4BA

RGB 69 196 186

HSL 175.28, 0.52%, 0.52%

LAB 72.42, -36.74, -5.24

 

CMYK 65 / 12 / 0 / 23

HEX #45ADC4

RGB 69 173 196

HSL 190.87, 0.52%, 0.52%

LAB 65.86, -22.68, -20.59

 

CMYK 65 / 29 / 0 / 23

HEX #458BC4

RGB 69 139 196

HSL 206.93, 0.52%, 0.52%

LAB 55.8, -4.13, -36.12

 

CMYK 65 / 46 / 0 / 23

HEX #4569C4

RGB 69 105 196

HSL 222.99, 0.52%, 0.52%

LAB 46.12, 16.55, -51.48

 

CMYK 68 / 14 / 0 / 45

HEX #2C788B

RGB 44 120 139

HSL 192, 0.52%, 0.36%

LAB 46.75, -16.8, -17.19

 

CMYK 68 / 14 / 0 / 33

HEX #3693AA

RGB 54 147 170

HSL 191.9, 0.52%, 0.44%

LAB 56.64, -19.67, -20.07

 

CMYK 65 / 13 / 0 / 23

HEX #45ABC4

RGB 69 171 196

HSL 191.81, 0.52%, 0.52%

LAB 65.26, -21.65, -21.5

 

CMYK 51 / 10 / 0 / 19

HEX #64B9CE

RGB 100 185 206

HSL 191.89, 0.52%, 0.6%

LAB 70.78, -19.99, -18.52

 

CMYK 39 / 8 / 0 / 15

HEX #84C7D8

RGB 132 199 216

HSL 192.14, 0.52%, 0.68%

LAB 76.5, -16.88, -15.17

 

CMYK 64 / 13 / 0 / 23

HEX #46ABC4

RGB 70 171 196

HSL 191.9, 0.52%, 0.52%

LAB 65.29, -21.49, -21.45

 

CMYK 40 / 65 / 0 / 23

HEX #7645C4

RGB 118 69 196

HSL 263.15, 0.52%, 0.52%

LAB 41.36, 47.96, -58.94

 

CMYK 0 / 14 / 65 / 23

HEX #C4A945

RGB 196 169 69

HSL 47.24, 0.52%, 0.52%

LAB 69.85, -1.63, 53.62

 

CMYK 64 / 13 / 0 / 23

HEX #46ABC4

RGB 70 171 196

HSL 191.9, 0.52%, 0.52%

LAB 65.29, -21.49, -21.45

 

CMYK 0 / 65 / 12 / 23

HEX #C445AD

RGB 196 69 173

HSL 310.87, 0.52%, 0.52%

LAB 50.7, 61.92, -30.01

 

CMYK 12 / 0 / 65 / 23

HEX #ADC445

RGB 173 196 69

HSL 70.87, 0.52%, 0.52%

LAB 75.32, -25.14, 58.86

 

CMYK 64 / 13 / 0 / 23

HEX #46ABC4

RGB 70 171 196

HSL 191.9, 0.52%, 0.52%

LAB 65.29, -21.49, -21.45

 

CMYK 40 / 65 / 0 / 23

HEX #7645C4

RGB 118 69 196

HSL 263.15, 0.52%, 0.52%

LAB 41.36, 47.96, -58.94

 

CMYK 0 / 53 / 65 / 23

HEX #C45C45

RGB 196 92 69

HSL 10.87, 0.52%, 0.52%

LAB 51.63, 39.85, 32.85

 

CMYK 25 / 0 / 65 / 23

HEX #93C445

RGB 147 196 69

HSL 83.15, 0.52%, 0.52%

LAB 73.62, -35.41, 56.54

 

CMYK 64 / 13 / 0 / 23

HEX #46ABC4

RGB 70 171 196

HSL 191.9, 0.52%, 0.52%

LAB 65.29, -21.49, -21.45

 

CMYK 20 / 65 / 0 / 23

HEX #9C45C4

RGB 156 69 196

HSL 281.1, 0.52%, 0.52%

LAB 46.06, 56.27, -51.14

 

CMYK 0 / 53 / 65 / 23

HEX #C45C45

RGB 196 92 69

HSL 10.87, 0.52%, 0.52%

LAB 51.63, 39.85, 32.85

 

CMYK 44 / 0 / 65 / 23

HEX #6DC445

RGB 109 196 69

HSL 101.1, 0.52%, 0.52%

LAB 71.66, -48.69, 53.86

 

Description

Color code: HEX #46ABC4 | qconv.com Color code: HEX #46ABC4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 171 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 171 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 13 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 13% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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