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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46A602 it is the complementary color #B959FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46A602. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46A602 shade: #4BA600, #5CB810, #6DCA23, #7EDC36 and #8FEE49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46A602. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46A602 shade: #46A602, #359400, #248200, #137000 and #025E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46A602 shade: #46A702, #73A702, #9FA702, #A78202 and #A75502

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46A602 shade: #46A702, #1AA702, #02A716, #02A743 and #02A76F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46A602 shade matches the following richer shades: #46A702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46A602 shade: #46A702, #48990F, #4B8B1D, #4D7E2B and #4F7038

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46A602 shade: #9EA702, #72A702, #46A702, #1AA702 and #02A715

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46A602 shade: #245501, #357E01, #46A702, #57CF02 and #68F803

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46A602 shade: #46A602, #02A783 and #A70288

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46A602 shade: #46A602, #0246A7 and #A70246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46A602 shade: #46A602, #02A783, #6202A7 and #A70225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46A602 shade: #46A602, #0299A7, #6202A7 and #A70F02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 99 / 35

HEX #46A602

RGB 70 166 2

HSL 95.12, 0.98%, 0.33%

LAB 60.41, -52.28, 61.47

 

Complementary color

CMYK 27 / 65 / 0 / 1

HEX #B959FD

RGB 185 89 253

HSL 275.12, 0.98%, 0.67%

LAB 56.64, 65.66, -66.21

 

CMYK 55 / 0 / 100 / 35

HEX #4BA600

RGB 75 166 0

HSL 92.89, 1%, 0.33%

LAB 60.58, -50.93, 61.96

 

CMYK 50 / 0 / 91 / 28

HEX #5CB810

RGB 92 184 16

HSL 92.86, 0.84%, 0.39%

LAB 66.97, -52.29, 65.24

 

CMYK 46 / 0 / 83 / 21

HEX #6DCA23

RGB 109 202 35

HSL 93.41, 0.7%, 0.46%

LAB 73.29, -53.27, 67.05

 

CMYK 43 / 0 / 75 / 14

HEX #7EDC36

RGB 126 220 54

HSL 93.98, 0.7%, 0.54%

LAB 79.55, -53.94, 67.69

 

CMYK 40 / 0 / 69 / 7

HEX #8FEE49

RGB 143 238 73

HSL 94.55, 0.83%, 0.61%

LAB 85.74, -54.39, 67.61

 

CMYK 58 / 0 / 99 / 35

HEX #46A602

RGB 70 166 2

HSL 95.12, 0.98%, 0.33%

LAB 60.41, -52.28, 61.47

 

CMYK 64 / 0 / 100 / 42

HEX #359400

RGB 53 148 0

HSL 98.51, 1%, 0.29%

LAB 53.96, -50.31, 56.44

 

CMYK 72 / 0 / 100 / 49

HEX #248200

RGB 36 130 0

HSL 103.38, 1%, 0.25%

LAB 47.42, -47.93, 51.06

 

CMYK 83 / 0 / 100 / 56

HEX #137000

RGB 19 112 0

HSL 109.82, 1%, 0.22%

LAB 40.78, -44.96, 45.62

 

CMYK 98 / 0 / 100 / 63

HEX #025E00

RGB 2 94 0

HSL 118.72, 1%, 0.18%

LAB 34.02, -41.29, 40.12

 

CMYK 58 / 0 / 99 / 35

HEX #46A702

RGB 70 167 2

HSL 95.27, 0.98%, 0.33%

LAB 60.73, -52.64, 61.73

 

CMYK 31 / 0 / 99 / 35

HEX #73A702

RGB 115 167 2

HSL 78.91, 0.98%, 0.33%

LAB 62.75, -37.64, 64.18

 

CMYK 5 / 0 / 99 / 35

HEX #9FA702

RGB 159 167 2

HSL 62.91, 0.98%, 0.33%

LAB 65.76, -19.21, 67.79

 

CMYK 0 / 22 / 99 / 35

HEX #A78202

RGB 167 130 2

HSL 46.55, 0.98%, 0.33%

LAB 56.27, 4.2, 61.23

 

CMYK 0 / 49 / 99 / 35

HEX #A75502

RGB 167 85 2

HSL 30.18, 0.98%, 0.33%

LAB 45.24, 29.37, 53.84

 

CMYK 58 / 0 / 99 / 35

HEX #46A702

RGB 70 167 2

HSL 95.27, 0.98%, 0.33%

LAB 60.73, -52.64, 61.73

 

CMYK 84 / 0 / 99 / 35

HEX #1AA702

RGB 26 167 2

HSL 111.27, 0.98%, 0.33%

LAB 59.76, -60.91, 60.55

 

CMYK 99 / 0 / 87 / 35

HEX #02A716

RGB 2 167 22

HSL 127.27, 0.98%, 0.33%

LAB 59.62, -61.98, 57.04

 

CMYK 99 / 0 / 60 / 35

HEX #02A743

RGB 2 167 67

HSL 143.64, 0.98%, 0.33%

LAB 59.94, -57.98, 40.87

 

CMYK 99 / 0 / 34 / 35

HEX #02A76F

RGB 2 167 111

HSL 159.64, 0.98%, 0.33%

LAB 60.6, -50.07, 18.92

 

CMYK 58 / 0 / 99 / 35

HEX #46A702

RGB 70 167 2

HSL 95.27, 0.98%, 0.33%

LAB 60.73, -52.64, 61.73

 

CMYK 58 / 0 / 99 / 35

HEX #46A702

RGB 70 167 2

HSL 95.27, 0.98%, 0.33%

LAB 60.73, -52.64, 61.73

 

CMYK 53 / 0 / 90 / 40

HEX #48990F

RGB 72 153 15

HSL 95.22, 0.82%, 0.33%

LAB 56.28, -46.56, 56.12

 

CMYK 46 / 0 / 79 / 45

HEX #4B8B1D

RGB 75 139 29

HSL 94.91, 0.65%, 0.33%

LAB 51.89, -39.35, 48.52

 

CMYK 39 / 0 / 66 / 51

HEX #4D7E2B

RGB 77 126 43

HSL 95.42, 0.49%, 0.33%

LAB 47.85, -31.85, 38.81

 

CMYK 29 / 0 / 50 / 56

HEX #4F7038

RGB 79 112 56

HSL 95.36, 0.33%, 0.33%

LAB 43.56, -22.81, 27.26

 

CMYK 5 / 0 / 99 / 35

HEX #9EA702

RGB 158 167 2

HSL 63.27, 0.98%, 0.33%

LAB 65.68, -19.65, 67.69

 

CMYK 32 / 0 / 99 / 35

HEX #72A702

RGB 114 167 2

HSL 79.27, 0.98%, 0.33%

LAB 62.69, -38.03, 64.11

 

CMYK 58 / 0 / 99 / 35

HEX #46A702

RGB 70 167 2

HSL 95.27, 0.98%, 0.33%

LAB 60.73, -52.64, 61.73

 

CMYK 84 / 0 / 99 / 35

HEX #1AA702

RGB 26 167 2

HSL 111.27, 0.98%, 0.33%

LAB 59.76, -60.91, 60.55

 

CMYK 99 / 0 / 87 / 35

HEX #02A715

RGB 2 167 21

HSL 126.91, 0.98%, 0.33%

LAB 59.62, -62.02, 57.26

 

CMYK 58 / 0 / 99 / 67

HEX #245501

RGB 36 85 1

HSL 95, 0.98%, 0.17%

LAB 31.52, -31.17, 38.1

 

CMYK 58 / 0 / 99 / 51

HEX #357E01

RGB 53 126 1

HSL 95.04, 0.98%, 0.25%

LAB 46.55, -42.28, 50.37

 

CMYK 58 / 0 / 99 / 35

HEX #46A702

RGB 70 167 2

HSL 95.27, 0.98%, 0.33%

LAB 60.73, -52.64, 61.73

 

CMYK 58 / 0 / 99 / 19

HEX #57CF02

RGB 87 207 2

HSL 95.12, 0.98%, 0.41%

LAB 73.97, -62.17, 72.49

 

CMYK 58 / 0 / 99 / 3

HEX #68F803

RGB 104 248 3

HSL 95.27, 0.98%, 0.49%

LAB 87.04, -71.66, 83

 

CMYK 58 / 0 / 99 / 35

HEX #46A602

RGB 70 166 2

HSL 95.12, 0.98%, 0.33%

LAB 60.41, -52.28, 61.47

 

CMYK 99 / 0 / 22 / 35

HEX #02A783

RGB 2 167 131

HSL 166.91, 0.98%, 0.33%

LAB 61.04, -45.24, 8.45

 

CMYK 0 / 99 / 19 / 35

HEX #A70288

RGB 167 2 136

HSL 311.27, 0.98%, 0.33%

LAB 37.91, 67.01, -28.13

 

CMYK 58 / 0 / 99 / 35

HEX #46A602

RGB 70 166 2

HSL 95.12, 0.98%, 0.33%

LAB 60.41, -52.28, 61.47

 

CMYK 99 / 58 / 0 / 35

HEX #0246A7

RGB 2 70 167

HSL 215.27, 0.98%, 0.33%

LAB 32.22, 21.64, -57

 

CMYK 0 / 99 / 58 / 35

HEX #A70246

RGB 167 2 70

HSL 335.27, 0.98%, 0.33%

LAB 35.4, 60.5, 10.16

 

CMYK 58 / 0 / 99 / 35

HEX #46A602

RGB 70 166 2

HSL 95.12, 0.98%, 0.33%

LAB 60.41, -52.28, 61.47

 

CMYK 99 / 0 / 22 / 35

HEX #02A783

RGB 2 167 131

HSL 166.91, 0.98%, 0.33%

LAB 61.04, -45.24, 8.45

 

CMYK 41 / 99 / 0 / 35

HEX #6202A7

RGB 98 2 167

HSL 274.91, 0.98%, 0.33%

LAB 27.93, 61.73, -63.8

 

CMYK 0 / 99 / 78 / 35

HEX #A70225

RGB 167 2 37

HSL 347.27, 0.98%, 0.33%

LAB 34.79, 58.84, 30.63

 

CMYK 58 / 0 / 99 / 35

HEX #46A602

RGB 70 166 2

HSL 95.12, 0.98%, 0.33%

LAB 60.41, -52.28, 61.47

 

CMYK 99 / 8 / 0 / 35

HEX #0299A7

RGB 2 153 167

HSL 185.09, 0.98%, 0.33%

LAB 57.64, -28.22, -16.9

 

CMYK 41 / 99 / 0 / 35

HEX #6202A7

RGB 98 2 167

HSL 274.91, 0.98%, 0.33%

LAB 27.93, 61.73, -63.8

 

CMYK 0 / 91 / 99 / 35

HEX #A70F02

RGB 167 15 2

HSL 4.73, 0.98%, 0.33%

LAB 35.13, 56.38, 48.25

 

Description

Color code: HEX #46A602 | qconv.com Color code: HEX #46A602 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 166 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 166 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 99 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 99% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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