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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #469ECF it is the complementary color #B96130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #469ECF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #469ECF shade: #4B9ECA, #5CB0DD, #6DC2F0, #7ED4FF and #8FE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #469ECF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #469ECF shade: #469ECF, #358CBC, #247AA9, #136896 and #025683

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #469ECF shade: #449DCF, #4478CF, #4453CF, #5C44CF and #8144CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #469ECF shade: #449DCF, #4478CF, #4453CF and #4444CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #469ECF shade matches the following richer shades: #449DCF, #32A3E2 and #1FA8F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #469ECF shade: #449DCF, #5798BC, #6A93A9, #7D8D96 and #908883

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #469ECF shade: #44CFB6, #44C3CF, #449ECF, #447ACF and #4455CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #469ECF shade: #287199, #3089BA, #449DCF, #65AFD7 and #86C0E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #469ECF shade: #469ECF, #9144CF and #CFC844

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #469ECF shade: #469ECF, #CF449E and #9ECF44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #469ECF shade: #469ECF, #9144CF, #CF7544 and #83CF44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #469ECF shade: #469ECF, #BA44CF, #CF7544 and #59CF44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 24 / 0 / 19

HEX #469ECF

RGB 70 158 207

HSL 201.46, 0.59%, 0.54%

LAB 61.88, -11.05, -32.82

 

Complementary color

CMYK 0 / 48 / 74 / 27

HEX #B96130

RGB 185 97 48

HSL 21.46, 0.59%, 0.46%

LAB 50.78, 31.74, 42.71

 

CMYK 63 / 22 / 0 / 21

HEX #4B9ECA

RGB 75 158 202

HSL 200.79, 0.55%, 0.54%

LAB 61.84, -11.81, -30.08

 

CMYK 58 / 20 / 0 / 13

HEX #5CB0DD

RGB 92 176 221

HSL 200.93, 0.65%, 0.61%

LAB 68.42, -12.5, -30.37

 

CMYK 55 / 19 / 0 / 6

HEX #6DC2F0

RGB 109 194 240

HSL 201.07, 0.81%, 0.68%

LAB 74.9, -13.04, -30.65

 

CMYK 51 / 17 / 0 / 0

HEX #7ED4FF

RGB 126 212 255

HSL 200, 1%, 0.75%

LAB 81.15, -14.59, -29.02

 

CMYK 44 / 10 / 0 / 0

HEX #8FE6FF

RGB 143 230 255

HSL 193.39, 1%, 0.78%

LAB 86.83, -19.91, -20.31

 

CMYK 66 / 24 / 0 / 19

HEX #469ECF

RGB 70 158 207

HSL 201.46, 0.59%, 0.54%

LAB 61.88, -11.05, -32.82

 

CMYK 72 / 26 / 0 / 26

HEX #358CBC

RGB 53 140 188

HSL 201.33, 0.56%, 0.47%

LAB 55.22, -9.97, -32.52

 

CMYK 79 / 28 / 0 / 34

HEX #247AA9

RGB 36 122 169

HSL 201.2, 0.65%, 0.4%

LAB 48.46, -8.55, -32.18

 

CMYK 87 / 31 / 0 / 41

HEX #136896

RGB 19 104 150

HSL 201.07, 0.78%, 0.33%

LAB 41.6, -6.66, -31.77

 

CMYK 98 / 34 / 0 / 49

HEX #025683

RGB 2 86 131

HSL 200.93, 0.97%, 0.26%

LAB 34.61, -4.19, -31.3

 

CMYK 67 / 24 / 0 / 19

HEX #449DCF

RGB 68 157 207

HSL 201.58, 0.59%, 0.54%

LAB 61.52, -10.81, -33.38

 

CMYK 67 / 42 / 0 / 19

HEX #4478CF

RGB 68 120 207

HSL 217.55, 0.59%, 0.54%

LAB 50.88, 10.9, -50.15

 

CMYK 67 / 60 / 0 / 19

HEX #4453CF

RGB 68 83 207

HSL 233.53, 0.59%, 0.54%

LAB 41.09, 34.19, -65.95

 

CMYK 56 / 67 / 0 / 19

HEX #5C44CF

RGB 92 68 207

HSL 250.36, 0.59%, 0.54%

LAB 39.44, 46.81, -68.57

 

CMYK 38 / 67 / 0 / 19

HEX #8144CF

RGB 129 68 207

HSL 266.33, 0.59%, 0.54%

LAB 43.22, 53.5, -62.24

 

CMYK 67 / 24 / 0 / 19

HEX #449DCF

RGB 68 157 207

HSL 201.58, 0.59%, 0.54%

LAB 61.52, -10.81, -33.38

 

CMYK 67 / 42 / 0 / 19

HEX #4478CF

RGB 68 120 207

HSL 217.55, 0.59%, 0.54%

LAB 50.88, 10.9, -50.15

 

CMYK 67 / 60 / 0 / 19

HEX #4453CF

RGB 68 83 207

HSL 233.53, 0.59%, 0.54%

LAB 41.09, 34.19, -65.95

 

CMYK 67 / 67 / 0 / 19

HEX #4444CF

RGB 68 68 207

HSL 240, 0.59%, 0.54%

LAB 37.6, 43.36, -71.64

 

CMYK 67 / 24 / 0 / 19

HEX #449DCF

RGB 68 157 207

HSL 201.58, 0.59%, 0.54%

LAB 61.52, -10.81, -33.38

 

CMYK 78 / 28 / 0 / 11

HEX #32A3E2

RGB 50 163 226

HSL 201.48, 0.75%, 0.54%

LAB 63.64, -10.04, -40.65

 

CMYK 87 / 31 / 0 / 4

HEX #1FA8F5

RGB 31 168 245

HSL 201.59, 0.91%, 0.54%

LAB 65.66, -7.64, -47.93

 

CMYK 67 / 24 / 0 / 19

HEX #449DCF

RGB 68 157 207

HSL 201.58, 0.59%, 0.54%

LAB 61.52, -10.81, -33.38

 

CMYK 54 / 19 / 0 / 26

HEX #5798BC

RGB 87 152 188

HSL 201.39, 0.43%, 0.54%

LAB 59.99, -10.49, -25.04

 

CMYK 37 / 13 / 0 / 34

HEX #6A93A9

RGB 106 147 169

HSL 200.95, 0.27%, 0.54%

LAB 58.79, -8.36, -16.03

 

CMYK 17 / 6 / 0 / 41

HEX #7D8D96

RGB 125 141 150

HSL 201.6, 0.11%, 0.54%

LAB 57.67, -3.77, -6.73

 

CMYK 0 / 6 / 9 / 44

HEX #908883

RGB 144 136 131

HSL 23.08, 0.06%, 0.54%

LAB 57.25, 2.07, 3.74

 

CMYK 67 / 0 / 12 / 19

HEX #44CFB6

RGB 68 207 182

HSL 169.21, 0.59%, 0.54%

LAB 75.6, -42.89, 1.58

 

CMYK 67 / 6 / 0 / 19

HEX #44C3CF

RGB 68 195 207

HSL 185.18, 0.59%, 0.54%

LAB 72.74, -30.49, -16.2

 

CMYK 67 / 24 / 0 / 19

HEX #449ECF

RGB 68 158 207

HSL 201.15, 0.59%, 0.54%

LAB 61.82, -11.37, -32.93

 

CMYK 67 / 41 / 0 / 19

HEX #447ACF

RGB 68 122 207

HSL 216.69, 0.59%, 0.54%

LAB 51.44, 9.67, -49.26

 

CMYK 67 / 59 / 0 / 19

HEX #4455CF

RGB 68 85 207

HSL 232.66, 0.59%, 0.54%

LAB 41.58, 32.94, -65.15

 

CMYK 74 / 26 / 0 / 40

HEX #287199

RGB 40 113 153

HSL 201.24, 0.59%, 0.38%

LAB 45.03, -8.58, -28.15

 

CMYK 74 / 26 / 0 / 27

HEX #3089BA

RGB 48 137 186

HSL 201.3, 0.59%, 0.46%

LAB 54.1, -9.64, -33.15

 

CMYK 67 / 24 / 0 / 19

HEX #449DCF

RGB 68 157 207

HSL 201.58, 0.59%, 0.54%

LAB 61.52, -10.81, -33.38

 

CMYK 53 / 19 / 0 / 16

HEX #65AFD7

RGB 101 175 215

HSL 201.05, 0.59%, 0.62%

LAB 68.27, -11.92, -27.29

 

CMYK 40 / 14 / 0 / 12

HEX #86C0E0

RGB 134 192 224

HSL 201.33, 0.59%, 0.7%

LAB 74.92, -10.64, -21.89

 

CMYK 66 / 24 / 0 / 19

HEX #469ECF

RGB 70 158 207

HSL 201.46, 0.59%, 0.54%

LAB 61.88, -11.05, -32.82

 

CMYK 30 / 67 / 0 / 19

HEX #9144CF

RGB 145 68 207

HSL 273.24, 0.59%, 0.54%

LAB 45.16, 56.75, -59.01

 

CMYK 0 / 3 / 67 / 19

HEX #CFC844

RGB 207 200 68

HSL 56.98, 0.59%, 0.54%

LAB 79.04, -13.05, 63.92

 

CMYK 66 / 24 / 0 / 19

HEX #469ECF

RGB 70 158 207

HSL 201.46, 0.59%, 0.54%

LAB 61.88, -11.05, -32.82

 

CMYK 0 / 67 / 24 / 19

HEX #CF449E

RGB 207 68 158

HSL 321.15, 0.59%, 0.54%

LAB 51.69, 63.08, -19.5

 

CMYK 24 / 0 / 67 / 19

HEX #9ECF44

RGB 158 207 68

HSL 81.15, 0.59%, 0.54%

LAB 77.47, -36.3, 61.2

 

CMYK 66 / 24 / 0 / 19

HEX #469ECF

RGB 70 158 207

HSL 201.46, 0.59%, 0.54%

LAB 61.88, -11.05, -32.82

 

CMYK 30 / 67 / 0 / 19

HEX #9144CF

RGB 145 68 207

HSL 273.24, 0.59%, 0.54%

LAB 45.16, 56.75, -59.01

 

CMYK 0 / 43 / 67 / 19

HEX #CF7544

RGB 207 117 68

HSL 21.15, 0.59%, 0.54%

LAB 58.42, 31.13, 41.78

 

CMYK 37 / 0 / 67 / 19

HEX #83CF44

RGB 131 207 68

HSL 92.81, 0.59%, 0.54%

LAB 75.99, -46.09, 59.19

 

CMYK 66 / 24 / 0 / 19

HEX #469ECF

RGB 70 158 207

HSL 201.46, 0.59%, 0.54%

LAB 61.88, -11.05, -32.82

 

CMYK 10 / 67 / 0 / 19

HEX #BA44CF

RGB 186 68 207

HSL 290.94, 0.59%, 0.54%

LAB 50.78, 65.63, -49.69

 

CMYK 0 / 43 / 67 / 19

HEX #CF7544

RGB 207 117 68

HSL 21.15, 0.59%, 0.54%

LAB 58.42, 31.13, 41.78

 

CMYK 57 / 0 / 67 / 19

HEX #59CF44

RGB 89 207 68

HSL 110.94, 0.59%, 0.54%

LAB 74.3, -58.6, 56.89

 

Description

Color code: HEX #469ECF | qconv.com Color code: HEX #469ECF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 158 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 158 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 24 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 24% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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