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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4699C6 it is the complementary color #B96639. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4699C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4699C6 shade: #4B99C1, #5CABD4, #6DBDE7, #7ECFFA and #8FE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4699C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4699C6 shade: #4699C6, #3587B3, #2475A0, #13638D and #02517A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4699C6 shade: #489AC7, #4878C7, #4855C7, #5C48C7 and #7E48C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4699C6 shade: #489AC7, #4878C7, #4855C7 and #4848C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4699C6 shade matches the following richer shades: #489AC7, #34A0DA and #21A6ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4699C6 shade: #489AC7, #5B94B3, #6E8EA0, #82898C and #958379

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4699C6 shade: #48C7AF, #48BCC7, #489AC7, #4878C7 and #4856C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4699C6 shade: #2C6D90, #3685AF, #489AC7, #67ABD0 and #87BDDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4699C6 shade: #4699C6, #8E48C7 and #C7C048

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4699C6 shade: #4699C6, #C7489A and #9AC748

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4699C6 shade: #4699C6, #8E48C7, #C77448 and #81C748

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4699C6 shade: #4699C6, #B448C7, #C77448 and #5BC748

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 23 / 0 / 22

HEX #4699C6

RGB 70 153 198

HSL 201.09, 0.53%, 0.53%

LAB 60.03, -11.22, -30.65

 

Complementary color

CMYK 0 / 45 / 69 / 27

HEX #B96639

RGB 185 102 57

HSL 21.09, 0.53%, 0.47%

LAB 51.96, 29.52, 39.38

 

CMYK 61 / 21 / 0 / 24

HEX #4B99C1

RGB 75 153 193

HSL 200.34, 0.49%, 0.53%

LAB 60, -11.94, -27.87

 

CMYK 57 / 19 / 0 / 17

HEX #5CABD4

RGB 92 171 212

HSL 200.5, 0.58%, 0.6%

LAB 66.64, -12.54, -28.17

 

CMYK 53 / 18 / 0 / 9

HEX #6DBDE7

RGB 109 189 231

HSL 200.66, 0.72%, 0.67%

LAB 73.16, -13.01, -28.46

 

CMYK 50 / 17 / 0 / 2

HEX #7ECFFA

RGB 126 207 250

HSL 200.81, 0.93%, 0.74%

LAB 79.59, -13.39, -28.75

 

CMYK 44 / 12 / 0 / 0

HEX #8FE1FF

RGB 143 225 255

HSL 196.07, 1%, 0.78%

LAB 85.46, -17.4, -22.39

 

CMYK 65 / 23 / 0 / 22

HEX #4699C6

RGB 70 153 198

HSL 201.09, 0.53%, 0.53%

LAB 60.03, -11.22, -30.65

 

CMYK 70 / 25 / 0 / 30

HEX #3587B3

RGB 53 135 179

HSL 200.95, 0.54%, 0.45%

LAB 53.32, -10.23, -30.34

 

CMYK 78 / 27 / 0 / 37

HEX #2475A0

RGB 36 117 160

HSL 200.81, 0.63%, 0.38%

LAB 46.49, -8.92, -29.99

 

CMYK 87 / 30 / 0 / 45

HEX #13638D

RGB 19 99 141

HSL 200.66, 0.76%, 0.31%

LAB 39.56, -7.11, -29.58

 

CMYK 98 / 34 / 0 / 52

HEX #02517A

RGB 2 81 122

HSL 200.5, 0.97%, 0.24%

LAB 32.49, -4.73, -29.1

 

CMYK 64 / 23 / 0 / 22

HEX #489AC7

RGB 72 154 199

HSL 201.26, 0.53%, 0.53%

LAB 60.44, -11.11, -30.58

 

CMYK 64 / 40 / 0 / 22

HEX #4878C7

RGB 72 120 199

HSL 217.32, 0.53%, 0.53%

LAB 50.61, 8.78, -46.01

 

CMYK 64 / 57 / 0 / 22

HEX #4855C7

RGB 72 85 199

HSL 233.86, 0.53%, 0.53%

LAB 41.21, 30.78, -61.11

 

CMYK 54 / 64 / 0 / 22

HEX #5C48C7

RGB 92 72 199

HSL 249.45, 0.53%, 0.53%

LAB 39.64, 42.12, -63.61

 

CMYK 37 / 64 / 0 / 22

HEX #7E48C7

RGB 126 72 199

HSL 265.51, 0.53%, 0.53%

LAB 43.05, 48.83, -57.91

 

CMYK 64 / 23 / 0 / 22

HEX #489AC7

RGB 72 154 199

HSL 201.26, 0.53%, 0.53%

LAB 60.44, -11.11, -30.58

 

CMYK 64 / 40 / 0 / 22

HEX #4878C7

RGB 72 120 199

HSL 217.32, 0.53%, 0.53%

LAB 50.61, 8.78, -46.01

 

CMYK 64 / 57 / 0 / 22

HEX #4855C7

RGB 72 85 199

HSL 233.86, 0.53%, 0.53%

LAB 41.21, 30.78, -61.11

 

CMYK 64 / 64 / 0 / 22

HEX #4848C7

RGB 72 72 199

HSL 240, 0.53%, 0.53%

LAB 38.09, 38.86, -66.21

 

CMYK 64 / 23 / 0 / 22

HEX #489AC7

RGB 72 154 199

HSL 201.26, 0.53%, 0.53%

LAB 60.44, -11.11, -30.58

 

CMYK 76 / 27 / 0 / 15

HEX #34A0DA

RGB 52 160 218

HSL 200.96, 0.69%, 0.53%

LAB 62.45, -10.93, -38.09

 

CMYK 86 / 30 / 0 / 7

HEX #21A6ED

RGB 33 166 237

HSL 200.88, 0.85%, 0.53%

LAB 64.73, -9.26, -45.01

 

CMYK 64 / 23 / 0 / 22

HEX #489AC7

RGB 72 154 199

HSL 201.26, 0.53%, 0.53%

LAB 60.44, -11.11, -30.58

 

CMYK 49 / 17 / 0 / 30

HEX #5B94B3

RGB 91 148 179

HSL 201.14, 0.37%, 0.53%

LAB 58.66, -10.03, -21.98

 

CMYK 31 / 11 / 0 / 37

HEX #6E8EA0

RGB 110 142 160

HSL 201.6, 0.21%, 0.53%

LAB 57.27, -6.75, -13.16

 

CMYK 7 / 2 / 0 / 45

HEX #82898C

RGB 130 137 140

HSL 198, 0.04%, 0.53%

LAB 56.62, -1.94, -2.5

 

CMYK 0 / 12 / 19 / 42

HEX #958379

RGB 149 131 121

HSL 21.43, 0.12%, 0.53%

LAB 56.09, 5.13, 7.9

 

CMYK 64 / 0 / 12 / 22

HEX #48C7AF

RGB 72 199 175

HSL 168.66, 0.53%, 0.53%

LAB 73.1, -40.5, 1.75

 

CMYK 64 / 6 / 0 / 22

HEX #48BCC7

RGB 72 188 199

HSL 185.2, 0.53%, 0.53%

LAB 70.5, -28.81, -15.19

 

CMYK 64 / 23 / 0 / 22

HEX #489AC7

RGB 72 154 199

HSL 201.26, 0.53%, 0.53%

LAB 60.44, -11.11, -30.58

 

CMYK 64 / 40 / 0 / 22

HEX #4878C7

RGB 72 120 199

HSL 217.32, 0.53%, 0.53%

LAB 50.61, 8.78, -46.01

 

CMYK 64 / 57 / 0 / 22

HEX #4856C7

RGB 72 86 199

HSL 233.39, 0.53%, 0.53%

LAB 41.46, 30.15, -60.7

 

CMYK 69 / 24 / 0 / 44

HEX #2C6D90

RGB 44 109 144

HSL 201, 0.53%, 0.37%

LAB 43.49, -8.81, -25.19

 

CMYK 69 / 24 / 0 / 31

HEX #3685AF

RGB 54 133 175

HSL 200.83, 0.53%, 0.45%

LAB 52.57, -10.32, -29.21

 

CMYK 64 / 23 / 0 / 22

HEX #489AC7

RGB 72 154 199

HSL 201.26, 0.53%, 0.53%

LAB 60.44, -11.11, -30.58

 

CMYK 50 / 18 / 0 / 18

HEX #67ABD0

RGB 103 171 208

HSL 201.14, 0.53%, 0.61%

LAB 66.95, -11.37, -25.45

 

CMYK 38 / 13 / 0 / 15

HEX #87BDDA

RGB 135 189 218

HSL 200.96, 0.53%, 0.69%

LAB 73.94, -10.35, -20.12

 

CMYK 65 / 23 / 0 / 22

HEX #4699C6

RGB 70 153 198

HSL 201.09, 0.53%, 0.53%

LAB 60.03, -11.22, -30.65

 

CMYK 29 / 64 / 0 / 22

HEX #8E48C7

RGB 142 72 199

HSL 273.07, 0.53%, 0.53%

LAB 44.95, 52.33, -54.75

 

CMYK 0 / 4 / 64 / 22

HEX #C7C048

RGB 199 192 72

HSL 56.69, 0.53%, 0.53%

LAB 76.26, -12.13, 59.23

 

CMYK 65 / 23 / 0 / 22

HEX #4699C6

RGB 70 153 198

HSL 201.09, 0.53%, 0.53%

LAB 60.03, -11.22, -30.65

 

CMYK 0 / 64 / 23 / 22

HEX #C7489A

RGB 199 72 154

HSL 321.26, 0.53%, 0.53%

LAB 50.82, 58.76, -18.58

 

CMYK 23 / 0 / 64 / 22

HEX #9AC748

RGB 154 199 72

HSL 81.26, 0.53%, 0.53%

LAB 74.94, -33.88, 56.84

 

CMYK 65 / 23 / 0 / 22

HEX #4699C6

RGB 70 153 198

HSL 201.09, 0.53%, 0.53%

LAB 60.03, -11.22, -30.65

 

CMYK 29 / 64 / 0 / 22

HEX #8E48C7

RGB 142 72 199

HSL 273.07, 0.53%, 0.53%

LAB 44.95, 52.33, -54.75

 

CMYK 0 / 42 / 64 / 22

HEX #C77448

RGB 199 116 72

HSL 20.79, 0.53%, 0.53%

LAB 57.17, 28.65, 37.94

 

CMYK 35 / 0 / 64 / 22

HEX #81C748

RGB 129 199 72

HSL 93.07, 0.53%, 0.53%

LAB 73.53, -43.06, 54.91

 

CMYK 65 / 23 / 0 / 22

HEX #4699C6

RGB 70 153 198

HSL 201.09, 0.53%, 0.53%

LAB 60.03, -11.22, -30.65

 

CMYK 10 / 64 / 0 / 22

HEX #B448C7

RGB 180 72 199

HSL 291.02, 0.53%, 0.53%

LAB 50.05, 61.12, -46.3

 

CMYK 0 / 42 / 64 / 22

HEX #C77448

RGB 199 116 72

HSL 20.79, 0.53%, 0.53%

LAB 57.17, 28.65, 37.94

 

CMYK 54 / 0 / 64 / 22

HEX #5BC748

RGB 91 199 72

HSL 111.02, 0.53%, 0.53%

LAB 71.92, -54.77, 52.68

 

Description

Color code: HEX #4699C6 | qconv.com Color code: HEX #4699C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 153 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 153 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 23 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 23% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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