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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #469922 it is the complementary color #B966DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #469922. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #469922 shade: #4B991D, #5CAB30, #6DBD43, #7ECF56 and #8FE169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #469922. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #469922 shade: #469922, #35870F, #247500, #136300 and #025100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #469922 shade: #469B22, #679B22, #889B22, #9B8D22 and #9B6D22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #469922 shade: #469B22, #269B22, #229B3F, #229B5F and #229B80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #469922 shade matches the following richer shades: #469B22, #40AA13 and #3AB903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #469922 shade: #469B22, #4D8B31, #537C40, #596D50 and #5F5E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #469922 shade: #899B22, #689B22, #489B22, #289B22 and #229B3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #469922 shade: #285713, #37791B, #469B22, #56BD29 and #69D43B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #469922 shade: #469922, #229B8D and #9B2279

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #469922 shade: #469922, #22489B and #9B2248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #469922 shade: #469922, #229B8D, #74229B and #9B2230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #469922 shade: #469922, #22859B, #74229B and #9B3822

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 78 / 40

HEX #469922

RGB 70 153 34

HSL 101.85, 0.64%, 0.37%

LAB 56.29, -46.24, 50.99

 

Complementary color

CMYK 16 / 54 / 0 / 13

HEX #B966DD

RGB 185 102 221

HSL 281.85, 0.64%, 0.63%

LAB 57.11, 52.59, -47.58

 

CMYK 51 / 0 / 81 / 40

HEX #4B991D

RGB 75 153 29

HSL 97.74, 0.68%, 0.36%

LAB 56.45, -45.04, 52.82

 

CMYK 46 / 0 / 72 / 33

HEX #5CAB30

RGB 92 171 48

HSL 98.54, 0.56%, 0.43%

LAB 63.02, -45.67, 52.93

 

CMYK 42 / 0 / 65 / 26

HEX #6DBD43

RGB 109 189 67

HSL 99.34, 0.48%, 0.5%

LAB 69.51, -46.01, 52.35

 

CMYK 39 / 0 / 58 / 19

HEX #7ECF56

RGB 126 207 86

HSL 100.17, 0.56%, 0.57%

LAB 75.91, -46.16, 51.43

 

CMYK 36 / 0 / 53 / 12

HEX #8FE169

RGB 143 225 105

HSL 101, 0.67%, 0.65%

LAB 82.22, -46.19, 50.36

 

CMYK 54 / 0 / 78 / 40

HEX #469922

RGB 70 153 34

HSL 101.85, 0.64%, 0.37%

LAB 56.29, -46.24, 50.99

 

CMYK 61 / 0 / 89 / 47

HEX #35870F

RGB 53 135 15

HSL 101, 0.8%, 0.29%

LAB 49.64, -45.18, 50.13

 

CMYK 69 / 0 / 100 / 54

HEX #247500

RGB 36 117 0

HSL 101.54, 1%, 0.23%

LAB 42.91, -43.46, 47.47

 

CMYK 81 / 0 / 100 / 61

HEX #136300

RGB 19 99 0

HSL 108.48, 1%, 0.19%

LAB 36.1, -40.67, 41.89

 

CMYK 98 / 0 / 100 / 68

HEX #025100

RGB 2 81 0

HSL 118.52, 1%, 0.16%

LAB 29.15, -37.18, 36.22

 

CMYK 55 / 0 / 78 / 39

HEX #469B22

RGB 70 155 34

HSL 102.15, 0.64%, 0.37%

LAB 56.94, -47.01, 51.62

 

CMYK 34 / 0 / 78 / 39

HEX #679B22

RGB 103 155 34

HSL 85.79, 0.64%, 0.37%

LAB 58.45, -35.91, 53.6

 

CMYK 12 / 0 / 78 / 39

HEX #889B22

RGB 136 155 34

HSL 69.42, 0.64%, 0.37%

LAB 60.6, -22.41, 56.37

 

CMYK 0 / 9 / 78 / 39

HEX #9B8D22

RGB 155 141 34

HSL 53.06, 0.64%, 0.37%

LAB 58.16, -6.61, 54.72

 

CMYK 0 / 30 / 78 / 39

HEX #9B6D22

RGB 155 109 34

HSL 37.19, 0.64%, 0.37%

LAB 49.52, 11.33, 46.62

 

CMYK 55 / 0 / 78 / 39

HEX #469B22

RGB 70 155 34

HSL 102.15, 0.64%, 0.37%

LAB 56.94, -47.01, 51.62

 

CMYK 75 / 0 / 78 / 39

HEX #269B22

RGB 38 155 34

HSL 118.02, 0.64%, 0.37%

LAB 56.06, -54.24, 50.46

 

CMYK 78 / 0 / 59 / 39

HEX #229B3F

RGB 34 155 63

HSL 134.38, 0.64%, 0.37%

LAB 56.23, -51.89, 38.51

 

CMYK 78 / 0 / 39 / 39

HEX #229B5F

RGB 34 155 95

HSL 150.25, 0.64%, 0.37%

LAB 56.69, -46.49, 22.46

 

CMYK 78 / 0 / 17 / 39

HEX #229B80

RGB 34 155 128

HSL 166.61, 0.64%, 0.37%

LAB 57.41, -38.74, 4.99

 

CMYK 55 / 0 / 78 / 39

HEX #469B22

RGB 70 155 34

HSL 102.15, 0.64%, 0.37%

LAB 56.94, -47.01, 51.62

 

CMYK 62 / 0 / 89 / 33

HEX #40AA13

RGB 64 170 19

HSL 102.12, 0.8%, 0.37%

LAB 61.56, -54.77, 59.74

 

CMYK 69 / 0 / 98 / 27

HEX #3AB903

RGB 58 185 3

HSL 101.87, 0.97%, 0.37%

LAB 66.22, -61.46, 65.85

 

CMYK 55 / 0 / 78 / 39

HEX #469B22

RGB 70 155 34

HSL 102.15, 0.64%, 0.37%

LAB 56.94, -47.01, 51.62

 

CMYK 45 / 0 / 65 / 45

HEX #4D8B31

RGB 77 139 49

HSL 101.33, 0.48%, 0.37%

LAB 52.14, -37.08, 40.78

 

CMYK 33 / 0 / 48 / 51

HEX #537C40

RGB 83 124 64

HSL 101, 0.32%, 0.37%

LAB 47.78, -26.2, 28.2

 

CMYK 18 / 0 / 27 / 57

HEX #596D50

RGB 89 109 80

HSL 101.38, 0.15%, 0.37%

LAB 43.71, -13.45, 13.81

 

CMYK 0 / 1 / 0 / 63

HEX #5F5E5F

RGB 95 94 95

HSL 300, 0.01%, 0.37%

LAB 40.02, 0.61, -0.44

 

CMYK 12 / 0 / 78 / 39

HEX #899B22

RGB 137 155 34

HSL 68.93, 0.64%, 0.37%

LAB 60.67, -21.98, 56.47

 

CMYK 33 / 0 / 78 / 39

HEX #689B22

RGB 104 155 34

HSL 85.29, 0.64%, 0.37%

LAB 58.51, -35.53, 53.67

 

CMYK 54 / 0 / 78 / 39

HEX #489B22

RGB 72 155 34

HSL 101.16, 0.64%, 0.37%

LAB 57.01, -46.43, 51.72

 

CMYK 74 / 0 / 78 / 39

HEX #289B22

RGB 40 155 34

HSL 117.02, 0.64%, 0.37%

LAB 56.1, -53.91, 50.51

 

CMYK 78 / 0 / 61 / 39

HEX #229B3C

RGB 34 155 60

HSL 132.89, 0.64%, 0.37%

LAB 56.2, -52.29, 39.9

 

CMYK 54 / 0 / 78 / 66

HEX #285713

RGB 40 87 19

HSL 101.47, 0.64%, 0.21%

LAB 32.51, -29.56, 32.73

 

CMYK 55 / 0 / 78 / 53

HEX #37791B

RGB 55 121 27

HSL 102.13, 0.64%, 0.29%

LAB 45.03, -38.52, 42.28

 

CMYK 55 / 0 / 78 / 39

HEX #469B22

RGB 70 155 34

HSL 102.15, 0.64%, 0.37%

LAB 56.94, -47.01, 51.62

 

CMYK 54 / 0 / 78 / 26

HEX #56BD29

RGB 86 189 41

HSL 101.76, 0.64%, 0.45%

LAB 68.41, -54.84, 60.56

 

CMYK 50 / 0 / 72 / 17

HEX #69D43B

RGB 105 212 59

HSL 101.96, 0.64%, 0.53%

LAB 76.32, -56.89, 62.55

 

CMYK 54 / 0 / 78 / 40

HEX #469922

RGB 70 153 34

HSL 101.85, 0.64%, 0.37%

LAB 56.29, -46.24, 50.99

 

CMYK 78 / 0 / 9 / 39

HEX #229B8D

RGB 34 155 141

HSL 173.06, 0.64%, 0.37%

LAB 57.76, -35.17, -1.89

 

CMYK 0 / 78 / 22 / 39

HEX #9B2279

RGB 155 34 121

HSL 316.86, 0.64%, 0.37%

LAB 36.92, 56.58, -20.52

 

CMYK 54 / 0 / 78 / 40

HEX #469922

RGB 70 153 34

HSL 101.85, 0.64%, 0.37%

LAB 56.29, -46.24, 50.99

 

CMYK 78 / 54 / 0 / 39

HEX #22489B

RGB 34 72 155

HSL 221.16, 0.64%, 0.37%

LAB 32.57, 17.63, -49.17

 

CMYK 0 / 78 / 54 / 39

HEX #9B2248

RGB 155 34 72

HSL 341.16, 0.64%, 0.37%

LAB 35.16, 51.22, 8.16

 

CMYK 54 / 0 / 78 / 40

HEX #469922

RGB 70 153 34

HSL 101.85, 0.64%, 0.37%

LAB 56.29, -46.24, 50.99

 

CMYK 78 / 0 / 9 / 39

HEX #229B8D

RGB 34 155 141

HSL 173.06, 0.64%, 0.37%

LAB 57.76, -35.17, -1.89

 

CMYK 25 / 78 / 0 / 39

HEX #74229B

RGB 116 34 155

HSL 280.66, 0.64%, 0.37%

LAB 32.31, 53.86, -49.24

 

CMYK 0 / 78 / 69 / 39

HEX #9B2230

RGB 155 34 48

HSL 353.06, 0.64%, 0.37%

LAB 34.65, 49.59, 22.95

 

CMYK 54 / 0 / 78 / 40

HEX #469922

RGB 70 153 34

HSL 101.85, 0.64%, 0.37%

LAB 56.29, -46.24, 50.99

 

CMYK 78 / 14 / 0 / 39

HEX #22859B

RGB 34 133 155

HSL 190.91, 0.64%, 0.37%

LAB 51.25, -19.87, -19.72

 

CMYK 25 / 78 / 0 / 39

HEX #74229B

RGB 116 34 155

HSL 280.66, 0.64%, 0.37%

LAB 32.31, 53.86, -49.24

 

CMYK 0 / 64 / 78 / 39

HEX #9B3822

RGB 155 56 34

HSL 10.91, 0.64%, 0.37%

LAB 37.68, 40.12, 34.79

 

Description

Color code: HEX #469922 | qconv.com Color code: HEX #469922 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 153 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 153 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 78 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 78% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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