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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #469300 it is the complementary color #B96CFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #469300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #469300 shade: #4B9300, #5CA50E, #6DB721, #7EC934 and #8FDB47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #469300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #469300 shade: #469300, #358100, #246F00, #135D00 and #024B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #469300 shade: #469400, #6E9400, #949200, #946A00 and #944200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #469300 shade: #469400, #1F9400, #009409, #009431 and #009459

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #469300 shade matches the following richer shades: #469400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #469300 shade: #469400, #47880C, #487C18, #487024 and #496430

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #469300 shade: #949100, #6F9400, #479400, #209400 and #009407

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #469300 shade: #1F4100, #336B00, #469400, #5ABD00 and #6EE600

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #469300 shade: #469300, #00946A and #940083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #469300 shade: #469300, #004794 and #940047

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #469300 shade: #469300, #00946A, #4C0094 and #94002A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #469300 shade: #469300, #009194, #4C0094 and #940200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 100 / 42

HEX #469300

RGB 70 147 0

HSL 91.43, 1%, 0.29%

LAB 54.21, -45.27, 56.88

 

Complementary color

CMYK 27 / 58 / 0 / 0

HEX #B96CFF

RGB 185 108 255

HSL 271.43, 1%, 0.71%

LAB 60.12, 56.97, -61.71

 

CMYK 49 / 0 / 100 / 42

HEX #4B9300

RGB 75 147 0

HSL 89.39, 1%, 0.29%

LAB 54.41, -43.68, 57.12

 

CMYK 44 / 0 / 92 / 35

HEX #5CA50E

RGB 92 165 14

HSL 89.01, 0.84%, 0.35%

LAB 60.97, -44.92, 60.58

 

CMYK 40 / 0 / 82 / 28

HEX #6DB721

RGB 109 183 33

HSL 89.6, 0.69%, 0.42%

LAB 67.45, -45.8, 62.31

 

CMYK 37 / 0 / 74 / 21

HEX #7EC934

RGB 126 201 52

HSL 90.2, 0.59%, 0.5%

LAB 73.84, -46.4, 62.81

 

CMYK 35 / 0 / 68 / 14

HEX #8FDB47

RGB 143 219 71

HSL 90.81, 0.67%, 0.57%

LAB 80.16, -46.78, 62.58

 

CMYK 52 / 0 / 100 / 42

HEX #469300

RGB 70 147 0

HSL 91.43, 1%, 0.29%

LAB 54.21, -45.27, 56.88

 

CMYK 59 / 0 / 100 / 49

HEX #358100

RGB 53 129 0

HSL 95.35, 1%, 0.25%

LAB 47.57, -43.45, 51.38

 

CMYK 68 / 0 / 100 / 56

HEX #246F00

RGB 36 111 0

HSL 100.54, 1%, 0.22%

LAB 40.81, -41.31, 45.81

 

CMYK 80 / 0 / 100 / 64

HEX #135D00

RGB 19 93 0

HSL 107.74, 1%, 0.18%

LAB 33.91, -38.62, 40.15

 

CMYK 97 / 0 / 100 / 71

HEX #024B00

RGB 2 75 0

HSL 118.4, 1%, 0.15%

LAB 26.86, -35.25, 34.3

 

CMYK 53 / 0 / 100 / 42

HEX #469400

RGB 70 148 0

HSL 91.62, 1%, 0.29%

LAB 54.53, -45.65, 57.13

 

CMYK 26 / 0 / 100 / 42

HEX #6E9400

RGB 110 148 0

HSL 75.41, 1%, 0.29%

LAB 56.58, -31.02, 59.6

 

CMYK 0 / 1 / 100 / 42

HEX #949200

RGB 148 146 0

HSL 59.19, 1%, 0.29%

LAB 58.84, -13.32, 62.56

 

CMYK 0 / 28 / 100 / 42

HEX #946A00

RGB 148 106 0

HSL 42.97, 1%, 0.29%

LAB 47.76, 8.91, 54.72

 

CMYK 0 / 55 / 100 / 42

HEX #944200

RGB 148 66 0

HSL 26.76, 1%, 0.29%

LAB 38.19, 31.51, 48.66

 

CMYK 53 / 0 / 100 / 42

HEX #469400

RGB 70 148 0

HSL 91.62, 1%, 0.29%

LAB 54.53, -45.65, 57.13

 

CMYK 79 / 0 / 100 / 42

HEX #1F9400

RGB 31 148 0

HSL 107.43, 1%, 0.29%

LAB 53.46, -54.6, 55.83

 

CMYK 100 / 0 / 94 / 42

HEX #009409

RGB 0 148 9

HSL 123.65, 1%, 0.29%

LAB 53.17, -57.17, 53.95

 

CMYK 100 / 0 / 67 / 42

HEX #009431

RGB 0 148 49

HSL 139.86, 1%, 0.29%

LAB 53.39, -54.36, 41.67

 

CMYK 100 / 0 / 40 / 42

HEX #009459

RGB 0 148 89

HSL 156.08, 1%, 0.29%

LAB 53.92, -47.85, 22.01

 

CMYK 53 / 0 / 100 / 42

HEX #469400

RGB 70 148 0

HSL 91.62, 1%, 0.29%

LAB 54.53, -45.65, 57.13

 

CMYK 53 / 0 / 100 / 42

HEX #469400

RGB 70 148 0

HSL 91.62, 1%, 0.29%

LAB 54.53, -45.65, 57.13

 

CMYK 48 / 0 / 91 / 47

HEX #47880C

RGB 71 136 12

HSL 91.45, 0.84%, 0.29%

LAB 50.66, -40.24, 51.91

 

CMYK 42 / 0 / 81 / 51

HEX #487C18

RGB 72 124 24

HSL 91.2, 0.68%, 0.29%

LAB 46.79, -34.25, 45.3

 

CMYK 36 / 0 / 68 / 56

HEX #487024

RGB 72 112 36

HSL 91.58, 0.51%, 0.29%

LAB 42.9, -27.83, 36.58

 

CMYK 27 / 0 / 52 / 61

HEX #496430

RGB 73 100 48

HSL 91.15, 0.35%, 0.29%

LAB 39.15, -20.06, 26.15

 

CMYK 0 / 2 / 100 / 42

HEX #949100

RGB 148 145 0

HSL 58.78, 1%, 0.29%

LAB 58.55, -12.79, 62.35

 

CMYK 25 / 0 / 100 / 42

HEX #6F9400

RGB 111 148 0

HSL 75, 1%, 0.29%

LAB 56.64, -30.6, 59.68

 

CMYK 52 / 0 / 100 / 42

HEX #479400

RGB 71 148 0

HSL 91.22, 1%, 0.29%

LAB 54.57, -45.34, 57.18

 

CMYK 78 / 0 / 100 / 42

HEX #209400

RGB 32 148 0

HSL 107.03, 1%, 0.29%

LAB 53.48, -54.45, 55.85

 

CMYK 100 / 0 / 95 / 42

HEX #009407

RGB 0 148 7

HSL 122.84, 1%, 0.29%

LAB 53.16, -57.23, 54.28

 

CMYK 52 / 0 / 100 / 75

HEX #1F4100

RGB 31 65 0

HSL 91.38, 1%, 0.13%

LAB 23.91, -24.21, 31.83

 

CMYK 52 / 0 / 100 / 58

HEX #336B00

RGB 51 107 0

HSL 91.4, 1%, 0.21%

LAB 39.95, -35.4, 45.36

 

CMYK 53 / 0 / 100 / 42

HEX #469400

RGB 70 148 0

HSL 91.62, 1%, 0.29%

LAB 54.53, -45.65, 57.13

 

CMYK 52 / 0 / 100 / 26

HEX #5ABD00

RGB 90 189 0

HSL 91.43, 1%, 0.37%

LAB 68.44, -55.05, 68.38

 

CMYK 52 / 0 / 100 / 10

HEX #6EE600

RGB 110 230 0

HSL 91.3, 1%, 0.45%

LAB 81.79, -64.05, 79.18

 

CMYK 52 / 0 / 100 / 42

HEX #469300

RGB 70 147 0

HSL 91.43, 1%, 0.29%

LAB 54.21, -45.27, 56.88

 

CMYK 100 / 0 / 28 / 42

HEX #00946A

RGB 0 148 106

HSL 162.97, 1%, 0.29%

LAB 54.26, -43.97, 12.96

 

CMYK 0 / 100 / 11 / 42

HEX #940083

RGB 148 0 131

HSL 306.89, 1%, 0.29%

LAB 33.85, 62.99, -31.67

 

CMYK 52 / 0 / 100 / 42

HEX #469300

RGB 70 147 0

HSL 91.43, 1%, 0.29%

LAB 54.21, -45.27, 56.88

 

CMYK 100 / 52 / 0 / 42

HEX #004794

RGB 0 71 148

HSL 211.22, 1%, 0.29%

LAB 30.98, 12.88, -47.52

 

CMYK 0 / 100 / 52 / 42

HEX #940047

RGB 148 0 71

HSL 331.22, 1%, 0.29%

LAB 31.23, 56.32, 3.03

 

CMYK 52 / 0 / 100 / 42

HEX #469300

RGB 70 147 0

HSL 91.43, 1%, 0.29%

LAB 54.21, -45.27, 56.88

 

CMYK 100 / 0 / 28 / 42

HEX #00946A

RGB 0 148 106

HSL 162.97, 1%, 0.29%

LAB 54.26, -43.97, 12.96

 

CMYK 49 / 100 / 0 / 42

HEX #4C0094

RGB 76 0 148

HSL 270.81, 1%, 0.29%

LAB 22.57, 55.83, -61.13

 

CMYK 0 / 100 / 72 / 42

HEX #94002A

RGB 148 0 42

HSL 342.97, 1%, 0.29%

LAB 30.55, 54.5, 21.42

 

CMYK 52 / 0 / 100 / 42

HEX #469300

RGB 70 147 0

HSL 91.43, 1%, 0.29%

LAB 54.21, -45.27, 56.88

 

CMYK 100 / 2 / 0 / 42

HEX #009194

RGB 0 145 148

HSL 181.22, 1%, 0.29%

LAB 54.44, -30.61, -10.86

 

CMYK 49 / 100 / 0 / 42

HEX #4C0094

RGB 76 0 148

HSL 270.81, 1%, 0.29%

LAB 22.57, 55.83, -61.13

 

CMYK 0 / 99 / 100 / 42

HEX #940200

RGB 148 2 0

HSL 0.81, 1%, 0.29%

LAB 30.25, 53.09, 43.88

 

Description

Color code: HEX #469300 | qconv.com Color code: HEX #469300 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 147 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 147 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 100 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 100% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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