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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #468A50 it is the complementary color #B975AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #468A50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #468A50 shade: #4B8A4B, #5C9C5E, #6DAE71, #7EC084 and #8FD297

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #468A50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #468A50 shade: #468A50, #35783D, #24662A, #135417 and #024204

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #468A50 shade: #468B50, #4F8B46, #618B46, #748B46 and #868B46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #468A50 shade: #468B50, #468B63, #468B75, #468B88 and #467B8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #468A50 shade matches the following richer shades: #468B50, #359C44, #24AD38, #13BE2C and #02CF20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #468A50 shade: #468B50, #577A5C, #686968, #795874 and #8A4780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #468A50 shade: #628B46, #4F8B46, #468B4F, #468B62 and #468B74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #468A50 shade: #2A5431, #387040, #468B50, #54A660 and #6EB678

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #468A50 shade: #468A50, #46748B and #8B4658

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #468A50 shade: #468A50, #4F468B and #8B4F46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #468A50 shade: #468A50, #46748B, #8B4682 and #8B5D46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #468A50 shade: #468A50, #465F8B, #8B4682 and #8B7246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 42 / 46

HEX #468A50

RGB 70 138 80

HSL 128.82, 0.33%, 0.41%

LAB 51.9, -34.66, 24.57

 

Complementary color

CMYK 0 / 37 / 5 / 27

HEX #B975AF

RGB 185 117 175

HSL 308.82, 0.33%, 0.59%

LAB 58.16, 35.64, -19.78

 

CMYK 46 / 0 / 46 / 46

HEX #4B8A4B

RGB 75 138 75

HSL 120, 0.3%, 0.42%

LAB 52.04, -33.96, 27.52

 

CMYK 41 / 0 / 40 / 39

HEX #5C9C5E

RGB 92 156 94

HSL 121.88, 0.26%, 0.49%

LAB 58.84, -33.77, 26.19

 

CMYK 37 / 0 / 35 / 32

HEX #6DAE71

RGB 109 174 113

HSL 123.69, 0.29%, 0.55%

LAB 65.53, -33.53, 24.94

 

CMYK 34 / 0 / 31 / 25

HEX #7EC084

RGB 126 192 132

HSL 125.45, 0.34%, 0.62%

LAB 72.1, -33.27, 23.78

 

CMYK 32 / 0 / 28 / 18

HEX #8FD297

RGB 143 210 151

HSL 127.16, 0.43%, 0.69%

LAB 78.56, -33.01, 22.68

 

CMYK 49 / 0 / 42 / 46

HEX #468A50

RGB 70 138 80

HSL 128.82, 0.33%, 0.41%

LAB 51.9, -34.66, 24.57

 

CMYK 56 / 0 / 49 / 53

HEX #35783D

RGB 53 120 61

HSL 127.16, 0.39%, 0.34%

LAB 44.98, -34.72, 26.01

 

CMYK 65 / 0 / 59 / 60

HEX #24662A

RGB 36 102 42

HSL 125.45, 0.48%, 0.27%

LAB 37.92, -34.49, 27.51

 

CMYK 77 / 0 / 73 / 67

HEX #135417

RGB 19 84 23

HSL 123.69, 0.63%, 0.2%

LAB 30.74, -33.64, 28.86

 

CMYK 97 / 0 / 94 / 74

HEX #024204

RGB 2 66 4

HSL 121.88, 0.94%, 0.13%

LAB 23.4, -31.9, 29.39

 

CMYK 50 / 0 / 42 / 45

HEX #468B50

RGB 70 139 80

HSL 128.7, 0.33%, 0.41%

LAB 52.23, -35.11, 24.99

 

CMYK 43 / 0 / 50 / 45

HEX #4F8B46

RGB 79 139 70

HSL 112.17, 0.33%, 0.41%

LAB 52.48, -33.87, 30.78

 

CMYK 30 / 0 / 50 / 45

HEX #618B46

RGB 97 139 70

HSL 96.52, 0.33%, 0.41%

LAB 53.44, -27.5, 32.18

 

CMYK 17 / 0 / 50 / 45

HEX #748B46

RGB 116 139 70

HSL 80, 0.33%, 0.41%

LAB 54.68, -19.98, 33.98

 

CMYK 4 / 0 / 50 / 45

HEX #868B46

RGB 134 139 70

HSL 64.35, 0.33%, 0.41%

LAB 56.06, -12.39, 35.98

 

CMYK 50 / 0 / 42 / 45

HEX #468B50

RGB 70 139 80

HSL 128.7, 0.33%, 0.41%

LAB 52.23, -35.11, 24.99

 

CMYK 50 / 0 / 29 / 45

HEX #468B63

RGB 70 139 99

HSL 145.22, 0.33%, 0.41%

LAB 52.58, -31.5, 14.83

 

CMYK 50 / 0 / 16 / 45

HEX #468B75

RGB 70 139 117

HSL 160.87, 0.33%, 0.41%

LAB 53.01, -27.42, 5.09

 

CMYK 50 / 0 / 2 / 45

HEX #468B88

RGB 70 139 136

HSL 177.39, 0.33%, 0.41%

LAB 53.54, -22.51, -5.12

 

CMYK 50 / 12 / 0 / 45

HEX #467B8B

RGB 70 123 139

HSL 193.91, 0.33%, 0.41%

LAB 48.68, -13.04, -14.17

 

CMYK 50 / 0 / 42 / 45

HEX #468B50

RGB 70 139 80

HSL 128.7, 0.33%, 0.41%

LAB 52.23, -35.11, 24.99

 

CMYK 66 / 0 / 56 / 39

HEX #359C44

RGB 53 156 68

HSL 128.74, 0.49%, 0.41%

LAB 57.03, -48.23, 37.12

 

CMYK 79 / 0 / 68 / 32

HEX #24AD38

RGB 36 173 56

HSL 128.76, 0.66%, 0.41%

LAB 62.12, -58.47, 48.31

 

CMYK 90 / 0 / 77 / 25

HEX #13BE2C

RGB 19 190 44

HSL 128.77, 0.82%, 0.41%

LAB 67.39, -66.38, 58.15

 

CMYK 99 / 0 / 85 / 19

HEX #02CF20

RGB 2 207 32

HSL 128.78, 0.98%, 0.41%

LAB 72.72, -72.67, 66.46

 

CMYK 50 / 0 / 42 / 45

HEX #468B50

RGB 70 139 80

HSL 128.7, 0.33%, 0.41%

LAB 52.23, -35.11, 24.99

 

CMYK 29 / 0 / 25 / 52

HEX #577A5C

RGB 87 122 92

HSL 128.57, 0.17%, 0.41%

LAB 47.9, -19.01, 12.52

 

CMYK 1 / 0 / 1 / 59

HEX #686968

RGB 104 105 104

HSL 120, 0%, 0.41%

LAB 44.3, -0.59, 0.42

 

CMYK 0 / 27 / 4 / 53

HEX #795874

RGB 121 88 116

HSL 309.09, 0.16%, 0.41%

LAB 41.7, 18.64, -10.56

 

CMYK 0 / 49 / 7 / 46

HEX #8A4780

RGB 138 71 128

HSL 308.96, 0.32%, 0.41%

LAB 40.36, 36.74, -19.76

 

CMYK 29 / 0 / 50 / 45

HEX #628B46

RGB 98 139 70

HSL 95.65, 0.33%, 0.41%

LAB 53.5, -27.12, 32.27

 

CMYK 43 / 0 / 50 / 45

HEX #4F8B46

RGB 79 139 70

HSL 112.17, 0.33%, 0.41%

LAB 52.48, -33.87, 30.78

 

CMYK 50 / 0 / 43 / 45

HEX #468B4F

RGB 70 139 79

HSL 127.83, 0.33%, 0.41%

LAB 52.21, -35.28, 25.52

 

CMYK 50 / 0 / 29 / 45

HEX #468B62

RGB 70 139 98

HSL 144.35, 0.33%, 0.41%

LAB 52.56, -31.71, 15.37

 

CMYK 50 / 0 / 17 / 45

HEX #468B74

RGB 70 139 116

HSL 160, 0.33%, 0.41%

LAB 52.98, -27.66, 5.63

 

CMYK 50 / 0 / 42 / 67

HEX #2A5431

RGB 42 84 49

HSL 130, 0.33%, 0.25%

LAB 31.93, -23.34, 16.04

 

CMYK 50 / 0 / 43 / 56

HEX #387040

RGB 56 112 64

HSL 128.57, 0.33%, 0.33%

LAB 42.46, -29.7, 21.13

 

CMYK 50 / 0 / 42 / 45

HEX #468B50

RGB 70 139 80

HSL 128.7, 0.33%, 0.41%

LAB 52.23, -35.11, 24.99

 

CMYK 49 / 0 / 42 / 35

HEX #54A660

RGB 84 166 96

HSL 128.78, 0.33%, 0.49%

LAB 61.66, -40.31, 28.71

 

CMYK 40 / 0 / 34 / 29

HEX #6EB678

RGB 110 182 120

HSL 128.33, 0.33%, 0.57%

LAB 68.11, -35.72, 24.67

 

CMYK 49 / 0 / 42 / 46

HEX #468A50

RGB 70 138 80

HSL 128.82, 0.33%, 0.41%

LAB 51.9, -34.66, 24.57

 

CMYK 50 / 17 / 0 / 45

HEX #46748B

RGB 70 116 139

HSL 200, 0.33%, 0.41%

LAB 46.52, -9.05, -17.45

 

CMYK 0 / 50 / 37 / 45

HEX #8B4658

RGB 139 70 88

HSL 344.35, 0.33%, 0.41%

LAB 38.85, 31.34, 2.85

 

CMYK 49 / 0 / 42 / 46

HEX #468A50

RGB 70 138 80

HSL 128.82, 0.33%, 0.41%

LAB 51.9, -34.66, 24.57

 

CMYK 43 / 50 / 0 / 45

HEX #4F468B

RGB 79 70 139

HSL 247.83, 0.33%, 0.41%

LAB 33.79, 22.03, -37.31

 

CMYK 0 / 43 / 50 / 45

HEX #8B4F46

RGB 139 79 70

HSL 7.83, 0.33%, 0.41%

LAB 40.45, 24.16, 16.25

 

CMYK 49 / 0 / 42 / 46

HEX #468A50

RGB 70 138 80

HSL 128.82, 0.33%, 0.41%

LAB 51.9, -34.66, 24.57

 

CMYK 50 / 17 / 0 / 45

HEX #46748B

RGB 70 116 139

HSL 200, 0.33%, 0.41%

LAB 46.52, -9.05, -17.45

 

CMYK 0 / 50 / 6 / 45

HEX #8B4682

RGB 139 70 130

HSL 307.83, 0.33%, 0.41%

LAB 40.38, 37.96, -20.94

 

CMYK 0 / 33 / 50 / 45

HEX #8B5D46

RGB 139 93 70

HSL 20, 0.33%, 0.41%

LAB 43.89, 16.02, 20.82

 

CMYK 49 / 0 / 42 / 46

HEX #468A50

RGB 70 138 80

HSL 128.82, 0.33%, 0.41%

LAB 51.9, -34.66, 24.57

 

CMYK 50 / 32 / 0 / 45

HEX #465F8B

RGB 70 95 139

HSL 218.26, 0.33%, 0.41%

LAB 40.16, 3.61, -27.28

 

CMYK 0 / 50 / 6 / 45

HEX #8B4682

RGB 139 70 130

HSL 307.83, 0.33%, 0.41%

LAB 40.38, 37.96, -20.94

 

CMYK 0 / 18 / 50 / 45

HEX #8B7246

RGB 139 114 70

HSL 38.26, 0.33%, 0.41%

LAB 49.45, 3.77, 27.96

 

Description

Color code: HEX #468A50 | qconv.com Color code: HEX #468A50 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 138 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 138 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 42 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 42% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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