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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46830E it is the complementary color #B97CF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46830E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46830E shade: #4B8309, #5C951C, #6DA72F, #7EB942 and #8FCB55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46830E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46830E shade: #46830E, #357100, #245F00, #134D00 and #023B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46830E shade: #45810E, #64810E, #817F0E, #81600E and #81410E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46830E shade: #45810E, #26810E, #0E8115, #0E8134 and #0E8153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46830E shade matches the following richer shades: #45810E and #448D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46830E shade: #45810E, #457619, #466A25, #465F30 and #47533C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46830E shade: #817F0E, #64810E, #45810E, #27810E and #0E8113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46830E shade: #1D3706, #315C0A, #45810E, #59A711 and #6DCC15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46830E shade: #46830E, #0E8160 and #810E74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46830E shade: #46830E, #0E4581 and #810E45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46830E shade: #46830E, #0E8160, #490E81 and #810E2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46830E shade: #46830E, #0E7F81, #490E81 and #810F0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 89 / 49

HEX #46830E

RGB 70 131 14

HSL 91.28, 0.81%, 0.28%

LAB 48.97, -38.44, 50.03

 

Complementary color

CMYK 23 / 49 / 0 / 5

HEX #B97CF1

RGB 185 124 241

HSL 271.28, 0.81%, 0.72%

LAB 62.58, 45.42, -50.08

 

CMYK 43 / 0 / 93 / 49

HEX #4B8309

RGB 75 131 9

HSL 87.54, 0.87%, 0.27%

LAB 49.19, -36.83, 51.32

 

CMYK 38 / 0 / 81 / 42

HEX #5C951C

RGB 92 149 28

HSL 88.26, 0.68%, 0.35%

LAB 55.94, -37.68, 52.93

 

CMYK 35 / 0 / 72 / 35

HEX #6DA72F

RGB 109 167 47

HSL 89, 0.56%, 0.42%

LAB 62.59, -38.21, 53.14

 

CMYK 32 / 0 / 64 / 27

HEX #7EB942

RGB 126 185 66

HSL 89.75, 0.47%, 0.49%

LAB 69.13, -38.52, 52.61

 

CMYK 30 / 0 / 58 / 20

HEX #8FCB55

RGB 143 203 85

HSL 90.51, 0.53%, 0.56%

LAB 75.58, -38.68, 51.74

 

CMYK 47 / 0 / 89 / 49

HEX #46830E

RGB 70 131 14

HSL 91.28, 0.81%, 0.28%

LAB 48.97, -38.44, 50.03

 

CMYK 53 / 0 / 100 / 56

HEX #357100

RGB 53 113 0

HSL 91.86, 1%, 0.22%

LAB 42.1, -37.2, 47.08

 

CMYK 62 / 0 / 100 / 63

HEX #245F00

RGB 36 95 0

HSL 97.26, 1%, 0.19%

LAB 35.12, -35.28, 41.31

 

CMYK 75 / 0 / 100 / 70

HEX #134D00

RGB 19 77 0

HSL 105.19, 1%, 0.15%

LAB 27.97, -32.88, 35.39

 

CMYK 97 / 0 / 100 / 77

HEX #023B00

RGB 2 59 0

HSL 117.97, 1%, 0.12%

LAB 20.6, -29.91, 28.04

 

CMYK 47 / 0 / 89 / 49

HEX #45810E

RGB 69 129 14

HSL 91.3, 0.8%, 0.28%

LAB 48.26, -37.94, 49.4

 

CMYK 22 / 0 / 89 / 49

HEX #64810E

RGB 100 129 14

HSL 75.13, 0.8%, 0.28%

LAB 50.03, -25.77, 51.61

 

CMYK 0 / 2 / 89 / 49

HEX #817F0E

RGB 129 127 14

HSL 58.96, 0.8%, 0.28%

LAB 51.7, -11.64, 53.92

 

CMYK 0 / 26 / 89 / 49

HEX #81600E

RGB 129 96 14

HSL 42.78, 0.8%, 0.28%

LAB 42.86, 5.97, 46.72

 

CMYK 0 / 50 / 89 / 49

HEX #81410E

RGB 129 65 14

HSL 26.61, 0.8%, 0.28%

LAB 34.96, 24.17, 40.23

 

CMYK 47 / 0 / 89 / 49

HEX #45810E

RGB 69 129 14

HSL 91.3, 0.8%, 0.28%

LAB 48.26, -37.94, 49.4

 

CMYK 71 / 0 / 89 / 49

HEX #26810E

RGB 38 129 14

HSL 107.48, 0.8%, 0.28%

LAB 47.16, -46.67, 48.02

 

CMYK 89 / 0 / 84 / 49

HEX #0E8115

RGB 14 129 21

HSL 123.65, 0.8%, 0.28%

LAB 46.77, -49.95, 45.64

 

CMYK 89 / 0 / 60 / 49

HEX #0E8134

RGB 14 129 52

HSL 139.83, 0.8%, 0.28%

LAB 47.03, -46.76, 33.04

 

CMYK 89 / 0 / 36 / 49

HEX #0E8153

RGB 14 129 83

HSL 156, 0.8%, 0.28%

LAB 47.52, -40.99, 16.8

 

CMYK 47 / 0 / 89 / 49

HEX #45810E

RGB 69 129 14

HSL 91.3, 0.8%, 0.28%

LAB 48.26, -37.94, 49.4

 

CMYK 52 / 0 / 99 / 45

HEX #448D02

RGB 68 141 2

HSL 91.51, 0.97%, 0.28%

LAB 52.16, -43.5, 54.88

 

CMYK 47 / 0 / 89 / 49

HEX #45810E

RGB 69 129 14

HSL 91.3, 0.8%, 0.28%

LAB 48.26, -37.94, 49.4

 

CMYK 42 / 0 / 79 / 54

HEX #457619

RGB 69 118 25

HSL 91.61, 0.65%, 0.28%

LAB 44.65, -32.61, 42.86

 

CMYK 34 / 0 / 65 / 58

HEX #466A25

RGB 70 106 37

HSL 91.3, 0.48%, 0.28%

LAB 40.81, -25.6, 33.78

 

CMYK 26 / 0 / 49 / 63

HEX #465F30

RGB 70 95 48

HSL 91.91, 0.33%, 0.28%

LAB 37.3, -18.65, 23.83

 

CMYK 14 / 0 / 28 / 67

HEX #47533C

RGB 71 83 60

HSL 91.3, 0.16%, 0.28%

LAB 33.67, -9.56, 11.95

 

CMYK 0 / 2 / 89 / 49

HEX #817F0E

RGB 129 127 14

HSL 58.96, 0.8%, 0.28%

LAB 51.7, -11.64, 53.92

 

CMYK 22 / 0 / 89 / 49

HEX #64810E

RGB 100 129 14

HSL 75.13, 0.8%, 0.28%

LAB 50.03, -25.77, 51.61

 

CMYK 47 / 0 / 89 / 49

HEX #45810E

RGB 69 129 14

HSL 91.3, 0.8%, 0.28%

LAB 48.26, -37.94, 49.4

 

CMYK 70 / 0 / 89 / 49

HEX #27810E

RGB 39 129 14

HSL 106.96, 0.8%, 0.28%

LAB 47.19, -46.46, 48.05

 

CMYK 89 / 0 / 85 / 49

HEX #0E8113

RGB 14 129 19

HSL 122.61, 0.8%, 0.28%

LAB 46.77, -50.07, 46.21

 

CMYK 47 / 0 / 89 / 78

HEX #1D3706

RGB 29 55 6

HSL 91.84, 0.8%, 0.12%

LAB 20.07, -19.64, 25.28

 

CMYK 47 / 0 / 89 / 64

HEX #315C0A

RGB 49 92 10

HSL 91.46, 0.8%, 0.2%

LAB 34.66, -29.17, 38.12

 

CMYK 47 / 0 / 89 / 49

HEX #45810E

RGB 69 129 14

HSL 91.3, 0.8%, 0.28%

LAB 48.26, -37.94, 49.4

 

CMYK 47 / 0 / 90 / 35

HEX #59A711

RGB 89 167 17

HSL 91.2, 0.82%, 0.36%

LAB 61.48, -46.63, 60.42

 

CMYK 47 / 0 / 90 / 20

HEX #6DCC15

RGB 109 204 21

HSL 91.15, 0.81%, 0.44%

LAB 73.86, -54.51, 70.46

 

CMYK 47 / 0 / 89 / 49

HEX #46830E

RGB 70 131 14

HSL 91.28, 0.81%, 0.28%

LAB 48.97, -38.44, 50.03

 

CMYK 89 / 0 / 26 / 49

HEX #0E8160

RGB 14 129 96

HSL 162.78, 0.8%, 0.28%

LAB 47.8, -37.84, 9.68

 

CMYK 0 / 89 / 10 / 49

HEX #810E74

RGB 129 14 116

HSL 306.78, 0.8%, 0.28%

LAB 30.02, 54.99, -28.52

 

CMYK 47 / 0 / 89 / 49

HEX #46830E

RGB 70 131 14

HSL 91.28, 0.81%, 0.28%

LAB 48.97, -38.44, 50.03

 

CMYK 89 / 47 / 0 / 49

HEX #0E4581

RGB 14 69 129

HSL 211.3, 0.8%, 0.28%

LAB 29.25, 7.02, -38.6

 

CMYK 0 / 89 / 47 / 49

HEX #810E45

RGB 129 14 69

HSL 331.3, 0.8%, 0.28%

LAB 27.87, 49.15, -1.02

 

CMYK 47 / 0 / 89 / 49

HEX #46830E

RGB 70 131 14

HSL 91.28, 0.81%, 0.28%

LAB 48.97, -38.44, 50.03

 

CMYK 89 / 0 / 26 / 49

HEX #0E8160

RGB 14 129 96

HSL 162.78, 0.8%, 0.28%

LAB 47.8, -37.84, 9.68

 

CMYK 43 / 89 / 0 / 49

HEX #490E81

RGB 73 14 129

HSL 270.78, 0.8%, 0.28%

LAB 21.27, 47.62, -51.39

 

CMYK 0 / 89 / 64 / 49

HEX #810E2E

RGB 129 14 46

HSL 343.3, 0.8%, 0.28%

LAB 27.24, 47.32, 13.66

 

CMYK 47 / 0 / 89 / 49

HEX #46830E

RGB 70 131 14

HSL 91.28, 0.81%, 0.28%

LAB 48.97, -38.44, 50.03

 

CMYK 89 / 2 / 0 / 49

HEX #0E7F81

RGB 14 127 129

HSL 181.04, 0.8%, 0.28%

LAB 48.08, -27.25, -9.32

 

CMYK 43 / 89 / 0 / 49

HEX #490E81

RGB 73 14 129

HSL 270.78, 0.8%, 0.28%

LAB 21.27, 47.62, -51.39

 

CMYK 0 / 88 / 89 / 49

HEX #810F0E

RGB 129 15 14

HSL 0.52, 0.8%, 0.28%

LAB 26.85, 45.73, 33.45

 

Description

Color code: HEX #46830E | qconv.com Color code: HEX #46830E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 131 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 131 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 89 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 89% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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