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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4682B4 it is the complementary color #B97D4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4682B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4682B4: #4B82AF, #5C94C2, #6DA6D5, #7EB8E8 and #8FCAFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4682B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4682B4: #4682B4, #3570A1, #245E8E, #134C7B and #023A68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 28 / 0 / 29

HEX #4682B4

RGB 70 130 180

HSL 207.27, 0.44%, 0.49%

LAB 52.47, -4.07, -32.2

 

Complementary color

CMYK 0 / 32 / 59 / 27

HEX #B97D4B

RGB 185 125 75

HSL 27.27, 0.44%, 0.51%

LAB 57.55, 18.07, 36.37

 

CMYK 57 / 26 / 0 / 31

HEX #4B82AF

RGB 75 130 175

HSL 207, 0.4%, 0.49%

LAB 52.46, -4.69, -29.32

 

CMYK 53 / 24 / 0 / 24

HEX #5C94C2

RGB 92 148 194

HSL 207.06, 0.46%, 0.56%

LAB 59.3, -5.31, -29.47

 

CMYK 49 / 22 / 0 / 16

HEX #6DA6D5

RGB 109 166 213

HSL 207.12, 0.55%, 0.63%

LAB 66, -5.8, -29.64

 

CMYK 46 / 21 / 0 / 9

HEX #7EB8E8

RGB 126 184 232

HSL 207.17, 0.7%, 0.7%

LAB 72.59, -6.19, -29.82

 

CMYK 43 / 20 / 0 / 2

HEX #8FCAFB

RGB 143 202 251

HSL 207.22, 0.93%, 0.77%

LAB 79.07, -6.52, -30.02

 

CMYK 61 / 28 / 0 / 29

HEX #4682B4

RGB 70 130 180

HSL 207.27, 0.44%, 0.49%

LAB 52.47, -4.07, -32.2

 

CMYK 67 / 30 / 0 / 37

HEX #3570A1

RGB 53 112 161

HSL 207.22, 0.5%, 0.42%

LAB 45.52, -3.05, -32.06

 

CMYK 75 / 34 / 0 / 44

HEX #245E8E

RGB 36 94 142

HSL 207.17, 0.6%, 0.35%

LAB 38.43, -1.68, -31.92

 

CMYK 85 / 38 / 0 / 52

HEX #134C7B

RGB 19 76 123

HSL 207.12, 0.73%, 0.28%

LAB 31.2, 0.26, -31.74

 

CMYK 98 / 44 / 0 / 59

HEX #023A68

RGB 2 58 104

HSL 207.06, 0.96%, 0.21%

LAB 23.8, 2.9, -31.51

 

CMYK 61 / 28 / 0 / 29

HEX #4682B4

RGB 70 130 180

HSL 207.27, 0.44%, 0.49%

LAB 52.47, -4.07, -32.2

 

CMYK 61 / 37 / 0 / 30

HEX #4570B3

RGB 69 112 179

HSL 216.55, 0.44%, 0.49%

LAB 47.12, 6.22, -40.04

 

CMYK 61 / 48 / 0 / 30

HEX #455DB3

RGB 69 93 179

HSL 226.91, 0.44%, 0.49%

LAB 41.76, 18.21, -48.57

 

CMYK 61 / 58 / 0 / 30

HEX #454BB3

RGB 69 75 179

HSL 236.73, 0.44%, 0.49%

LAB 37.03, 29.76, -56.22

 

CMYK 54 / 61 / 0 / 30

HEX #5245B3

RGB 82 69 179

HSL 247.09, 0.44%, 0.49%

LAB 36.56, 35.87, -56.92

 

CMYK 61 / 28 / 0 / 29

HEX #4682B4

RGB 70 130 180

HSL 207.27, 0.44%, 0.49%

LAB 52.47, -4.07, -32.2

 

CMYK 61 / 28 / 0 / 9

HEX #5AA7E7

RGB 90 167 231

HSL 207.23, 0.75%, 0.63%

LAB 66.2, -4.81, -39.32

 

CMYK 59 / 26 / 0 / 89

HEX #0B141B

RGB 11 20 27

HSL 206.25, 0.42%, 0.07%

LAB 5.88, -1.33, -5.93

 

CMYK 62 / 28 / 0 / 69

HEX #1E384E

RGB 30 56 78

HSL 207.5, 0.44%, 0.21%

LAB 22.49, -2.4, -16.47

 

CMYK 61 / 28 / 0 / 49

HEX #325D81

RGB 50 93 129

HSL 207.34, 0.44%, 0.35%

LAB 38.01, -3.28, -24.66

 

CMYK 61 / 28 / 0 / 29

HEX #4682B4

RGB 70 130 180

HSL 207.27, 0.44%, 0.49%

LAB 52.47, -4.07, -32.2

 

CMYK 21 / 61 / 0 / 30

HEX #8D45B3

RGB 141 69 179

HSL 279.27, 0.44%, 0.49%

LAB 43.02, 49.05, -46.18

 

CMYK 3 / 0 / 61 / 30

HEX #AEB345

RGB 174 179 69

HSL 62.73, 0.44%, 0.49%

LAB 70.64, -16.27, 53.9

 

CMYK 61 / 28 / 0 / 29

HEX #4682B4

RGB 70 130 180

HSL 207.27, 0.44%, 0.49%

LAB 52.47, -4.07, -32.2

 

CMYK 0 / 61 / 27 / 30

HEX #B34582

RGB 179 69 130

HSL 326.73, 0.44%, 0.49%

LAB 46.25, 50.97, -11.44

 

CMYK 27 / 0 / 61 / 30

HEX #82B345

RGB 130 179 69

HSL 86.73, 0.44%, 0.49%

LAB 67.59, -34.06, 49.69

 

CMYK 61 / 28 / 0 / 29

HEX #4682B4

RGB 70 130 180

HSL 207.27, 0.44%, 0.49%

LAB 52.47, -4.07, -32.2

 

CMYK 21 / 61 / 0 / 30

HEX #8D45B3

RGB 141 69 179

HSL 279.27, 0.44%, 0.49%

LAB 43.02, 49.05, -46.18

 

CMYK 0 / 34 / 61 / 30

HEX #B37745

RGB 179 119 69

HSL 27.27, 0.44%, 0.49%

LAB 55.28, 18.4, 36.68

 

CMYK 40 / 0 / 61 / 30

HEX #6CB345

RGB 108 179 69

HSL 98.73, 0.44%, 0.49%

LAB 66.41, -41.94, 48.05

 

CMYK 61 / 28 / 0 / 29

HEX #4682B4

RGB 70 130 180

HSL 207.27, 0.44%, 0.49%

LAB 52.47, -4.07, -32.2

 

CMYK 3 / 61 / 0 / 30

HEX #AE45B3

RGB 174 69 179

HSL 297.27, 0.44%, 0.49%

LAB 47.64, 57.29, -38.56

 

CMYK 0 / 34 / 61 / 30

HEX #B37745

RGB 179 119 69

HSL 27.27, 0.44%, 0.49%

LAB 55.28, 18.4, 36.68

 

CMYK 58 / 0 / 61 / 30

HEX #4BB345

RGB 75 179 69

HSL 116.73, 0.44%, 0.49%

LAB 65.09, -51.67, 46.2

 

Description

Color code: HEX #4682B4 | qconv.com Color code: HEX #4682B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as steel blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 130 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 130 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 28 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 28% 0% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

54% - Versal
Link: http://versal.com

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Link: http://www.bpsistema.it

74% - チラ裏.com(試)-コミュニティ-
Link: http://tiraura2.sytes.net

80% - JSONMate - JSON edit...
Link: http://jsonmate.com

68% - Рэп сеть - Добро пож...
Link: http://repset.ru

63% - EzNote
Link: http://fun-vdo.com

91% - 超好聽雙演奏冰雪奇緣 Let It Go...
Link: http://fun-vdo.com

84% - Charlotte's Gall...
Link: http://charlottefielding.com

14% - 二人目の子どもは天国に忘れ物を取りに帰っ...
Link: http://shufulife.com

20% - イラレで(手抜き)梅の花の描き方 | 鈴...
Link: http://suzukimemo.com

20% - (後編)STINGER5のカスタマイズ機...
Link: http://stinger-fan.jyoi-kakeibo.com

37% - TSV Buxheim - Verein
Link: http://tsvbuxheim.de

76% - Исторический факульт...
Link: http://www.hist.vsu.ru

67% - Safe-Forex.ru
Link: http://safe-forex.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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