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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #468125 it is the complementary color #B97EDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #468125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #468125 shade: #4B8120, #5C9333, #6DA546, #7EB759 and #8FC96C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #468125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #468125 shade: #468125, #356F12, #245D00, #134B00 and #023900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #468125 shade: #478226, #608226, #798226, #827326 and #825A26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #468125 shade: #478226, #2E8226, #268237, #268250 and #268269

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #468125 shade matches the following richer shades: #478226, #439018 and #3F9E0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #468125 shade: #478226, #4B7533, #4F6741, #535A4F and #564C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #468125 shade: #798226, #608226, #488226, #2F8226 and #268235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #468125 shade: #244213, #36621D, #478226, #58A22F and #6AC238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #468125 shade: #468125, #268273 and #82266D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #468125 shade: #468125, #264882 and #822648

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #468125 shade: #468125, #268273, #602682 and #822635

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #468125 shade: #468125, #267682, #602682 and #823226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 71 / 49

HEX #468125

RGB 70 129 37

HSL 98.48, 0.55%, 0.33%

LAB 48.43, -36.22, 41.97

 

Complementary color

CMYK 15 / 42 / 0 / 15

HEX #B97EDA

RGB 185 126 218

HSL 278.48, 0.55%, 0.67%

LAB 61.91, 39.26, -38.34

 

CMYK 42 / 0 / 75 / 49

HEX #4B8120

RGB 75 129 32

HSL 93.4, 0.6%, 0.32%

LAB 48.64, -34.85, 44.27

 

CMYK 37 / 0 / 65 / 42

HEX #5C9333

RGB 92 147 51

HSL 94.38, 0.48%, 0.39%

LAB 55.46, -35.19, 43.74

 

CMYK 34 / 0 / 58 / 35

HEX #6DA546

RGB 109 165 70

HSL 95.37, 0.4%, 0.46%

LAB 62.17, -35.31, 42.77

 

CMYK 31 / 0 / 51 / 28

HEX #7EB759

RGB 126 183 89

HSL 96.38, 0.39%, 0.53%

LAB 68.77, -35.32, 41.63

 

CMYK 29 / 0 / 46 / 21

HEX #8FC96C

RGB 143 201 108

HSL 97.42, 0.46%, 0.61%

LAB 75.26, -35.26, 40.44

 

CMYK 46 / 0 / 71 / 49

HEX #468125

RGB 70 129 37

HSL 98.48, 0.55%, 0.33%

LAB 48.43, -36.22, 41.97

 

CMYK 52 / 0 / 84 / 56

HEX #356F12

RGB 53 111 18

HSL 97.42, 0.72%, 0.25%

LAB 41.48, -35.61, 41.98

 

CMYK 61 / 0 / 100 / 64

HEX #245D00

RGB 36 93 0

HSL 96.77, 1%, 0.18%

LAB 34.4, -34.49, 40.74

 

CMYK 75 / 0 / 100 / 71

HEX #134B00

RGB 19 75 0

HSL 104.8, 1%, 0.15%

LAB 27.22, -32.13, 34.75

 

CMYK 96 / 0 / 100 / 78

HEX #023900

RGB 2 57 0

HSL 117.89, 1%, 0.11%

LAB 19.8, -29.22, 27.14

 

CMYK 45 / 0 / 71 / 49

HEX #478226

RGB 71 130 38

HSL 98.48, 0.55%, 0.33%

LAB 48.82, -36.23, 41.97

 

CMYK 26 / 0 / 71 / 49

HEX #608226

RGB 96 130 38

HSL 82.17, 0.55%, 0.33%

LAB 50.21, -26.73, 43.85

 

CMYK 7 / 0 / 71 / 49

HEX #798226

RGB 121 130 38

HSL 65.87, 0.55%, 0.33%

LAB 52.03, -15.91, 46.29

 

CMYK 0 / 12 / 71 / 49

HEX #827326

RGB 130 115 38

HSL 50.22, 0.55%, 0.33%

LAB 48.45, -3.52, 42.92

 

CMYK 0 / 31 / 71 / 49

HEX #825A26

RGB 130 90 38

HSL 33.91, 0.55%, 0.33%

LAB 41.53, 11.04, 35.65

 

CMYK 45 / 0 / 71 / 49

HEX #478226

RGB 71 130 38

HSL 98.48, 0.55%, 0.33%

LAB 48.82, -36.23, 41.97

 

CMYK 65 / 0 / 71 / 49

HEX #2E8226

RGB 46 130 38

HSL 114.78, 0.55%, 0.33%

LAB 47.86, -43.56, 40.67

 

CMYK 71 / 0 / 58 / 49

HEX #268237

RGB 38 130 55

HSL 131.09, 0.55%, 0.33%

LAB 47.82, -43.28, 32.56

 

CMYK 71 / 0 / 38 / 49

HEX #268250

RGB 38 130 80

HSL 147.39, 0.55%, 0.33%

LAB 48.21, -38.91, 19.5

 

CMYK 71 / 0 / 19 / 49

HEX #268269

RGB 38 130 105

HSL 163.7, 0.55%, 0.33%

LAB 48.76, -33.04, 5.83

 

CMYK 45 / 0 / 71 / 49

HEX #478226

RGB 71 130 38

HSL 98.48, 0.55%, 0.33%

LAB 48.82, -36.23, 41.97

 

CMYK 53 / 0 / 83 / 44

HEX #439018

RGB 67 144 24

HSL 98.5, 0.71%, 0.33%

LAB 53.17, -44.21, 51.15

 

CMYK 60 / 0 / 93 / 38

HEX #3F9E0B

RGB 63 158 11

HSL 98.78, 0.87%, 0.33%

LAB 57.59, -51.05, 57.79

 

CMYK 45 / 0 / 71 / 49

HEX #478226

RGB 71 130 38

HSL 98.48, 0.55%, 0.33%

LAB 48.82, -36.23, 41.97

 

CMYK 36 / 0 / 56 / 54

HEX #4B7533

RGB 75 117 51

HSL 98.18, 0.39%, 0.33%

LAB 44.88, -27.48, 31.48

 

CMYK 23 / 0 / 37 / 60

HEX #4F6741

RGB 79 103 65

HSL 97.89, 0.23%, 0.33%

LAB 40.81, -16.72, 18.62

 

CMYK 8 / 0 / 12 / 65

HEX #535A4F

RGB 83 90 79

HSL 98.18, 0.07%, 0.33%

LAB 37.33, -5.09, 5.42

 

CMYK 7 / 17 / 0 / 64

HEX #564C5C

RGB 86 76 92

HSL 277.5, 0.1%, 0.33%

LAB 33.82, 7.58, -7.86

 

CMYK 7 / 0 / 71 / 49

HEX #798226

RGB 121 130 38

HSL 65.87, 0.55%, 0.33%

LAB 52.03, -15.91, 46.29

 

CMYK 26 / 0 / 71 / 49

HEX #608226

RGB 96 130 38

HSL 82.17, 0.55%, 0.33%

LAB 50.21, -26.73, 43.85

 

CMYK 45 / 0 / 71 / 49

HEX #488226

RGB 72 130 38

HSL 97.83, 0.55%, 0.33%

LAB 48.86, -35.88, 42.03

 

CMYK 64 / 0 / 71 / 49

HEX #2F8226

RGB 47 130 38

HSL 114.13, 0.55%, 0.33%

LAB 47.89, -43.32, 40.71

 

CMYK 71 / 0 / 59 / 49

HEX #268235

RGB 38 130 53

HSL 129.78, 0.55%, 0.33%

LAB 47.8, -43.56, 33.54

 

CMYK 45 / 0 / 71 / 74

HEX #244213

RGB 36 66 19

HSL 98.3, 0.55%, 0.17%

LAB 24.7, -21.12, 24.43

 

CMYK 45 / 0 / 70 / 62

HEX #36621D

RGB 54 98 29

HSL 98.26, 0.54%, 0.25%

LAB 37.13, -28.71, 33.32

 

CMYK 45 / 0 / 71 / 49

HEX #478226

RGB 71 130 38

HSL 98.48, 0.55%, 0.33%

LAB 48.82, -36.23, 41.97

 

CMYK 46 / 0 / 71 / 36

HEX #58A22F

RGB 88 162 47

HSL 98.61, 0.55%, 0.41%

LAB 60, -43.36, 50.17

 

CMYK 45 / 0 / 71 / 24

HEX #6AC238

RGB 106 194 56

HSL 98.26, 0.55%, 0.49%

LAB 70.82, -49.88, 58.08

 

CMYK 46 / 0 / 71 / 49

HEX #468125

RGB 70 129 37

HSL 98.48, 0.55%, 0.33%

LAB 48.43, -36.22, 41.97

 

CMYK 71 / 0 / 12 / 49

HEX #268273

RGB 38 130 115

HSL 170.22, 0.55%, 0.33%

LAB 49.03, -30.32, 0.36

 

CMYK 0 / 71 / 16 / 49

HEX #82266D

RGB 130 38 109

HSL 313.7, 0.55%, 0.33%

LAB 32.34, 46.99, -20.4

 

CMYK 46 / 0 / 71 / 49

HEX #468125

RGB 70 129 37

HSL 98.48, 0.55%, 0.33%

LAB 48.43, -36.22, 41.97

 

CMYK 71 / 45 / 0 / 49

HEX #264882

RGB 38 72 130

HSL 217.83, 0.55%, 0.33%

LAB 31.02, 8.37, -36.35

 

CMYK 0 / 71 / 45 / 49

HEX #822648

RGB 130 38 72

HSL 337.83, 0.55%, 0.33%

LAB 30.88, 42.11, 1.39

 

CMYK 46 / 0 / 71 / 49

HEX #468125

RGB 70 129 37

HSL 98.48, 0.55%, 0.33%

LAB 48.43, -36.22, 41.97

 

CMYK 71 / 0 / 12 / 49

HEX #268273

RGB 38 130 115

HSL 170.22, 0.55%, 0.33%

LAB 49.03, -30.32, 0.36

 

CMYK 26 / 71 / 0 / 49

HEX #602682

RGB 96 38 130

HSL 277.83, 0.55%, 0.33%

LAB 28.07, 42.45, -40.79

 

CMYK 0 / 71 / 59 / 49

HEX #822635

RGB 130 38 53

HSL 350.22, 0.55%, 0.33%

LAB 30.37, 40.34, 13.22

 

CMYK 46 / 0 / 71 / 49

HEX #468125

RGB 70 129 37

HSL 98.48, 0.55%, 0.33%

LAB 48.43, -36.22, 41.97

 

CMYK 71 / 9 / 0 / 49

HEX #267682

RGB 38 118 130

HSL 187.83, 0.55%, 0.33%

LAB 45.61, -19.64, -13.6

 

CMYK 26 / 71 / 0 / 49

HEX #602682

RGB 96 38 130

HSL 277.83, 0.55%, 0.33%

LAB 28.07, 42.45, -40.79

 

CMYK 0 / 62 / 71 / 49

HEX #823226

RGB 130 50 38

HSL 7.83, 0.55%, 0.33%

LAB 32.18, 33.71, 25.09

 

Description

Color code: HEX #468125 | qconv.com Color code: HEX #468125 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 129 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 129 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 71 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 71% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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