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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #467EDACE it is the complementary color #B98125CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #467EDACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #467EDACE shade: #4B7ED5CE, #5C90E8CE, #6DA2FBCE, #7EB4FFCE and #8FC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #467EDACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #467EDACE shade: #467EDACE, #356CC7CE, #245AB4CE, #1348A1CE and #02368ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #467EDACE shade: #447DDA, #4454DA, #5C44DA, #8444DA and #AD44DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #467EDACE shade: #447DDA, #4454DA and #4444DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #467EDACE shade matches the following richer shades: #447DDA, #3178EC and #1F74FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #467EDACE shade: #447DDA, #5681C8, #6885B6, #7A8AA4 and #8C8E91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #467EDACE shade: #44CDDA, #44A5DA, #447DDA, #4455DA and #5A44DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #467EDACE shade: #2255AA, #2866CC, #447DDA, #6695E1 and #89ACE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #467EDACE shade: #467EDA, #BE44DA and #B9DA44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #467EDACE shade: #467EDA, #DA447D and #7DDA44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #467EDACE shade: #467EDA, #BE44DA, #DAA044 and #5FDA44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #467EDACE shade: #467EDA, #DA44C8, #DAA044 and #44DA55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 34 / 0 / 12

HEX #467EDACE

RGBA 70 126 218 0.81

HSLA 217.3, 0.67%, 0.56%, 0.81

LABA 53.26, 11.41, -52.58, 0.81

 

Complementary color

CMYK 0 / 25 / 65 / 22

HEX #B98125CE

RGBA 185 129 37 0.81

HSLA 37.3, 0.67%, 0.44%, 0.81

LABA 58.18, 13.72, 54.81, 0.81

 

CMYK 52 / 33 / 0 / 13

HEX #4B7ED5CE

RGBA 75 126 213 0.81

HSLA 217.83, 0.62%, 0.56%, 0.81

LABA 53.19, 10.48, -49.85, 0.81

 

CMYK 49 / 31 / 0 / 7

HEX #5C90E8CE

RGBA 92 144 232 0.81

HSLA 217.71, 0.75%, 0.64%, 0.81

LABA 59.93, 9.13, -49.73, 0.81

 

CMYK 46 / 29 / 0 / 1

HEX #6DA2FBCE

RGBA 109 162 251 0.81

HSLA 217.61, 0.95%, 0.71%, 0.81

LABA 66.56, 8.02, -49.62, 0.81

 

CMYK 41 / 24 / 0 / 0

HEX #7EB4FFCE

RGBA 126 180 255 0.81

HSLA 214.88, 1%, 0.75%, 0.81

LABA 72.43, 2.61, -42.52, 0.81

 

CMYK 36 / 18 / 0 / 0

HEX #8FC6FFCE

RGBA 143 198 255 0.81

HSLA 210.54, 1%, 0.78%, 0.81

LABA 78.14, -3.3, -33.58, 0.81

 

CMYK 55 / 34 / 0 / 12

HEX #467EDACE

RGBA 70 126 218 0.81

HSLA 217.3, 0.67%, 0.56%, 0.81

LABA 53.26, 11.41, -52.58, 0.81

 

CMYK 59 / 37 / 0 / 18

HEX #356CC7CE

RGBA 53 108 199 0.81

HSLA 217.4, 0.58%, 0.49%, 0.81

LABA 46.45, 13.29, -52.7, 0.81

 

CMYK 65 / 41 / 0 / 24

HEX #245AB4CE

RGBA 36 90 180 0.81

HSLA 217.5, 0.67%, 0.42%, 0.81

LABA 39.55, 15.65, -52.79, 0.81

 

CMYK 71 / 45 / 0 / 30

HEX #1348A1CE

RGBA 19 72 161 0.81

HSLA 217.61, 0.79%, 0.35%, 0.81

LABA 32.58, 18.65, -52.8, 0.81

 

CMYK 80 / 50 / 0 / 36

HEX #02368ECE

RGBA 2 54 142 0.81

HSLA 217.71, 0.97%, 0.28%, 0.81

LABA 25.58, 22.36, -52.64, 0.81

 

CMYK 69 / 43 / 0 / 15

HEX #447DDA

RGB 68 125 218

HSL 217.2, 0.67%, 0.56%

LAB 52.9, 11.72, -53.15

 

CMYK 69 / 61 / 0 / 15

HEX #4454DA

RGB 68 84 218

HSL 233.6, 0.67%, 0.56%

LAB 42.2, 37.37, -70.44

 

CMYK 58 / 69 / 0 / 15

HEX #5C44DA

RGB 92 68 218

HSL 249.6, 0.67%, 0.56%

LAB 40.36, 50.1, -73.39

 

CMYK 39 / 69 / 0 / 15

HEX #8444DA

RGB 132 68 218

HSL 265.6, 0.67%, 0.56%

LAB 44.38, 56.82, -66.66

 

CMYK 21 / 69 / 0 / 15

HEX #AD44DA

RGB 173 68 218

HSL 282, 0.67%, 0.56%

LAB 49.59, 64.94, -57.98

 

CMYK 69 / 43 / 0 / 15

HEX #447DDA

RGB 68 125 218

HSL 217.2, 0.67%, 0.56%

LAB 52.9, 11.72, -53.15

 

CMYK 69 / 61 / 0 / 15

HEX #4454DA

RGB 68 84 218

HSL 233.6, 0.67%, 0.56%

LAB 42.2, 37.37, -70.44

 

CMYK 69 / 69 / 0 / 15

HEX #4444DA

RGB 68 68 218

HSL 240, 0.67%, 0.56%

LAB 38.59, 46.97, -76.35

 

CMYK 69 / 43 / 0 / 15

HEX #447DDA

RGB 68 125 218

HSL 217.2, 0.67%, 0.56%

LAB 52.9, 11.72, -53.15

 

CMYK 79 / 49 / 0 / 7

HEX #3178EC

RGB 49 120 236

HSL 217.22, 0.83%, 0.56%

LAB 52, 19.04, -64.74

 

CMYK 88 / 54 / 0 / 0

HEX #1F74FE

RGB 31 116 254

HSL 217.13, 0.99%, 0.56%

LAB 51.77, 26.97, -75.15

 

CMYK 69 / 43 / 0 / 15

HEX #447DDA

RGB 68 125 218

HSL 217.2, 0.67%, 0.56%

LAB 52.9, 11.72, -53.15

 

CMYK 57 / 36 / 0 / 22

HEX #5681C8

RGB 86 129 200

HSL 217.37, 0.51%, 0.56%

LAB 53.87, 6.37, -41.38

 

CMYK 43 / 27 / 0 / 29

HEX #6885B6

RGB 104 133 182

HSL 217.69, 0.35%, 0.56%

LAB 55.17, 2.72, -29

 

CMYK 26 / 16 / 0 / 36

HEX #7A8AA4

RGB 122 138 164

HSL 217.14, 0.19%, 0.56%

LAB 57.07, 0.26, -15.68

 

CMYK 3 / 2 / 0 / 43

HEX #8C8E91

RGB 140 142 145

HSL 216, 0.02%, 0.56%

LAB 58.94, -0.13, -1.85

 

CMYK 69 / 6 / 0 / 15

HEX #44CDDA

RGB 68 205 218

HSL 185.2, 0.67%, 0.56%

LAB 76.04, -32.07, -17.17

 

CMYK 69 / 24 / 0 / 15

HEX #44A5DA

RGB 68 165 218

HSL 201.2, 0.67%, 0.56%

LAB 64.32, -11.58, -35.14

 

CMYK 69 / 43 / 0 / 15

HEX #447DDA

RGB 68 125 218

HSL 217.2, 0.67%, 0.56%

LAB 52.9, 11.72, -53.15

 

CMYK 69 / 61 / 0 / 15

HEX #4455DA

RGB 68 85 218

HSL 233.2, 0.67%, 0.56%

LAB 42.44, 36.75, -70.05

 

CMYK 59 / 69 / 0 / 15

HEX #5A44DA

RGB 90 68 218

HSL 248.8, 0.67%, 0.56%

LAB 40.2, 49.81, -73.67

 

CMYK 80 / 50 / 0 / 33

HEX #2255AA

RGB 34 85 170

HSL 217.5, 0.67%, 0.4%

LAB 37.37, 14.82, -50.41

 

CMYK 80 / 50 / 0 / 20

HEX #2866CC

RGB 40 102 204

HSL 217.32, 0.67%, 0.48%

LAB 44.68, 17.52, -58.45

 

CMYK 69 / 43 / 0 / 15

HEX #447DDA

RGB 68 125 218

HSL 217.2, 0.67%, 0.56%

LAB 52.9, 11.72, -53.15

 

CMYK 55 / 34 / 0 / 12

HEX #6695E1

RGB 102 149 225

HSL 217.07, 0.67%, 0.64%

LAB 61.44, 5.93, -43.43

 

CMYK 41 / 26 / 0 / 9

HEX #89ACE8

RGB 137 172 232

HSL 217.89, 0.67%, 0.72%

LAB 69.93, 3.16, -33.88

 

CMYK 68 / 42 / 0 / 15

HEX #467EDA

RGB 70 126 218

HSL 217.3, 0.67%, 0.56%

LAB 53.26, 11.41, -52.58

 

CMYK 13 / 69 / 0 / 15

HEX #BE44DA

RGB 190 68 218

HSL 288.8, 0.67%, 0.56%

LAB 52, 68.52, -53.98

 

CMYK 15 / 0 / 69 / 15

HEX #B9DA44

RGB 185 218 68

HSL 73.2, 0.67%, 0.56%

LAB 82.31, -30.84, 66.7

 

CMYK 68 / 42 / 0 / 15

HEX #467EDA

RGB 70 126 218

HSL 217.3, 0.67%, 0.56%

LAB 53.26, 11.41, -52.58

 

CMYK 0 / 69 / 43 / 15

HEX #DA447D

RGB 218 68 125

HSL 337.2, 0.67%, 0.56%

LAB 52.42, 62.38, 1.44

 

CMYK 43 / 0 / 69 / 15

HEX #7DDA44

RGB 125 218 68

HSL 97.2, 0.67%, 0.56%

LAB 79, -52.55, 62.25

 

CMYK 68 / 42 / 0 / 15

HEX #467EDA

RGB 70 126 218

HSL 217.3, 0.67%, 0.56%

LAB 53.26, 11.41, -52.58

 

CMYK 13 / 69 / 0 / 15

HEX #BE44DA

RGB 190 68 218

HSL 288.8, 0.67%, 0.56%

LAB 52, 68.52, -53.98

 

CMYK 0 / 27 / 69 / 15

HEX #DAA044

RGB 218 160 68

HSL 36.8, 0.67%, 0.56%

LAB 69.8, 12.6, 54.67

 

CMYK 56 / 0 / 69 / 15

HEX #5FDA44

RGB 95 218 68

HSL 109.2, 0.67%, 0.56%

LAB 77.87, -61.06, 60.73

 

CMYK 68 / 42 / 0 / 15

HEX #467EDA

RGB 70 126 218

HSL 217.3, 0.67%, 0.56%

LAB 53.26, 11.41, -52.58

 

CMYK 0 / 69 / 8 / 15

HEX #DA44C8

RGB 218 68 200

HSL 307.2, 0.67%, 0.56%

LAB 55.29, 71.76, -38.22

 

CMYK 0 / 27 / 69 / 15

HEX #DAA044

RGB 218 160 68

HSL 36.8, 0.67%, 0.56%

LAB 69.8, 12.6, 54.67

 

CMYK 69 / 0 / 61 / 15

HEX #44DA55

RGB 68 218 85

HSL 126.8, 0.67%, 0.56%

LAB 77.3, -65.17, 52.95

 

Description

Color code: HEX #467EDACE | qconv.com Color code: HEX #467EDACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 126 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 126 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 34 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 34% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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