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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #467C31 it is the complementary color #B983CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #467C31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #467C31 shade: #4B7C2C, #5C8E3F, #6DA052, #7EB265 and #8FC478

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #467C31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #467C31 shade: #467C31, #356A1E, #24580B, #134600 and #023400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #467C31 shade: #467C31, #5A7C31, #6F7C31, #7C7531 and #7C6131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #467C31 shade: #467C31, #327C31, #317C45, #317C59 and #317C6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #467C31 shade matches the following richer shades: #467C31, #408A23, #3A9815 and #34A607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #467C31 shade: #467C31, #4C6E3F, #53604D, #59525C and #5F446A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #467C31 shade: #6E7C31, #5A7C31, #477C31, #337C31 and #317C44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #467C31 shade: #25411A, #365E26, #467C31, #57993D and #68B749

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #467C31 shade: #467C31, #317C76 and #7C3164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #467C31 shade: #467C31, #31477C and #7C3147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #467C31 shade: #467C31, #317C76, #67317C and #7C3138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #467C31 shade: #467C31, #316C7C, #67317C and #7C4231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 60 / 51

HEX #467C31

RGB 70 124 49

HSL 103.2, 0.43%, 0.34%

LAB 46.89, -32.81, 34.78

 

Complementary color

CMYK 10 / 36 / 0 / 19

HEX #B983CE

RGB 185 131 206

HSL 283.2, 0.43%, 0.66%

LAB 62.51, 33.98, -30.68

 

CMYK 40 / 0 / 65 / 51

HEX #4B7C2C

RGB 75 124 44

HSL 96.75, 0.48%, 0.33%

LAB 47.1, -31.57, 37.49

 

CMYK 35 / 0 / 56 / 44

HEX #5C8E3F

RGB 92 142 63

HSL 97.97, 0.39%, 0.4%

LAB 54.01, -31.65, 36.39

 

CMYK 32 / 0 / 49 / 37

HEX #6DA052

RGB 109 160 82

HSL 99.23, 0.32%, 0.47%

LAB 60.78, -31.6, 35.17

 

CMYK 29 / 0 / 43 / 30

HEX #7EB265

RGB 126 178 101

HSL 100.52, 0.33%, 0.55%

LAB 67.44, -31.48, 33.93

 

CMYK 27 / 0 / 39 / 23

HEX #8FC478

RGB 143 196 120

HSL 101.84, 0.39%, 0.62%

LAB 73.98, -31.33, 32.73

 

CMYK 44 / 0 / 60 / 51

HEX #467C31

RGB 70 124 49

HSL 103.2, 0.43%, 0.34%

LAB 46.89, -32.81, 34.78

 

CMYK 50 / 0 / 72 / 58

HEX #356A1E

RGB 53 106 30

HSL 101.84, 0.56%, 0.27%

LAB 39.85, -32.58, 35.74

 

CMYK 59 / 0 / 88 / 65

HEX #24580B

RGB 36 88 11

HSL 100.52, 0.78%, 0.19%

LAB 32.65, -31.86, 35.78

 

CMYK 73 / 0 / 100 / 73

HEX #134600

RGB 19 70 0

HSL 103.71, 1%, 0.14%

LAB 25.32, -30.22, 33.03

 

CMYK 96 / 0 / 100 / 80

HEX #023400

RGB 2 52 0

HSL 117.69, 1%, 0.1%

LAB 17.78, -27.48, 24.78

 

CMYK 44 / 0 / 60 / 51

HEX #467C31

RGB 70 124 49

HSL 103.2, 0.43%, 0.34%

LAB 46.89, -32.81, 34.78

 

CMYK 27 / 0 / 60 / 51

HEX #5A7C31

RGB 90 124 49

HSL 87.2, 0.43%, 0.34%

LAB 48.02, -25.27, 36.36

 

CMYK 10 / 0 / 60 / 51

HEX #6F7C31

RGB 111 124 49

HSL 70.4, 0.43%, 0.34%

LAB 49.52, -16.36, 38.46

 

CMYK 0 / 6 / 60 / 51

HEX #7C7531

RGB 124 117 49

HSL 54.4, 0.43%, 0.34%

LAB 48.55, -6.66, 37.68

 

CMYK 0 / 22 / 60 / 51

HEX #7C6131

RGB 124 97 49

HSL 38.4, 0.43%, 0.34%

LAB 42.85, 4.89, 31.14

 

CMYK 44 / 0 / 60 / 51

HEX #467C31

RGB 70 124 49

HSL 103.2, 0.43%, 0.34%

LAB 46.89, -32.81, 34.78

 

CMYK 60 / 0 / 60 / 51

HEX #327C31

RGB 50 124 49

HSL 119.2, 0.43%, 0.34%

LAB 46.06, -38.96, 33.6

 

CMYK 60 / 0 / 44 / 51

HEX #317C45

RGB 49 124 69

HSL 136, 0.43%, 0.34%

LAB 46.31, -36.14, 23.25

 

CMYK 60 / 0 / 28 / 51

HEX #317C59

RGB 49 124 89

HSL 152, 0.43%, 0.34%

LAB 46.7, -32.04, 12.32

 

CMYK 60 / 0 / 12 / 51

HEX #317C6D

RGB 49 124 109

HSL 168, 0.43%, 0.34%

LAB 47.2, -27.03, 1.28

 

CMYK 44 / 0 / 60 / 51

HEX #467C31

RGB 70 124 49

HSL 103.2, 0.43%, 0.34%

LAB 46.89, -32.81, 34.78

 

CMYK 54 / 0 / 75 / 46

HEX #408A23

RGB 64 138 35

HSL 103.11, 0.6%, 0.34%

LAB 51.14, -42.05, 45.47

 

CMYK 62 / 0 / 86 / 40

HEX #3A9815

RGB 58 152 21

HSL 103.05, 0.76%, 0.34%

LAB 55.49, -49.83, 53.92

 

CMYK 69 / 0 / 96 / 35

HEX #34A607

RGB 52 166 7

HSL 103.02, 0.92%, 0.34%

LAB 59.9, -56.43, 60.15

 

CMYK 44 / 0 / 60 / 51

HEX #467C31

RGB 70 124 49

HSL 103.2, 0.43%, 0.34%

LAB 46.89, -32.81, 34.78

 

CMYK 31 / 0 / 43 / 57

HEX #4C6E3F

RGB 76 110 63

HSL 103.4, 0.27%, 0.34%

LAB 42.83, -21.93, 22.39

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 3 / 11 / 0 / 64

HEX #59525C

RGB 89 82 92

HSL 282, 0.06%, 0.34%

LAB 35.85, 4.98, -4.79

 

CMYK 10 / 36 / 0 / 58

HEX #5F446A

RGB 95 68 106

HSL 282.63, 0.22%, 0.34%

LAB 33.15, 19.26, -17.64

 

CMYK 11 / 0 / 60 / 51

HEX #6E7C31

RGB 110 124 49

HSL 71.2, 0.43%, 0.34%

LAB 49.44, -16.8, 38.35

 

CMYK 27 / 0 / 60 / 51

HEX #5A7C31

RGB 90 124 49

HSL 87.2, 0.43%, 0.34%

LAB 48.02, -25.27, 36.36

 

CMYK 43 / 0 / 60 / 51

HEX #477C31

RGB 71 124 49

HSL 102.4, 0.43%, 0.34%

LAB 46.94, -32.46, 34.85

 

CMYK 59 / 0 / 60 / 51

HEX #337C31

RGB 51 124 49

HSL 118.4, 0.43%, 0.34%

LAB 46.1, -38.7, 33.65

 

CMYK 60 / 0 / 45 / 51

HEX #317C44

RGB 49 124 68

HSL 135.2, 0.43%, 0.34%

LAB 46.29, -36.32, 23.79

 

CMYK 43 / 0 / 60 / 75

HEX #25411A

RGB 37 65 26

HSL 103.08, 0.43%, 0.18%

LAB 24.48, -19.32, 20.32

 

CMYK 43 / 0 / 60 / 63

HEX #365E26

RGB 54 94 38

HSL 102.86, 0.42%, 0.26%

LAB 35.85, -25.8, 27.37

 

CMYK 44 / 0 / 60 / 51

HEX #467C31

RGB 70 124 49

HSL 103.2, 0.43%, 0.34%

LAB 46.89, -32.81, 34.78

 

CMYK 43 / 0 / 60 / 40

HEX #57993D

RGB 87 153 61

HSL 103.04, 0.43%, 0.42%

LAB 57.22, -38.57, 41.04

 

CMYK 43 / 0 / 60 / 28

HEX #68B749

RGB 104 183 73

HSL 103.09, 0.43%, 0.5%

LAB 67.49, -44.54, 47.42

 

CMYK 44 / 0 / 60 / 51

HEX #467C31

RGB 70 124 49

HSL 103.2, 0.43%, 0.34%

LAB 46.89, -32.81, 34.78

 

CMYK 60 / 0 / 5 / 51

HEX #317C76

RGB 49 124 118

HSL 175.2, 0.43%, 0.34%

LAB 47.46, -24.51, -3.66

 

CMYK 0 / 60 / 19 / 51

HEX #7C3164

RGB 124 49 100

HSL 319.2, 0.43%, 0.34%

LAB 32.7, 38.87, -14.17

 

CMYK 44 / 0 / 60 / 51

HEX #467C31

RGB 70 124 49

HSL 103.2, 0.43%, 0.34%

LAB 46.89, -32.81, 34.78

 

CMYK 60 / 43 / 0 / 51

HEX #31477C

RGB 49 71 124

HSL 222.4, 0.43%, 0.34%

LAB 30.91, 8.94, -32.74

 

CMYK 0 / 60 / 43 / 51

HEX #7C3147

RGB 124 49 71

HSL 342.4, 0.43%, 0.34%

LAB 31.66, 34.84, 3.04

 

CMYK 44 / 0 / 60 / 51

HEX #467C31

RGB 70 124 49

HSL 103.2, 0.43%, 0.34%

LAB 46.89, -32.81, 34.78

 

CMYK 60 / 0 / 5 / 51

HEX #317C76

RGB 49 124 118

HSL 175.2, 0.43%, 0.34%

LAB 47.46, -24.51, -3.66

 

CMYK 17 / 60 / 0 / 51

HEX #67317C

RGB 103 49 124

HSL 283.2, 0.43%, 0.34%

LAB 30.72, 37.21, -32.72

 

CMYK 0 / 60 / 55 / 51

HEX #7C3138

RGB 124 49 56

HSL 354.4, 0.43%, 0.34%

LAB 31.27, 33.26, 12.28

 

CMYK 44 / 0 / 60 / 51

HEX #467C31

RGB 70 124 49

HSL 103.2, 0.43%, 0.34%

LAB 46.89, -32.81, 34.78

 

CMYK 60 / 13 / 0 / 51

HEX #316C7C

RGB 49 108 124

HSL 192.8, 0.43%, 0.34%

LAB 42.51, -14.08, -14.68

 

CMYK 17 / 60 / 0 / 51

HEX #67317C

RGB 103 49 124

HSL 283.2, 0.43%, 0.34%

LAB 30.72, 37.21, -32.72

 

CMYK 0 / 47 / 60 / 51

HEX #7C4231

RGB 124 66 49

HSL 13.6, 0.43%, 0.34%

LAB 34.81, 23.28, 21.35

 

Description

Color code: HEX #467C31 | qconv.com Color code: HEX #467C31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 124 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 124 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 60 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 60% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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