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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #467AA7 it is the complementary color #B98558. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #467AA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #467AA7 shade: #4B7AA2, #5C8CB5, #6D9EC8, #7EB0DB and #8FC2EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #467AA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #467AA7 shade: #467AA7, #356894, #245681, #13446E and #02325B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #467AA7 shade: #4579A5, #455FA5, #4645A5, #5F45A5 and #7945A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #467AA7 shade: #4579A5, #455FA5 and #4545A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #467AA7 shade matches the following richer shades: #4579A5, #327AB8, #1F7BCB and #0C7DDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #467AA7 shade: #4579A5, #587792, #6B767F, #7E756C and #917359

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #467AA7 shade: #45A59D, #4594A5, #457AA5, #4560A5 and #4547A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #467AA7 shade: #2D4E6B, #396488, #4579A5, #5A8DBA and #77A1C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #467AA7 shade: #467AA7, #8445A5 and #A1A545

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #467AA7 shade: #467AA7, #A5457A and #7AA545

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #467AA7 shade: #467AA7, #8445A5, #A57045 and #67A545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #467AA7 shade: #467AA7, #A145A5, #A57045 and #4AA545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 27 / 0 / 35

HEX #467AA7

RGB 70 122 167

HSL 207.84, 0.41%, 0.46%

LAB 49.51, -3.67, -29.29

 

Complementary color

CMYK 0 / 28 / 52 / 27

HEX #B98558

RGB 185 133 88

HSL 27.84, 0.41%, 0.54%

LAB 59.7, 14.72, 32.02

 

CMYK 54 / 25 / 0 / 36

HEX #4B7AA2

RGB 75 122 162

HSL 207.59, 0.37%, 0.46%

LAB 49.52, -4.17, -26.34

 

CMYK 49 / 23 / 0 / 29

HEX #5C8CB5

RGB 92 140 181

HSL 207.64, 0.38%, 0.54%

LAB 56.45, -4.69, -26.5

 

CMYK 46 / 21 / 0 / 22

HEX #6D9EC8

RGB 109 158 200

HSL 207.69, 0.45%, 0.61%

LAB 63.24, -5.1, -26.68

 

CMYK 42 / 20 / 0 / 14

HEX #7EB0DB

RGB 126 176 219

HSL 207.74, 0.56%, 0.68%

LAB 69.9, -5.43, -26.88

 

CMYK 40 / 18 / 0 / 7

HEX #8FC2EE

RGB 143 194 238

HSL 207.79, 0.74%, 0.75%

LAB 76.43, -5.71, -27.09

 

CMYK 58 / 27 / 0 / 35

HEX #467AA7

RGB 70 122 167

HSL 207.84, 0.41%, 0.46%

LAB 49.51, -3.67, -29.29

 

CMYK 64 / 30 / 0 / 42

HEX #356894

RGB 53 104 148

HSL 207.79, 0.47%, 0.39%

LAB 42.45, -2.78, -29.17

 

CMYK 72 / 33 / 0 / 49

HEX #245681

RGB 36 86 129

HSL 207.74, 0.56%, 0.32%

LAB 35.23, -1.55, -29.04

 

CMYK 83 / 38 / 0 / 57

HEX #13446E

RGB 19 68 110

HSL 207.69, 0.71%, 0.25%

LAB 27.84, 0.23, -28.89

 

CMYK 98 / 45 / 0 / 64

HEX #02325B

RGB 2 50 91

HSL 207.64, 0.96%, 0.18%

LAB 20.24, 2.75, -28.72

 

CMYK 58 / 27 / 0 / 35

HEX #4579A5

RGB 69 121 165

HSL 207.5, 0.41%, 0.46%

LAB 49.08, -3.95, -28.8

 

CMYK 58 / 42 / 0 / 35

HEX #455FA5

RGB 69 95 165

HSL 223.75, 0.41%, 0.46%

LAB 41.48, 12.07, -40.77

 

CMYK 58 / 58 / 0 / 35

HEX #4645A5

RGB 70 69 165

HSL 240.63, 0.41%, 0.46%

LAB 34.55, 29.02, -51.9

 

CMYK 42 / 58 / 0 / 35

HEX #5F45A5

RGB 95 69 165

HSL 256.25, 0.41%, 0.46%

LAB 36.75, 34.38, -48.22

 

CMYK 27 / 58 / 0 / 35

HEX #7945A5

RGB 121 69 165

HSL 272.5, 0.41%, 0.46%

LAB 39.64, 40.79, -43.43

 

CMYK 58 / 27 / 0 / 35

HEX #4579A5

RGB 69 121 165

HSL 207.5, 0.41%, 0.46%

LAB 49.08, -3.95, -28.8

 

CMYK 58 / 42 / 0 / 35

HEX #455FA5

RGB 69 95 165

HSL 223.75, 0.41%, 0.46%

LAB 41.48, 12.07, -40.77

 

CMYK 58 / 58 / 0 / 35

HEX #4545A5

RGB 69 69 165

HSL 240, 0.41%, 0.46%

LAB 34.47, 28.83, -52.02

 

CMYK 58 / 27 / 0 / 35

HEX #4579A5

RGB 69 121 165

HSL 207.5, 0.41%, 0.46%

LAB 49.08, -3.95, -28.8

 

CMYK 73 / 34 / 0 / 28

HEX #327AB8

RGB 50 122 184

HSL 207.76, 0.57%, 0.46%

LAB 49.57, -1.31, -39.11

 

CMYK 85 / 39 / 0 / 20

HEX #1F7BCB

RGB 31 123 203

HSL 207.91, 0.74%, 0.46%

LAB 50.42, 3.11, -48.68

 

CMYK 95 / 44 / 0 / 13

HEX #0C7DDE

RGB 12 125 222

HSL 207.71, 0.9%, 0.46%

LAB 51.86, 8.18, -57.15

 

CMYK 58 / 27 / 0 / 35

HEX #4579A5

RGB 69 121 165

HSL 207.5, 0.41%, 0.46%

LAB 49.08, -3.95, -28.8

 

CMYK 40 / 18 / 0 / 43

HEX #587792

RGB 88 119 146

HSL 207.93, 0.25%, 0.46%

LAB 48.69, -3.86, -18.18

 

CMYK 16 / 7 / 0 / 50

HEX #6B767F

RGB 107 118 127

HSL 207, 0.09%, 0.46%

LAB 49.03, -2.08, -6.33

 

CMYK 0 / 7 / 14 / 51

HEX #7E756C

RGB 126 117 108

HSL 30, 0.08%, 0.46%

LAB 49.79, 1.81, 6.2

 

CMYK 0 / 21 / 39 / 43

HEX #917359

RGB 145 115 89

HSL 27.86, 0.24%, 0.46%

LAB 50.69, 8, 18.87

 

CMYK 58 / 0 / 5 / 35

HEX #45A59D

RGB 69 165 157

HSL 175, 0.41%, 0.46%

LAB 62.18, -30, -4.33

 

CMYK 58 / 10 / 0 / 35

HEX #4594A5

RGB 69 148 165

HSL 190.63, 0.41%, 0.46%

LAB 57.23, -19.08, -16.27

 

CMYK 58 / 26 / 0 / 35

HEX #457AA5

RGB 69 122 165

HSL 206.88, 0.41%, 0.46%

LAB 49.38, -4.54, -28.34

 

CMYK 58 / 42 / 0 / 35

HEX #4560A5

RGB 69 96 165

HSL 223.13, 0.41%, 0.46%

LAB 41.76, 11.44, -40.32

 

CMYK 58 / 57 / 0 / 35

HEX #4547A5

RGB 69 71 165

HSL 238.75, 0.41%, 0.46%

LAB 34.98, 27.55, -51.2

 

CMYK 58 / 27 / 0 / 58

HEX #2D4E6B

RGB 45 78 107

HSL 208.06, 0.41%, 0.3%

LAB 31.96, -2.68, -20.45

 

CMYK 58 / 26 / 0 / 47

HEX #396488

RGB 57 100 136

HSL 207.34, 0.41%, 0.38%

LAB 40.83, -3.64, -24.48

 

CMYK 58 / 27 / 0 / 35

HEX #4579A5

RGB 69 121 165

HSL 207.5, 0.41%, 0.46%

LAB 49.08, -3.95, -28.8

 

CMYK 52 / 24 / 0 / 27

HEX #5A8DBA

RGB 90 141 186

HSL 208.13, 0.41%, 0.54%

LAB 56.85, -4.22, -28.74

 

CMYK 40 / 19 / 0 / 22

HEX #77A1C6

RGB 119 161 198

HSL 208.1, 0.41%, 0.62%

LAB 64.55, -4.74, -23.5

 

CMYK 58 / 27 / 0 / 35

HEX #467AA7

RGB 70 122 167

HSL 207.84, 0.41%, 0.46%

LAB 49.51, -3.67, -29.29

 

CMYK 20 / 58 / 0 / 35

HEX #8445A5

RGB 132 69 165

HSL 279.38, 0.41%, 0.46%

LAB 41.02, 43.64, -41.15

 

CMYK 2 / 0 / 58 / 35

HEX #A1A545

RGB 161 165 69

HSL 62.5, 0.41%, 0.46%

LAB 65.68, -14.6, 48.17

 

CMYK 58 / 27 / 0 / 35

HEX #467AA7

RGB 70 122 167

HSL 207.84, 0.41%, 0.46%

LAB 49.51, -3.67, -29.29

 

CMYK 0 / 58 / 26 / 35

HEX #A5457A

RGB 165 69 122

HSL 326.88, 0.41%, 0.46%

LAB 43.74, 45.52, -10.56

 

CMYK 26 / 0 / 58 / 35

HEX #7AA545

RGB 122 165 69

HSL 86.88, 0.41%, 0.46%

LAB 62.91, -30.57, 44.28

 

CMYK 58 / 27 / 0 / 35

HEX #467AA7

RGB 70 122 167

HSL 207.84, 0.41%, 0.46%

LAB 49.51, -3.67, -29.29

 

CMYK 20 / 58 / 0 / 35

HEX #8445A5

RGB 132 69 165

HSL 279.38, 0.41%, 0.46%

LAB 41.02, 43.64, -41.15

 

CMYK 0 / 32 / 58 / 35

HEX #A57045

RGB 165 112 69

HSL 26.88, 0.41%, 0.46%

LAB 51.86, 16.29, 32.15

 

CMYK 38 / 0 / 58 / 35

HEX #67A545

RGB 103 165 69

HSL 98.75, 0.41%, 0.46%

LAB 61.85, -37.54, 42.79

 

CMYK 58 / 27 / 0 / 35

HEX #467AA7

RGB 70 122 167

HSL 207.84, 0.41%, 0.46%

LAB 49.51, -3.67, -29.29

 

CMYK 2 / 58 / 0 / 35

HEX #A145A5

RGB 161 69 165

HSL 297.5, 0.41%, 0.46%

LAB 45.01, 51.36, -34.58

 

CMYK 0 / 32 / 58 / 35

HEX #A57045

RGB 165 112 69

HSL 26.88, 0.41%, 0.46%

LAB 51.86, 16.29, 32.15

 

CMYK 55 / 0 / 58 / 35

HEX #4AA545

RGB 74 165 69

HSL 116.88, 0.41%, 0.46%

LAB 60.6, -46.53, 41.02

 

Description

Color code: HEX #467AA7 | qconv.com Color code: HEX #467AA7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 122 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 122 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 27 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 27% 0% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

61% - 天玑项目管理平台
Link: http://www.golaxy.cn:6060

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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