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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4670FD it is the complementary color #B98F02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4670FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4670FD shade: #4B70F8, #5C82FF, #6D94FF, #7EA6FF and #8FB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4670FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4670FD shade: #4670FD, #355EEA, #244CD7, #133AC4 and #0228B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4670FD shade: #446FFD, #4C44FD, #7D44FD, #AF44FD and #E144FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4670FD shade: #446FFD and #4444FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4670FD shade matches the following richer shades: #446FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4670FD shade: #446FFD, #5377EE, #637FDF, #7287CF and #8190C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4670FD shade: #44D2FD, #44A1FD, #446FFD, #4A44FD and #7C44FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4670FD shade: #0238EC, #1B4FFD, #446FFD, #6D8EFE and #96AEFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4670FD shade: #4670FD, #F744FD and #B9FD44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4670FD shade: #4670FD, #FD446F and #6FFD44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4670FD shade: #4670FD, #F744FD, #FDD244 and #4AFD44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4670FD shade: #4670FD, #FD44CC, #FDD244 and #44FD76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 56 / 0 / 1

HEX #4670FD

RGB 70 112 253

HSL 226.23, 0.98%, 0.63%

LAB 51.82, 32.47, -74.46

 

Complementary color

CMYK 0 / 23 / 99 / 27

HEX #B98F02

RGB 185 143 2

HSL 46.23, 0.98%, 0.37%

LAB 61.62, 5.25, 65.89

 

CMYK 70 / 55 / 0 / 3

HEX #4B70F8

RGB 75 112 248

HSL 227.17, 0.93%, 0.63%

LAB 51.68, 31.34, -71.9

 

CMYK 64 / 49 / 0 / 0

HEX #5C82FF

RGB 92 130 255

HSL 226.01, 1%, 0.68%

LAB 57.52, 25.21, -66.29

 

CMYK 57 / 42 / 0 / 0

HEX #6D94FF

RGB 109 148 255

HSL 223.97, 1%, 0.71%

LAB 63.05, 17.45, -57.38

 

CMYK 51 / 35 / 0 / 0

HEX #7EA6FF

RGB 126 166 255

HSL 221.4, 1%, 0.75%

LAB 68.7, 10.52, -48.37

 

CMYK 44 / 28 / 0 / 0

HEX #8FB8FF

RGB 143 184 255

HSL 218.04, 1%, 0.78%

LAB 74.41, 4.35, -39.37

 

CMYK 72 / 56 / 0 / 1

HEX #4670FD

RGB 70 112 253

HSL 226.23, 0.98%, 0.63%

LAB 51.82, 32.47, -74.46

 

CMYK 77 / 60 / 0 / 8

HEX #355EEA

RGB 53 94 234

HSL 226.41, 0.81%, 0.56%

LAB 45.22, 35.09, -74.62

 

CMYK 83 / 65 / 0 / 16

HEX #244CD7

RGB 36 76 215

HSL 226.59, 0.71%, 0.49%

LAB 38.64, 38.12, -74.62

 

CMYK 90 / 70 / 0 / 23

HEX #133AC4

RGB 19 58 196

HSL 226.78, 0.82%, 0.42%

LAB 32.15, 41.52, -74.3

 

CMYK 99 / 77 / 0 / 31

HEX #0228B1

RGB 2 40 177

HSL 226.97, 0.98%, 0.35%

LAB 25.88, 45, -73.44

 

CMYK 73 / 56 / 0 / 1

HEX #446FFD

RGB 68 111 253

HSL 226.05, 0.98%, 0.63%

LAB 51.48, 32.85, -75.01

 

CMYK 70 / 73 / 0 / 1

HEX #4C44FD

RGB 76 68 253

HSL 242.59, 0.98%, 0.63%

LAB 42.4, 58.83, -89.87

 

CMYK 51 / 73 / 0 / 1

HEX #7D44FD

RGB 125 68 253

HSL 258.49, 0.98%, 0.63%

LAB 46.43, 64.62, -83.11

 

CMYK 31 / 73 / 0 / 1

HEX #AF44FD

RGB 175 68 253

HSL 274.7, 0.98%, 0.63%

LAB 52.22, 72.59, -73.41

 

CMYK 11 / 73 / 0 / 1

HEX #E144FD

RGB 225 68 253

HSL 290.92, 0.98%, 0.63%

LAB 59.19, 81.8, -61.81

 

CMYK 73 / 56 / 0 / 1

HEX #446FFD

RGB 68 111 253

HSL 226.05, 0.98%, 0.63%

LAB 51.48, 32.85, -75.01

 

CMYK 73 / 73 / 0 / 1

HEX #4444FD

RGB 68 68 253

HSL 240, 0.98%, 0.63%

LAB 41.93, 58.13, -90.67

 

CMYK 73 / 56 / 0 / 1

HEX #446FFD

RGB 68 111 253

HSL 226.05, 0.98%, 0.63%

LAB 51.48, 32.85, -75.01

 

CMYK 73 / 56 / 0 / 1

HEX #446FFD

RGB 68 111 253

HSL 226.05, 0.98%, 0.63%

LAB 51.48, 32.85, -75.01

 

CMYK 65 / 50 / 0 / 7

HEX #5377EE

RGB 83 119 238

HSL 226.06, 0.82%, 0.63%

LAB 53.17, 24.72, -63.9

 

CMYK 56 / 43 / 0 / 13

HEX #637FDF

RGB 99 127 223

HSL 226.45, 0.66%, 0.63%

LAB 55.24, 17.75, -52.15

 

CMYK 45 / 35 / 0 / 19

HEX #7287CF

RGB 114 135 207

HSL 226.45, 0.49%, 0.63%

LAB 57.47, 11.44, -39.56

 

CMYK 33 / 25 / 0 / 25

HEX #8190C0

RGB 129 144 192

HSL 225.71, 0.33%, 0.63%

LAB 60.27, 6.09, -26.67

 

CMYK 73 / 17 / 0 / 1

HEX #44D2FD

RGB 68 210 253

HSL 193.95, 0.98%, 0.63%

LAB 78.7, -23.89, -31.87

 

CMYK 73 / 36 / 0 / 1

HEX #44A1FD

RGB 68 161 253

HSL 209.84, 0.98%, 0.63%

LAB 64.81, 2.59, -53.59

 

CMYK 73 / 56 / 0 / 1

HEX #446FFD

RGB 68 111 253

HSL 226.05, 0.98%, 0.63%

LAB 51.48, 32.85, -75.01

 

CMYK 71 / 73 / 0 / 1

HEX #4A44FD

RGB 74 68 253

HSL 241.95, 0.98%, 0.63%

LAB 42.28, 58.65, -90.08

 

CMYK 51 / 73 / 0 / 1

HEX #7C44FD

RGB 124 68 253

HSL 258.16, 0.98%, 0.63%

LAB 46.33, 64.47, -83.28

 

CMYK 99 / 76 / 0 / 7

HEX #0238EC

RGB 2 56 236

HSL 226.15, 0.98%, 0.47%

LAB 35.79, 56.16, -91.34

 

CMYK 89 / 69 / 0 / 1

HEX #1B4FFD

RGB 27 79 253

HSL 226.19, 0.98%, 0.55%

LAB 42.64, 49.42, -89.55

 

CMYK 73 / 56 / 0 / 1

HEX #446FFD

RGB 68 111 253

HSL 226.05, 0.98%, 0.63%

LAB 51.48, 32.85, -75.01

 

CMYK 57 / 44 / 0 / 0

HEX #6D8EFE

RGB 109 142 254

HSL 226.34, 0.99%, 0.71%

LAB 61.44, 20.68, -59.4

 

CMYK 41 / 31 / 0 / 0

HEX #96AEFE

RGB 150 174 254

HSL 226.15, 0.98%, 0.79%

LAB 72.17, 11.39, -42.28

 

CMYK 72 / 56 / 0 / 1

HEX #4670FD

RGB 70 112 253

HSL 226.23, 0.98%, 0.63%

LAB 51.82, 32.47, -74.46

 

CMYK 2 / 73 / 0 / 1

HEX #F744FD

RGB 247 68 253

HSL 298.05, 0.98%, 0.63%

LAB 62.51, 86.08, -56.32

 

CMYK 27 / 0 / 73 / 1

HEX #B9FD44

RGB 185 253 68

HSL 82.05, 0.98%, 0.63%

LAB 92.12, -46.44, 76.37

 

CMYK 72 / 56 / 0 / 1

HEX #4670FD

RGB 70 112 253

HSL 226.23, 0.98%, 0.63%

LAB 51.82, 32.47, -74.46

 

CMYK 0 / 73 / 56 / 1

HEX #FD446F

RGB 253 68 111

HSL 346.05, 0.98%, 0.63%

LAB 58.19, 71.18, 18.78

 

CMYK 56 / 0 / 73 / 1

HEX #6FFD44

RGB 111 253 68

HSL 106.05, 0.98%, 0.63%

LAB 88.94, -69.33, 72.18

 

CMYK 72 / 56 / 0 / 1

HEX #4670FD

RGB 70 112 253

HSL 226.23, 0.98%, 0.63%

LAB 51.82, 32.47, -74.46

 

CMYK 2 / 73 / 0 / 1

HEX #F744FD

RGB 247 68 253

HSL 298.05, 0.98%, 0.63%

LAB 62.51, 86.08, -56.32

 

CMYK 0 / 17 / 73 / 1

HEX #FDD244

RGB 253 210 68

HSL 46.05, 0.98%, 0.63%

LAB 85.7, 1.23, 71.89

 

CMYK 71 / 0 / 73 / 1

HEX #4AFD44

RGB 74 253 68

HSL 118.05, 0.98%, 0.63%

LAB 88.03, -76.87, 70.96

 

CMYK 72 / 56 / 0 / 1

HEX #4670FD

RGB 70 112 253

HSL 226.23, 0.98%, 0.63%

LAB 51.82, 32.47, -74.46

 

CMYK 0 / 73 / 19 / 1

HEX #FD44CC

RGB 253 68 204

HSL 315.89, 0.98%, 0.63%

LAB 61.11, 80.39, -31

 

CMYK 0 / 17 / 73 / 1

HEX #FDD244

RGB 253 210 68

HSL 46.05, 0.98%, 0.63%

LAB 85.7, 1.23, 71.89

 

CMYK 73 / 0 / 53 / 1

HEX #44FD76

RGB 68 253 118

HSL 136.22, 0.98%, 0.63%

LAB 88.35, -72.66, 51.17

 

Description

Color code: HEX #4670FD | qconv.com Color code: HEX #4670FD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 112 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 112 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 56 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 56% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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