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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #466BA3 it is the complementary color #B9945C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #466BA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #466BA3 shade: #4B6B9E, #5C7DB1, #6D8FC4, #7EA1D7 and #8FB3EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #466BA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #466BA3 shade: #466BA3, #355990, #24477D, #13356A and #022357

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #466BA3 shade: #466CA4, #4652A4, #5446A4, #6D46A4 and #8646A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #466BA3 shade: #466CA4, #4652A4 and #4646A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #466BA3 shade matches the following richer shades: #466CA4, #3368B7, #2064CA and #0D60DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #466BA3 shade: #466CA4, #597091, #6C737E, #7F776B and #927B58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #466BA3 shade: #469EA4, #4685A4, #466CA4, #4653A4 and #5346A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #466BA3 shade: #2E466A, #3A5987, #466CA4, #5B80B9 and #7897C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #466BA3 shade: #466BA3, #9146A4 and #91A446

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #466BA3 shade: #466BA3, #A4466C and #6CA446

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #466BA3 shade: #466BA3, #9146A4, #A47F46 and #59A446

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #466BA3 shade: #466BA3, #A4469B, #A47F46 and #46A450

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 34 / 0 / 36

HEX #466BA3

RGB 70 107 163

HSL 216.13, 0.4%, 0.46%

LAB 44.89, 4.07, -34.19

 

Complementary color

CMYK 0 / 20 / 50 / 27

HEX #B9945C

RGB 185 148 92

HSL 36.13, 0.4%, 0.54%

LAB 63.56, 6.8, 34.72

 

CMYK 53 / 32 / 0 / 38

HEX #4B6B9E

RGB 75 107 158

HSL 216.87, 0.36%, 0.46%

LAB 44.91, 3.56, -31.18

 

CMYK 48 / 29 / 0 / 31

HEX #5C7DB1

RGB 92 125 177

HSL 216.71, 0.35%, 0.53%

LAB 51.97, 2.85, -31.17

 

CMYK 44 / 27 / 0 / 23

HEX #6D8FC4

RGB 109 143 196

HSL 216.55, 0.42%, 0.6%

LAB 58.86, 2.27, -31.2

 

CMYK 41 / 25 / 0 / 16

HEX #7EA1D7

RGB 126 161 215

HSL 216.4, 0.53%, 0.67%

LAB 65.62, 1.79, -31.27

 

CMYK 39 / 24 / 0 / 8

HEX #8FB3EA

RGB 143 179 234

HSL 216.26, 0.68%, 0.74%

LAB 72.24, 1.39, -31.37

 

CMYK 57 / 34 / 0 / 36

HEX #466BA3

RGB 70 107 163

HSL 216.13, 0.4%, 0.46%

LAB 44.89, 4.07, -34.19

 

CMYK 63 / 38 / 0 / 44

HEX #355990

RGB 53 89 144

HSL 216.26, 0.46%, 0.39%

LAB 37.69, 5.21, -34.26

 

CMYK 71 / 43 / 0 / 51

HEX #24477D

RGB 36 71 125

HSL 216.4, 0.55%, 0.32%

LAB 30.31, 6.76, -34.37

 

CMYK 82 / 50 / 0 / 58

HEX #13356A

RGB 19 53 106

HSL 216.55, 0.7%, 0.25%

LAB 22.74, 8.98, -34.48

 

CMYK 98 / 60 / 0 / 66

HEX #022357

RGB 2 35 87

HSL 216.71, 0.96%, 0.17%

LAB 14.97, 12.09, -34.56

 

CMYK 57 / 34 / 0 / 36

HEX #466CA4

RGB 70 108 164

HSL 215.74, 0.4%, 0.46%

LAB 45.23, 3.79, -34.24

 

CMYK 57 / 50 / 0 / 36

HEX #4652A4

RGB 70 82 164

HSL 232.34, 0.4%, 0.46%

LAB 37.87, 20.31, -45.94

 

CMYK 49 / 57 / 0 / 36

HEX #5446A4

RGB 84 70 164

HSL 248.94, 0.4%, 0.46%

LAB 35.88, 30.97, -49.09

 

CMYK 34 / 57 / 0 / 36

HEX #6D46A4

RGB 109 70 164

HSL 264.89, 0.4%, 0.46%

LAB 38.4, 36.92, -44.91

 

CMYK 18 / 57 / 0 / 36

HEX #8646A4

RGB 134 70 164

HSL 280.85, 0.4%, 0.46%

LAB 41.42, 43.42, -39.9

 

CMYK 57 / 34 / 0 / 36

HEX #466CA4

RGB 70 108 164

HSL 215.74, 0.4%, 0.46%

LAB 45.23, 3.79, -34.24

 

CMYK 57 / 50 / 0 / 36

HEX #4652A4

RGB 70 82 164

HSL 232.34, 0.4%, 0.46%

LAB 37.87, 20.31, -45.94

 

CMYK 57 / 57 / 0 / 36

HEX #4646A4

RGB 70 70 164

HSL 240, 0.4%, 0.46%

LAB 34.73, 28.05, -51.01

 

CMYK 57 / 34 / 0 / 36

HEX #466CA4

RGB 70 108 164

HSL 215.74, 0.4%, 0.46%

LAB 45.23, 3.79, -34.24

 

CMYK 72 / 43 / 0 / 28

HEX #3368B7

RGB 51 104 183

HSL 215.91, 0.56%, 0.46%

LAB 44.27, 9.61, -46.95

 

CMYK 84 / 50 / 0 / 21

HEX #2064CA

RGB 32 100 202

HSL 216, 0.73%, 0.46%

LAB 43.78, 17.33, -58.77

 

CMYK 94 / 57 / 0 / 13

HEX #0D60DD

RGB 13 96 221

HSL 216.06, 0.89%, 0.46%

LAB 43.76, 26.33, -69.69

 

CMYK 57 / 34 / 0 / 36

HEX #466CA4

RGB 70 108 164

HSL 215.74, 0.4%, 0.46%

LAB 45.23, 3.79, -34.24

 

CMYK 39 / 23 / 0 / 43

HEX #597091

RGB 89 112 145

HSL 215.36, 0.24%, 0.46%

LAB 46.65, 0.29, -20.71

 

CMYK 14 / 9 / 0 / 51

HEX #6C737E

RGB 108 115 126

HSL 216.67, 0.08%, 0.46%

LAB 48.2, -0.2, -6.95

 

CMYK 0 / 6 / 16 / 50

HEX #7F776B

RGB 127 119 107

HSL 36, 0.09%, 0.46%

LAB 50.41, 0.88, 7.7

 

CMYK 0 / 16 / 40 / 43

HEX #927B58

RGB 146 123 88

HSL 36.21, 0.25%, 0.46%

LAB 52.93, 3.71, 22.45

 

CMYK 57 / 4 / 0 / 36

HEX #469EA4

RGB 70 158 164

HSL 183.83, 0.4%, 0.46%

LAB 60.28, -24.36, -11.1

 

CMYK 57 / 19 / 0 / 36

HEX #4685A4

RGB 70 133 164

HSL 199.79, 0.4%, 0.46%

LAB 52.68, -10.98, -22.64

 

CMYK 57 / 34 / 0 / 36

HEX #466CA4

RGB 70 108 164

HSL 215.74, 0.4%, 0.46%

LAB 45.23, 3.79, -34.24

 

CMYK 57 / 49 / 0 / 36

HEX #4653A4

RGB 70 83 164

HSL 231.7, 0.4%, 0.46%

LAB 38.14, 19.66, -45.5

 

CMYK 49 / 57 / 0 / 36

HEX #5346A4

RGB 83 70 164

HSL 248.3, 0.4%, 0.46%

LAB 35.79, 30.75, -49.24

 

CMYK 57 / 34 / 0 / 58

HEX #2E466A

RGB 46 70 106

HSL 216, 0.39%, 0.3%

LAB 29.42, 2.42, -23.79

 

CMYK 57 / 34 / 0 / 47

HEX #3A5987

RGB 58 89 135

HSL 215.84, 0.4%, 0.38%

LAB 37.47, 3.11, -29.13

 

CMYK 57 / 34 / 0 / 36

HEX #466CA4

RGB 70 108 164

HSL 215.74, 0.4%, 0.46%

LAB 45.23, 3.79, -34.24

 

CMYK 51 / 31 / 0 / 27

HEX #5B80B9

RGB 91 128 185

HSL 216.38, 0.4%, 0.54%

LAB 53.13, 3.29, -33.96

 

CMYK 39 / 23 / 0 / 23

HEX #7897C5

RGB 120 151 197

HSL 215.84, 0.4%, 0.62%

LAB 61.79, 0.88, -27.18

 

CMYK 57 / 34 / 0 / 36

HEX #466BA3

RGB 70 107 163

HSL 216.13, 0.4%, 0.46%

LAB 44.89, 4.07, -34.19

 

CMYK 12 / 57 / 0 / 36

HEX #9146A4

RGB 145 70 164

HSL 287.87, 0.4%, 0.46%

LAB 42.88, 46.37, -37.49

 

CMYK 12 / 0 / 57 / 36

HEX #91A446

RGB 145 164 70

HSL 72.13, 0.4%, 0.46%

LAB 64.17, -20.75, 45.67

 

CMYK 57 / 34 / 0 / 36

HEX #466BA3

RGB 70 107 163

HSL 216.13, 0.4%, 0.46%

LAB 44.89, 4.07, -34.19

 

CMYK 0 / 57 / 34 / 36

HEX #A4466C

RGB 164 70 108

HSL 335.74, 0.4%, 0.46%

LAB 43.29, 42.84, -2.65

 

CMYK 34 / 0 / 57 / 36

HEX #6CA446

RGB 108 164 70

HSL 95.74, 0.4%, 0.46%

LAB 61.81, -35.22, 42.34

 

CMYK 57 / 34 / 0 / 36

HEX #466BA3

RGB 70 107 163

HSL 216.13, 0.4%, 0.46%

LAB 44.89, 4.07, -34.19

 

CMYK 12 / 57 / 0 / 36

HEX #9146A4

RGB 145 70 164

HSL 287.87, 0.4%, 0.46%

LAB 42.88, 46.37, -37.49

 

CMYK 0 / 23 / 57 / 36

HEX #A47F46

RGB 164 127 70

HSL 36.38, 0.4%, 0.46%

LAB 55.6, 7.44, 36.1

 

CMYK 46 / 0 / 57 / 36

HEX #59A446

RGB 89 164 70

HSL 107.87, 0.4%, 0.46%

LAB 60.88, -41.63, 41.02

 

CMYK 57 / 34 / 0 / 36

HEX #466BA3

RGB 70 107 163

HSL 216.13, 0.4%, 0.46%

LAB 44.89, 4.07, -34.19

 

CMYK 0 / 57 / 5 / 36

HEX #A4469B

RGB 164 70 155

HSL 305.74, 0.4%, 0.46%

LAB 45.14, 49.93, -28.39

 

CMYK 0 / 23 / 57 / 36

HEX #A47F46

RGB 164 127 70

HSL 36.38, 0.4%, 0.46%

LAB 55.6, 7.44, 36.1

 

CMYK 57 / 0 / 51 / 36

HEX #46A450

RGB 70 164 80

HSL 126.38, 0.4%, 0.46%

LAB 60.28, -45.7, 35.18

 

Description

Color code: HEX #466BA3 | qconv.com Color code: HEX #466BA3 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 107 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 107 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 34 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 34% 0% 36% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - Software Solutions f...
Link: http://www.softexpert.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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