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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #465EC6CE it is the complementary color #B9A139CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #465EC6CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #465EC6CE shade: #4B5EC1CE, #5C70D4CE, #6D82E7CE, #7E94FACE and #8FA6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #465EC6CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #465EC6CE shade: #465EC6CE, #354CB3CE, #243AA0CE, #13288DCE and #02167ACE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #465EC6CE shade: #485FC7, #5248C7, #7448C7, #9748C7 and #B948C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #465EC6CE shade: #485FC7 and #4848C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #465EC6CE shade matches the following richer shades: #485FC7, #3453DA and #2147ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #465EC6CE shade: #485FC7, #5B6CB3, #6E78A0, #82848C and #959079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #465EC6CE shade: #48A5C7, #4883C7, #4861C7, #5048C7 and #7248C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #465EC6CE shade: #2C3F90, #364DAF, #485FC7, #677BD0 and #8796DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #465EC6CE shade: #465EC6, #C748C7 and #94C748

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #465EC6CE shade: #465EC6, #C74861 and #61C748

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #465EC6CE shade: #465EC6, #C748C7, #C7AD48 and #48C748

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #465EC6CE shade: #465EC6, #C748A1, #C7AD48 and #48C76E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 43 / 0 / 18

HEX #465EC6CE

RGBA 70 94 198 0.81

HSLA 228.75, 0.53%, 0.53%, 0.81

LABA 43.34, 24.4, -57.1, 0.81

 

Complementary color

CMYK 0 / 11 / 56 / 22

HEX #B9A139CE

RGBA 185 161 57 0.81

HSLA 48.75, 0.53%, 0.47%, 0.81

LABA 66.6, -2.86, 55.05, 0.81

 

CMYK 50 / 42 / 0 / 20

HEX #4B5EC1CE

RGBA 75 94 193 0.81

HSLA 230.34, 0.49%, 0.53%, 0.81

LABA 43.29, 23.54, -54.27, 0.81

 

CMYK 46 / 38 / 0 / 14

HEX #5C70D4CE

RGBA 92 112 212 0.81

HSLA 230, 0.58%, 0.6%, 0.81

LABA 50.24, 21.92, -53.96, 0.81

 

CMYK 43 / 35 / 0 / 8

HEX #6D82E7CE

RGBA 109 130 231 0.81

HSLA 229.67, 0.72%, 0.67%, 0.81

LABA 57.06, 20.57, -53.68, 0.81

 

CMYK 40 / 33 / 0 / 2

HEX #7E94FACE

RGBA 126 148 250 0.81

HSLA 229.35, 0.93%, 0.74%, 0.81

LABA 63.77, 19.43, -53.44, 0.81

 

CMYK 36 / 28 / 0 / 0

HEX #8FA6FFCE

RGBA 143 166 255 0.81

HSLA 227.68, 1%, 0.78%, 0.81

LABA 69.71, 14.46, -46.72, 0.81

 

CMYK 52 / 43 / 0 / 18

HEX #465EC6CE

RGBA 70 94 198 0.81

HSLA 228.75, 0.53%, 0.53%, 0.81

LABA 43.34, 24.4, -57.1, 0.81

 

CMYK 57 / 47 / 0 / 24

HEX #354CB3CE

RGBA 53 76 179 0.81

HSLA 229.05, 0.54%, 0.45%, 0.81

LABA 36.33, 26.59, -57.39, 0.81

 

CMYK 63 / 52 / 0 / 30

HEX #243AA0CE

RGBA 36 58 160 0.81

HSLA 229.35, 0.63%, 0.38%, 0.81

LABA 29.26, 29.26, -57.59, 0.81

 

CMYK 70 / 58 / 0 / 36

HEX #13288DCE

RGBA 19 40 141 0.81

HSLA 229.67, 0.76%, 0.31%, 0.81

LABA 22.23, 32.47, -57.5, 0.81

 

CMYK 80 / 66 / 0 / 42

HEX #02167ACE

RGBA 2 22 122 0.81

HSLA 230, 0.97%, 0.24%, 0.81

LABA 15.44, 35.8, -56.75, 0.81

 

CMYK 64 / 52 / 0 / 22

HEX #485FC7

RGB 72 95 199

HSL 229.13, 0.53%, 0.53%

LAB 43.78, 24.45, -56.96

 

CMYK 59 / 64 / 0 / 22

HEX #5248C7

RGB 82 72 199

HSL 244.72, 0.53%, 0.53%

LAB 38.82, 40.41, -64.98

 

CMYK 42 / 64 / 0 / 22

HEX #7448C7

RGB 116 72 199

HSL 260.79, 0.53%, 0.53%

LAB 41.96, 46.74, -59.74

 

CMYK 24 / 64 / 0 / 22

HEX #9748C7

RGB 151 72 199

HSL 277.32, 0.53%, 0.53%

LAB 46.09, 54.37, -52.85

 

CMYK 7 / 64 / 0 / 22

HEX #B948C7

RGB 185 72 199

HSL 293.39, 0.53%, 0.53%

LAB 50.77, 62.31, -45.11

 

CMYK 64 / 52 / 0 / 22

HEX #485FC7

RGB 72 95 199

HSL 229.13, 0.53%, 0.53%

LAB 43.78, 24.45, -56.96

 

CMYK 64 / 64 / 0 / 22

HEX #4848C7

RGB 72 72 199

HSL 240, 0.53%, 0.53%

LAB 38.09, 38.86, -66.21

 

CMYK 64 / 52 / 0 / 22

HEX #485FC7

RGB 72 95 199

HSL 229.13, 0.53%, 0.53%

LAB 43.78, 24.45, -56.96

 

CMYK 76 / 62 / 0 / 15

HEX #3453DA

RGB 52 83 218

HSL 228.8, 0.69%, 0.53%

LAB 41.18, 36.14, -72.14

 

CMYK 86 / 70 / 0 / 7

HEX #2147ED

RGB 33 71 237

HSL 228.82, 0.85%, 0.53%

LAB 39.49, 48.85, -85.76

 

CMYK 64 / 52 / 0 / 22

HEX #485FC7

RGB 72 95 199

HSL 229.13, 0.53%, 0.53%

LAB 43.78, 24.45, -56.96

 

CMYK 49 / 40 / 0 / 30

HEX #5B6CB3

RGB 91 108 179

HSL 228.41, 0.37%, 0.53%

LAB 47.24, 13.55, -39.76

 

CMYK 31 / 25 / 0 / 37

HEX #6E78A0

RGB 110 120 160

HSL 228, 0.21%, 0.53%

LAB 51.02, 5.98, -22.68

 

CMYK 7 / 6 / 0 / 45

HEX #82848C

RGB 130 132 140

HSL 228, 0.04%, 0.53%

LAB 55.22, 0.91, -4.56

 

CMYK 0 / 3 / 19 / 42

HEX #959079

RGB 149 144 121

HSL 49.29, 0.12%, 0.53%

LAB 59.63, -2.18, 12.9

 

CMYK 64 / 17 / 0 / 22

HEX #48A5C7

RGB 72 165 199

HSL 196.06, 0.53%, 0.53%

LAB 63.68, -17.07, -25.57

 

CMYK 64 / 34 / 0 / 22

HEX #4883C7

RGB 72 131 199

HSL 212.13, 0.53%, 0.53%

LAB 53.74, 2.12, -41.05

 

CMYK 64 / 51 / 0 / 22

HEX #4861C7

RGB 72 97 199

HSL 228.19, 0.53%, 0.53%

LAB 44.31, 23.18, -56.11

 

CMYK 60 / 64 / 0 / 22

HEX #5048C7

RGB 80 72 199

HSL 243.78, 0.53%, 0.53%

LAB 38.66, 40.09, -65.24

 

CMYK 43 / 64 / 0 / 22

HEX #7248C7

RGB 114 72 199

HSL 259.84, 0.53%, 0.53%

LAB 41.74, 46.33, -60.09

 

CMYK 69 / 56 / 0 / 44

HEX #2C3F90

RGB 44 63 144

HSL 228.6, 0.53%, 0.37%

LAB 29.67, 20.88, -47.14

 

CMYK 69 / 56 / 0 / 31

HEX #364DAF

RGB 54 77 175

HSL 228.6, 0.53%, 0.45%

LAB 36.34, 24.61, -55

 

CMYK 64 / 52 / 0 / 22

HEX #485FC7

RGB 72 95 199

HSL 229.13, 0.53%, 0.53%

LAB 43.78, 24.45, -56.96

 

CMYK 50 / 41 / 0 / 18

HEX #677BD0

RGB 103 123 208

HSL 228.57, 0.53%, 0.61%

LAB 53.6, 16.28, -46.28

 

CMYK 38 / 31 / 0 / 15

HEX #8796DA

RGB 135 150 218

HSL 229.16, 0.53%, 0.69%

LAB 63.36, 11.29, -36.39

 

CMYK 65 / 53 / 0 / 22

HEX #465EC6

RGB 70 94 198

HSL 228.75, 0.53%, 0.53%

LAB 43.34, 24.4, -57.1

 

CMYK 0 / 64 / 0 / 22

HEX #C748C7

RGB 199 72 199

HSL 300, 0.53%, 0.53%

LAB 52.84, 65.64, -41.7

 

CMYK 26 / 0 / 64 / 22

HEX #94C748

RGB 148 199 72

HSL 84.09, 0.53%, 0.53%

LAB 74.58, -36.17, 56.35

 

CMYK 65 / 53 / 0 / 22

HEX #465EC6

RGB 70 94 198

HSL 228.75, 0.53%, 0.53%

LAB 43.34, 24.4, -57.1

 

CMYK 0 / 64 / 51 / 22

HEX #C74861

RGB 199 72 97

HSL 348.19, 0.53%, 0.53%

LAB 49.06, 52.39, 13.09

 

CMYK 51 / 0 / 64 / 22

HEX #61C748

RGB 97 199 72

HSL 108.19, 0.53%, 0.53%

LAB 72.13, -53.14, 52.97

 

CMYK 65 / 53 / 0 / 22

HEX #465EC6

RGB 70 94 198

HSL 228.75, 0.53%, 0.53%

LAB 43.34, 24.4, -57.1

 

CMYK 0 / 64 / 0 / 22

HEX #C748C7

RGB 199 72 199

HSL 300, 0.53%, 0.53%

LAB 52.84, 65.64, -41.7

 

CMYK 0 / 13 / 64 / 22

HEX #C7AD48

RGB 199 173 72

HSL 47.72, 0.53%, 0.53%

LAB 71.21, -2.27, 53.83

 

CMYK 64 / 0 / 64 / 22

HEX #48C748

RGB 72 199 72

HSL 120, 0.53%, 0.53%

LAB 71.35, -59.3, 51.88

 

CMYK 65 / 53 / 0 / 22

HEX #465EC6

RGB 70 94 198

HSL 228.75, 0.53%, 0.53%

LAB 43.34, 24.4, -57.1

 

CMYK 0 / 64 / 19 / 22

HEX #C748A1

RGB 199 72 161

HSL 317.95, 0.53%, 0.53%

LAB 51.09, 59.73, -22.3

 

CMYK 0 / 13 / 64 / 22

HEX #C7AD48

RGB 199 173 72

HSL 47.72, 0.53%, 0.53%

LAB 71.21, -2.27, 53.83

 

CMYK 64 / 0 / 45 / 22

HEX #48C76E

RGB 72 199 110

HSL 137.95, 0.53%, 0.53%

LAB 71.79, -54.21, 34.45

 

Description

Color code: HEX #465EC6CE | qconv.com Color code: HEX #465EC6CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 94 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 94 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 43 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 43% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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