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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #465C5E it is the complementary color #B9A3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #465C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #465C5E shade: #4B5C59, #5C6E6C, #6D807F, #7E9292 and #8FA4A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #465C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #465C5E shade: #465C5E, #354A4B, #243838, #132625 and #021412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #465C5E shade: #455B5D, #45555D, #454E5D, #45475D and #49455D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #465C5E shade: #455B5D, #45555D, #454E5D, #45475D and #45455D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #465C5E shade matches the following richer shades: #455B5D, #38666B, #2A7178, #1D7C85 and #108792

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #465C5E shade: #455B5D, #525050, #5F4543, #6C3A36 and #7A2F29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #465C5E shade: #455D52, #455D59, #455B5D, #45555D and #454E5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #465C5E shade: #222D2E, #334446, #455B5D, #567375 and #688A8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #465C5E shade: #465C5E, #4C455D and #5D5645

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #465C5E shade: #465C5E, #5D455B and #5B5D45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #465C5E shade: #465C5E, #4C455D, #5D4745 and #565D45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #465C5E shade: #465C5E, #53455D, #5D4745 and #4F5D45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 2 / 0 / 63

HEX #465C5E

RGB 70 92 94

HSL 185, 0.15%, 0.32%

LAB 37.42, -7.76, -3.88

 

Complementary color

CMYK 0 / 12 / 13 / 27

HEX #B9A3A1

RGB 185 163 161

HSL 5, 0.15%, 0.68%

LAB 68.81, 7.68, 3.97

 

CMYK 18 / 0 / 3 / 64

HEX #4B5C59

RGB 75 92 89

HSL 169.41, 0.1%, 0.33%

LAB 37.61, -7.2, -0.45

 

CMYK 16 / 0 / 2 / 57

HEX #5C6E6C

RGB 92 110 108

HSL 173.33, 0.09%, 0.4%

LAB 44.96, -7.15, -1.14

 

CMYK 15 / 0 / 1 / 50

HEX #6D807F

RGB 109 128 127

HSL 176.84, 0.08%, 0.46%

LAB 52.09, -7.11, -1.79

 

CMYK 14 / 0 / 0 / 43

HEX #7E9292

RGB 126 146 146

HSL 180, 0.08%, 0.53%

LAB 59.04, -7.1, -2.41

 

CMYK 13 / 1 / 0 / 35

HEX #8FA4A5

RGB 143 164 165

HSL 182.73, 0.11%, 0.6%

LAB 65.83, -7.1, -3

 

CMYK 26 / 2 / 0 / 63

HEX #465C5E

RGB 70 92 94

HSL 185, 0.15%, 0.32%

LAB 37.42, -7.76, -3.88

 

CMYK 29 / 1 / 0 / 71

HEX #354A4B

RGB 53 74 75

HSL 182.73, 0.17%, 0.25%

LAB 29.82, -7.84, -3.25

 

CMYK 36 / 0 / 0 / 78

HEX #243838

RGB 36 56 56

HSL 180, 0.22%, 0.18%

LAB 21.9, -7.94, -2.57

 

CMYK 50 / 0 / 3 / 85

HEX #132625

RGB 19 38 37

HSL 176.84, 0.33%, 0.11%

LAB 13.58, -8.06, -1.79

 

CMYK 90 / 0 / 10 / 92

HEX #021412

RGB 2 20 18

HSL 173.33, 0.82%, 0.04%

LAB 5.03, -5.94, -0.76

 

CMYK 26 / 2 / 0 / 64

HEX #455B5D

RGB 69 91 93

HSL 185, 0.15%, 0.32%

LAB 37, -7.77, -3.88

 

CMYK 26 / 9 / 0 / 64

HEX #45555D

RGB 69 85 93

HSL 200, 0.15%, 0.32%

LAB 35.11, -4.15, -6.7

 

CMYK 26 / 16 / 0 / 64

HEX #454E5D

RGB 69 78 93

HSL 217.5, 0.15%, 0.32%

LAB 32.93, 0.21, -9.98

 

CMYK 26 / 24 / 0 / 64

HEX #45475D

RGB 69 71 93

HSL 235, 0.15%, 0.32%

LAB 30.79, 4.7, -13.24

 

CMYK 22 / 26 / 0 / 64

HEX #49455D

RGB 73 69 93

HSL 250, 0.15%, 0.32%

LAB 30.55, 7.44, -13.57

 

CMYK 26 / 2 / 0 / 64

HEX #455B5D

RGB 69 91 93

HSL 185, 0.15%, 0.32%

LAB 37, -7.77, -3.88

 

CMYK 26 / 9 / 0 / 64

HEX #45555D

RGB 69 85 93

HSL 200, 0.15%, 0.32%

LAB 35.11, -4.15, -6.7

 

CMYK 26 / 16 / 0 / 64

HEX #454E5D

RGB 69 78 93

HSL 217.5, 0.15%, 0.32%

LAB 32.93, 0.21, -9.98

 

CMYK 26 / 24 / 0 / 64

HEX #45475D

RGB 69 71 93

HSL 235, 0.15%, 0.32%

LAB 30.79, 4.7, -13.24

 

CMYK 26 / 26 / 0 / 64

HEX #45455D

RGB 69 69 93

HSL 240, 0.15%, 0.32%

LAB 30.19, 6, -14.16

 

CMYK 26 / 2 / 0 / 64

HEX #455B5D

RGB 69 91 93

HSL 185, 0.15%, 0.32%

LAB 37, -7.77, -3.88

 

CMYK 48 / 5 / 0 / 58

HEX #38666B

RGB 56 102 107

HSL 185.88, 0.31%, 0.32%

LAB 40.25, -14.28, -7.74

 

CMYK 65 / 6 / 0 / 53

HEX #2A7178

RGB 42 113 120

HSL 185.38, 0.48%, 0.32%

LAB 43.74, -19.5, -10.44

 

CMYK 78 / 7 / 0 / 48

HEX #1D7C85

RGB 29 124 133

HSL 185.19, 0.64%, 0.32%

LAB 47.46, -23.05, -12.6

 

CMYK 89 / 8 / 0 / 43

HEX #108792

RGB 16 135 146

HSL 185.08, 0.8%, 0.32%

LAB 51.28, -25.54, -14.45

 

CMYK 26 / 2 / 0 / 64

HEX #455B5D

RGB 69 91 93

HSL 185, 0.15%, 0.32%

LAB 37, -7.77, -3.88

 

CMYK 0 / 2 / 2 / 68

HEX #525050

RGB 82 80 80

HSL 0, 0.01%, 0.32%

LAB 34.21, 0.82, 0.28

 

CMYK 0 / 27 / 29 / 63

HEX #5F4543

RGB 95 69 67

HSL 4.29, 0.17%, 0.32%

LAB 32.02, 10.86, 5.58

 

CMYK 0 / 46 / 50 / 58

HEX #6C3A36

RGB 108 58 54

HSL 4.44, 0.33%, 0.32%

LAB 30.59, 21.55, 12.23

 

CMYK 0 / 61 / 66 / 52

HEX #7A2F29

RGB 122 47 41

HSL 4.44, 0.5%, 0.32%

LAB 30.23, 32.3, 20.52

 

CMYK 26 / 0 / 12 / 64

HEX #455D52

RGB 69 93 82

HSL 152.5, 0.15%, 0.32%

LAB 37.3, -11.63, 3.39

 

CMYK 26 / 0 / 4 / 64

HEX #455D59

RGB 69 93 89

HSL 170, 0.15%, 0.32%

LAB 37.51, -9.96, -0.65

 

CMYK 26 / 2 / 0 / 64

HEX #455B5D

RGB 69 91 93

HSL 185, 0.15%, 0.32%

LAB 37, -7.77, -3.88

 

CMYK 26 / 9 / 0 / 64

HEX #45555D

RGB 69 85 93

HSL 200, 0.15%, 0.32%

LAB 35.11, -4.15, -6.7

 

CMYK 26 / 16 / 0 / 64

HEX #454E5D

RGB 69 78 93

HSL 217.5, 0.15%, 0.32%

LAB 32.93, 0.21, -9.98

 

CMYK 26 / 2 / 0 / 82

HEX #222D2E

RGB 34 45 46

HSL 185, 0.15%, 0.16%

LAB 17.53, -4.4, -2.2

 

CMYK 27 / 3 / 0 / 73

HEX #334446

RGB 51 68 70

HSL 186.32, 0.16%, 0.24%

LAB 27.52, -6.19, -3.43

 

CMYK 26 / 2 / 0 / 64

HEX #455B5D

RGB 69 91 93

HSL 185, 0.15%, 0.32%

LAB 37, -7.77, -3.88

 

CMYK 26 / 2 / 0 / 54

HEX #567375

RGB 86 115 117

HSL 183.87, 0.15%, 0.4%

LAB 46.34, -9.93, -4.53

 

CMYK 26 / 2 / 0 / 45

HEX #688A8D

RGB 104 138 141

HSL 184.86, 0.15%, 0.48%

LAB 55.12, -11.11, -5.49

 

CMYK 26 / 2 / 0 / 63

HEX #465C5E

RGB 70 92 94

HSL 185, 0.15%, 0.32%

LAB 37.42, -7.76, -3.88

 

CMYK 18 / 26 / 0 / 64

HEX #4C455D

RGB 76 69 93

HSL 257.5, 0.15%, 0.32%

LAB 30.84, 8.53, -13.1

 

CMYK 0 / 8 / 26 / 64

HEX #5D5645

RGB 93 86 69

HSL 42.5, 0.15%, 0.32%

LAB 36.77, -0.25, 10.94

 

CMYK 26 / 2 / 0 / 63

HEX #465C5E

RGB 70 92 94

HSL 185, 0.15%, 0.32%

LAB 37.42, -7.76, -3.88

 

CMYK 0 / 26 / 2 / 64

HEX #5D455B

RGB 93 69 91

HSL 305, 0.15%, 0.32%

LAB 32.57, 14.53, -9.03

 

CMYK 2 / 0 / 26 / 64

HEX #5B5D45

RGB 91 93 69

HSL 65, 0.15%, 0.32%

LAB 38.69, -5.33, 13.56

 

CMYK 26 / 2 / 0 / 63

HEX #465C5E

RGB 70 92 94

HSL 185, 0.15%, 0.32%

LAB 37.42, -7.76, -3.88

 

CMYK 18 / 26 / 0 / 64

HEX #4C455D

RGB 76 69 93

HSL 257.5, 0.15%, 0.32%

LAB 30.84, 8.53, -13.1

 

CMYK 0 / 24 / 26 / 64

HEX #5D4745

RGB 93 71 69

HSL 5, 0.15%, 0.32%

LAB 32.4, 9.05, 4.81

 

CMYK 8 / 0 / 26 / 64

HEX #565D45

RGB 86 93 69

HSL 77.5, 0.15%, 0.32%

LAB 38.26, -7.48, 12.9

 

CMYK 26 / 2 / 0 / 63

HEX #465C5E

RGB 70 92 94

HSL 185, 0.15%, 0.32%

LAB 37.42, -7.76, -3.88

 

CMYK 11 / 26 / 0 / 64

HEX #53455D

RGB 83 69 93

HSL 275, 0.15%, 0.32%

LAB 31.54, 11.14, -11.96

 

CMYK 0 / 24 / 26 / 64

HEX #5D4745

RGB 93 71 69

HSL 5, 0.15%, 0.32%

LAB 32.4, 9.05, 4.81

 

CMYK 15 / 0 / 26 / 64

HEX #4F5D45

RGB 79 93 69

HSL 95, 0.15%, 0.32%

LAB 37.7, -10.41, 12.04

 

Description

Color code: HEX #465C5E | qconv.com Color code: HEX #465C5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 92 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 92 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 2 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 2% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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