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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46590ACE it is the complementary color #B9A6F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46590ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46590ACE shade: #4B5905CE, #5C6B18CE, #6D7D2BCE, #7E8F3ECE and #8FA151CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46590ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46590ACE shade: #46590ACE, #354700CE, #243500CE, #132300CE and #021100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46590ACE shade: #45570A, #57550A, #57400A, #572B0A and #57160A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46590ACE shade: #45570A, #30570A, #1B570A, #0A570E and #0A5722

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46590ACE shade matches the following richer shades: #45570A and #495F02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46590ACE shade: #45570A, #404F12, #3C4819, #384021 and #343829

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46590ACE shade: #57400A, #57550A, #45570A, #30570A and #1C570A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46590ACE shade: #0A0D01, #273206, #45570A, #627C0E and #7FA112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46590ACE shade: #46590A, #0A572B and #4A0A57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46590ACE shade: #46590A, #0A4557 and #570A45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46590ACE shade: #46590A, #0A572B, #1C0A57 and #570A36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46590ACE shade: #46590A, #0A5743, #1C0A57 and #570A1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 72 / 53

HEX #46590ACE

RGBA 70 89 10 0.81

HSLA 74.43, 0.8%, 0.19%, 0.81

LABA 34.94, -18.81, 38.87, 0.81

 

Complementary color

CMYK 20 / 26 / 0 / 3

HEX #B9A6F5CE

RGBA 185 166 245 0.81

HSLA 254.43, 0.8%, 0.81%, 0.81

LABA 72.35, 23.15, -36.94, 0.81

 

CMYK 13 / 0 / 76 / 53

HEX #4B5905CE

RGBA 75 89 5 0.81

HSLA 70, 0.89%, 0.18%, 0.81

LABA 35.3, -16.66, 40.82, 0.81

 

CMYK 11 / 0 / 63 / 47

HEX #5C6B18CE

RGBA 92 107 24 0.81

HSLA 70.84, 0.63%, 0.26%, 0.81

LABA 42.55, -17.61, 41.72, 0.81

 

CMYK 10 / 0 / 53 / 41

HEX #6D7D2BCE

RGBA 109 125 43 0.81

HSLA 71.71, 0.49%, 0.33%, 0.81

LABA 49.61, -18.26, 41.33, 0.81

 

CMYK 10 / 0 / 46 / 36

HEX #7E8F3ECE

RGBA 126 143 62 0.81

HSLA 72.59, 0.4%, 0.4%, 0.81

LABA 56.51, -18.7, 40.37, 0.81

 

CMYK 9 / 0 / 40 / 30

HEX #8FA151CE

RGBA 143 161 81 0.81

HSLA 73.5, 0.33%, 0.47%, 0.81

LABA 63.28, -19, 39.23, 0.81

 

CMYK 17 / 0 / 72 / 53

HEX #46590ACE

RGBA 70 89 10 0.81

HSLA 74.43, 0.8%, 0.19%, 0.81

LABA 34.94, -18.81, 38.87, 0.81

 

CMYK 21 / 0 / 81 / 58

HEX #354700CE

RGBA 53 71 0 0.81

HSLA 75.21, 1%, 0.14%, 0.81

LABA 27.47, -17.6, 35.64, 0.81

 

CMYK 26 / 0 / 81 / 64

HEX #243500CE

RGBA 36 53 0 0.81

HSLA 79.25, 1%, 0.1%, 0.81

LABA 19.73, -15.94, 27.45, 0.81

 

CMYK 37 / 0 / 81 / 70

HEX #132300CE

RGBA 19 35 0 0.81

HSLA 87.43, 1%, 0.07%, 0.81

LABA 11.56, -14.2, 16.88, 0.81

 

CMYK 71 / 0 / 81 / 76

HEX #021100CE

RGBA 2 17 0 0.81

HSLA 112.94, 1%, 0.03%, 0.81

LABA 3.74, -6.87, 5.47, 0.81

 

CMYK 21 / 0 / 89 / 66

HEX #45570A

RGB 69 87 10

HSL 74.03, 0.79%, 0.19%

LAB 34.2, -18.2, 38.19

 

CMYK 0 / 2 / 89 / 66

HEX #57550A

RGB 87 85 10

HSL 58.44, 0.79%, 0.19%

LAB 35.09, -8.34, 39.57

 

CMYK 0 / 26 / 89 / 66

HEX #57400A

RGB 87 64 10

HSL 42.08, 0.79%, 0.19%

LAB 28.68, 4.47, 34.02

 

CMYK 0 / 51 / 89 / 66

HEX #572B0A

RGB 87 43 10

HSL 25.71, 0.79%, 0.19%

LAB 22.92, 17.7, 28.63

 

CMYK 0 / 75 / 89 / 66

HEX #57160A

RGB 87 22 10

HSL 9.35, 0.79%, 0.19%

LAB 18.46, 29.24, 23.7

 

CMYK 21 / 0 / 89 / 66

HEX #45570A

RGB 69 87 10

HSL 74.03, 0.79%, 0.19%

LAB 34.2, -18.2, 38.19

 

CMYK 45 / 0 / 89 / 66

HEX #30570A

RGB 48 87 10

HSL 90.39, 0.79%, 0.19%

LAB 32.85, -27.26, 36.47

 

CMYK 69 / 0 / 89 / 66

HEX #1B570A

RGB 27 87 10

HSL 106.75, 0.79%, 0.19%

LAB 31.97, -34.09, 35.35

 

CMYK 89 / 0 / 84 / 66

HEX #0A570E

RGB 10 87 14

HSL 123.12, 0.79%, 0.19%

LAB 31.61, -37.09, 33.51

 

CMYK 89 / 0 / 61 / 66

HEX #0A5722

RGB 10 87 34

HSL 138.7, 0.79%, 0.19%

LAB 31.8, -34.73, 24.36

 

CMYK 21 / 0 / 89 / 66

HEX #45570A

RGB 69 87 10

HSL 74.03, 0.79%, 0.19%

LAB 34.2, -18.2, 38.19

 

CMYK 23 / 0 / 98 / 63

HEX #495F02

RGB 73 95 2

HSL 74.19, 0.96%, 0.19%

LAB 37.12, -20.9, 43.12

 

CMYK 21 / 0 / 89 / 66

HEX #45570A

RGB 69 87 10

HSL 74.03, 0.79%, 0.19%

LAB 34.2, -18.2, 38.19

 

CMYK 19 / 0 / 77 / 69

HEX #404F12

RGB 64 79 18

HSL 74.75, 0.63%, 0.19%

LAB 31.17, -15.75, 32.29

 

CMYK 17 / 0 / 65 / 72

HEX #3C4819

RGB 60 72 25

HSL 75.32, 0.48%, 0.19%

LAB 28.55, -13.1, 26.02

 

CMYK 13 / 0 / 48 / 75

HEX #384021

RGB 56 64 33

HSL 75.48, 0.32%, 0.19%

LAB 25.62, -9.33, 17.84

 

CMYK 7 / 0 / 27 / 78

HEX #343829

RGB 52 56 41

HSL 76, 0.15%, 0.19%

LAB 22.72, -4.92, 8.83

 

CMYK 0 / 26 / 89 / 66

HEX #57400A

RGB 87 64 10

HSL 42.08, 0.79%, 0.19%

LAB 28.68, 4.47, 34.02

 

CMYK 0 / 2 / 89 / 66

HEX #57550A

RGB 87 85 10

HSL 58.44, 0.79%, 0.19%

LAB 35.09, -8.34, 39.57

 

CMYK 21 / 0 / 89 / 66

HEX #45570A

RGB 69 87 10

HSL 74.03, 0.79%, 0.19%

LAB 34.2, -18.2, 38.19

 

CMYK 45 / 0 / 89 / 66

HEX #30570A

RGB 48 87 10

HSL 90.39, 0.79%, 0.19%

LAB 32.85, -27.26, 36.47

 

CMYK 68 / 0 / 89 / 66

HEX #1C570A

RGB 28 87 10

HSL 105.97, 0.79%, 0.19%

LAB 32, -33.83, 35.39

 

CMYK 23 / 0 / 92 / 95

HEX #0A0D01

RGB 10 13 1

HSL 75, 0.86%, 0.03%

LAB 3.2, -2.56, 4.34

 

CMYK 22 / 0 / 88 / 80

HEX #273206

RGB 39 50 6

HSL 75, 0.79%, 0.11%

LAB 18.91, -12.2, 24.13

 

CMYK 21 / 0 / 89 / 66

HEX #45570A

RGB 69 87 10

HSL 74.03, 0.79%, 0.19%

LAB 34.2, -18.2, 38.19

 

CMYK 21 / 0 / 89 / 51

HEX #627C0E

RGB 98 124 14

HSL 74.18, 0.8%, 0.27%

LAB 48.32, -24.15, 50.11

 

CMYK 21 / 0 / 89 / 37

HEX #7FA112

RGB 127 161 18

HSL 74.27, 0.8%, 0.35%

LAB 61.69, -29.73, 61.24

 

CMYK 21 / 0 / 89 / 65

HEX #46590A

RGB 70 89 10

HSL 74.43, 0.8%, 0.19%

LAB 34.94, -18.81, 38.87

 

CMYK 89 / 0 / 51 / 66

HEX #0A572B

RGB 10 87 43

HSL 145.71, 0.79%, 0.19%

LAB 31.93, -33.13, 19.43

 

CMYK 15 / 89 / 0 / 66

HEX #4A0A57

RGB 74 10 87

HSL 289.87, 0.79%, 0.19%

LAB 17.28, 39.47, -30.47

 

CMYK 21 / 0 / 89 / 65

HEX #46590A

RGB 70 89 10

HSL 74.43, 0.8%, 0.19%

LAB 34.94, -18.81, 38.87

 

CMYK 89 / 21 / 0 / 66

HEX #0A4557

RGB 10 69 87

HSL 194.03, 0.79%, 0.19%

LAB 26.76, -10.78, -15.83

 

CMYK 0 / 89 / 21 / 66

HEX #570A45

RGB 87 10 69

HSL 314.03, 0.79%, 0.19%

LAB 18.68, 39.25, -15.78

 

CMYK 21 / 0 / 89 / 65

HEX #46590A

RGB 70 89 10

HSL 74.43, 0.8%, 0.19%

LAB 34.94, -18.81, 38.87

 

CMYK 89 / 0 / 51 / 66

HEX #0A572B

RGB 10 87 43

HSL 145.71, 0.79%, 0.19%

LAB 31.93, -33.13, 19.43

 

CMYK 68 / 89 / 0 / 66

HEX #1C0A57

RGB 28 10 87

HSL 254.03, 0.79%, 0.19%

LAB 10.2, 31.86, -42.33

 

CMYK 0 / 89 / 38 / 66

HEX #570A36

RGB 87 10 54

HSL 325.71, 0.79%, 0.19%

LAB 17.96, 37.2, -6.38

 

CMYK 21 / 0 / 89 / 65

HEX #46590A

RGB 70 89 10

HSL 74.43, 0.8%, 0.19%

LAB 34.94, -18.81, 38.87

 

CMYK 89 / 0 / 23 / 66

HEX #0A5743

RGB 10 87 67

HSL 164.42, 0.79%, 0.19%

LAB 32.45, -27.33, 5.46

 

CMYK 68 / 89 / 0 / 66

HEX #1C0A57

RGB 28 10 87

HSL 254.03, 0.79%, 0.19%

LAB 10.2, 31.86, -42.33

 

CMYK 0 / 89 / 66 / 66

HEX #570A1E

RGB 87 10 30

HSL 344.42, 0.79%, 0.19%

LAB 17.17, 34.84, 9.73

 

Description

Color code: HEX #46590ACE | qconv.com Color code: HEX #46590ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 89 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 89 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 72 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 72% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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