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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4657AC it is the complementary color #B9A853. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4657AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4657AC shade: #4B57A7, #5C69BA, #6D7BCD, #7E8DE0 and #8F9FF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4657AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4657AC shade: #4657AC, #354599, #243386, #132173 and #020F60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4657AC shade: #4656AA, #5046AA, #6B46AA, #8646AA and #A146AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4657AC shade: #4656AA and #4646AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4657AC shade matches the following richer shades: #4656AA, #3249BE, #1F3CD1 and #0B30E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4657AC shade: #4656AA, #596397, #6C7083, #807D70 and #938A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4657AC shade: #468CAA, #4671AA, #4656AA, #5046AA and #6A46AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4657AC shade: #2E3970, #3A478D, #4656AA, #5C6CBD and #7A87C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4657AC shade: #4657AC, #AA46A7 and #7FAA46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4657AC shade: #4657AC, #AA4656 and #56AA46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4657AC shade: #4657AC, #AA46A7, #AA9946 and #46AA49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4657AC shade: #4657AC, #AA4689, #AA9946 and #46AA67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 49 / 0 / 33

HEX #4657AC

RGB 70 87 172

HSL 230, 0.42%, 0.47%

LAB 39.74, 19.83, -47.68

 

Complementary color

CMYK 0 / 9 / 55 / 27

HEX #B9A853

RGB 185 168 83

HSL 50, 0.42%, 0.53%

LAB 68.71, -4.81, 45.53

 

CMYK 55 / 48 / 0 / 35

HEX #4B57A7

RGB 75 87 167

HSL 232.17, 0.38%, 0.47%

LAB 39.75, 19.17, -44.69

 

CMYK 51 / 44 / 0 / 27

HEX #5C69BA

RGB 92 105 186

HSL 231.7, 0.41%, 0.55%

LAB 46.87, 17.86, -44.4

 

CMYK 47 / 40 / 0 / 20

HEX #6D7BCD

RGB 109 123 205

HSL 231.25, 0.49%, 0.62%

LAB 53.84, 16.78, -44.17

 

CMYK 44 / 37 / 0 / 12

HEX #7E8DE0

RGB 126 141 224

HSL 230.82, 0.61%, 0.69%

LAB 60.66, 15.87, -44

 

CMYK 41 / 35 / 0 / 5

HEX #8F9FF3

RGB 143 159 243

HSL 230.4, 0.81%, 0.76%

LAB 67.36, 15.09, -43.88

 

CMYK 59 / 49 / 0 / 33

HEX #4657AC

RGB 70 87 172

HSL 230, 0.42%, 0.47%

LAB 39.74, 19.83, -47.68

 

CMYK 65 / 55 / 0 / 40

HEX #354599

RGB 53 69 153

HSL 230.4, 0.49%, 0.4%

LAB 32.51, 21.69, -48.01

 

CMYK 73 / 62 / 0 / 47

HEX #243386

RGB 36 51 134

HSL 230.82, 0.58%, 0.33%

LAB 25.15, 24.06, -48.32

 

CMYK 83 / 71 / 0 / 55

HEX #132173

RGB 19 33 115

HSL 231.25, 0.72%, 0.26%

LAB 17.75, 27.06, -48.41

 

CMYK 98 / 84 / 0 / 62

HEX #020F60

RGB 2 15 96

HSL 231.7, 0.96%, 0.19%

LAB 10.55, 30.33, -47.87

 

CMYK 59 / 49 / 0 / 33

HEX #4656AA

RGB 70 86 170

HSL 230.4, 0.42%, 0.47%

LAB 39.34, 19.79, -47.14

 

CMYK 53 / 59 / 0 / 33

HEX #5046AA

RGB 80 70 170

HSL 246, 0.42%, 0.47%

LAB 35.96, 32.01, -52.56

 

CMYK 37 / 59 / 0 / 33

HEX #6B46AA

RGB 107 70 170

HSL 262.2, 0.42%, 0.47%

LAB 38.57, 38.03, -48.23

 

CMYK 21 / 59 / 0 / 33

HEX #8646AA

RGB 134 70 170

HSL 278.4, 0.42%, 0.47%

LAB 41.77, 44.77, -42.92

 

CMYK 5 / 59 / 0 / 33

HEX #A146AA

RGB 161 70 170

HSL 294.6, 0.42%, 0.47%

LAB 45.44, 51.83, -36.86

 

CMYK 59 / 49 / 0 / 33

HEX #4656AA

RGB 70 86 170

HSL 230.4, 0.42%, 0.47%

LAB 39.34, 19.79, -47.14

 

CMYK 59 / 59 / 0 / 33

HEX #4646AA

RGB 70 70 170

HSL 240, 0.42%, 0.47%

LAB 35.17, 30.07, -53.88

 

CMYK 59 / 49 / 0 / 33

HEX #4656AA

RGB 70 86 170

HSL 230.4, 0.42%, 0.47%

LAB 39.34, 19.79, -47.14

 

CMYK 74 / 62 / 0 / 25

HEX #3249BE

RGB 50 73 190

HSL 230.14, 0.58%, 0.47%

LAB 36.29, 32.17, -63.93

 

CMYK 85 / 71 / 0 / 18

HEX #1F3CD1

RGB 31 60 209

HSL 230.22, 0.74%, 0.47%

LAB 34.24, 45.52, -78.4

 

CMYK 95 / 79 / 0 / 11

HEX #0B30E4

RGB 11 48 228

HSL 229.77, 0.91%, 0.47%

LAB 33.53, 57.88, -90.52

 

CMYK 59 / 49 / 0 / 33

HEX #4656AA

RGB 70 86 170

HSL 230.4, 0.42%, 0.47%

LAB 39.34, 19.79, -47.14

 

CMYK 41 / 34 / 0 / 41

HEX #596397

RGB 89 99 151

HSL 230.32, 0.26%, 0.47%

LAB 43.18, 10, -29.66

 

CMYK 18 / 15 / 0 / 49

HEX #6C7083

RGB 108 112 131

HSL 229.57, 0.1%, 0.47%

LAB 47.51, 2.74, -10.96

 

CMYK 0 / 2 / 13 / 50

HEX #807D70

RGB 128 125 112

HSL 48.75, 0.07%, 0.47%

LAB 52.32, -1.29, 7.49

 

CMYK 0 / 6 / 37 / 42

HEX #938A5D

RGB 147 138 93

HSL 50, 0.23%, 0.47%

LAB 57.24, -3.68, 25.34

 

CMYK 59 / 18 / 0 / 33

HEX #468CAA

RGB 70 140 170

HSL 198, 0.42%, 0.47%

LAB 55.03, -13, -22.48

 

CMYK 59 / 34 / 0 / 33

HEX #4671AA

RGB 70 113 170

HSL 214.2, 0.42%, 0.47%

LAB 46.99, 2.74, -34.98

 

CMYK 59 / 49 / 0 / 33

HEX #4656AA

RGB 70 86 170

HSL 230.4, 0.42%, 0.47%

LAB 39.34, 19.79, -47.14

 

CMYK 53 / 59 / 0 / 33

HEX #5046AA

RGB 80 70 170

HSL 246, 0.42%, 0.47%

LAB 35.96, 32.01, -52.56

 

CMYK 38 / 59 / 0 / 33

HEX #6A46AA

RGB 106 70 170

HSL 261.6, 0.42%, 0.47%

LAB 38.46, 37.79, -48.41

 

CMYK 59 / 49 / 0 / 56

HEX #2E3970

RGB 46 57 112

HSL 230, 0.42%, 0.31%

LAB 25.79, 13.42, -33.35

 

CMYK 59 / 50 / 0 / 45

HEX #3A478D

RGB 58 71 141

HSL 230.6, 0.42%, 0.39%

LAB 32.54, 17, -40.62

 

CMYK 59 / 49 / 0 / 33

HEX #4656AA

RGB 70 86 170

HSL 230.4, 0.42%, 0.47%

LAB 39.34, 19.79, -47.14

 

CMYK 51 / 43 / 0 / 26

HEX #5C6CBD

RGB 92 108 189

HSL 230.1, 0.42%, 0.55%

LAB 47.85, 16.95, -44.59

 

CMYK 39 / 33 / 0 / 21

HEX #7A87C9

RGB 122 135 201

HSL 230.13, 0.42%, 0.63%

LAB 57.73, 11.8, -35.72

 

CMYK 59 / 49 / 0 / 33

HEX #4657AC

RGB 70 87 172

HSL 230, 0.42%, 0.47%

LAB 39.74, 19.83, -47.68

 

CMYK 0 / 59 / 2 / 33

HEX #AA46A7

RGB 170 70 167

HSL 301.8, 0.42%, 0.47%

LAB 46.6, 53.67, -33.17

 

CMYK 25 / 0 / 59 / 33

HEX #7FAA46

RGB 127 170 70

HSL 85.8, 0.42%, 0.47%

LAB 64.73, -30.91, 45.97

 

CMYK 59 / 49 / 0 / 33

HEX #4657AC

RGB 70 87 172

HSL 230, 0.42%, 0.47%

LAB 39.74, 19.83, -47.68

 

CMYK 0 / 59 / 49 / 33

HEX #AA4656

RGB 170 70 86

HSL 350.4, 0.42%, 0.47%

LAB 43.65, 42.48, 11.57

 

CMYK 49 / 0 / 59 / 33

HEX #56AA46

RGB 86 170 70

HSL 110.4, 0.42%, 0.47%

LAB 62.65, -45.04, 43.05

 

CMYK 59 / 49 / 0 / 33

HEX #4657AC

RGB 70 87 172

HSL 230, 0.42%, 0.47%

LAB 39.74, 19.83, -47.68

 

CMYK 0 / 59 / 2 / 33

HEX #AA46A7

RGB 170 70 167

HSL 301.8, 0.42%, 0.47%

LAB 46.6, 53.67, -33.17

 

CMYK 0 / 10 / 59 / 33

HEX #AA9946

RGB 170 153 70

HSL 49.8, 0.42%, 0.47%

LAB 63.15, -4.28, 45.06

 

CMYK 59 / 0 / 57 / 33

HEX #46AA49

RGB 70 170 73

HSL 121.8, 0.42%, 0.47%

LAB 62.11, -49.01, 40.85

 

CMYK 59 / 49 / 0 / 33

HEX #4657AC

RGB 70 87 172

HSL 230, 0.42%, 0.47%

LAB 39.74, 19.83, -47.68

 

CMYK 0 / 59 / 19 / 33

HEX #AA4689

RGB 170 70 137

HSL 319.8, 0.42%, 0.47%

LAB 45.27, 48.77, -17.3

 

CMYK 0 / 10 / 59 / 33

HEX #AA9946

RGB 170 153 70

HSL 49.8, 0.42%, 0.47%

LAB 63.15, -4.28, 45.06

 

CMYK 59 / 0 / 39 / 33

HEX #46AA67

RGB 70 170 103

HSL 139.8, 0.42%, 0.47%

LAB 62.53, -44.38, 26.04

 

Description

Color code: HEX #4657AC | qconv.com Color code: HEX #4657AC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 87 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 87 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 49 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 49% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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