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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #465511 it is the complementary color #B9AAEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #465511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #465511 shade: #4B550C, #5C671F, #6D7932, #7E8B45 and #8F9D58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #465511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #465511 shade: #465511, #354300, #243100, #131F00 and #020D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #465511 shade: #465511, #555211, #553F11, #552D11 and #551B11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #465511 shade: #465511, #345511, #215511, #115513 and #115525

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #465511 shade matches the following richer shades: #465511, #4B5D09 and #4F6600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #465511 shade: #465511, #414D19, #3D4521, #383C2A and #343432

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #465511 shade: #554011, #555211, #465511, #345511 and #225511

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #465511 shade: #0D1003, #2A330A, #465511, #627818 and #7F9A1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #465511 shade: #465511, #11552D and #491155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #465511 shade: #465511, #114655 and #551146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #465511 shade: #465511, #11552D, #201155 and #551139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #465511 shade: #465511, #115542, #201155 and #551124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

Complementary color

CMYK 22 / 29 / 0 / 7

HEX #B9AAEE

RGB 185 170 238

HSL 253.24, 0.67%, 0.8%

LAB 73.05, 19.3, -32.05

 

CMYK 12 / 0 / 86 / 67

HEX #4B550C

RGB 75 85 12

HSL 68.22, 0.75%, 0.19%

LAB 34.02, -14.16, 37.59

 

CMYK 11 / 0 / 70 / 60

HEX #5C671F

RGB 92 103 31

HSL 69.17, 0.54%, 0.26%

LAB 41.33, -15, 37.61

 

CMYK 10 / 0 / 59 / 53

HEX #6D7932

RGB 109 121 50

HSL 70.14, 0.42%, 0.34%

LAB 48.46, -15.54, 36.73

 

CMYK 9 / 0 / 50 / 45

HEX #7E8B45

RGB 126 139 69

HSL 71.14, 0.34%, 0.41%

LAB 55.41, -15.91, 35.56

 

CMYK 9 / 0 / 44 / 38

HEX #8F9D58

RGB 143 157 88

HSL 72.17, 0.28%, 0.48%

LAB 62.22, -16.16, 34.34

 

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

CMYK 21 / 0 / 100 / 74

HEX #354300

RGB 53 67 0

HSL 72.54, 1%, 0.13%

LAB 26.07, -15.39, 34.4

 

CMYK 27 / 0 / 100 / 81

HEX #243100

RGB 36 49 0

HSL 75.92, 1%, 0.1%

LAB 18.24, -13.68, 25.72

 

CMYK 39 / 0 / 100 / 88

HEX #131F00

RGB 19 31 0

HSL 83.23, 1%, 0.06%

LAB 9.94, -11.78, 14.62

 

CMYK 85 / 0 / 100 / 95

HEX #020D00

RGB 2 13 0

HSL 110.77, 1%, 0.03%

LAB 2.72, -4.79, 3.98

 

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

CMYK 0 / 4 / 80 / 67

HEX #555211

RGB 85 82 17

HSL 57.35, 0.67%, 0.2%

LAB 34, -7.28, 36.08

 

CMYK 0 / 26 / 80 / 67

HEX #553F11

RGB 85 63 17

HSL 40.59, 0.67%, 0.2%

LAB 28.19, 4.39, 30.46

 

CMYK 0 / 47 / 80 / 67

HEX #552D11

RGB 85 45 17

HSL 24.71, 0.67%, 0.2%

LAB 23.16, 15.82, 25.35

 

CMYK 0 / 68 / 80 / 67

HEX #551B11

RGB 85 27 17

HSL 8.82, 0.67%, 0.2%

LAB 19.04, 26.3, 20.83

 

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

CMYK 39 / 0 / 80 / 67

HEX #345511

RGB 52 85 17

HSL 89.12, 0.67%, 0.2%

LAB 32.41, -24.28, 33.65

 

CMYK 61 / 0 / 80 / 67

HEX #215511

RGB 33 85 17

HSL 105.88, 0.67%, 0.2%

LAB 31.49, -31.11, 32.43

 

CMYK 80 / 0 / 78 / 67

HEX #115513

RGB 17 85 19

HSL 121.76, 0.67%, 0.2%

LAB 31.03, -34.83, 30.97

 

CMYK 80 / 0 / 56 / 67

HEX #115525

RGB 17 85 37

HSL 137.65, 0.67%, 0.2%

LAB 31.23, -32.41, 22.03

 

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

CMYK 19 / 0 / 90 / 64

HEX #4B5D09

RGB 75 93 9

HSL 72.86, 0.82%, 0.2%

LAB 36.64, -18.66, 40.77

 

CMYK 23 / 0 / 100 / 60

HEX #4F6600

RGB 79 102 0

HSL 73.53, 1%, 0.2%

LAB 39.86, -21.86, 45.98

 

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

CMYK 16 / 0 / 68 / 70

HEX #414D19

RGB 65 77 25

HSL 73.85, 0.51%, 0.2%

LAB 30.64, -13.59, 28.45

 

CMYK 12 / 0 / 52 / 73

HEX #3D4521

RGB 61 69 33

HSL 73.33, 0.35%, 0.2%

LAB 27.73, -9.96, 20.56

 

CMYK 7 / 0 / 30 / 76

HEX #383C2A

RGB 56 60 42

HSL 73.33, 0.18%, 0.2%

LAB 24.45, -5.43, 10.6

 

CMYK 0 / 0 / 4 / 80

HEX #343432

RGB 52 52 50

HSL 60, 0.02%, 0.2%

LAB 21.64, -0.45, 1.26

 

CMYK 0 / 25 / 80 / 67

HEX #554011

RGB 85 64 17

HSL 41.47, 0.67%, 0.2%

LAB 28.48, 3.76, 30.76

 

CMYK 0 / 4 / 80 / 67

HEX #555211

RGB 85 82 17

HSL 57.35, 0.67%, 0.2%

LAB 34, -7.28, 36.08

 

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

CMYK 39 / 0 / 80 / 67

HEX #345511

RGB 52 85 17

HSL 89.12, 0.67%, 0.2%

LAB 32.41, -24.28, 33.65

 

CMYK 60 / 0 / 80 / 67

HEX #225511

RGB 34 85 17

HSL 105, 0.67%, 0.2%

LAB 31.53, -30.8, 32.48

 

CMYK 19 / 0 / 81 / 94

HEX #0D1003

RGB 13 16 3

HSL 73.85, 0.68%, 0.04%

LAB 4.18, -2.95, 4.97

 

CMYK 18 / 0 / 80 / 80

HEX #2A330A

RGB 42 51 10

HSL 73.17, 0.67%, 0.12%

LAB 19.56, -10.94, 23.32

 

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

CMYK 18 / 0 / 80 / 53

HEX #627818

RGB 98 120 24

HSL 73.75, 0.67%, 0.28%

LAB 47.1, -21.72, 46.17

 

CMYK 18 / 0 / 81 / 40

HEX #7F9A1E

RGB 127 154 30

HSL 73.06, 0.67%, 0.36%

LAB 59.63, -25.94, 56.49

 

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

CMYK 80 / 0 / 47 / 67

HEX #11552D

RGB 17 85 45

HSL 144.71, 0.67%, 0.2%

LAB 31.36, -30.9, 17.54

 

CMYK 14 / 80 / 0 / 67

HEX #491155

RGB 73 17 85

HSL 289.41, 0.67%, 0.2%

LAB 17.8, 36.37, -28.3

 

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

CMYK 80 / 18 / 0 / 67

HEX #114655

RGB 17 70 85

HSL 193.24, 0.67%, 0.2%

LAB 27.17, -11.29, -13.88

 

CMYK 0 / 80 / 18 / 67

HEX #551146

RGB 85 17 70

HSL 313.24, 0.67%, 0.2%

LAB 19.12, 36.63, -15.83

 

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

CMYK 80 / 0 / 47 / 67

HEX #11552D

RGB 17 85 45

HSL 144.71, 0.67%, 0.2%

LAB 31.36, -30.9, 17.54

 

CMYK 62 / 80 / 0 / 67

HEX #201155

RGB 32 17 85

HSL 253.24, 0.67%, 0.2%

LAB 11.71, 27.95, -38.45

 

CMYK 0 / 80 / 33 / 67

HEX #551139

RGB 85 17 57

HSL 324.71, 0.67%, 0.2%

LAB 18.49, 34.68, -7.75

 

CMYK 18 / 0 / 80 / 67

HEX #465511

RGB 70 85 17

HSL 73.24, 0.67%, 0.2%

LAB 33.65, -16.29, 35.28

 

CMYK 80 / 0 / 22 / 67

HEX #115542

RGB 17 85 66

HSL 163.24, 0.67%, 0.2%

LAB 31.83, -25.77, 5.22

 

CMYK 62 / 80 / 0 / 67

HEX #201155

RGB 32 17 85

HSL 253.24, 0.67%, 0.2%

LAB 11.71, 27.95, -38.45

 

CMYK 0 / 80 / 58 / 67

HEX #551124

RGB 85 17 36

HSL 343.24, 0.67%, 0.2%

LAB 17.73, 32.27, 6.12

 

Description

Color code: HEX #465511 | qconv.com Color code: HEX #465511 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 85 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 85 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 80 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 80% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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