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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46541A it is the complementary color #B9ABE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46541A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46541A shade: #4B5415, #5C6628, #6D783B, #7E8A4E and #8F9C61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46541A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46541A shade: #46541A, #354207, #243000, #131E00 and #020C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46541A shade: #47561A, #56541A, #56441A, #56341A and #56241A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46541A shade: #47561A, #37561A, #27561A, #1A561D and #1A562D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46541A shade matches the following richer shades: #47561A, #4C5F11 and #516808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46541A shade: #47561A, #434D23, #3E442D, #393B36 and #35323F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46541A shade: #56441A, #56541A, #48561A, #38561A and #28561A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46541A shade: #131707, #2D3611, #47561A, #627524 and #7C952E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46541A shade: #46541A, #1A5634 and #4C1A56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46541A shade: #46541A, #1A4856 and #561A48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46541A shade: #46541A, #1A5634, #281A56 and #561A3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46541A shade: #46541A, #1A5646, #281A56 and #561A2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 69 / 67

HEX #46541A

RGB 70 84 26

HSL 74.48, 0.53%, 0.22%

LAB 33.39, -15.1, 31.04

 

Complementary color

CMYK 19 / 25 / 0 / 10

HEX #B9ABE5

RGB 185 171 229

HSL 254.48, 0.53%, 0.78%

LAB 72.96, 16.7, -27.3

 

CMYK 11 / 0 / 75 / 67

HEX #4B5415

RGB 75 84 21

HSL 68.57, 0.6%, 0.21%

LAB 33.75, -13.1, 33.86

 

CMYK 10 / 0 / 61 / 60

HEX #5C6628

RGB 92 102 40

HSL 69.68, 0.44%, 0.28%

LAB 41.11, -13.72, 33.06

 

CMYK 9 / 0 / 51 / 53

HEX #6D783B

RGB 109 120 59

HSL 70.82, 0.34%, 0.35%

LAB 48.26, -14.11, 31.87

 

CMYK 9 / 0 / 43 / 46

HEX #7E8A4E

RGB 126 138 78

HSL 72, 0.28%, 0.42%

LAB 55.24, -14.37, 30.61

 

CMYK 8 / 0 / 38 / 39

HEX #8F9C61

RGB 143 156 97

HSL 73.22, 0.23%, 0.5%

LAB 62.07, -14.54, 29.38

 

CMYK 17 / 0 / 69 / 67

HEX #46541A

RGB 70 84 26

HSL 74.48, 0.53%, 0.22%

LAB 33.39, -15.1, 31.04

 

CMYK 20 / 0 / 89 / 74

HEX #354207

RGB 53 66 7

HSL 73.22, 0.81%, 0.14%

LAB 25.77, -14.41, 31.27

 

CMYK 25 / 0 / 100 / 81

HEX #243000

RGB 36 48 0

HSL 75, 1%, 0.09%

LAB 17.87, -13.09, 25.28

 

CMYK 37 / 0 / 100 / 88

HEX #131E00

RGB 19 30 0

HSL 82, 1%, 0.06%

LAB 9.54, -11.09, 14.05

 

CMYK 83 / 0 / 100 / 95

HEX #020C00

RGB 2 12 0

HSL 110, 1%, 0.02%

LAB 2.49, -4.33, 3.65

 

CMYK 17 / 0 / 70 / 66

HEX #47561A

RGB 71 86 26

HSL 75, 0.54%, 0.22%

LAB 34.13, -15.74, 31.85

 

CMYK 0 / 2 / 70 / 66

HEX #56541A

RGB 86 84 26

HSL 58, 0.54%, 0.22%

LAB 34.79, -7.41, 32.94

 

CMYK 0 / 21 / 70 / 66

HEX #56441A

RGB 86 68 26

HSL 42, 0.54%, 0.22%

LAB 29.88, 2.33, 27.68

 

CMYK 0 / 40 / 70 / 66

HEX #56341A

RGB 86 52 26

HSL 26, 0.54%, 0.22%

LAB 25.29, 12.48, 22.5

 

CMYK 0 / 58 / 70 / 66

HEX #56241A

RGB 86 36 26

HSL 10, 0.54%, 0.22%

LAB 21.26, 22.32, 17.71

 

CMYK 17 / 0 / 70 / 66

HEX #47561A

RGB 71 86 26

HSL 75, 0.54%, 0.22%

LAB 34.13, -15.74, 31.85

 

CMYK 36 / 0 / 70 / 66

HEX #37561A

RGB 55 86 26

HSL 91, 0.54%, 0.22%

LAB 33.01, -22.79, 30.32

 

CMYK 55 / 0 / 70 / 66

HEX #27561A

RGB 39 86 26

HSL 107, 0.54%, 0.22%

LAB 32.17, -28.77, 29.16

 

CMYK 70 / 0 / 66 / 66

HEX #1A561D

RGB 26 86 29

HSL 123, 0.54%, 0.22%

LAB 31.72, -32.15, 27.02

 

CMYK 70 / 0 / 48 / 66

HEX #1A562D

RGB 26 86 45

HSL 139, 0.54%, 0.22%

LAB 31.95, -29.54, 18.35

 

CMYK 17 / 0 / 70 / 66

HEX #47561A

RGB 71 86 26

HSL 75, 0.54%, 0.22%

LAB 34.13, -15.74, 31.85

 

CMYK 20 / 0 / 82 / 63

HEX #4C5F11

RGB 76 95 17

HSL 74.62, 0.7%, 0.22%

LAB 37.41, -18.91, 39

 

CMYK 22 / 0 / 92 / 59

HEX #516808

RGB 81 104 8

HSL 74.38, 0.86%, 0.22%

LAB 40.68, -21.72, 44.61

 

CMYK 17 / 0 / 70 / 66

HEX #47561A

RGB 71 86 26

HSL 75, 0.54%, 0.22%

LAB 34.13, -15.74, 31.85

 

CMYK 13 / 0 / 55 / 70

HEX #434D23

RGB 67 77 35

HSL 74.29, 0.38%, 0.22%

LAB 30.93, -11.61, 23.39

 

CMYK 9 / 0 / 34 / 73

HEX #3E442D

RGB 62 68 45

HSL 75.65, 0.2%, 0.22%

LAB 27.7, -7.13, 13.14

 

CMYK 3 / 0 / 8 / 77

HEX #393B36

RGB 57 59 54

HSL 84, 0.04%, 0.22%

LAB 24.53, -1.97, 2.8

 

CMYK 16 / 21 / 0 / 75

HEX #35323F

RGB 53 50 63

HSL 253.85, 0.12%, 0.22%

LAB 21.57, 4.51, -7.67

 

CMYK 0 / 21 / 70 / 66

HEX #56441A

RGB 86 68 26

HSL 42, 0.54%, 0.22%

LAB 29.88, 2.33, 27.68

 

CMYK 0 / 2 / 70 / 66

HEX #56541A

RGB 86 84 26

HSL 58, 0.54%, 0.22%

LAB 34.79, -7.41, 32.94

 

CMYK 16 / 0 / 70 / 66

HEX #48561A

RGB 72 86 26

HSL 74, 0.54%, 0.22%

LAB 34.21, -15.28, 31.96

 

CMYK 35 / 0 / 70 / 66

HEX #38561A

RGB 56 86 26

HSL 90, 0.54%, 0.22%

LAB 33.07, -22.38, 30.4

 

CMYK 53 / 0 / 70 / 66

HEX #28561A

RGB 40 86 26

HSL 106, 0.54%, 0.22%

LAB 32.22, -28.44, 29.22

 

CMYK 17 / 0 / 70 / 91

HEX #131707

RGB 19 23 7

HSL 75, 0.53%, 0.06%

LAB 6.92, -4.72, 7.41

 

CMYK 17 / 0 / 69 / 79

HEX #2D3611

RGB 45 54 17

HSL 74.59, 0.52%, 0.14%

LAB 20.97, -10.6, 21.53

 

CMYK 17 / 0 / 70 / 66

HEX #47561A

RGB 71 86 26

HSL 75, 0.54%, 0.22%

LAB 34.13, -15.74, 31.85

 

CMYK 16 / 0 / 69 / 54

HEX #627524

RGB 98 117 36

HSL 74.07, 0.53%, 0.3%

LAB 46.24, -19.43, 40.64

 

CMYK 17 / 0 / 69 / 42

HEX #7C952E

RGB 124 149 46

HSL 74.56, 0.53%, 0.38%

LAB 58.02, -23.87, 49.17

 

CMYK 17 / 0 / 69 / 67

HEX #46541A

RGB 70 84 26

HSL 74.48, 0.53%, 0.22%

LAB 33.39, -15.1, 31.04

 

CMYK 70 / 0 / 40 / 66

HEX #1A5634

RGB 26 86 52

HSL 146, 0.54%, 0.22%

LAB 32.09, -28.09, 14.31

 

CMYK 12 / 70 / 0 / 66

HEX #4C1A56

RGB 76 26 86

HSL 290, 0.54%, 0.22%

LAB 19.83, 33.27, -25.69

 

CMYK 17 / 0 / 69 / 67

HEX #46541A

RGB 70 84 26

HSL 74.48, 0.53%, 0.22%

LAB 33.39, -15.1, 31.04

 

CMYK 70 / 16 / 0 / 66

HEX #1A4856

RGB 26 72 86

HSL 194, 0.54%, 0.22%

LAB 28.18, -10.6, -12.95

 

CMYK 0 / 70 / 16 / 66

HEX #561A48

RGB 86 26 72

HSL 314, 0.54%, 0.22%

LAB 20.77, 33.45, -14.62

 

CMYK 17 / 0 / 69 / 67

HEX #46541A

RGB 70 84 26

HSL 74.48, 0.53%, 0.22%

LAB 33.39, -15.1, 31.04

 

CMYK 70 / 0 / 40 / 66

HEX #1A5634

RGB 26 86 52

HSL 146, 0.54%, 0.22%

LAB 32.09, -28.09, 14.31

 

CMYK 53 / 70 / 0 / 66

HEX #281A56

RGB 40 26 86

HSL 254, 0.54%, 0.22%

LAB 14.74, 24.15, -34.14

 

CMYK 0 / 70 / 30 / 66

HEX #561A3C

RGB 86 26 60

HSL 326, 0.54%, 0.22%

LAB 20.22, 31.52, -7.2

 

CMYK 17 / 0 / 69 / 67

HEX #46541A

RGB 70 84 26

HSL 74.48, 0.53%, 0.22%

LAB 33.39, -15.1, 31.04

 

CMYK 70 / 0 / 19 / 66

HEX #1A5646

RGB 26 86 70

HSL 164, 0.54%, 0.22%

LAB 32.52, -23.56, 3.72

 

CMYK 53 / 70 / 0 / 66

HEX #281A56

RGB 40 26 86

HSL 254, 0.54%, 0.22%

LAB 14.74, 24.15, -34.14

 

CMYK 0 / 70 / 51 / 66

HEX #561A2A

RGB 86 26 42

HSL 344, 0.54%, 0.22%

LAB 19.57, 29.2, 4.46

 

Description

Color code: HEX #46541A | qconv.com Color code: HEX #46541A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 84 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 84 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 69 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 69% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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