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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #464B233F it is the complementary color #B9B4DC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #464B233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #464B233F shade: #4B4B1E3F, #5C5D313F, #6D6F443F, #7E81573F and #8F936A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #464B233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #464B233F shade: #464B233F, #3539103F, #2427003F, #1315003F and #0203003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #464B233F shade: #474C24, #4C4624, #4C3C24, #4C3124 and #4C2624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #464B233F shade: #474C24, #3C4C24, #314C24, #274C24 and #244C2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #464B233F shade matches the following richer shades: #474C24, #4E551B, #555E12 and #5C6809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #464B233F shade: #474C24, #40432D, #3A3A36, #33313F and #2C2848

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #464B233F shade: #4C3B24, #4C4624, #484C24, #3D4C24 and #324C24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #464B233F shade: #131409, #2D3017, #474C24, #616831 and #7C843E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #464B233F shade: #464B23, #244C31 and #41244C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #464B233F shade: #464B23, #24484C and #4C2448

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #464B233F shade: #464B23, #244C31, #29244C and #4C2440

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #464B233F shade: #464B23, #244C3D, #29244C and #4C2433

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 13 / 18

HEX #464B233F

RGBA 70 75 35 0.25

HSLA 67.5, 0.36%, 0.22%, 0.25

LABA 30.53, -9.01, 22.98, 0.25

 

Complementary color

CMYK 4 / 5 / 0 / 3

HEX #B9B4DC3F

RGBA 185 180 220 0.25

HSLA 247.5, 0.36%, 0.78%, 0.25

LABA 74.9, 9.77, -19.43, 0.25

 

CMYK 0 / 0 / 15 / 18

HEX #4B4B1E3F

RGBA 75 75 30 0.25

HSLA 60, 0.43%, 0.21%, 0.25

LABA 30.93, -7.12, 26.37, 0.25

 

CMYK 0 / 0 / 12 / 16

HEX #5C5D313F

RGBA 92 93 49 0.25

HSLA 61.36, 0.31%, 0.28%, 0.25

LABA 38.42, -7.67, 25.04, 0.25

 

CMYK 0 / 0 / 10 / 14

HEX #6D6F443F

RGBA 109 111 68 0.25

HSLA 62.79, 0.24%, 0.35%, 0.25

LABA 45.69, -8.04, 23.7, 0.25

 

CMYK 1 / 0 / 8 / 12

HEX #7E81573F

RGBA 126 129 87 0.25

HSLA 64.29, 0.19%, 0.42%, 0.25

LABA 52.76, -8.31, 22.45, 0.25

 

CMYK 1 / 0 / 7 / 11

HEX #8F936A3F

RGBA 143 147 106 0.25

HSLA 65.85, 0.16%, 0.5%, 0.25

LABA 59.66, -8.51, 21.28, 0.25

 

CMYK 2 / 0 / 13 / 18

HEX #464B233F

RGBA 70 75 35 0.25

HSLA 67.5, 0.36%, 0.22%, 0.25

LABA 30.53, -9.01, 22.98, 0.25

 

CMYK 2 / 0 / 18 / 19

HEX #3539103F

RGBA 53 57 16 0.25

HSLA 65.85, 0.56%, 0.14%, 0.25

LABA 22.73, -8.47, 24.21, 0.25

 

CMYK 2 / 0 / 25 / 21

HEX #2427003F

RGBA 36 39 0 0.25

HSLA 64.62, 1%, 0.08%, 0.25

LABA 14.55, -7.57, 21.13, 0.25

 

CMYK 2 / 0 / 25 / 23

HEX #1315003F

RGBA 19 21 0 0.25

HSLA 65.71, 1%, 0.04%, 0.25

LABA 6.1, -4.29, 9.05, 0.25

 

CMYK 8 / 0 / 25 / 25

HEX #0203003F

RGBA 2 3 0 0.25

HSLA 80, 1%, 0.01%, 0.25

LABA 0.7, -0.68, 1.04, 0.25

 

CMYK 7 / 0 / 53 / 70

HEX #474C24

RGB 71 76 36

HSL 67.5, 0.36%, 0.22%

LAB 30.96, -9.02, 22.94

 

CMYK 0 / 8 / 53 / 70

HEX #4C4624

RGB 76 70 36

HSL 51, 0.36%, 0.22%

LAB 29.52, -2.96, 21.29

 

CMYK 0 / 21 / 53 / 70

HEX #4C3C24

RGB 76 60 36

HSL 36, 0.36%, 0.22%

LAB 26.44, 3.37, 17.44

 

CMYK 0 / 36 / 53 / 70

HEX #4C3124

RGB 76 49 36

HSL 19.5, 0.36%, 0.22%

LAB 23.2, 10.51, 13.27

 

CMYK 0 / 50 / 53 / 70

HEX #4C2624

RGB 76 38 36

HSL 3, 0.36%, 0.22%

LAB 20.24, 17.58, 9.31

 

CMYK 7 / 0 / 53 / 70

HEX #474C24

RGB 71 76 36

HSL 67.5, 0.36%, 0.22%

LAB 30.96, -9.02, 22.94

 

CMYK 21 / 0 / 53 / 70

HEX #3C4C24

RGB 60 76 36

HSL 84, 0.36%, 0.22%

LAB 30.05, -14.12, 21.62

 

CMYK 36 / 0 / 53 / 70

HEX #314C24

RGB 49 76 36

HSL 100.5, 0.36%, 0.22%

LAB 29.28, -18.85, 20.5

 

CMYK 49 / 0 / 53 / 70

HEX #274C24

RGB 39 76 36

HSL 115.5, 0.36%, 0.22%

LAB 28.71, -22.68, 19.67

 

CMYK 53 / 0 / 42 / 70

HEX #244C2C

RGB 36 76 44

HSL 132, 0.36%, 0.22%

LAB 28.71, -22.25, 14.8

 

CMYK 7 / 0 / 53 / 70

HEX #474C24

RGB 71 76 36

HSL 67.5, 0.36%, 0.22%

LAB 30.96, -9.02, 22.94

 

CMYK 8 / 0 / 68 / 67

HEX #4E551B

RGB 78 85 27

HSL 67.24, 0.52%, 0.22%

LAB 34.39, -11.8, 31.82

 

CMYK 10 / 0 / 81 / 63

HEX #555E12

RGB 85 94 18

HSL 67.11, 0.68%, 0.22%

LAB 37.81, -14.11, 39.27

 

CMYK 12 / 0 / 91 / 59

HEX #5C6809

RGB 92 104 9

HSL 67.58, 0.84%, 0.22%

LAB 41.53, -16.62, 45.41

 

CMYK 7 / 0 / 53 / 70

HEX #474C24

RGB 71 76 36

HSL 67.5, 0.36%, 0.22%

LAB 30.96, -9.02, 22.94

 

CMYK 4 / 0 / 33 / 74

HEX #40432D

RGB 64 67 45

HSL 68.18, 0.2%, 0.22%

LAB 27.56, -5.59, 12.98

 

CMYK 0 / 0 / 7 / 77

HEX #3A3A36

RGB 58 58 54

HSL 60, 0.04%, 0.22%

LAB 24.3, -0.88, 2.48

 

CMYK 19 / 22 / 0 / 75

HEX #33313F

RGB 51 49 63

HSL 248.57, 0.13%, 0.22%

LAB 21.05, 4.4, -8.46

 

CMYK 39 / 44 / 0 / 72

HEX #2C2848

RGB 44 40 72

HSL 247.5, 0.29%, 0.22%

LAB 18.01, 10.83, -19.37

 

CMYK 0 / 22 / 53 / 70

HEX #4C3B24

RGB 76 59 36

HSL 34.5, 0.36%, 0.22%

LAB 26.13, 4.01, 17.06

 

CMYK 0 / 8 / 53 / 70

HEX #4C4624

RGB 76 70 36

HSL 51, 0.36%, 0.22%

LAB 29.52, -2.96, 21.29

 

CMYK 5 / 0 / 53 / 70

HEX #484C24

RGB 72 76 36

HSL 66, 0.36%, 0.22%

LAB 31.05, -8.54, 23.07

 

CMYK 20 / 0 / 53 / 70

HEX #3D4C24

RGB 61 76 36

HSL 82.5, 0.36%, 0.22%

LAB 30.13, -13.66, 21.73

 

CMYK 34 / 0 / 53 / 70

HEX #324C24

RGB 50 76 36

HSL 99, 0.36%, 0.22%

LAB 29.35, -18.44, 20.59

 

CMYK 5 / 0 / 55 / 92

HEX #131409

RGB 19 20 9

HSL 65.45, 0.38%, 0.06%

LAB 5.95, -2.37, 5.17

 

CMYK 6 / 0 / 52 / 81

HEX #2D3017

RGB 45 48 23

HSL 67.2, 0.35%, 0.14%

LAB 18.94, -6.13, 15.53

 

CMYK 7 / 0 / 53 / 70

HEX #474C24

RGB 71 76 36

HSL 67.5, 0.36%, 0.22%

LAB 30.96, -9.02, 22.94

 

CMYK 7 / 0 / 53 / 59

HEX #616831

RGB 97 104 49

HSL 67.64, 0.36%, 0.3%

LAB 42.25, -11.67, 29.78

 

CMYK 6 / 0 / 53 / 48

HEX #7C843E

RGB 124 132 62

HSL 66.86, 0.36%, 0.38%

LAB 53.1, -13.75, 36.36

 

CMYK 7 / 0 / 53 / 71

HEX #464B23

RGB 70 75 35

HSL 67.5, 0.36%, 0.22%

LAB 30.53, -9.01, 22.98

 

CMYK 53 / 0 / 36 / 70

HEX #244C31

RGB 36 76 49

HSL 139.5, 0.36%, 0.22%

LAB 28.81, -21.2, 11.82

 

CMYK 14 / 53 / 0 / 70

HEX #41244C

RGB 65 36 76

HSL 283.5, 0.36%, 0.22%

LAB 19.67, 21.83, -19.31

 

CMYK 7 / 0 / 53 / 71

HEX #464B23

RGB 70 75 35

HSL 67.5, 0.36%, 0.22%

LAB 30.53, -9.01, 22.98

 

CMYK 53 / 5 / 0 / 70

HEX #24484C

RGB 36 72 76

HSL 186, 0.36%, 0.22%

LAB 28.2, -11.67, -6.42

 

CMYK 0 / 53 / 5 / 70

HEX #4C2448

RGB 76 36 72

HSL 306, 0.36%, 0.22%

LAB 21.08, 24.75, -14.27

 

CMYK 7 / 0 / 53 / 71

HEX #464B23

RGB 70 75 35

HSL 67.5, 0.36%, 0.22%

LAB 30.53, -9.01, 22.98

 

CMYK 53 / 0 / 36 / 70

HEX #244C31

RGB 36 76 49

HSL 139.5, 0.36%, 0.22%

LAB 28.81, -21.2, 11.82

 

CMYK 46 / 53 / 0 / 70

HEX #29244C

RGB 41 36 76

HSL 247.5, 0.36%, 0.22%

LAB 16.77, 14.07, -24.08

 

CMYK 0 / 53 / 16 / 70

HEX #4C2440

RGB 76 36 64

HSL 318, 0.36%, 0.22%

LAB 20.71, 23.16, -9.38

 

CMYK 7 / 0 / 53 / 71

HEX #464B23

RGB 70 75 35

HSL 67.5, 0.36%, 0.22%

LAB 30.53, -9.01, 22.98

 

CMYK 53 / 0 / 20 / 70

HEX #244C3D

RGB 36 76 61

HSL 157.5, 0.36%, 0.22%

LAB 29.11, -18.31, 4.61

 

CMYK 46 / 53 / 0 / 70

HEX #29244C

RGB 41 36 76

HSL 247.5, 0.36%, 0.22%

LAB 16.77, 14.07, -24.08

 

CMYK 0 / 53 / 33 / 70

HEX #4C2433

RGB 76 36 51

HSL 337.5, 0.36%, 0.22%

LAB 20.19, 20.89, -1.17

 

Description

Color code: HEX #464B233F | qconv.com Color code: HEX #464B233F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 75 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 75 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 13% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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