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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4646484C it is the complementary color #B9B9B74C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4646484C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4646484C shade: #4B46434C, #5C58564C, #6D6A694C, #7E7C7C4C and #8F8E8F4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4646484C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4646484C shade: #4646484C, #3534354C, #2422224C, #13100F4C and #0200004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4646484C shade: #474748 and #484748

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4646484C shade: #474748

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4646484C shade matches the following richer shades: #474748, #3B3B54, #30305F, #24246B and #181876

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4646484C shade: #474748, #52523D, #5E5E31, #696925 and #75751A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4646484C shade: #474748

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4646484C shade: #1E1E1E, #323233, #474748, #5B5B5D and #707072

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4646484C shade: #464648, #484748 and #474847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4646484C shade: #464648, #484747 and #474847

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4646484C shade: #464648, #484748, #484847 and #474847

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4646484C shade: #464648, #484747, #484847 and #474847

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 1 / 0 / 22

HEX #4646484C

RGBA 70 70 72 0.3

HSLA 240, 0.01%, 0.28%, 0.3

LABA 29.79, 0.45, -1.2, 0.3

 

Complementary color

CMYK 0 / 0 / 0 / 8

HEX #B9B9B74C

RGBA 185 185 183 0.3

HSLA 60, 0.01%, 0.72%, 0.3

LABA 75.1, -0.37, 1, 0.3

 

CMYK 0 / 2 / 3 / 21

HEX #4B46434C

RGBA 75 70 67 0.3

HSLA 22.5, 0.06%, 0.28%, 0.3

LABA 30.11, 1.48, 2.56, 0.3

 

CMYK 0 / 1 / 2 / 19

HEX #5C58564C

RGBA 92 88 86 0.3

HSLA 20, 0.03%, 0.35%, 0.3

LABA 37.71, 1.2, 1.73, 0.3

 

CMYK 0 / 1 / 1 / 17

HEX #6D6A694C

RGBA 109 106 105 0.3

HSLA 15, 0.02%, 0.42%, 0.3

LABA 45.05, 0.97, 0.97, 0.3

 

CMYK 0 / 0 / 0 / 15

HEX #7E7C7C4C

RGBA 126 124 124 0.3

HSLA 0, 0.01%, 0.49%, 0.3

LABA 52.18, 0.76, 0.26, 0.3

 

CMYK 0 / 0 / 0 / 13

HEX #8F8E8F4C

RGBA 143 142 143 0.3

HSLA 300, 0%, 0.56%, 0.3

LABA 59.13, 0.57, -0.41, 0.3

 

CMYK 1 / 1 / 0 / 22

HEX #4646484C

RGBA 70 70 72 0.3

HSLA 240, 0.01%, 0.28%, 0.3

LABA 29.79, 0.45, -1.2, 0.3

 

CMYK 0 / 1 / 0 / 24

HEX #3534354C

RGBA 53 52 53 0.3

HSLA 300, 0.01%, 0.21%, 0.3

LABA 21.84, 0.67, -0.48, 0.3

 

CMYK 0 / 2 / 2 / 26

HEX #2422224C

RGBA 36 34 34 0.3

HSLA 0, 0.03%, 0.14%, 0.3

LABA 13.44, 0.94, 0.33, 0.3

 

CMYK 0 / 5 / 6 / 28

HEX #13100F4C

RGBA 19 16 15 0.3

HSLA 15, 0.12%, 0.07%, 0.3

LABA 4.91, 0.96, 0.91, 0.3

 

CMYK 0 / 30 / 30 / 30

HEX #0200004C

RGBA 2 0 0 0.3

HSLA 0, 1%, 0%, 0.3

LABA 0.12, 0.52, 0.18, 0.3

 

CMYK 1 / 1 / 0 / 72

HEX #474748

RGB 71 71 72

HSL 240, 0.01%, 0.28%

LAB 30.19, 0.22, -0.6

 

CMYK 0 / 1 / 0 / 72

HEX #484748

RGB 72 71 72

HSL 300, 0.01%, 0.28%

LAB 30.28, 0.64, -0.46

 

CMYK 1 / 1 / 0 / 72

HEX #474748

RGB 71 71 72

HSL 240, 0.01%, 0.28%

LAB 30.19, 0.22, -0.6

 

CMYK 1 / 1 / 0 / 72

HEX #474748

RGB 71 71 72

HSL 240, 0.01%, 0.28%

LAB 30.19, 0.22, -0.6

 

CMYK 30 / 30 / 0 / 67

HEX #3B3B54

RGB 59 59 84

HSL 240, 0.17%, 0.28%

LAB 25.86, 6.53, -15.06

 

CMYK 49 / 49 / 0 / 63

HEX #30305F

RGB 48 48 95

HSL 240, 0.33%, 0.28%

LAB 22.19, 14.12, -28.1

 

CMYK 66 / 66 / 0 / 58

HEX #24246B

RGB 36 36 107

HSL 240, 0.5%, 0.28%

LAB 18.79, 24.13, -41.48

 

CMYK 80 / 80 / 0 / 54

HEX #181876

RGB 24 24 118

HSL 240, 0.66%, 0.28%

LAB 16.28, 34.38, -52.76

 

CMYK 1 / 1 / 0 / 72

HEX #474748

RGB 71 71 72

HSL 240, 0.01%, 0.28%

LAB 30.19, 0.22, -0.6

 

CMYK 0 / 0 / 26 / 68

HEX #52523D

RGB 82 82 61

HSL 60, 0.15%, 0.28%

LAB 34.32, -4, 12.37

HEX #52523D

CMYK 0 / 0 / 48 / 63

HEX #5E5E31

RGB 94 94 49

HSL 60, 0.31%, 0.28%

LAB 38.91, -7.33, 25.68

HEX #5E5E31

CMYK 0 / 0 / 65 / 59

HEX #696925

RGB 105 105 37

HSL 60, 0.48%, 0.28%

LAB 43.12, -9.63, 37.07

HEX #696925

CMYK 0 / 0 / 78 / 54

HEX #75751A

RGB 117 117 26

HSL 60, 0.64%, 0.28%

LAB 47.73, -11.35, 46.61

HEX #75751A

CMYK 1 / 1 / 0 / 72

HEX #474748

RGB 71 71 72

HSL 240, 0.01%, 0.28%

LAB 30.19, 0.22, -0.6

 

CMYK 0 / 0 / 0 / 88

HEX #1E1E1E

RGB 30 30 30

HSL 0, 0%, 0.12%

LAB 11.26, 0, -0

 

CMYK 2 / 2 / 0 / 80

HEX #323233

RGB 50 50 51

HSL 240, 0.01%, 0.2%

LAB 20.82, 0.24, -0.64

 

CMYK 1 / 1 / 0 / 72

HEX #474748

RGB 71 71 72

HSL 240, 0.01%, 0.28%

LAB 30.19, 0.22, -0.6

 

CMYK 2 / 2 / 0 / 64

HEX #5B5B5D

RGB 91 91 93

HSL 240, 0.01%, 0.36%

LAB 38.72, 0.43, -1.15

 

CMYK 2 / 2 / 0 / 55

HEX #707072

RGB 112 112 114

HSL 240, 0.01%, 0.44%

LAB 47.3, 0.41, -1.11

 

Description

Color code: HEX #4646484C | qconv.com Color code: HEX #4646484C | qconv.com - big

Only slight differences between the color values. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 70 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 70 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 1 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 1% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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