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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46384D it is the complementary color #B9C7B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46384D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46384D shade: #4B3848, #5C4A5B, #6D5C6E, #7E6E81 and #8F8094

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46384D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46384D shade: #46384D, #35263A, #241427, #130214 and #020001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46384D shade: #46384D, #4C384D, #4D3849, #4D3843 and #4D383D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46384D shade: #46384D, #40384D, #3A384D and #38384D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46384D shade matches the following richer shades: #46384D, #492D58, #4D2262, #51186D and #540D78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46384D shade: #46384D, #424242, #3F4D37, #3B582D and #386322

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46384D shade: #3B384D, #40384D, #46384D, #4B384D and #4D3849

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46384D shade: #1A151D, #302635, #46384D, #5C4965 and #715A7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46384D shade: #46384D, #4D383B and #384D3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46384D shade: #46384D, #4D4638 and #384D46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46384D shade: #46384D, #4D383B, #3F4D38 and #384D4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46384D shade: #46384D, #4D3B38, #3F4D38 and #38494D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

Complementary color

CMYK 7 / 0 / 11 / 22

HEX #B9C7B2

RGB 185 199 178

HSL 100, 0.16%, 0.74%

LAB 78.68, -8.65, 8.88

 

CMYK 0 / 25 / 4 / 71

HEX #4B3848

RGB 75 56 72

HSL 309.47, 0.15%, 0.26%

LAB 26.13, 11.61, -6.58

 

CMYK 0 / 20 / 1 / 64

HEX #5C4A5B

RGB 92 74 91

HSL 303.33, 0.11%, 0.33%

LAB 33.83, 10.98, -7.13

 

CMYK 1 / 16 / 0 / 57

HEX #6D5C6E

RGB 109 92 110

HSL 296.67, 0.09%, 0.4%

LAB 41.27, 10.44, -7.66

 

CMYK 2 / 15 / 0 / 49

HEX #7E6E81

RGB 126 110 129

HSL 290.53, 0.08%, 0.47%

LAB 48.48, 9.97, -8.16

 

CMYK 3 / 14 / 0 / 42

HEX #8F8094

RGB 143 128 148

HSL 285, 0.09%, 0.54%

LAB 55.5, 9.56, -8.65

 

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

CMYK 9 / 34 / 0 / 77

HEX #35263A

RGB 53 38 58

HSL 285, 0.21%, 0.19%

LAB 17.68, 11.5, -10.14

 

CMYK 8 / 49 / 0 / 85

HEX #241427

RGB 36 20 39

HSL 290.53, 0.32%, 0.12%

LAB 9.17, 12.4, -9.77

 

CMYK 5 / 90 / 0 / 92

HEX #130214

RGB 19 2 20

HSL 296.67, 0.82%, 0.04%

LAB 2.1, 8.02, -6.17

 

CMYK 0 / 100 / 50 / 99

HEX #020001

RGB 2 0 1

HSL 330, 1%, 0%

LAB 0.14, 0.66, -0.19

 

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

CMYK 1 / 27 / 0 / 70

HEX #4C384D

RGB 76 56 77

HSL 297.14, 0.16%, 0.26%

LAB 26.45, 13.13, -9.39

 

CMYK 0 / 27 / 5 / 70

HEX #4D3849

RGB 77 56 73

HSL 311.43, 0.16%, 0.26%

LAB 26.41, 12.65, -6.8

 

CMYK 0 / 27 / 13 / 70

HEX #4D3843

RGB 77 56 67

HSL 328.57, 0.16%, 0.26%

LAB 26.19, 11.4, -3.15

 

CMYK 0 / 27 / 21 / 70

HEX #4D383D

RGB 77 56 61

HSL 345.71, 0.16%, 0.26%

LAB 25.99, 10.24, 0.54

 

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

CMYK 17 / 27 / 0 / 70

HEX #40384D

RGB 64 56 77

HSL 262.86, 0.16%, 0.26%

LAB 25.12, 8.45, -11.54

 

CMYK 25 / 27 / 0 / 70

HEX #3A384D

RGB 58 56 77

HSL 245.71, 0.16%, 0.26%

LAB 24.52, 6.19, -12.5

 

CMYK 27 / 27 / 0 / 70

HEX #38384D

RGB 56 56 77

HSL 240, 0.16%, 0.26%

LAB 24.34, 5.45, -12.81

 

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

CMYK 17 / 49 / 0 / 65

HEX #492D58

RGB 73 45 88

HSL 279.07, 0.32%, 0.26%

LAB 23.66, 21.81, -20.99

 

CMYK 21 / 65 / 0 / 62

HEX #4D2262

RGB 77 34 98

HSL 280.31, 0.48%, 0.26%

LAB 22.32, 32.12, -29.68

 

CMYK 26 / 78 / 0 / 57

HEX #51186D

RGB 81 24 109

HSL 280.24, 0.64%, 0.26%

LAB 21.97, 40.6, -37.38

 

CMYK 30 / 89 / 0 / 53

HEX #540D78

RGB 84 13 120

HSL 279.81, 0.8%, 0.26%

LAB 22.05, 47.47, -44.31

 

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

CMYK 0 / 0 / 0 / 74

HEX #424242

RGB 66 66 66

HSL 0, 0%, 0.26%

LAB 27.97, 0, -0

 

CMYK 18 / 0 / 29 / 70

HEX #3F4D37

RGB 63 77 55

HSL 98.18, 0.17%, 0.26%

LAB 30.97, -10.34, 11.27

 

CMYK 33 / 0 / 49 / 65

HEX #3B582D

RGB 59 88 45

HSL 100.47, 0.32%, 0.26%

LAB 34.19, -19.85, 21.51

 

CMYK 43 / 0 / 66 / 61

HEX #386322

RGB 56 99 34

HSL 99.69, 0.49%, 0.26%

LAB 37.63, -27.93, 31.49

 

CMYK 23 / 27 / 0 / 70

HEX #3B384D

RGB 59 56 77

HSL 248.57, 0.16%, 0.26%

LAB 24.62, 6.56, -12.35

 

CMYK 17 / 27 / 0 / 70

HEX #40384D

RGB 64 56 77

HSL 262.86, 0.16%, 0.26%

LAB 25.12, 8.45, -11.54

 

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

CMYK 3 / 27 / 0 / 70

HEX #4B384D

RGB 75 56 77

HSL 294.29, 0.16%, 0.26%

LAB 26.33, 12.73, -9.58

 

CMYK 0 / 27 / 5 / 70

HEX #4D3849

RGB 77 56 73

HSL 311.43, 0.16%, 0.26%

LAB 26.41, 12.65, -6.8

 

CMYK 10 / 28 / 0 / 89

HEX #1A151D

RGB 26 21 29

HSL 277.5, 0.16%, 0.1%

LAB 7.63, 4.55, -4.7

 

CMYK 9 / 28 / 0 / 79

HEX #302635

RGB 48 38 53

HSL 280, 0.16%, 0.18%

LAB 16.85, 8.17, -7.97

 

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

CMYK 9 / 28 / 0 / 60

HEX #5C4965

RGB 92 73 101

HSL 280.71, 0.16%, 0.34%

LAB 33.94, 13.85, -13.3

 

CMYK 10 / 28 / 0 / 51

HEX #715A7D

RGB 113 90 125

HSL 279.43, 0.16%, 0.42%

LAB 41.69, 16.43, -16.13

 

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

CMYK 0 / 27 / 23 / 70

HEX #4D383B

RGB 77 56 59

HSL 351.43, 0.16%, 0.26%

LAB 25.93, 9.87, 1.78

 

CMYK 27 / 0 / 21 / 70

HEX #384D3D

RGB 56 77 61

HSL 134.29, 0.16%, 0.26%

LAB 30.61, -11.96, 6.89

 

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

CMYK 0 / 9 / 27 / 70

HEX #4D4638

RGB 77 70 56

HSL 40, 0.16%, 0.26%

LAB 30.02, 0.34, 9.52

 

CMYK 27 / 0 / 9 / 70

HEX #384D46

RGB 56 77 70

HSL 160, 0.16%, 0.26%

LAB 30.86, -9.87, 1.51

 

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

CMYK 0 / 27 / 23 / 70

HEX #4D383B

RGB 77 56 59

HSL 351.43, 0.16%, 0.26%

LAB 25.93, 9.87, 1.78

 

CMYK 18 / 0 / 27 / 70

HEX #3F4D38

RGB 63 77 56

HSL 100, 0.16%, 0.26%

LAB 31, -10.15, 10.68

 

CMYK 27 / 0 / 4 / 70

HEX #384D4A

RGB 56 77 74

HSL 171.43, 0.16%, 0.26%

LAB 30.98, -8.86, -0.87

 

CMYK 9 / 27 / 0 / 70

HEX #46384D

RGB 70 56 77

HSL 280, 0.16%, 0.26%

LAB 25.76, 10.77, -10.5

 

CMYK 0 / 23 / 27 / 70

HEX #4D3B38

RGB 77 59 56

HSL 8.57, 0.16%, 0.26%

LAB 26.71, 7.39, 4.88

 

CMYK 18 / 0 / 27 / 70

HEX #3F4D38

RGB 63 77 56

HSL 100, 0.16%, 0.26%

LAB 31, -10.15, 10.68

 

CMYK 27 / 5 / 0 / 70

HEX #38494D

RGB 56 73 77

HSL 191.43, 0.16%, 0.26%

LAB 29.77, -5.62, -4.59

 

Description

Color code: HEX #46384D | qconv.com Color code: HEX #46384D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 56 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 56 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 27 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 27% 0% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - GHTWEB, Лучшая CMS д...
Link: http://alliways.gq

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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